Female Vocals

KI-Generierte Musik

1253 Tracks

Female Vocals Tracks

Soft Tides

Cover-Art für Soft Tides von Jeidden Matthieu Escano
03:01

vor 2 Monaten

von Jeidden Matthieu Escano

cool amazing relaxing

female vocals relaxing soft sub bass brushed percussion Gentle downtempo groove with warm electric piano and airy pads. Female vocals close and intimate lots of breath and subtle vibrato. Chorus widens with stacked harmonies and a light guitar shimmer; bridge pulls back to almost a cappella before a lush final hook.

Soft Tides

Cover-Art für Soft Tides von Jeidden Matthieu Escano
03:08

vor 2 Monaten

von Jeidden Matthieu Escano

cool amazing relaxing

female vocals relaxing soft sub bass brushed percussion Gentle downtempo groove with warm electric piano and airy pads. Female vocals close and intimate lots of breath and subtle vibrato. Chorus widens with stacked harmonies and a light guitar shimmer; bridge pulls back to almost a cappella before a lush final hook.

13th Boyz

Cover-Art für 13th Boyz von Young Easywe
02:30

vor 2 Monaten

von Young Easywe

need a 13th boyz in my life

female vocals Glossy K-pop R&B blend with female vocals; airy keys and bright synth plucks over a tight bouncing drum groove. Verses stay playful and minimal with close-mic vocal pre-chorus lifts using stacked harmonies and a rising synth pad. Chorus hits big with layered hooks rhythmic vocal chops and a punchy bass line then a brief middle-8 breakdown with claps and filtered beat before final explosive hook.

13th Boyz

Cover-Art für 13th Boyz von Young Easywe
02:57

vor 2 Monaten

von Young Easywe

need a 13th boyz in my life

female vocals Glossy K-pop R&B blend with female vocals; airy keys and bright synth plucks over a tight bouncing drum groove. Verses stay playful and minimal with close-mic vocal pre-chorus lifts using stacked harmonies and a rising synth pad. Chorus hits big with layered hooks rhythmic vocal chops and a punchy bass line then a brief middle-8 breakdown with claps and filtered beat before final explosive hook.

Water and the War Is Won

Cover-Art für Water and the War Is Won von Catherene Vergara
03:29

vor 2 Monaten

von Catherene Vergara

create a song evangelic with god redeem he is victory band baptism female vocalist

female vocals driving toms gang vocals Modern worship anthem with uplifting arena rock energy; bright electric guitars and warm bass under soaring female vocals. Verses start restrained with gentle piano and subtle pads; chorus explodes with full band and cymbal swells. Bridge strips back to kick-and-clap pulse and reverb-kissed vocal stack then rises into a final triumphant double chorus.

Water and the War Is Won

Cover-Art für Water and the War Is Won von Catherene Vergara
03:25

vor 2 Monaten

von Catherene Vergara

create a song evangelic with god redeem he is victory band baptism female vocalist

female vocals driving toms gang vocals Modern worship anthem with uplifting arena rock energy; bright electric guitars and warm bass under soaring female vocals. Verses start restrained with gentle piano and subtle pads; chorus explodes with full band and cymbal swells. Bridge strips back to kick-and-clap pulse and reverb-kissed vocal stack then rises into a final triumphant double chorus.

Lento y Sin Prisa

Cover-Art für Lento y Sin Prisa von Marnie Alvarez
02:55

vor 2 Monaten

von Marnie Alvarez

Verso 1 Hay algo en la forma en que te acercas, que baja el ruido y me deja en calma. No hacen falta tantas palabras, si en tu mirada ya me dices que me amas… oso. Pienso en el pasado y miro el futuro, y si estás conmigo… todo se siente seguro. Verso 2 Fuimos lento, lento y sin prisa, me hablaron de todo… y yo hablé de tu sonrisa. En un segundo cambiaste mi vida, y ahora no entiendo cómo antes no

female vocals ending on a delicate Warm Latin pop ballad over nylon guitar and soft percussion female vocals up front; verses stay intimate and close-mic’d then chorus blooms with lush pads simple bass groove and airy backing harmonies. Energy builds gently from verse 1 to final chorus held note and a fading guitar arpeggio.

Lento y Sin Prisa

Cover-Art für Lento y Sin Prisa von Marnie Alvarez
03:31

vor 2 Monaten

von Marnie Alvarez

Verso 1 Hay algo en la forma en que te acercas, que baja el ruido y me deja en calma. No hacen falta tantas palabras, si en tu mirada ya me dices que me amas… oso. Pienso en el pasado y miro el futuro, y si estás conmigo… todo se siente seguro. Verso 2 Fuimos lento, lento y sin prisa, me hablaron de todo… y yo hablé de tu sonrisa. En un segundo cambiaste mi vida, y ahora no entiendo cómo antes no

female vocals ending on a delicate Warm Latin pop ballad over nylon guitar and soft percussion female vocals up front; verses stay intimate and close-mic’d then chorus blooms with lush pads simple bass groove and airy backing harmonies. Energy builds gently from verse 1 to final chorus held note and a fading guitar arpeggio.

No Limits, No Fear

Cover-Art für No Limits, No Fear von Osya
03:17

vor 2 Monaten

von Osya

Bassline rising, feel the heat, Moving faster with the beat. No more silence, no more doubt, Turn it up, don’t fade it out. Lights are flashing in my eyes, Neon colors in the skies. Every second pulling me, Deeper into energy. No limits, no fear, The sound is all I hear. No limits, no fear, We disappear. Body moving, no control, Feel the rhythm in my soul. Nothing matters, only now

female vocals bassline Soul High-energy electro-pop with female vocals; bright sidechain synths pumping over a tight four-on-the-floor kick and pulsing bass. Verses stay lean with filtered chords and intimate close-mic vocal; chorus explodes wide with stacked harmonies riser sweeps and a soaring lead. Short breakdown before the final hook with chopped vocal echoes then a final lift for a big satisfying outro hit.

No Limits, No Fear

Cover-Art für No Limits, No Fear von Osya
03:24

vor 2 Monaten

von Osya

Bassline rising, feel the heat, Moving faster with the beat. No more silence, no more doubt, Turn it up, don’t fade it out. Lights are flashing in my eyes, Neon colors in the skies. Every second pulling me, Deeper into energy. No limits, no fear, The sound is all I hear. No limits, no fear, We disappear. Body moving, no control, Feel the rhythm in my soul. Nothing matters, only now

female vocals bassline Soul High-energy electro-pop with female vocals; bright sidechain synths pumping over a tight four-on-the-floor kick and pulsing bass. Verses stay lean with filtered chords and intimate close-mic vocal; chorus explodes wide with stacked harmonies riser sweeps and a soaring lead. Short breakdown before the final hook with chopped vocal echoes then a final lift for a big satisfying outro hit.

Dans Met De Dood

Cover-Art für Dans Met De Dood von 14890@leerling.dacapo-college.nl
04:05

vor 2 Monaten

von 14890@leerling.dacapo-college.nl

ik wil dqt je een nummer maakt over een meisje die de keuze gaat maken leven of dood omdat ze het niet meer ziet zittrn en ik wil dat de dood als persoon wordt geschreven bijv ik kijk de dood recht aan hij ziet mij staan

female vocals then a soaring Dark piano ballad that swells into cinematic rock; close fragile female vocals in the verses with intimate reverb gritty chorus over big drums distorted guitars and deep bass swells; subtle strings shadow the melody bridge drops back to almost a whisper before the final explosive hook

Dans Met De Dood

Cover-Art für Dans Met De Dood von 14890@leerling.dacapo-college.nl
03:41

vor 2 Monaten

von 14890@leerling.dacapo-college.nl

ik wil dqt je een nummer maakt over een meisje die de keuze gaat maken leven of dood omdat ze het niet meer ziet zittrn en ik wil dat de dood als persoon wordt geschreven bijv ik kijk de dood recht aan hij ziet mij staan

female vocals then a soaring Dark piano ballad that swells into cinematic rock; close fragile female vocals in the verses with intimate reverb gritty chorus over big drums distorted guitars and deep bass swells; subtle strings shadow the melody bridge drops back to almost a whisper before the final explosive hook

Te Vi Llegar Tarde

Cover-Art für Te Vi Llegar Tarde von Zyndi Zyndi
03:57

vor 2 Monaten

von Zyndi Zyndi

Estilo banda/Mariachi romántico con mucho sentimiento

female vocals mariachi banda Romantic banda/mariachi ballad female vocals. Warm nylon-string guitars and bajo sexto set an intimate intro then full brass band swells in the choruses with soaring trumpets and close-voiced horn harmonies. Verses stay close and conversational with light percussion and upright bass; choruses bloom with rich string pads stacked female harmonies and dramatic cymbal swells. Final chorus modulates up for extra emotion holding the last note with echoing ad-lib runs.

Te Vi Llegar Tarde

Cover-Art für Te Vi Llegar Tarde von Zyndi Zyndi
03:48

vor 2 Monaten

von Zyndi Zyndi

Estilo banda/Mariachi romántico con mucho sentimiento

female vocals mariachi banda Romantic banda/mariachi ballad female vocals. Warm nylon-string guitars and bajo sexto set an intimate intro then full brass band swells in the choruses with soaring trumpets and close-voiced horn harmonies. Verses stay close and conversational with light percussion and upright bass; choruses bloom with rich string pads stacked female harmonies and dramatic cymbal swells. Final chorus modulates up for extra emotion holding the last note with echoing ad-lib runs.

Муси-пуси

Cover-Art für Муси-пуси von Юля‐Экстрим
01:26

vor 3 Monaten

von Юля‐Экстрим

Саня а ты знал что ты не моём вкусе я не люблю эти муси пуси

female vocals Crunchy hyperpop beat with distorted synth leads and elastic sub female vocals half-sung half-rapped attitude front and center. Verses tight and percussive with chopped doubles; chorus explodes with stacked slightly detuned harmonies and a bright top-line. Occasional glitch cuts and reverse swells between lines to keep it twitchy and addictive.

Муси-пуси

Cover-Art für Муси-пуси von Юля‐Экстрим
01:28

vor 3 Monaten

von Юля‐Экстрим

Саня а ты знал что ты не моём вкусе я не люблю эти муси пуси

female vocals Crunchy hyperpop beat with distorted synth leads and elastic sub female vocals half-sung half-rapped attitude front and center. Verses tight and percussive with chopped doubles; chorus explodes with stacked slightly detuned harmonies and a bright top-line. Occasional glitch cuts and reverse swells between lines to keep it twitchy and addictive.

Саня, ты не в моём вкусе

Cover-Art für Саня, ты не в моём вкусе von Юля Игнатова
02:16

vor 3 Monaten

von Юля Игнатова

Саня а ты знал что ты не моём вкусе я не люблю эти муси пуси

female vocals Dark club-ready Russian pop female vocals; cold synth bass and tight trap drums under half-spoken half-sung verses hook opens with brighter plucks and stacked harmonies subtle pitch-shift ad-libs and chopped vocal tails to make the chorus addictive and sharp

Саня, ты не в моём вкусе

Cover-Art für Саня, ты не в моём вкусе von Юля Игнатова
02:39

vor 3 Monaten

von Юля Игнатова

Саня а ты знал что ты не моём вкусе я не люблю эти муси пуси

female vocals Dark club-ready Russian pop female vocals; cold synth bass and tight trap drums under half-spoken half-sung verses hook opens with brighter plucks and stacked harmonies subtle pitch-shift ad-libs and chopped vocal tails to make the chorus addictive and sharp

Corrido de Lorena Orona

Cover-Art für Corrido de Lorena Orona von Karen Trujillo
03:57

vor 3 Monaten

von Karen Trujillo

Quiero un corrido con voz de mujer que diga que un nueve de enero llegó Lorena Orona la mejor amiga y la mejor mamá siempre bien trabajadora primero en maquila y luego en un asilo siempre nos ah dado lo mejor nos ah alimentado siempre con su buen sazón por sus hijas da la vida Ruby la primera la que la enseño a ser mamá, ah Tania la de en medio la enseño a cocinar y Karen la que más guerra da

female vocals Acústic Mexican corrido with female vocals bright requinto intro and steady bajo sexto strums; verses stay narrative and intimate bass and snare lock in for a mid-tempo sway. Accordion lines answer the vocal phrases chorus lifts with stacked harmonies and a slightly wider reverb then a short instrumental turnaround between sections to keep it under three minutes.

Corrido de Lorena Orona

Cover-Art für Corrido de Lorena Orona von Karen Trujillo
03:59

vor 3 Monaten

von Karen Trujillo

Quiero un corrido con voz de mujer que diga que un nueve de enero llegó Lorena Orona la mejor amiga y la mejor mamá siempre bien trabajadora primero en maquila y luego en un asilo siempre nos ah dado lo mejor nos ah alimentado siempre con su buen sazón por sus hijas da la vida Ruby la primera la que la enseño a ser mamá, ah Tania la de en medio la enseño a cocinar y Karen la que más guerra da

female vocals Acústic Mexican corrido with female vocals bright requinto intro and steady bajo sexto strums; verses stay narrative and intimate bass and snare lock in for a mid-tempo sway. Accordion lines answer the vocal phrases chorus lifts with stacked harmonies and a slightly wider reverb then a short instrumental turnaround between sections to keep it under three minutes.

Omo Yoguna

Cover-Art für Omo Yoguna von MahnRubbzz
02:30

vor 3 Monaten

von MahnRubbzz

(Verse 1) Moon e kirap na sun e go down Antap long fego mountain Cool win blong yanuro blow isi come Long wara heguguto If you wish sing (CHORUS) Kehafo bade abaday Uta haiguna fego eye Hairlota kerikeri yamo rita Kro rota Omo yoguna Omo yoguna Omo yoguna Omo yoguna Kerikeri Yamo Rita Kro rota Omo yoguna (Verse 2) Work about slowly along Yanuro range with cool breeze Were foam drew it's last line

female vocals then drops back to a tender soft pads airy reverb fading outro. Dreamy Pacific island groove with gentle acoustic guitar and steady toms; female vocals laid close and intimate. Verses stay hushed over rolling percussion; chorus widens with stacked harmonies and a subtle melodic bass. Bridge lifts with wordless vocal hooks and claps

Teresa y Juan Saverio

Cover-Art für Teresa y Juan Saverio von abril gayo
03:10

vor 3 Monaten

von abril gayo

esta es la historia de mi abuela Teresa y de mi abuelo Juan saverio

female vocals then returns to a tender Warm acoustic ballad with female vocals; nylon-string guitar and soft upright bass carry a gentle 6/8 sway. Verses stay intimate and close-mic with subtle piano voicings; chorus blooms with airy harmonies and brushed percussion. Bridge lifts energy slightly with melodic ad-libs nostalgic close.

Teresa y Juan Saverio

Cover-Art für Teresa y Juan Saverio von abril gayo
03:02

vor 3 Monaten

von abril gayo

esta es la historia de mi abuela Teresa y de mi abuelo Juan saverio

female vocals then returns to a tender Warm acoustic ballad with female vocals; nylon-string guitar and soft upright bass carry a gentle 6/8 sway. Verses stay intimate and close-mic with subtle piano voicings; chorus blooms with airy harmonies and brushed percussion. Bridge lifts energy slightly with melodic ad-libs nostalgic close.

Мама Вика, папа Андрей

Cover-Art für Мама Вика, папа Андрей von dianasolovej12@gmail.com
03:40

vor 3 Monaten

von dianasolovej12@gmail.com

Вика мама- свет души Андрей -папа наш герой В этот день в судьбе большой Стали парой золотой Мама Вика папа Андрей Будьте счастливы скорей Мы Диана Артём Ангелина Вам желаем без причины Любви удачи долгих лет В сердце -солнечный рассвет Помним как нас растили вы Дарили ласку теплоты А сегодня ваш черёд Пусть удача к вам придёт Мама Вика папа Андрей Будьте счастливы скорей Мы Диана Артём Ангелин

female vocals Уютная праздничная эстрадная баллада с женским вокалом мягкое фортепиано и тёплые струнные. Куплеты камерные с близким к микрофону голосом; в припеве подключаются лёгкие ударные бас и бэк-вокалы детей создавая ощущение семейного хора. К концу песни — подъём динамики и краткая инструментальная пауза перед финальной строкой а капелла.