Male Vocals

KI-Generierte Musik

2845 Tracks

Male Vocals Tracks

Wilfredo Controla

Cover-Art für Wilfredo Controla von David Baeza
02:34

vor 2 Monaten

von David Baeza

wilfredo ferrer controla el barrio de la glenmont no se hase nada sin su permiso al que desobedece le da piso pues es el que manda tiene contactos por toda la ciudad la policia lo respeta pues con ese vato se juega los clientes están contentos wilfredo vende merca de calidad. han tratado de quitarle el puesto pero no han podido los guarda espaldas lo protegen de noche y día

male vocals pop rock distorted guitars flamenco Dark flamenco-pop banger with male vocals minor-key Spanish guitar over a moody rock rhythm section palmas and claps punctuating lines. Verses stay tense and narrative with close-mic vocal bass pulsing steady. Chorus explodes with shouted gang vocals and a soaring hook. Brief flamenco-style handclap break before the last chorus spacious reverb on ad-libs for a street-legend vibe. spanish rock

Canción Que No Termina

Cover-Art für Canción Que No Termina von Bryan Steven Sanchez Castrillon
04:00

vor 2 Monaten

von Bryan Steven Sanchez Castrillon

Genera una canción original estilo folk acústico latino, inspirada en la vibra íntima y melancólica de Kevin Karl. Género: Folk acústico / Indie folk latino Tempo: 88 BPM Compás: 4/4 Tonalidad: G Mayor Progresión de acordes: Versos: G – D – Em – C Pre-Coro: Am – C – G – D Coro: C – D – G – Em Outro: G – D – Em – C – G Instrumentación: Guitarra acústica principal (arpegios en versos, rasgueo suave

male vocals folk indie folk 88 BPM Warm intimate Latin indie-folk in G major male vocals close to the mic over softly picked acoustic guitar in the verses and gentle strums in the chorus. Subtle shaker and soft kick entering at the pre-chorus to lift the energy. Double-tracked vocal and light oooh harmonies in the hook with a final stripped-back outro returning to bare guitar and whispery lead.

Canción Que No Termina

Cover-Art für Canción Que No Termina von Bryan Steven Sanchez Castrillon
03:19

vor 2 Monaten

von Bryan Steven Sanchez Castrillon

Genera una canción original estilo folk acústico latino, inspirada en la vibra íntima y melancólica de Kevin Karl. Género: Folk acústico / Indie folk latino Tempo: 88 BPM Compás: 4/4 Tonalidad: G Mayor Progresión de acordes: Versos: G – D – Em – C Pre-Coro: Am – C – G – D Coro: C – D – G – Em Outro: G – D – Em – C – G Instrumentación: Guitarra acústica principal (arpegios en versos, rasgueo suave

male vocals folk indie folk 88 BPM Warm intimate Latin indie-folk in G major male vocals close to the mic over softly picked acoustic guitar in the verses and gentle strums in the chorus. Subtle shaker and soft kick entering at the pre-chorus to lift the energy. Double-tracked vocal and light oooh harmonies in the hook with a final stripped-back outro returning to bare guitar and whispery lead.

Cumade Roque na Pedra Redonda

Cover-Art für Cumade Roque na Pedra Redonda von Ivan Lima Fonseca
04:00

vor 2 Monaten

von Ivan Lima Fonseca

CRIE UMA HOMENAGEM A CUMADE ROQUE UMA DAS MORADORAS MAIS ANTIGAS QUE VIVE ATÉ HOJE COM MUITA ALEGRIA NA NA PEDRA REDONDA EM RITMO DE FORRÓ ARRASTAPE FALANDO DA ALEGRIA DE CUMADE ROQUE SUA INFLUÊNCIA NA COMUNIDADE E ALEGRIA QUE O POVO SENTE QUANDO A VER DEVE SER UAM MÚSICA BEM AGITADA COM MAIS DE 3 MINUTOS

male vocals fast party-forró arrastapé with male vocals; bright triângulo sanfona leading contagious riffs zabumba and pandeiro empurrando o chão; verses em clima de roda de história que vão acelerando; refrão explosivo com coro de vizinhança e palmas; meio da música abre para chamada e resposta com a galera; energia lá em cima do começo ao fim ideal pra dançar até cansar

Cumade Roque na Pedra Redonda

Cover-Art für Cumade Roque na Pedra Redonda von Ivan Lima Fonseca
04:00

vor 2 Monaten

von Ivan Lima Fonseca

CRIE UMA HOMENAGEM A CUMADE ROQUE UMA DAS MORADORAS MAIS ANTIGAS QUE VIVE ATÉ HOJE COM MUITA ALEGRIA NA NA PEDRA REDONDA EM RITMO DE FORRÓ ARRASTAPE FALANDO DA ALEGRIA DE CUMADE ROQUE SUA INFLUÊNCIA NA COMUNIDADE E ALEGRIA QUE O POVO SENTE QUANDO A VER DEVE SER UAM MÚSICA BEM AGITADA COM MAIS DE 3 MINUTOS

male vocals fast party-forró arrastapé with male vocals; bright triângulo sanfona leading contagious riffs zabumba and pandeiro empurrando o chão; verses em clima de roda de história que vão acelerando; refrão explosivo com coro de vizinhança e palmas; meio da música abre para chamada e resposta com a galera; energia lá em cima do começo ao fim ideal pra dançar até cansar

Ha csillagként születsz ujjá

Cover-Art für Ha csillagként születsz ujjá von László Dabóczy
03:03

vor 2 Monaten

von László Dabóczy

Ha csillagként születsz ujjá én bolygód leszek melyet érint meleged és éjjelem sötétjét arany színű fényed gyengéden töri meg.Ha réten virágként születsz ujjá én hüvös esőd leszek és minden cseppem mint új remény szerelmedre kér.

male vocals lingering outro chord. Intimate acoustic-pop ballad male vocals up close and breathy over warm fingerpicked guitar and soft piano pads; verses stay minimal chorus widens with subtle string swells and stacked harmonies. Gentle rise into the final chorus with added high-register backing vocals and a tender

Ha csillagként születsz ujjá

Cover-Art für Ha csillagként születsz ujjá von László Dabóczy
03:05

vor 2 Monaten

von László Dabóczy

Ha csillagként születsz ujjá én bolygód leszek melyet érint meleged és éjjelem sötétjét arany színű fényed gyengéden töri meg.Ha réten virágként születsz ujjá én hüvös esőd leszek és minden cseppem mint új remény szerelmedre kér.

male vocals lingering outro chord. Intimate acoustic-pop ballad male vocals up close and breathy over warm fingerpicked guitar and soft piano pads; verses stay minimal chorus widens with subtle string swells and stacked harmonies. Gentle rise into the final chorus with added high-register backing vocals and a tender

Blood in the Metronome

Cover-Art für Blood in the Metronome von Cross Ice
04:00

vor 2 Monaten

von Cross Ice

Create an aggressive heavy metal song with a shocking high-pitched scream intro, followed by a tight palm-muted thrash metal guitar riff around 110 BPM. Add fast double-kick drums and intense energy. After the first heavy section, transition into a rhythmic nu-metal breakdown with deep bass groove and percussive vocal sounds similar to “boom-da-da” style rhythm (original sounds, not sampled).

male vocals rhythmic metal funk deep vocal Thrash Metal Aggressive heavy metal at 110 BPM male vocals. Piercing scream cold-open into tight palm-muted thrash riff snarling mids and scooped chugs fast double-kick driving the verses. First section is relentless and angular; then everything slams into a nu-metal breakdown with subby bass groove staccato guitars and percussive vocal syllables riffing “boom-da-da” style. Chorus opens slightly with wider chords and gang shouts but the mix stays dense and hostile leaving pockets for rhythmic vocal punches and ad-lib growls.

Blood in the Metronome

Cover-Art für Blood in the Metronome von Cross Ice
02:52

vor 2 Monaten

von Cross Ice

Create an aggressive heavy metal song with a shocking high-pitched scream intro, followed by a tight palm-muted thrash metal guitar riff around 110 BPM. Add fast double-kick drums and intense energy. After the first heavy section, transition into a rhythmic nu-metal breakdown with deep bass groove and percussive vocal sounds similar to “boom-da-da” style rhythm (original sounds, not sampled).

male vocals rhythmic metal funk deep vocal Thrash Metal Aggressive heavy metal at 110 BPM male vocals. Piercing scream cold-open into tight palm-muted thrash riff snarling mids and scooped chugs fast double-kick driving the verses. First section is relentless and angular; then everything slams into a nu-metal breakdown with subby bass groove staccato guitars and percussive vocal syllables riffing “boom-da-da” style. Chorus opens slightly with wider chords and gang shouts but the mix stays dense and hostile leaving pockets for rhythmic vocal punches and ad-lib growls.

তুমি

Cover-Art für তুমি von MDJAKARIA SHEIKH
04:00

vor 2 Monaten

von MDJAKARIA SHEIKH

তুমি

male vocals Moody Bengali pop ballad male vocals; intimate fingerstyle guitar and soft pad bed heartbeat kick and warm bass entering on the first chorus. Verses stay hushed and close-mic’d chorus opens with stacked harmonies and airy reverb. Subtle string swells in the bridge; final hook drops instruments to almost a cappella then blooms for the last line.

তুমি

Cover-Art für তুমি von MDJAKARIA SHEIKH
04:00

vor 2 Monaten

von MDJAKARIA SHEIKH

তুমি

male vocals Moody Bengali pop ballad male vocals; intimate fingerstyle guitar and soft pad bed heartbeat kick and warm bass entering on the first chorus. Verses stay hushed and close-mic’d chorus opens with stacked harmonies and airy reverb. Subtle string swells in the bridge; final hook drops instruments to almost a cappella then blooms for the last line.

Sombras en la Pared

Cover-Art für Sombras en la Pared von XVR Produccions
02:34

vor 2 Monaten

von XVR Produccions

Música de misterio

male vocals unresolved chord. Smoky Latin trap ballad with male vocals; eerie detuned bells over a low pulsing bass and tight filtered drums. Verses stay intimate and whispered with close-mic breathy delivery; chorus swells using haunting choir pads and reverb-drenched harmonies. Subtle reverse FX and risers build tension between sections ending on a suspended

Sombras en la Pared

Cover-Art für Sombras en la Pared von XVR Produccions
03:02

vor 2 Monaten

von XVR Produccions

Música de misterio

male vocals unresolved chord. Smoky Latin trap ballad with male vocals; eerie detuned bells over a low pulsing bass and tight filtered drums. Verses stay intimate and whispered with close-mic breathy delivery; chorus swells using haunting choir pads and reverb-drenched harmonies. Subtle reverse FX and risers build tension between sections ending on a suspended

Soft Choices

Cover-Art für Soft Choices von Anny
02:02

vor 2 Monaten

von Anny

calm background music for a visual novel

male vocals Gentle indie pop bed with mellow electric piano soft picked guitar and brushed drums; male vocals sit intimate and close. Verses stay hushed and narrative; chorus blooms slightly with warm pads and a simple bass pulse. Subtle backing hums on the hook keep it hypnotic and calm perfect under dialogue.

Soft Choices

Cover-Art für Soft Choices von Anny
02:14

vor 2 Monaten

von Anny

calm background music for a visual novel

male vocals Gentle indie pop bed with mellow electric piano soft picked guitar and brushed drums; male vocals sit intimate and close. Verses stay hushed and narrative; chorus blooms slightly with warm pads and a simple bass pulse. Subtle backing hums on the hook keep it hypnotic and calm perfect under dialogue.

Pa Gen Ankò

Cover-Art für Pa Gen Ankò von Dieugens breus
03:03

vor 2 Monaten

von Dieugens breus

Intro Nana Chery mizik sa se pou ou Apidey vle fè w konnen yon verite Apre ou menm… pa gen okenn lòt fi ankò Se ou menm ki pi bèl nan Savanolè Pa gen ankò… non pa gen ankò 🎤 Verse 1 Depi jou mwen wè w la kè m pran dife Jan w souri fè nanm mwen leve M te konn mache san direksyon Men ou vin tounen benediksyon Nan je w mwen wè lavni m klere Ou se sèl flanm ki fè m limen M pa bezwen lòt opsyon Se ou m

male vocals Mid-tempo modern kompa / afrobeats fusion warm guitars and bell-like keys round bass and tight drums; male vocals upfront with airy harmonies on the hook subtle call-and-response ad-libs groove builds from intimate verse into wide sing-along chorus then drops back slightly for the bridge before a final lifted chorus

Pa Gen Ankò

Cover-Art für Pa Gen Ankò von Dieugens breus
04:00

vor 2 Monaten

von Dieugens breus

Intro Nana Chery mizik sa se pou ou Apidey vle fè w konnen yon verite Apre ou menm… pa gen okenn lòt fi ankò Se ou menm ki pi bèl nan Savanolè Pa gen ankò… non pa gen ankò 🎤 Verse 1 Depi jou mwen wè w la kè m pran dife Jan w souri fè nanm mwen leve M te konn mache san direksyon Men ou vin tounen benediksyon Nan je w mwen wè lavni m klere Ou se sèl flanm ki fè m limen M pa bezwen lòt opsyon Se ou m

male vocals Mid-tempo modern kompa / afrobeats fusion warm guitars and bell-like keys round bass and tight drums; male vocals upfront with airy harmonies on the hook subtle call-and-response ad-libs groove builds from intimate verse into wide sing-along chorus then drops back slightly for the bridge before a final lifted chorus

GANSONA BKS

Cover-Art für GANSONA BKS von Oumarou gansona Gansona
04:00

vor 2 Monaten

von Oumarou gansona Gansona

Musique pour GANSONA BKS. Chanson d'amour. Rap/ambiance/afro 95 à 105 BMP Voix masculine

male vocals rap subtle pads chanson Afro-rap groove at 100 BPM warm percussion and round bass melodic plucks circling a hypnotic drum pattern. Male vocals sliding between rap and light melodic hooks; verses stay intimate and close-mic’d chorus opens with airy harmonies and bright shakers. Energy builds from laid-back sway to a confident romantic bounce perfect for late-night rides and slow dancing.

GANSONA BKS

Cover-Art für GANSONA BKS von Oumarou gansona Gansona
03:29

vor 2 Monaten

von Oumarou gansona Gansona

Musique pour GANSONA BKS. Chanson d'amour. Rap/ambiance/afro 95 à 105 BMP Voix masculine

male vocals rap subtle pads chanson Afro-rap groove at 100 BPM warm percussion and round bass melodic plucks circling a hypnotic drum pattern. Male vocals sliding between rap and light melodic hooks; verses stay intimate and close-mic’d chorus opens with airy harmonies and bright shakers. Energy builds from laid-back sway to a confident romantic bounce perfect for late-night rides and slow dancing.

Reaching Out

Cover-Art für Reaching Out von Oluebube Emmanuel
03:34

vor 2 Monaten

von Oluebube Emmanuel

Lyrics idea: Verse: I whisper your name in the dark Every night I fall apart Pre-Chorus: I try to let you go But my heart still knows Chorus: I’m still reaching out Through the silence and doubt Even when you’re not around I’m still reaching out Bridge: If you can hear me now I never stopped loving you

male vocals then a wide powerful chorus Moody pop ballad with male vocals; intimate piano and subtle pads in the verse heartbeat kick and airy percussion joining at the pre-chorus anthemic chorus with stacked harmonies and a soaring lead. Bridge strips back to vocal and piano before a final gentle echo tails on key phrases.

Reaching Out

Cover-Art für Reaching Out von Oluebube Emmanuel
03:20

vor 2 Monaten

von Oluebube Emmanuel

Lyrics idea: Verse: I whisper your name in the dark Every night I fall apart Pre-Chorus: I try to let you go But my heart still knows Chorus: I’m still reaching out Through the silence and doubt Even when you’re not around I’m still reaching out Bridge: If you can hear me now I never stopped loving you

male vocals then a wide powerful chorus Moody pop ballad with male vocals; intimate piano and subtle pads in the verse heartbeat kick and airy percussion joining at the pre-chorus anthemic chorus with stacked harmonies and a soaring lead. Bridge strips back to vocal and piano before a final gentle echo tails on key phrases.

Mamita de Corque Marka

Cover-Art für Mamita de Corque Marka von Lucas Ruben Chambi Ala
03:59

vor 2 Monaten

von Lucas Ruben Chambi Ala

Folklore andino ceremonial – huayño lento tradicional. Inspirado en K'ala Marka – Mamita. Tempo 85–90 BPM. Ambiente profundo y espiritual, identidad de ayllu. Zampoñas protagonistas, quena de respuesta, charango suave, bombo andino fuerte y coros masculinos comunitarios. Voz grave, firme y sentimental. Sensación de orgullo andino y unidad de Corque Marka.

male vocals folk Slow ceremonial Andean huayno at 85–90 bpm male vocals; deep spacious mix with zampoñas carrying the main melody in layered call-and-response against answering quena phrases. Soft charango arpeggios cradle a heavy Andean bombo pulse creating a solemn swaying march. Communal male choruses rise around a firm emotional lead building from intimate verse to proud full-voice refrain that fills a high mountain plaza. andean

Mamita de Corque Marka

Cover-Art für Mamita de Corque Marka von Lucas Ruben Chambi Ala
04:00

vor 2 Monaten

von Lucas Ruben Chambi Ala

Folklore andino ceremonial – huayño lento tradicional. Inspirado en K'ala Marka – Mamita. Tempo 85–90 BPM. Ambiente profundo y espiritual, identidad de ayllu. Zampoñas protagonistas, quena de respuesta, charango suave, bombo andino fuerte y coros masculinos comunitarios. Voz grave, firme y sentimental. Sensación de orgullo andino y unidad de Corque Marka.

male vocals folk Slow ceremonial Andean huayno at 85–90 bpm male vocals; deep spacious mix with zampoñas carrying the main melody in layered call-and-response against answering quena phrases. Soft charango arpeggios cradle a heavy Andean bombo pulse creating a solemn swaying march. Communal male choruses rise around a firm emotional lead building from intimate verse to proud full-voice refrain that fills a high mountain plaza. andean

Bandida Toda La Noche

Cover-Art für Bandida Toda La Noche von Anderson Guzman
03:18

vor 2 Monaten

von Anderson Guzman

tu eres mala y se te nota de santa loca te disfrazas por las noches te transformas en una loba que no para quieres jugar y engañar pero no vas a escapar tu mirada lo delata tu intención no se disfraza eres una bandida toda la noche activa nadie te puede parar siempre lista para cazar tus mentiras son dulces como miel que envenena

male vocals Reggaeton club banger deep sub-bass and tight drums male vocals with sly attitude. Verses ride a mid-tempo groove with percussive delivery and short melodic phrases; hook explodes with stacked gang vocals and bright synth stabs. Subtle vocoder doubles on key lines drops open for call-and-response moments and late-night dancefloor energy.