Midnight Margin

04:00

hace 1 mes

Generate a smooth, continuous lo-fi hip hop / chillhop track designed for a 24/7 study stream. Tempo: 70-85 BPM, slow and relaxed. Instrumentation: soft, repetitive drum loop with a warm, mellow feel; jazzy, melancholic chord progression played on Rhodes or soft piano; subtle, warm bassline supporting the harmony. Include a simple, improvised-feeling melody that loops gently, avoiding sudden chang

male vocals hip hop simple rap slow mellow smooth Soft jazzy Warm lo-fi bassline Dusty lo-fi chillhop at 78 BPM male vocals tucked low in the mix like another instrument. Soft swung drums and brushed snares warm Rhodes chords with a slightly melancholic jazzy progression round subby bass gluing it together. A simple hummable lead line on muted electric guitar and glock-style keys looping with tiny variations. Occasional vinyl crackle filtered ambience and distant one-word vocal phrases all smeared in reverb. Energy stays flat and relaxed like a 24/7 stream bed—no big lifts just small swells from added percussion and background pads. harmony

Paisajes de 1910

04:00

hace 1 mes

de thebadlauri@gmail.com

Música instrumental clásica suave, piano delicado, tono introspectivo y histórico, principios del siglo XX, sin voces.

male vocals Soft neoclassical chamber piece with intimate felt piano leading supported by a warm string quartet and subtle solo clarinet lines. Starts sparse and introspective as if recalling an old letter; middle section swells with romantic-era harmonic tension and graceful arpeggios then resolves into a quiet almost fragile coda. Recorded as if in a small 1900s salon close-miked piano gentle room reverb no vocals despite “male vocals” note in prompt.

Paisajes de 1910

04:00

hace 1 mes

de thebadlauri@gmail.com

Música instrumental clásica suave, piano delicado, tono introspectivo y histórico, principios del siglo XX, sin voces.

male vocals Soft neoclassical chamber piece with intimate felt piano leading supported by a warm string quartet and subtle solo clarinet lines. Starts sparse and introspective as if recalling an old letter; middle section swells with romantic-era harmonic tension and graceful arpeggios then resolves into a quiet almost fragile coda. Recorded as if in a small 1900s salon close-miked piano gentle room reverb no vocals despite “male vocals” note in prompt.

Happy Birthday Esta

03:07

hace 1 mes

de Ramadhani Chambo

imba wimbo mzuri wa kumtakia happy birthday mpenzi wangu esta iwe na biti linalochezeka yani mtu anaweza aka dance

male vocals happy dance Bouncy East African pop groove with bright guitar licks rolling bass and tight Afro-drum patterns. Male vocals up front smile in the tone; call-and-response gang shouts on the hook. Short synth lines answer the vocal phrases with a small lift into the chorus using extra shakers and claps for dancefloor energy.

Happy Birthday Esta

04:00

hace 1 mes

de Ramadhani Chambo

imba wimbo mzuri wa kumtakia happy birthday mpenzi wangu esta iwe na biti linalochezeka yani mtu anaweza aka dance

male vocals happy dance Bouncy East African pop groove with bright guitar licks rolling bass and tight Afro-drum patterns. Male vocals up front smile in the tone; call-and-response gang shouts on the hook. Short synth lines answer the vocal phrases with a small lift into the chorus using extra shakers and claps for dancefloor energy.

Throne of Ash and Ember

02:44

hace 1 mes

de P G

Epic fantasy soundtrack for a dark medieval saga. Orchestral score with deep low strings, powerful brass, war drums and subtle choir. Tone is solemn, dramatic and ominous, evoking political intrigue, ancient dynasties, dragons, betrayal and destiny. Slow to mid-tempo, building tension gradually, with moments of restrained grandeur rather than constant action.

male vocals slow orchestral dramatic deep timpani rolls low tone soundtrack medieval Slow-burning dark fantasy score with male vocals; low strings brooding under distant war drums brass swells like gathering storms and a hushed male choir shadowing key phrases. Verses stay intimate and low almost spoken over drones and tremolo strings; chorus widens with full brass chords and layered chant. Occasional choir-only breaks and cymbal swells heighten the sense of destiny and treachery.

Throne of Ash and Ember

02:15

hace 1 mes

de P G

Epic fantasy soundtrack for a dark medieval saga. Orchestral score with deep low strings, powerful brass, war drums and subtle choir. Tone is solemn, dramatic and ominous, evoking political intrigue, ancient dynasties, dragons, betrayal and destiny. Slow to mid-tempo, building tension gradually, with moments of restrained grandeur rather than constant action.

male vocals slow orchestral dramatic deep timpani rolls low tone soundtrack medieval Slow-burning dark fantasy score with male vocals; low strings brooding under distant war drums brass swells like gathering storms and a hushed male choir shadowing key phrases. Verses stay intimate and low almost spoken over drones and tremolo strings; chorus widens with full brass chords and layered chant. Occasional choir-only breaks and cymbal swells heighten the sense of destiny and treachery.

آوازِ شورِ درون

03:07

hace 1 mes

de Farhad Bakhtiyar

Create instrumental Chromatic music style traditional music iranian and abouata mode, Shour Tonality, spiritual feelings use traditional persian instruments music. BPM: 85~90. Rithm: 6/4

male vocals Slow-burning spiritual ballad in Shur/Abo Ata flavor at ~88 BPM in 6/4 male vocals. Tār and setār carry the main motifs with subtle santur phrases and breathy ney lines answering the voice. Deep round tombak and daf frame a meditative groove with sparse frame drum flourishes on section changes. Verses stay close to the tonic with intimate half-whispered delivery; chorus opens the register inviting call-and-response and long melismatic tails. Reverb is warm and natural like a small tekyeh space—vocal sits just ahead of the ensemble ornamented but never rushed.

آوازِ شورِ درون

04:00

hace 1 mes

de Farhad Bakhtiyar

Create instrumental Chromatic music style traditional music iranian and abouata mode, Shour Tonality, spiritual feelings use traditional persian instruments music. BPM: 85~90. Rithm: 6/4

male vocals Slow-burning spiritual ballad in Shur/Abo Ata flavor at ~88 BPM in 6/4 male vocals. Tār and setār carry the main motifs with subtle santur phrases and breathy ney lines answering the voice. Deep round tombak and daf frame a meditative groove with sparse frame drum flourishes on section changes. Verses stay close to the tonic with intimate half-whispered delivery; chorus opens the register inviting call-and-response and long melismatic tails. Reverb is warm and natural like a small tekyeh space—vocal sits just ahead of the ensemble ornamented but never rushed.

Sewer Overflow Mine

02:54

hace 1 mes

de Tim Boyden

Doom 1 style, psychedelic rock music, for the location of Sewer Overflow Mine, instrumental, maybe using synths, make it quite spaced and bluesy.

male vocals synth-driven rock psychedelic rock bluesy spaced-out

Sewer Overflow Mine

02:31

hace 1 mes

de Tim Boyden

Doom 1 style, psychedelic rock music, for the location of Sewer Overflow Mine, instrumental, maybe using synths, make it quite spaced and bluesy.

male vocals synth-driven rock psychedelic rock bluesy spaced-out

Blocos Sem Fim

04:00

hace 1 mes

de Bruno Silva

uma música sobre o minecraft o jogo mais viciante de todos

male vocals pop eletrônico com batida pulsante

Blocos Sem Fim

02:52

hace 1 mes

de Bruno Silva

uma música sobre o minecraft o jogo mais viciante de todos

male vocals pop eletrônico com batida pulsante

New Year Crew Anthem

03:08

hace 1 mes

de wvdb84@telenet.be

want an hardhousejumpstyle intro for my dj set, this is about 8 friends at new year eye. About the best belgium party tunes. The dj name is DJ Wikkes from Meerhout to Molenstede

male vocals high-energy hardhouse jumpstyle

New Year Crew Anthem

04:00

hace 1 mes

de wvdb84@telenet.be

want an hardhousejumpstyle intro for my dj set, this is about 8 friends at new year eye. About the best belgium party tunes. The dj name is DJ Wikkes from Meerhout to Molenstede

male vocals high-energy hardhouse jumpstyle

Echoes of Time

01:37

hace 1 mes

de Mojtaba pourabdollah

Create a short, memorable instrumental intro track (about 18–20 seconds) with a cinematic and thoughtful vibe. Use subtle electronic bass, light percussive rhythm, atmospheric synth pads, and a hint of orchestral tension. The style should feel intellectual, reflective, and modern — suitable for a podcast about history, media, and politics. No vocals, just clear melody and professional sound

instrumental male vocals electronic cinematic orchestral light thoughtful

Echoes of Time

04:00

hace 1 mes

de Mojtaba pourabdollah

Create a short, memorable instrumental intro track (about 18–20 seconds) with a cinematic and thoughtful vibe. Use subtle electronic bass, light percussive rhythm, atmospheric synth pads, and a hint of orchestral tension. The style should feel intellectual, reflective, and modern — suitable for a podcast about history, media, and politics. No vocals, just clear melody and professional sound

instrumental male vocals electronic cinematic orchestral light thoughtful

Piki y su Banda Rara

04:13

hace 1 mes

de blasmartinezcasas@gmail.com

una canción q se trate de la vida de un chico llamado Piki es un chico con sindrome de down, tiene un hermano gay llamado Tomi y el otro autista q se llama Mati, y sus papas son primos

male vocals Shakers Warm Latin pop ballad over nylon guitar and light percussion male vocals. Intimate verses with close-mic vocal and subtle piano pads; chorus blossoms with stacked harmonies and a round melodic bass. Bridge lifts with tom fills and wordless “oh-oh” backing vocals before dropping to just voice and guitar for the final hook.

Piki y su Banda Rara

03:22

hace 1 mes

de blasmartinezcasas@gmail.com

una canción q se trate de la vida de un chico llamado Piki es un chico con sindrome de down, tiene un hermano gay llamado Tomi y el otro autista q se llama Mati, y sus papas son primos

male vocals Shakers Warm Latin pop ballad over nylon guitar and light percussion male vocals. Intimate verses with close-mic vocal and subtle piano pads; chorus blossoms with stacked harmonies and a round melodic bass. Bridge lifts with tom fills and wordless “oh-oh” backing vocals before dropping to just voice and guitar for the final hook.