Female Vocals

KI-Generierte Musik

1253 Tracks

Female Vocals Tracks

Guarda Meu Coração

Cover-Art für Guarda Meu Coração von Chris Couto
03:43

vor 1 Monat

von Chris Couto

Jesus guarda o meu coração Jesus guarda a minha vida Espírito Santo

female vocals emotive soft piano arpeggios Worship pop ballad with gentle 6/8 pulse warm pad swell and restrained hand percussion; verse stays intimate and close-mic pre-chorus opens with stacked harmonies and rising toms chorus lifts with full female lead doubles and light choir support. Add reversed swell into each chorus a subtle tambourine shimmer on the back half and a final bridge strip-down to piano and breathy vocal. Bright and spacious mix with a polished church-pop glow.

Guarda Meu Coração

Cover-Art für Guarda Meu Coração von Chris Couto
03:28

vor 1 Monat

von Chris Couto

Jesus guarda o meu coração Jesus guarda a minha vida Espírito Santo

female vocals emotive soft piano arpeggios Worship pop ballad with gentle 6/8 pulse warm pad swell and restrained hand percussion; verse stays intimate and close-mic pre-chorus opens with stacked harmonies and rising toms chorus lifts with full female lead doubles and light choir support. Add reversed swell into each chorus a subtle tambourine shimmer on the back half and a final bridge strip-down to piano and breathy vocal. Bright and spacious mix with a polished church-pop glow.

Ayúdame a vivir

Cover-Art für Ayúdame a vivir von Janeth Ortiz
03:40

vor 1 Monat

von Janeth Ortiz

mi amor no se que me esta pasando estoy feliz contigo pero no se como vamos a seguir si no miro un futuro no se si tu quieres lo mismo que quiero yo y no se si la vida nos permita continuar porque tu aun quieres vivir pero yo siento que la vida se me termino ayudame a sentir que aun puedo vivir ayudame a sentirme viva ayudame a mirar la vida de la manera que tu la miras me siento feliz cuando sie

female vocals glossy mix. Pop-R&B ballad with a slow swaying groove soft kick and fingerpicked guitar in the verses; pre-chorus opens with layered pads and a rising drum pulse chorus blooms with warm bass and stacked harmonies. Female vocals stay intimate and close-mic in verses then double-tracked with airy ad-libs on the hook. Subtle reversed swells bell accents and a final lift into a wide

Ayúdame a vivir

Cover-Art für Ayúdame a vivir von Janeth Ortiz
03:21

vor 1 Monat

von Janeth Ortiz

mi amor no se que me esta pasando estoy feliz contigo pero no se como vamos a seguir si no miro un futuro no se si tu quieres lo mismo que quiero yo y no se si la vida nos permita continuar porque tu aun quieres vivir pero yo siento que la vida se me termino ayudame a sentir que aun puedo vivir ayudame a sentirme viva ayudame a mirar la vida de la manera que tu la miras me siento feliz cuando sie

female vocals glossy mix. Pop-R&B ballad with a slow swaying groove soft kick and fingerpicked guitar in the verses; pre-chorus opens with layered pads and a rising drum pulse chorus blooms with warm bass and stacked harmonies. Female vocals stay intimate and close-mic in verses then double-tracked with airy ad-libs on the hook. Subtle reversed swells bell accents and a final lift into a wide

Alex William

Cover-Art für Alex William von Isadela
03:32

vor 1 Monat

von Isadela

esta canción va para alguien muy especial. que llegó a mi vida hace 4 años su nombre es Alex William y quiero que su nombre salga durante toda la canción Gracias hermanito por llegar a mi vida en el momento perfecto hermanita te amo mucho mi niño precioso eres el mejor regalo que Dios me pudo dar

female vocals bright soft kick Pop ballad with female vocals with doubled chorus lines pre-chorus opens with rising pads and stacked harmonies mid-tempo 6/8 sway and gentle syncopation; verse stays intimate with piano and fingerpicked guitar chorus lands wider with warm bass and a lifted drum pattern. Lead vocal is close-mic and emotional little ad-lib echoes and tender call-and-response backing on the name. Ear candy: reversed cymbal swells into each chorus shimmer tails on final words and a soft string lift in the bridge. Mix is warm and polished with a heartfelt radio sheen.

Alex William

Cover-Art für Alex William von Isadela
03:33

vor 1 Monat

von Isadela

esta canción va para alguien muy especial. que llegó a mi vida hace 4 años su nombre es Alex William y quiero que su nombre salga durante toda la canción Gracias hermanito por llegar a mi vida en el momento perfecto hermanita te amo mucho mi niño precioso eres el mejor regalo que Dios me pudo dar

female vocals bright soft kick Pop ballad with female vocals with doubled chorus lines pre-chorus opens with rising pads and stacked harmonies mid-tempo 6/8 sway and gentle syncopation; verse stays intimate with piano and fingerpicked guitar chorus lands wider with warm bass and a lifted drum pattern. Lead vocal is close-mic and emotional little ad-lib echoes and tender call-and-response backing on the name. Ear candy: reversed cymbal swells into each chorus shimmer tails on final words and a soft string lift in the bridge. Mix is warm and polished with a heartfelt radio sheen.

Matondo Saint Etienne

Cover-Art für Matondo Saint Etienne von Bapuoh paschal
03:09

vor 1 Monat

von Bapuoh paschal

chanson d'action de grâce à Dieu pour le 65ans de la Paroisse Saint Etienne. La Paroisse Saint Etienne est animée par les Missionnaires d'Afrique. La communauté chrétienne a commencé en 1959 par le Père Paul Warmoes et a été érigée comme Paroisse en 1962. En 2027, la Paroisse totalise 65ans. Matondo na Nzambe. Matondo na ba Pères blancs, Matondo mingi na basango banso. chanter en lingala

female vocals piano chanson call-and-response pre-chorus lifts with stacked harmonies and snare build Gospel praise with driving mid-tempo handclaps and warm live choir groove; verse begins intimate with solo female vocal and soft organ chorus opens wide with congregation-style responses and gang shouts on the gratitude phrase. Bridge drops to voice and hand percussion before a triumphant final chorus with ad-lib runs and bright brass accents. Close-mic lead rich female doubles on the hook radiant and uplifting mix.

Matondo Saint Etienne

Cover-Art für Matondo Saint Etienne von Bapuoh paschal
04:05

vor 1 Monat

von Bapuoh paschal

chanson d'action de grâce à Dieu pour le 65ans de la Paroisse Saint Etienne. La Paroisse Saint Etienne est animée par les Missionnaires d'Afrique. La communauté chrétienne a commencé en 1959 par le Père Paul Warmoes et a été érigée comme Paroisse en 1962. En 2027, la Paroisse totalise 65ans. Matondo na Nzambe. Matondo na ba Pères blancs, Matondo mingi na basango banso. chanter en lingala

female vocals piano chanson call-and-response pre-chorus lifts with stacked harmonies and snare build Gospel praise with driving mid-tempo handclaps and warm live choir groove; verse begins intimate with solo female vocal and soft organ chorus opens wide with congregation-style responses and gang shouts on the gratitude phrase. Bridge drops to voice and hand percussion before a triumphant final chorus with ad-lib runs and bright brass accents. Close-mic lead rich female doubles on the hook radiant and uplifting mix.

Лучшие друзья

Cover-Art für Лучшие друзья von Нюта НЕБЕСНАЯ
03:14

vor 1 Monat

von Нюта НЕБЕСНАЯ

История лучших друзей от лмца девушки к парни

female vocals intimate and a final lift with airy ad-libs. Bright a reverse swell into each chorus Pop-R&B with midtempo bounce and syncopated drums; verse stays close-mic and conversational with sparse keys and bass pre-chorus lifts with stacked harmonies and a filtered swell chorus opens into a bigger melodic hook with doubled lead and soft gang vocals on the anchor phrase. Add bell plucks between lines polished mix; female vocals

Лучшие друзья

Cover-Art für Лучшие друзья von Нюта НЕБЕСНАЯ
02:46

vor 1 Monat

von Нюта НЕБЕСНАЯ

История лучших друзей от лмца девушки к парни

female vocals intimate and a final lift with airy ad-libs. Bright a reverse swell into each chorus Pop-R&B with midtempo bounce and syncopated drums; verse stays close-mic and conversational with sparse keys and bass pre-chorus lifts with stacked harmonies and a filtered swell chorus opens into a bigger melodic hook with doubled lead and soft gang vocals on the anchor phrase. Add bell plucks between lines polished mix; female vocals

Din Șaisprezece Noiembrie

Cover-Art für Din Șaisprezece Noiembrie von Plop Ecaterina
03:00

vor 1 Monat

von Plop Ecaterina

Te port în minte și în suflet din șaisprezece noiembrie, Două mii douăzeci și doi — început de poveste… Ne-am cunoscut pe internet, asa a-nceput tot. Dintr-un mesaj ai ajuns lumea mea, Lumina care-mi alină inima, Și în fiecare zi îi mulțumesc lui Dumnezeu Că te-a adus în sufletul meu. (Refren) Tu ești tot ce am mai scump pe lume. Te iubesc mai mult decât pot spune, Mai mult decât stelele și cerul

female vocals airy doubles Romantic pop ballad with gentle mid-tempo pulse soft acoustic guitar and warm piano; verse stays intimate and conversational pre-chorus lifts with string swells and held notes chorus opens wider with layered harmonies and a tender drum build. Female vocals with close-mic lead and emotional ad-lib echoes; subtle reverse piano swells heartbeat kick and a final chorus with fuller pads for a glowing mix that feels warm and expansive.

Din Șaisprezece Noiembrie

Cover-Art für Din Șaisprezece Noiembrie von Plop Ecaterina
03:23

vor 1 Monat

von Plop Ecaterina

Te port în minte și în suflet din șaisprezece noiembrie, Două mii douăzeci și doi — început de poveste… Ne-am cunoscut pe internet, asa a-nceput tot. Dintr-un mesaj ai ajuns lumea mea, Lumina care-mi alină inima, Și în fiecare zi îi mulțumesc lui Dumnezeu Că te-a adus în sufletul meu. (Refren) Tu ești tot ce am mai scump pe lume. Te iubesc mai mult decât pot spune, Mai mult decât stelele și cerul

female vocals airy doubles Romantic pop ballad with gentle mid-tempo pulse soft acoustic guitar and warm piano; verse stays intimate and conversational pre-chorus lifts with string swells and held notes chorus opens wider with layered harmonies and a tender drum build. Female vocals with close-mic lead and emotional ad-lib echoes; subtle reverse piano swells heartbeat kick and a final chorus with fuller pads for a glowing mix that feels warm and expansive.

Kissen aus Gold

Cover-Art für Kissen aus Gold von Cherry Duah-Boateng
02:56

vor 1 Monat

von Cherry Duah-Boateng

hey mein Schatz ich bin so froh das du in meinem Leben kommen bist es macht mich glücklich das ich dich gefunden habe ich habe immer Fehler gemacht aber ich habe es immer mich jeden Morgen zum Lächeln, Lächeln und ich wache mit einem Lächeln auf. Das macht mich sehr glücklich, dass ich dich in meinem Leben hab. Du bist der beste Mann, der beste Freund mit jemand immer reden kann,

emotional female vocals German pop ballad with warm mid-tempo pulse and gentle backbeat; verse stays intimate and conversational pre-chorus lifts with rising piano and string swells chorus opens into a wide singable hook with stacked female vocal doubles and airy harmonies. Soft reverse swells delicate finger snaps into the lift and a final chorus with subtle chimes. Bright close-mic mix with polished sparkle.

Kissen aus Gold

Cover-Art für Kissen aus Gold von Cherry Duah-Boateng
03:01

vor 1 Monat

von Cherry Duah-Boateng

hey mein Schatz ich bin so froh das du in meinem Leben kommen bist es macht mich glücklich das ich dich gefunden habe ich habe immer Fehler gemacht aber ich habe es immer mich jeden Morgen zum Lächeln, Lächeln und ich wache mit einem Lächeln auf. Das macht mich sehr glücklich, dass ich dich in meinem Leben hab. Du bist der beste Mann, der beste Freund mit jemand immer reden kann,

emotional female vocals German pop ballad with warm mid-tempo pulse and gentle backbeat; verse stays intimate and conversational pre-chorus lifts with rising piano and string swells chorus opens into a wide singable hook with stacked female vocal doubles and airy harmonies. Soft reverse swells delicate finger snaps into the lift and a final chorus with subtle chimes. Bright close-mic mix with polished sparkle.

Dans la route

Cover-Art für Dans la route von Lila Nemoul
03:07

vor 1 Monat

von Lila Nemoul

notre dispute elle est si forte tu m'as jeté brusquement par terre je pleure aïe aïe aïe aïe aïe aïe aïe tu m'as laissé dans la route. très seul je sors mon portable maintenant je vois un message je suis trist je suis très triste tu m'as laissé dans la route je marche seul votre dispute m'a brisé le cœur j'espère que tu vas revenir j'espère que tu vas revenir je pense à toi cette fois j'aurais dû

female vocals French pop ballad with female vocals mid-tempo pulse and restrained hand percussion; verse stays intimate and close-mic pre-chorus opens with rising piano and suspended strings chorus lands with stacked harmonies and a short repeated hook. Use breathy lead doubles soft octave support on key lines and delay throws on the last word of each refrain. Add a reversed swell into the chorus a tiny synth shimmer between phrases and a wide emotional mix with polished low end and clear vocals.

Dans la route

Cover-Art für Dans la route von Lila Nemoul
02:45

vor 1 Monat

von Lila Nemoul

notre dispute elle est si forte tu m'as jeté brusquement par terre je pleure aïe aïe aïe aïe aïe aïe aïe tu m'as laissé dans la route. très seul je sors mon portable maintenant je vois un message je suis trist je suis très triste tu m'as laissé dans la route je marche seul votre dispute m'a brisé le cœur j'espère que tu vas revenir j'espère que tu vas revenir je pense à toi cette fois j'aurais dû

female vocals French pop ballad with female vocals mid-tempo pulse and restrained hand percussion; verse stays intimate and close-mic pre-chorus opens with rising piano and suspended strings chorus lands with stacked harmonies and a short repeated hook. Use breathy lead doubles soft octave support on key lines and delay throws on the last word of each refrain. Add a reversed swell into the chorus a tiny synth shimmer between phrases and a wide emotional mix with polished low end and clear vocals.

Не похоже на конец

Cover-Art für Не похоже на конец von Анна Нико
03:36

vor 1 Monat

von Анна Нико

Не похоже, что это конец. Знаешь говорят, чтобы забыть человека нужно отдалится от него, не видеть каждый день и тому подобное.  Я вижу тебя ежедневно и кажется с каждой секундой проведённой рядом, я всё дальше и дальше. Все твои колкие слова в мой адрес, ты ведь знаешь, что я не обижаюсь, потому что понимаю, этим ты лишь хочешь меня задеть, да посильнее, а я ведь не дура, я не реагирую на эти про

female vocals polished doubled hook lines and emotional. pre-chorus opens with rising strings and breathy doubles Russian pop ballad with female vocals mid-tempo pulse and gentle swung drums; verse stays intimate with sparse piano and muted bass chorus lands on wide harmony stacks and a short chantable refrain. Vocal treatment is close-mic and vulnerable in verses with airy ad-libs and delay throws on key words. Ear candy includes reversed piano swells soft cymbal lifts and a final chorus lift with fuller percussion. Mix is warm

Не похоже на конец

Cover-Art für Не похоже на конец von Анна Нико
03:25

vor 1 Monat

von Анна Нико

Не похоже, что это конец. Знаешь говорят, чтобы забыть человека нужно отдалится от него, не видеть каждый день и тому подобное.  Я вижу тебя ежедневно и кажется с каждой секундой проведённой рядом, я всё дальше и дальше. Все твои колкие слова в мой адрес, ты ведь знаешь, что я не обижаюсь, потому что понимаю, этим ты лишь хочешь меня задеть, да посильнее, а я ведь не дура, я не реагирую на эти про

female vocals polished doubled hook lines and emotional. pre-chorus opens with rising strings and breathy doubles Russian pop ballad with female vocals mid-tempo pulse and gentle swung drums; verse stays intimate with sparse piano and muted bass chorus lands on wide harmony stacks and a short chantable refrain. Vocal treatment is close-mic and vulnerable in verses with airy ad-libs and delay throws on key words. Ear candy includes reversed piano swells soft cymbal lifts and a final chorus lift with fuller percussion. Mix is warm

cliché

Cover-Art für cliché von Gustavo Roldán
02:15

vor 1 Monat

von Gustavo Roldán

guitar female vocals tambores style surf coro pegadizo

cliché

Cover-Art für cliché von Gustavo Roldán
02:31

vor 1 Monat

von Gustavo Roldán

guitar female vocals tambores style surf coro pegadizo

Três Presentes

Cover-Art für Três Presentes von Jonito lovito angelo
03:18

vor 1 Monat

von Jonito lovito angelo

Eu abro os olhos e já sei Quem me sustentou, quem me guardou Não foi por força, não foi por mim Foi a Tua mão, foi só por Ti _Pré-refrão_ A cada dia o Senhor me dá Mais um motivo pra Te louvar E quando olho pra minha casa Vejo a Tua graça a me alcançar _Refrão_ Obrigado, Deus, pela vida que me deste Obrigado, Pai, por tudo que sou hoje Tu me deste três presentes,

female vocals chorus blooms with full drums Gospel pop with mid-tempo lift swung handclaps and warm piano under soft kick and bass; verse stays intimate with sparse keys and close female vocal pre-chorus opens with stacked harmonies and rising pads choir-style doubles and short delay throws on the anchor phrase. Add reversed swells into the pre-chorus a bright shaker lift into each chorus and a final lift with ad-lib harmonies. Clean radiant emotional mix. female vocals

Três Presentes

Cover-Art für Três Presentes von Jonito lovito angelo
03:20

vor 1 Monat

von Jonito lovito angelo

Eu abro os olhos e já sei Quem me sustentou, quem me guardou Não foi por força, não foi por mim Foi a Tua mão, foi só por Ti _Pré-refrão_ A cada dia o Senhor me dá Mais um motivo pra Te louvar E quando olho pra minha casa Vejo a Tua graça a me alcançar _Refrão_ Obrigado, Deus, pela vida que me deste Obrigado, Pai, por tudo que sou hoje Tu me deste três presentes,

female vocals chorus blooms with full drums Gospel pop with mid-tempo lift swung handclaps and warm piano under soft kick and bass; verse stays intimate with sparse keys and close female vocal pre-chorus opens with stacked harmonies and rising pads choir-style doubles and short delay throws on the anchor phrase. Add reversed swells into the pre-chorus a bright shaker lift into each chorus and a final lift with ad-lib harmonies. Clean radiant emotional mix. female vocals

Dominiqui

Cover-Art für Dominiqui von dominickRodriguezmontalvo3@gmail.com
03:42

vor 1 Monat

von dominickRodriguezmontalvo3@gmail.com

Dominiqui, dime por qué Tu dolor hoy te encadena En tus ojos hay Una sombra de gran pena No quisiera verte así Aunque quieras disimularlo Si es que tan triste estás ¿Para qué quieres callarlo? Dominiqui, dímelo tú En mi hombro, aquí llorando Cuenta conmigo ya Para así seguir andando Tan segura te conocí Y ahora tu ala quebrada (Qué vacío, me duele verte llorar) Déjamela arreglar,yo la quiero

female vocals Ballad pop with female vocals slow 6/8 sway and gentle acoustic piano verse kept intimate with sparse bass and brushed percussion pre-chorus opens with rising strings and soft harmony stacks chorus blooms with warm pads and doubled lead; breathy close-mic delivery tender backing oohs on key lines subtle reverse piano swells into each lift bright and glossy mix with emotional front-and-center vocals.

Dominiqui

Cover-Art für Dominiqui von dominickRodriguezmontalvo3@gmail.com
03:37

vor 1 Monat

von dominickRodriguezmontalvo3@gmail.com

Dominiqui, dime por qué Tu dolor hoy te encadena En tus ojos hay Una sombra de gran pena No quisiera verte así Aunque quieras disimularlo Si es que tan triste estás ¿Para qué quieres callarlo? Dominiqui, dímelo tú En mi hombro, aquí llorando Cuenta conmigo ya Para así seguir andando Tan segura te conocí Y ahora tu ala quebrada (Qué vacío, me duele verte llorar) Déjamela arreglar,yo la quiero

female vocals Ballad pop with female vocals slow 6/8 sway and gentle acoustic piano verse kept intimate with sparse bass and brushed percussion pre-chorus opens with rising strings and soft harmony stacks chorus blooms with warm pads and doubled lead; breathy close-mic delivery tender backing oohs on key lines subtle reverse piano swells into each lift bright and glossy mix with emotional front-and-center vocals.