amalik

02:16

vor 2 Monaten

von tiktoltik@mail.ru

energetic bass hip hop fast

amalik

02:12

vor 2 Monaten

von tiktoltik@mail.ru

energetic bass hip hop fast

Midnight Circuit

02:24

vor 2 Monaten

von lizalise mveli

808 beat, R&B,trap, k-pop

bass r&b k pop delay throws mid-tempo swung drums R&B-trap with glossy K-pop bounce clipped hi-hats punchy sub drops and neon synth stabs; verse one rides minimal kick and glassy chords pre-chorus opens with filtered risers and snare rolls chorus blooms with stacked pads and a hook synth lead bridge strips to sub and vocal chops before a final lift. Close-mic vibe bright and polished mix with airy top-end and reverse swells.

Midnight Circuit

02:29

vor 2 Monaten

von lizalise mveli

808 beat, R&B,trap, k-pop

bass r&b k pop delay throws mid-tempo swung drums R&B-trap with glossy K-pop bounce clipped hi-hats punchy sub drops and neon synth stabs; verse one rides minimal kick and glassy chords pre-chorus opens with filtered risers and snare rolls chorus blooms with stacked pads and a hook synth lead bridge strips to sub and vocal chops before a final lift. Close-mic vibe bright and polished mix with airy top-end and reverse swells.

Muito jovem para voar

05:58

vor 2 Monaten

von Claudio Rodrigues

bass violin female vocals blues acoustic guitar piano chill Soul Men's vocals. saxophone

Muito jovem para voar

04:49

vor 2 Monaten

von Claudio Rodrigues

bass violin female vocals blues acoustic guitar piano chill Soul Men's vocals. saxophone

Unaweza Yesu

04:43

vor 2 Monaten

von enmamr19@gmail.com

swahili gospel song of worship. nyimbo nzuri ya kuabudu inaita unaweza yesu. ya kuabudu lakini baadae inabadilika na kuwa ya kuchangamka na kuchezeka ila mwanzo inaanza kwa kuabudu na katikati ya wimbo anatokea mtu anafanya maombi anaombea watu. maombi ya kumsifu mungu na kuombea watu wenye shida mbali mbali

male vocals bass Gospel claps worship guitar chops chorus blooms with full drums Swahili gospel worship that starts reverent and prayerful then opens into joyful praise and dancing; slow-to-mid tempo with soft keys and pad in verse pre-chorus strips to vocal call and hand percussion and choir shouts; middle section shifts to a spoken-sung prayer over a gentle groove then final chorus gets brighter with call-and-response and praise breaks; male vocals close-mic lead with warm doubles on hooks choir responses short delay throws on key phrases rising swell into every lift crisp and uplifting mix

No Puede Más

01:10

vor 2 Monaten

von Yaxon Carrasco tocto

(Intro) ¡Suavecito…! ¡Ya tú sabes! ¡Eso! (Coro - entra directo) Pero él no puede dar más, dar más, dar más, pero él no puede dar más, no puede más, pero él no puede dar más, dar más, dar más, una sola es la que debe cuidar. (Verso corto) Mucho floro, poco na’, pura bulla, nada más, dice “mía”, dice “ya”, pero nunca cumple na’. (Coro) Pero él no puede da

male vocals bass and handclaps reversed swells Reggaeton dembow with a perreo bounce and tight syncopated percussion; intro drops straight into the hook verse stays stripped to kick pre-chorus tightens with filtered sweeps chorus opens with stacked gang doubles and short delay throws on the anchor phrase. Male vocals close-mic and teasing in verses more forceful on the hook with rim-click fills and a glossy punchy mix.

No Puede Más

01:50

vor 2 Monaten

von Yaxon Carrasco tocto

(Intro) ¡Suavecito…! ¡Ya tú sabes! ¡Eso! (Coro - entra directo) Pero él no puede dar más, dar más, dar más, pero él no puede dar más, no puede más, pero él no puede dar más, dar más, dar más, una sola es la que debe cuidar. (Verso corto) Mucho floro, poco na’, pura bulla, nada más, dice “mía”, dice “ya”, pero nunca cumple na’. (Coro) Pero él no puede da

male vocals bass and handclaps reversed swells Reggaeton dembow with a perreo bounce and tight syncopated percussion; intro drops straight into the hook verse stays stripped to kick pre-chorus tightens with filtered sweeps chorus opens with stacked gang doubles and short delay throws on the anchor phrase. Male vocals close-mic and teasing in verses more forceful on the hook with rim-click fills and a glossy punchy mix.

Apne Raah De Raja

02:03

vor 2 Monaten

von Arslan Khan

Saanu kise naal milan da shoq nai, Asi apne raah de raja aa… Na kise di soch ch phasde aa, Asi khud de likhe irada aa… Jithe duniya saath chad jandi, Othe asi khud hi khad jande aa… Dhokhe vekh ke hassde aa, Dil ch dard vi sad jande aa… (Hook) Saanu kise di load nai, Asi akele hi kaafi aa… Duniya jhooti lagdi ae, Par asi sach de saathi aa… Saanu kise di load nai, Na kise da sahara chahida… Maa baa

bass sad and a bright Punjabi hip-hop with a steady mid-tempo bounce and crisp handclap swing; verse rides sparse kick and dry snare then pre-chorus opens with filtered synth lift and snare rolls; chorus hits with layered gang doubles and a chanty reply. Add reverse swells into each hook vocal delay throws on the last word punchy mix with intimate lead vocal.

Apne Raah De Raja

02:07

vor 2 Monaten

von Arslan Khan

Saanu kise naal milan da shoq nai, Asi apne raah de raja aa… Na kise di soch ch phasde aa, Asi khud de likhe irada aa… Jithe duniya saath chad jandi, Othe asi khud hi khad jande aa… Dhokhe vekh ke hassde aa, Dil ch dard vi sad jande aa… (Hook) Saanu kise di load nai, Asi akele hi kaafi aa… Duniya jhooti lagdi ae, Par asi sach de saathi aa… Saanu kise di load nai, Na kise da sahara chahida… Maa baa

bass sad and a bright Punjabi hip-hop with a steady mid-tempo bounce and crisp handclap swing; verse rides sparse kick and dry snare then pre-chorus opens with filtered synth lift and snare rolls; chorus hits with layered gang doubles and a chanty reply. Add reverse swells into each hook vocal delay throws on the last word punchy mix with intimate lead vocal.

Pol Rata y Merluza

03:04

vor 2 Monaten

von lparera.rov@gmail.com

que sea de regeton.merluza le pone los cuernos a pol rata en el camino i en irlanda con un italiano. a la lucia le gustan los gordos como pol. i la lucia es infiel. que quede como infiel i q haga risa. i que ahora podria estar con palomino que la trata muy bien pero ya ha perdido esa opurtunidad.

male vocals bass - Brass stabs glossy ad-lib throws Reggaeton dembow-locked with punchy handclaps woody rim clicks and a round sub bass; verse rides sparse with cheeky syncopation pre-chorus strips to kick and a teasing synth riser chorus hits with gang vocals and a playful horn riff. Male vocals with tight doubles and a few teasing harmony replies; ear candy from reversed sweeps into the hook and a tape-stop before the last chorus. Bright and mischievous in the mix.

Pol Rata y Merluza

02:55

vor 2 Monaten

von lparera.rov@gmail.com

que sea de regeton.merluza le pone los cuernos a pol rata en el camino i en irlanda con un italiano. a la lucia le gustan los gordos como pol. i la lucia es infiel. que quede como infiel i q haga risa. i que ahora podria estar con palomino que la trata muy bien pero ya ha perdido esa opurtunidad.