Lindemans Red at Three

04:20

vor 2 Monaten

mom usually drinks at Peggy’s Corral and also drinks at Roy Roger’s saloon and the famous song and mom’s favourite song is ride a cowboy save a horse Harley’s to cowboys euchre to bridge is the card game and happy hour starts at 3 and the drink is lindemans red

male vocals happy brighter acoustic strums Laid-back country-rock barroom jam twangy Telecaster riffs over a steady mid-tempo groove. Verses keep it close and conversational with brushed snare and warm bass; chorus opens with stacked singalong harmonies and a simple shout-along hook. Subtle organ pads in the background guitar fill answering the vocal between lines big final chorus with ad-libbed barroom energy.

Lindemans Red at Three

03:49

vor 2 Monaten

von grantghutchinson@gmail.com

mom usually drinks at Peggy’s Corral and also drinks at Roy Roger’s saloon and the famous song and mom’s favourite song is ride a cowboy save a horse Harley’s to cowboys euchre to bridge is the card game and happy hour starts at 3 and the drink is lindemans red

male vocals happy brighter acoustic strums Laid-back country-rock barroom jam twangy Telecaster riffs over a steady mid-tempo groove. Verses keep it close and conversational with brushed snare and warm bass; chorus opens with stacked singalong harmonies and a simple shout-along hook. Subtle organ pads in the background guitar fill answering the vocal between lines big final chorus with ad-libbed barroom energy.

Merci, Papa Donatien Baziota

03:17

vor 2 Monaten

von BAZIOTA DONATIEN

PAPA DONATIEN BAZIOTA AUJOURD'HUI NOUS TES ENFANTS NOUS SOMMES RÉUNIS À L'OCCASION DE CETTE JOURNÉE POUR TE DIRE MERCI, PAPA DONATIEN BAZIOTA POUR NOUS VOUS ÊTES UN HÉRO, TU TE CASSER LA TÊTE CHAQUE MATIN QUE TU SOIT MALADE OU PAS JUSTE POUR NOTRE BONHEUR, PAPA DONATIEN BAZIOTA AUJOURD'HUI NOUS TES ENFANTS NOUS SOMMES RÉUNIS JUSTE POUR VOUS MERCI PAPA DONATIEN BAZIOTA, TA FAMILLE BAZIOTA T'AIME

male vocals Warm Afro-pop ballad with male vocals gentle guitar arpeggios and soft percussion light congas and shaker texture; verses stay intimate with close-mic vocal chorus blooms with layered harmonies from a small family choir bass entering to lift the groove. Bridge pulls instruments back to near a cappella focus on the lead then band swells for a final heartfelt chorus and long vocal ad-libs on the title line.

Merci, Papa Donatien Baziota

03:20

vor 2 Monaten

von BAZIOTA DONATIEN

PAPA DONATIEN BAZIOTA AUJOURD'HUI NOUS TES ENFANTS NOUS SOMMES RÉUNIS À L'OCCASION DE CETTE JOURNÉE POUR TE DIRE MERCI, PAPA DONATIEN BAZIOTA POUR NOUS VOUS ÊTES UN HÉRO, TU TE CASSER LA TÊTE CHAQUE MATIN QUE TU SOIT MALADE OU PAS JUSTE POUR NOTRE BONHEUR, PAPA DONATIEN BAZIOTA AUJOURD'HUI NOUS TES ENFANTS NOUS SOMMES RÉUNIS JUSTE POUR VOUS MERCI PAPA DONATIEN BAZIOTA, TA FAMILLE BAZIOTA T'AIME

male vocals Warm Afro-pop ballad with male vocals gentle guitar arpeggios and soft percussion light congas and shaker texture; verses stay intimate with close-mic vocal chorus blooms with layered harmonies from a small family choir bass entering to lift the groove. Bridge pulls instruments back to near a cappella focus on the lead then band swells for a final heartfelt chorus and long vocal ad-libs on the title line.

Saudade de Goiânia

02:00

vor 2 Monaten

von Job Andre

saudades de Goiânia

male vocals Warm sertanejo-pop ballad with male vocals nylon guitar leading the harmony soft accordion fills and subtle brush drums. Verses stay intimate and close-mic’d chorus lifts with stacked backing vocals and a steady groove bass rounding the low end. Late-chorus ad-libs and a brief guitar hook between sections deepen the nostalgia and invite sing-alongs.

Saudade de Goiânia

02:23

vor 2 Monaten

von Job Andre

saudades de Goiânia

male vocals Warm sertanejo-pop ballad with male vocals nylon guitar leading the harmony soft accordion fills and subtle brush drums. Verses stay intimate and close-mic’d chorus lifts with stacked backing vocals and a steady groove bass rounding the low end. Late-chorus ad-libs and a brief guitar hook between sections deepen the nostalgia and invite sing-alongs.

Filho de Angola

03:11

vor 2 Monaten

von Nelson Pleya

isso é Nelson Angola, terra de sonho, de savanas até ao mar Quatorze províncias, cada uma um lugar especial Do Namibe ao Lunda, do mar até ao planalto Sol que queima forte, povo de sorriso alto Refrão: Eu sou Nelson, filho de Angola! Cazenga, Luanda, raiz de Angola! Ai ai ai ai ai… isso é Angola! Ai ai ai ai… terra negra, terra minha! Estrofe 2: Luanda brilha à noite, Benguela dança com o mar Hua

male vocals Afro-pop angolano com groove quente male vocals; batida dançante em tempo médio baixo elástico e guitarra com toques de semba e kizomba; versos mais contidos com congas suaves refrão explode em coro de vozes sopros discretos e linhas de resposta; ponte com quebra de bateria e palmas final em coro coletivo em fade

Filho de Angola

03:00

vor 2 Monaten

von Nelson Pleya

isso é Nelson Angola, terra de sonho, de savanas até ao mar Quatorze províncias, cada uma um lugar especial Do Namibe ao Lunda, do mar até ao planalto Sol que queima forte, povo de sorriso alto Refrão: Eu sou Nelson, filho de Angola! Cazenga, Luanda, raiz de Angola! Ai ai ai ai ai… isso é Angola! Ai ai ai ai… terra negra, terra minha! Estrofe 2: Luanda brilha à noite, Benguela dança com o mar Hua

male vocals Afro-pop angolano com groove quente male vocals; batida dançante em tempo médio baixo elástico e guitarra com toques de semba e kizomba; versos mais contidos com congas suaves refrão explode em coro de vozes sopros discretos e linhas de resposta; ponte com quebra de bateria e palmas final em coro coletivo em fade

Macomia é Onde Me Nasceram

02:36

vor 2 Monaten

von Nelito Eusebio Costa Nangade Costa

Chamu_me putu inácio sou de licanganohoo macomia é onde me nasceram nangu ni muana munumbala vanumbala ni ricola rianguhuu eu amo a minha família Nelito Luís Natália Ana Paula mano bobobo lack tissa wa mapepa mãe carmenia mãe Esmiralda bernardina 2pack meus amigos Bogotá Isack Xico assake OG uniku Macondizzy bacharel

male vocals claps soft bass mid-tempo bounce Afro-pop vibe with warm guitars and male vocals upfront. Verses ride a relaxed syncopated groove with light percussion and gentle keys. Choruses open wider with gang vocals and bright melodic hooks. Small ad-libs and call-and-response lines highlight the many names building to a celebratory final chorus with stacked harmonies and a subtle outro vamp.

Plus Bas, Plus Fort

02:26

vor 2 Monaten

von Claude Obame

ah la puissance avec des transitions de voix d'homme lui voix d'homme une voix grave et une voix plus douce plus bas plus bas les transitions de voix avec des punch de deux gars qui parlent de comment ils sont arrivés là où ils en sont ils étaient d'abord pauvres maintenir son riche ils vont gratter les sous

male vocals French melodic trap with male vocals dark 808 pulse half-sung streetwise verses sudden dual-voice switches between a gravelly low baritone and a smoother lower harmony airy minor-key synth pads clipped handclaps and a hook that hits like a locked handshake

De Rien à Trop

03:01

vor 2 Monaten

von Claude Obame

ah la puissance avec des transitions de voix d'homme lui voix d'homme une voix grave et une voix plus douce plus bas plus bas les transitions de voix avec des punch de deux gars qui parlent de comment ils sont arrivés là où ils en sont ils étaient d'abord pauvres maintenir son riche ils vont gratter les sous

male vocals Dark French trap beat male vocals; couplets alternent voix grave et voix douce façon dialogue ad-libs ponctuent les punchlines. Couplets serrés kick sec et 808 profond nappes sombres en arrière-plan. Refrain plus ouvert avec harmonies doublées quelques backs pitchés pour rappeler le passé fauché. Bridge en demi-teinte batterie filtrée puis retour plein volume sur le dernier hook.

All Night On Me

02:26

vor 2 Monaten

von HnGsSUB

Generate me a song like all eyez on me (Like that) but wiht a deep house beat. Needs to a very nice 110-125bpm Party song. American rap vocals, hard rap with house music beat

male vocals rap dark deep house driving deep house at 122 BPM: rubbery sub-bass shuffled hi-hats and a looping piano stab under hard American male rap vocals. Verses sit tight and aggressive with sparse synth swells; chorus widens with stacked chants and a filtered vocal hook. Occasional risers and snare builds lift into drops keeping the party energy peaking through each section.

All Night On Me

02:30

vor 2 Monaten

von HnGsSUB

Generate me a song like all eyez on me (Like that) but wiht a deep house beat. Needs to a very nice 110-125bpm Party song. American rap vocals, hard rap with house music beat

male vocals rap dark deep house driving deep house at 122 BPM: rubbery sub-bass shuffled hi-hats and a looping piano stab under hard American male rap vocals. Verses sit tight and aggressive with sparse synth swells; chorus widens with stacked chants and a filtered vocal hook. Occasional risers and snare builds lift into drops keeping the party energy peaking through each section.

Песня про Ивана Богомолова

02:42

vor 2 Monaten

von Евгений Ивочкин

лёгкая песня про Ивана Богомолова с хорошим басом и запоминающиеся мелодией

male vocals tight drum groove Laid-back Russian pop with male vocals bouncy electric bass hook clean guitars doing offbeat stabs and a whistled topline that doubles the chorus. Verses stay sparse and intimate chorus blooms with stacked “ooh” harmonies and a brighter synth pad. Subby bass anchors the track leaving space around the vocal for the melody to lodge in the listener’s head.

Песня про Ивана Богомолова

02:39

vor 2 Monaten

von Евгений Ивочкин

лёгкая песня про Ивана Богомолова с хорошим басом и запоминающиеся мелодией

male vocals tight drum groove Laid-back Russian pop with male vocals bouncy electric bass hook clean guitars doing offbeat stabs and a whistled topline that doubles the chorus. Verses stay sparse and intimate chorus blooms with stacked “ooh” harmonies and a brighter synth pad. Subby bass anchors the track leaving space around the vocal for the melody to lodge in the listener’s head.

Anniversaire RICO Bilolo

03:14

vor 2 Monaten

von aarontshibamba50@gmail.com

joyeux anniversaire à toi RICO bilolo merci beaucoup à mon bb Florence tshiela et Berthe kabeya et Bernadette BK qui sont mes grandes sœurs merci beaucoup à mes très chers parents papa Fernand kabasele et maman Angel tshilanda merci beaucoup à mon ingénieur humble Aaron

male vocals round bass Afro-pop fête vibe midtempo bounce with bright guitars and crisp drums; male vocals up front playful and grateful. First verse starts sparse with claps and light keys chorus blooms with gang-style backing vocals on the name chants subtle horns answering lines. Second half adds call-and-response ad-libs and a short percussive break before final big chorus.

Anniversaire RICO Bilolo

03:03

vor 2 Monaten

von aarontshibamba50@gmail.com

joyeux anniversaire à toi RICO bilolo merci beaucoup à mon bb Florence tshiela et Berthe kabeya et Bernadette BK qui sont mes grandes sœurs merci beaucoup à mes très chers parents papa Fernand kabasele et maman Angel tshilanda merci beaucoup à mon ingénieur humble Aaron

male vocals round bass Afro-pop fête vibe midtempo bounce with bright guitars and crisp drums; male vocals up front playful and grateful. First verse starts sparse with claps and light keys chorus blooms with gang-style backing vocals on the name chants subtle horns answering lines. Second half adds call-and-response ad-libs and a short percussive break before final big chorus.

Caminhos Que Levam Pra Morte

03:45

vor 2 Monaten

von Valdeci Vieira

tantos caminhos que eu andei aos meus olhos parecia ser tão bom eram caminhos que levavam a morte eu estava caminhando para lá quando eu saia do meu lar não tinha hora pra retornar o meu dinheiro eu gastava com amigos e não trazia o alimento pra casa

male vocals bass swells Acoustic gospel vibe with male vocals; warm nylon guitar and soft pad beds under a confessional verse. Chorus lifts with subtle floor toms and stacked harmonies on the hook. Final section brings a gentle dynamic rise tambourine and higher backing ad-libs then resolves back to intimate voice-and-guitar.

Caminhos Que Levam Pra Morte

03:52

vor 2 Monaten

von Valdeci Vieira

tantos caminhos que eu andei aos meus olhos parecia ser tão bom eram caminhos que levavam a morte eu estava caminhando para lá quando eu saia do meu lar não tinha hora pra retornar o meu dinheiro eu gastava com amigos e não trazia o alimento pra casa

male vocals bass swells Acoustic gospel vibe with male vocals; warm nylon guitar and soft pad beds under a confessional verse. Chorus lifts with subtle floor toms and stacked harmonies on the hook. Final section brings a gentle dynamic rise tambourine and higher backing ad-libs then resolves back to intimate voice-and-guitar.

Glitch In My Veins

03:13

vor 2 Monaten

von Desilo Darkcasta

make it a hard trap, techno, glitching, chill but intense, swearing filled, cinematic, gaming rap song about the pibby infection from fnf add lore/references kinda and make it match what it is/what it does/ what it does to others when in contact with them and a few people tryna survive it with a mix of female/male rap vocals/voices and make the song LONG etc....

male vocals rap Techno Hard trap-techno hybrid with glitch edits and cinematic swells. Relentless 808s distorted reese bass and stuttering percussion sidechained under a pulsing four-on-the-floor kick. Alternating male and female rap vocals with pitched doubles demonic layers and chopped ad-libs. Drops hit with bitcrushed synth leads and risers that “corrupt” the beat occasionally freezing or muting bars for effect before slamming back in. Intense yet spacious mix so every bar cuts through like a boss-fight anthem.

Glitch In My Veins

03:18

vor 2 Monaten

von Desilo Darkcasta

make it a hard trap, techno, glitching, chill but intense, swearing filled, cinematic, gaming rap song about the pibby infection from fnf add lore/references kinda and make it match what it is/what it does/ what it does to others when in contact with them and a few people tryna survive it with a mix of female/male rap vocals/voices and make the song LONG etc....

male vocals rap Techno Hard trap-techno hybrid with glitch edits and cinematic swells. Relentless 808s distorted reese bass and stuttering percussion sidechained under a pulsing four-on-the-floor kick. Alternating male and female rap vocals with pitched doubles demonic layers and chopped ad-libs. Drops hit with bitcrushed synth leads and risers that “corrupt” the beat occasionally freezing or muting bars for effect before slamming back in. Intense yet spacious mix so every bar cuts through like a boss-fight anthem.

Maama Gwe Bulamu Bwange

03:52

vor 2 Monaten

von Heart Broken

Maama gwe bulamu bwange Obeera nange buli kaseera mu birowoozo wampuulirizza nga nnyo okuva mu buto bwange Ebigambo byo byanyamba ne binkulaakulanya Olina ekisa ekitagambika mu nsi eno ekambwe Wampa amagezi n'obuvumu bw'okuyimirira Mu nsi muno etayagala muntu agwa Oli mukkakkamu naye ng'oli wa maanyi Wandaga ekkubo lye nnina okukwata Buli lwe naseerera wankwata nga ku mukono

male vocals Warm Afro-fusion ballad with male vocals gentle acoustic guitar and soft Ugandan percussion subtle bass holding the low end. Verses stay intimate and close-mic chorus lifts with airy pads and stacked harmonies on the title line. Light shakers and rim clicks add movement; bridge drops to almost solo vocal before a final big grateful chorus.

Maama Gwe Bulamu Bwange

04:22

vor 2 Monaten

von Heart Broken

Maama gwe bulamu bwange Obeera nange buli kaseera mu birowoozo wampuulirizza nga nnyo okuva mu buto bwange Ebigambo byo byanyamba ne binkulaakulanya Olina ekisa ekitagambika mu nsi eno ekambwe Wampa amagezi n'obuvumu bw'okuyimirira Mu nsi muno etayagala muntu agwa Oli mukkakkamu naye ng'oli wa maanyi Wandaga ekkubo lye nnina okukwata Buli lwe naseerera wankwata nga ku mukono

male vocals Warm Afro-fusion ballad with male vocals gentle acoustic guitar and soft Ugandan percussion subtle bass holding the low end. Verses stay intimate and close-mic chorus lifts with airy pads and stacked harmonies on the title line. Light shakers and rim clicks add movement; bridge drops to almost solo vocal before a final big grateful chorus.

Graveyard Shift Showdown

03:18

vor 2 Monaten

von Desinilo Darkclast

make it a phonk, swearing filled, cinematic, hard trap, intense, violent, rap battle between the night/security guard from the five nights at freddys franchise vs the janitor from willys wonderland (who is a straight up psychopath when attacked by them at willys wonderland) and the night guard is just a night guard oh and make the song LONG (and give them both male/rap vocals but in different tone

male vocals rap tone distant choirs crowd-style shouts Ultra-dark cinematic phonk-trap male vocals in two distinct tones: one tense anxious and nasal; the other cold deadpan and menacing. Layered detuned cowbell and warped Memphis samples over crushing 808s with horror-score strings and rising risers. Verses trade off like battle rounds beat drops to half-time for the hook then slams back with distorted bass and echoing ad-libs. Final section stacks both voices and stuttering tape-stop transitions for a brutal climax.

Male Vocals

Male Vocals Tracks

Lindemans Red at Three

Lindemans Red at Three

Merci, Papa Donatien Baziota

Merci, Papa Donatien Baziota

Saudade de Goiânia

Saudade de Goiânia

Filho de Angola

Filho de Angola

Macomia é Onde Me Nasceram

Plus Bas, Plus Fort

De Rien à Trop

All Night On Me

All Night On Me

Песня про Ивана Богомолова

Песня про Ивана Богомолова

Anniversaire RICO Bilolo

Anniversaire RICO Bilolo

Caminhos Que Levam Pra Morte

Caminhos Que Levam Pra Morte

Glitch In My Veins

Glitch In My Veins

Maama Gwe Bulamu Bwange

Maama Gwe Bulamu Bwange

Graveyard Shift Showdown

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