Bloco do Minecraft

02:30

hace 1 semana

Uma música de rap sobre um grupo de amigos chamado Miguel, Gabriel e Enzo jogando Minecraft

male vocals rap clean close-mic and warm with doubled hook lines Portuguese rap with male vocals bouncy mid-tempo boom-bap groove head-nod drums and rubbery bass; verse rides sparse with chopped game-like percussion and tight rhythmic flows pre-chorus strips to clap and bass chorus hits with group chants on the names and a catchy repeated hook. Vocal delivery is dry ad-lib punches and short delay throws on key words. Ear candy includes blocky wood knocks reversed swells into the hook and a tiny sparkle fill before each chorus. Mix is punchy

Soy Amon Hidler. En cuautitlan Izcalli Echeverría calle Nayarit 532 luzco mi SS de papel; niños huyen de mi, restaurare el tercer Reich Mexicano. Tomo Kosako azul con mi gorda morena Mestly Braun cada fin de semana, Entreno Phonk cargando un sillón que me aplasta la moyera. Mi mansión de obra negra tiene baches lunares y perros, odio las piedras voladoras que me hacen sangrar la cabeza

male vocals Phonk oscuro con dembow lento golpe seco y bajo grave; verso tenso con percusión espaciada y bajos saturados pre-coro levanta con coros filtrados y risers rasposos coro entra más amplio con mantra cortante y dobles ásperos. Puentes con corte de batería susurros tratados y golpes de sala; detalles de reversa chasquidos metálicos y un sub que late. Mezcla cruda frontal y polvorienta; male vocals

Calle Nayarit

02:39

hace 1 semana

de Eduardo Miranda

Soy Amon Hidler. En cuautitlan Izcalli Echeverría calle Nayarit 532 luzco mi SS de papel; niños huyen de mi, restaurare el tercer Reich Mexicano. Tomo Kosako azul con mi gorda morena Mestly Braun cada fin de semana, Entreno Phonk cargando un sillón que me aplasta la moyera. Mi mansión de obra negra tiene baches lunares y perros, odio las piedras voladoras que me hacen sangrar la cabeza

male vocals Phonk oscuro con dembow lento golpe seco y bajo grave; verso tenso con percusión espaciada y bajos saturados pre-coro levanta con coros filtrados y risers rasposos coro entra más amplio con mantra cortante y dobles ásperos. Puentes con corte de batería susurros tratados y golpes de sala; detalles de reversa chasquidos metálicos y un sub que late. Mezcla cruda frontal y polvorienta; male vocals

Roubou Meu Coração

03:22

hace 1 semana

de Tito

eu era um cara que procurava um amor,e que acreditava que seria feliz com a pessoa certa. E de repente numa questão de segundos eu vi você, roubando a cena e também meu coração. não consegui me segurar,meu coração não estava preparado e cai na sua ilusão. juro que tentei me segurar mais não consegui. não sabia eu que seria a mais louca paixão que eu viveria. nossa cama hoje está vazia,já não tem m

male vocals polished Pop romântico mid-tempo with a pulsing syncopated groove and soft acoustic guitar under glossy synth pads; verse stays close and intimate pre-chorus lifts with stacked harmonies and a filtered riser chorus opens wide with doubled male vocals and chant-like backing repeats. Quick reverse swells handclap fills and delay throws on the hook. Bright emotionally upfront mix with a warm low end.

Roubou Meu Coração

03:45

hace 1 semana

de Tito

eu era um cara que procurava um amor,e que acreditava que seria feliz com a pessoa certa. E de repente numa questão de segundos eu vi você, roubando a cena e também meu coração. não consegui me segurar,meu coração não estava preparado e cai na sua ilusão. juro que tentei me segurar mais não consegui. não sabia eu que seria a mais louca paixão que eu viveria. nossa cama hoje está vazia,já não tem m

male vocals polished Pop romântico mid-tempo with a pulsing syncopated groove and soft acoustic guitar under glossy synth pads; verse stays close and intimate pre-chorus lifts with stacked harmonies and a filtered riser chorus opens wide with doubled male vocals and chant-like backing repeats. Quick reverse swells handclap fills and delay throws on the hook. Bright emotionally upfront mix with a warm low end.

Olsen Naidon

02:30

hace 1 semana

de Sonuy Max

Mi stap long house bilong mi na yu bin tok mi Olsen yu displa mangi ya bilong w, okay kabwum Naidon Nanang bye mi stop Mama, papa bilong mi you stap long distance Wa

male vocals and a bright Tok Pisin pop with a mid-tempo swaying groove hand percussion and warm guitar figures; verse stays intimate and conversational pre-chorus opens up with stacked harmonies chorus lands on a chantable call-and-response. Male vocals with close-mic lead soft doubles and short ad-lib echoes on the hook. Airy risers into the chorus a brief drum pullback before the bridge clean mix with a heartfelt open center.

Olsen Naidon

02:05

hace 1 semana

de Sonuy Max

Mi stap long house bilong mi na yu bin tok mi Olsen yu displa mangi ya bilong w, okay kabwum Naidon Nanang bye mi stop Mama, papa bilong mi you stap long distance Wa

male vocals and a bright Tok Pisin pop with a mid-tempo swaying groove hand percussion and warm guitar figures; verse stays intimate and conversational pre-chorus opens up with stacked harmonies chorus lands on a chantable call-and-response. Male vocals with close-mic lead soft doubles and short ad-lib echoes on the hook. Airy risers into the chorus a brief drum pullback before the bridge clean mix with a heartfelt open center.

Corner Store Riddim

03:23

hace 2 semanas

de Johnny Tomasson

old school reggae

male vocals reggae Dusty walking bass skanking guitar chops Old-school reggae with a laid-back one-drop groove and warm live drums; verse rides sparse with bass and rimshot pre-chorus lifts with organ bubbles and harmony swells chorus opens with gang vocals and brass hits. Lead male vocals are close-mic and relaxed with dub delay throws on key words and a few call-and-response echoes. Tape hiss spring reverb tails and a horn pickup between sections. Warm and sun-faded mix

Corner Store Riddim

02:25

hace 2 semanas

de Johnny Tomasson

old school reggae

male vocals reggae Dusty walking bass skanking guitar chops Old-school reggae with a laid-back one-drop groove and warm live drums; verse rides sparse with bass and rimshot pre-chorus lifts with organ bubbles and harmony swells chorus opens with gang vocals and brass hits. Lead male vocals are close-mic and relaxed with dub delay throws on key words and a few call-and-response echoes. Tape hiss spring reverb tails and a horn pickup between sections. Warm and sun-faded mix

Princesa Shary

02:39

hace 2 semanas

de william garcia

eres hermosa princesa y aqui estoy para cuidarte eres. como una estrella mi princesa shary vales mucho sincera y carñosa

male vocals brushed drums glossy delay throws on the last word muted keys and light hand percussion Latin pop ballad with a soft reggaeton pulse mid-tempo and swaying; verse stays intimate with nylon guitar pre-chorus lifts with snare rolls and layered oohs chorus opens into warm bass and a singback chant. Lead male vocals are close-mic and tender with double-tracked hook lines and gentle harmony stacks. Heartbeat kick reversed swell into chorus and shimmering bell accents. Bright and romantic.

Princesa Shary

02:30

hace 2 semanas

de william garcia

eres hermosa princesa y aqui estoy para cuidarte eres. como una estrella mi princesa shary vales mucho sincera y carñosa

male vocals brushed drums glossy delay throws on the last word muted keys and light hand percussion Latin pop ballad with a soft reggaeton pulse mid-tempo and swaying; verse stays intimate with nylon guitar pre-chorus lifts with snare rolls and layered oohs chorus opens into warm bass and a singback chant. Lead male vocals are close-mic and tender with double-tracked hook lines and gentle harmony stacks. Heartbeat kick reversed swell into chorus and shimmering bell accents. Bright and romantic.

Pol Rata y Merluza

03:04

hace 2 semanas

de lparera.rov@gmail.com

que sea de regeton.merluza le pone los cuernos a pol rata en el camino i en irlanda con un italiano. a la lucia le gustan los gordos como pol. i la lucia es infiel. que quede como infiel i q haga risa. i que ahora podria estar con palomino que la trata muy bien pero ya ha perdido esa opurtunidad.

male vocals bass - Brass stabs glossy ad-lib throws Reggaeton dembow-locked with punchy handclaps woody rim clicks and a round sub bass; verse rides sparse with cheeky syncopation pre-chorus strips to kick and a teasing synth riser chorus hits with gang vocals and a playful horn riff. Male vocals with tight doubles and a few teasing harmony replies; ear candy from reversed sweeps into the hook and a tape-stop before the last chorus. Bright and mischievous in the mix.

Pol Rata y Merluza

02:55

hace 2 semanas

de lparera.rov@gmail.com

que sea de regeton.merluza le pone los cuernos a pol rata en el camino i en irlanda con un italiano. a la lucia le gustan los gordos como pol. i la lucia es infiel. que quede como infiel i q haga risa. i que ahora podria estar con palomino que la trata muy bien pero ya ha perdido esa opurtunidad.

male vocals bass - Brass stabs glossy ad-lib throws Reggaeton dembow-locked with punchy handclaps woody rim clicks and a round sub bass; verse rides sparse with cheeky syncopation pre-chorus strips to kick and a teasing synth riser chorus hits with gang vocals and a playful horn riff. Male vocals with tight doubles and a few teasing harmony replies; ear candy from reversed sweeps into the hook and a tape-stop before the last chorus. Bright and mischievous in the mix.

Не Сбивай Ритм

03:03

hace 2 semanas

de Андрей Андрей

танцевальная, энергичная

male vocals punchy rubbery bass Syncopated claps Dance-pop with a driving four-on-the-floor pulse and bright synth stabs; verse stays tight and percussive pre-chorus lifts with filtered risers and stacked chants chorus opens wider with gang vocals and a repeatable hook. Lead male vocals are close-mic in verses double-tracked on the hook with short delay throws and ad-lib lifts. Add reversed swells into each drop metallic fills and crisp sidechain bounce. Bright club-ready mix.

Не Сбивай Ритм

03:04

hace 2 semanas

de Андрей Андрей

танцевальная, энергичная

male vocals punchy rubbery bass Syncopated claps Dance-pop with a driving four-on-the-floor pulse and bright synth stabs; verse stays tight and percussive pre-chorus lifts with filtered risers and stacked chants chorus opens wider with gang vocals and a repeatable hook. Lead male vocals are close-mic in verses double-tracked on the hook with short delay throws and ad-lib lifts. Add reversed swells into each drop metallic fills and crisp sidechain bounce. Bright club-ready mix.

Pokea Sifa

02:57

hace 2 semanas

de bti65168@gmail.com

gospel live performance with crowd wimbo unaitwa pokea sifa. wimbo wa kucheza ulio changamka ukisifu makuu ya Mungu jima la producer ni emmavoice

male vocals Gospel handclaps short delay throws on key lines Gospel live performance upbeat dance groove with shuffling drums bass guitar bounce electric organ stabs and call-and-response crowd energy; verse starts intimate with lead male vocal and light choir pads pre-chorus opens with stacked responses and rising claps chorus bursts wide with gang vocals and repeated crowd chants. Add shouted ad-libs tambourine sparkle and a lifted final chorus. Bright full and celebratory live mix with warm room ambience and punchy low end. Male vocals.

Pokea Sifa

04:00

hace 2 semanas

de bti65168@gmail.com

gospel live performance with crowd wimbo unaitwa pokea sifa. wimbo wa kucheza ulio changamka ukisifu makuu ya Mungu jima la producer ni emmavoice

male vocals Gospel handclaps short delay throws on key lines Gospel live performance upbeat dance groove with shuffling drums bass guitar bounce electric organ stabs and call-and-response crowd energy; verse starts intimate with lead male vocal and light choir pads pre-chorus opens with stacked responses and rising claps chorus bursts wide with gang vocals and repeated crowd chants. Add shouted ad-libs tambourine sparkle and a lifted final chorus. Bright full and celebratory live mix with warm room ambience and punchy low end. Male vocals.

Bode na Rua

02:53

hace 2 semanas

de Fabiano Morais

bode na rua na cidade de Gurjão venha curtir vicê éno nosso convidado pode na rua é no mês de julho venha conferir e dança muito forró ao vivo em praça pública

male vocals crowd claps Forró pé-de-serra with a fast baião swing zabumba-driven pulse and accordion leads; verse steps lightly with sparse triangle and handclaps pre-chorus opens with rising backing chants chorus bursts in with full sanfona and male vocals in bright doubles on the hook. Add short accordion fills between lines a brief percussion break before the last chorus and a warm punchy mix with live praça energy.

Bode na Rua

03:10

hace 2 semanas

de Fabiano Morais

bode na rua na cidade de Gurjão venha curtir vicê éno nosso convidado pode na rua é no mês de julho venha conferir e dança muito forró ao vivo em praça pública

male vocals crowd claps Forró pé-de-serra with a fast baião swing zabumba-driven pulse and accordion leads; verse steps lightly with sparse triangle and handclaps pre-chorus opens with rising backing chants chorus bursts in with full sanfona and male vocals in bright doubles on the hook. Add short accordion fills between lines a brief percussion break before the last chorus and a warm punchy mix with live praça energy.

Nonot Garcia

02:48

hace 2 semanas

de KAYBOBOKA KAYBOBOKA

dj jerry garcia lets go ikaw ang hari ng beat sa intablado ang palayaw mo ay si nonot garcia pero daming.chicks

male vocals punchy Latin pop with reggaeton bounce and club-ready handclaps; mid-tempo dembow groove verse rides sparse drums and bass with playful vocal phrasing pre-chorus lifts with filtered chants and snare rolls chorus hits wider with synth brass stabs and gang hooks. Male vocals with tight doubles cheeky ad-libs delay throws on the name and crowd chant layers. Ear candy includes reversed risers rim-shot fills and a bass drop into the hook. Bright glossy mix.

Nonot Garcia

02:48

hace 2 semanas

de KAYBOBOKA KAYBOBOKA

dj jerry garcia lets go ikaw ang hari ng beat sa intablado ang palayaw mo ay si nonot garcia pero daming.chicks

male vocals punchy Latin pop with reggaeton bounce and club-ready handclaps; mid-tempo dembow groove verse rides sparse drums and bass with playful vocal phrasing pre-chorus lifts with filtered chants and snare rolls chorus hits wider with synth brass stabs and gang hooks. Male vocals with tight doubles cheeky ad-libs delay throws on the name and crowd chant layers. Ear candy includes reversed risers rim-shot fills and a bass drop into the hook. Bright glossy mix.

Rmrse en pierre

03:25

hace 2 semanas

de Brandon Cometti

Créer une musique rap en décrivant une personnalité d’un de reigne en prononçant Rmrse avec la voix d’un homme. Durée 2 minutes et 30 secondes.

male vocals rap snare and punchy. reverse cymbal swells French rap with male vocals 92 BPM swung boom-bap drums and dusty sample chops; verse rides sparse kick and warm bass pre-chorus tightens with filtered chops and rising hand drums chorus hits with stacked gang echoes on the name. Vocal is close-mic assertive with doubled hook lines and short delay throws. Ear candy includes vinyl crackle and a bell fill into the chorus. Mix is gritty present

Rmrse en pierre

03:12

hace 2 semanas

de Brandon Cometti

Créer une musique rap en décrivant une personnalité d’un de reigne en prononçant Rmrse avec la voix d’un homme. Durée 2 minutes et 30 secondes.

male vocals rap snare and punchy. reverse cymbal swells French rap with male vocals 92 BPM swung boom-bap drums and dusty sample chops; verse rides sparse kick and warm bass pre-chorus tightens with filtered chops and rising hand drums chorus hits with stacked gang echoes on the name. Vocal is close-mic assertive with doubled hook lines and short delay throws. Ear candy includes vinyl crackle and a bell fill into the chorus. Mix is gritty present

Nitaamini

03:30

hace 2 semanas

de Emmanuel Mweta

swahili gospel live performance with crowd, wimbo uwe umechangamka na uwe na chorus nzuri na kali rahisi kuimbika na kwenda viral. wimbo uwe wa sifa na uchangamke. jina la wimbo liitwe nitaamini, wimbo umetungwa na emmanuel

male vocals Gospel handclaps stacked harmonies tambourine lifts Swahili gospel praise with live crowd energy upbeat mid-tempo shuffle and clapping groove; verse rides organ stabs guitar chops and call-and-response; pre-chorus strips to bass and rising choir hum; chorus opens wide with lead male vocal and crowd shouts on the hook. Add trumpet hits and a shouted final chorus. Bright punchy live mix with room reverb and singalong energy; male vocals.

Male Vocals

Male Vocals Pistas

Bloco do Minecraft

Calle Nayarit

Calle Nayarit

Roubou Meu Coração

Roubou Meu Coração

Olsen Naidon

Olsen Naidon

Corner Store Riddim

Corner Store Riddim

Princesa Shary

Princesa Shary

Pol Rata y Merluza

Pol Rata y Merluza

Не Сбивай Ритм

Не Сбивай Ритм

Pokea Sifa

Pokea Sifa

Bode na Rua

Bode na Rua

Nonot Garcia

Nonot Garcia

Rmrse en pierre

Rmrse en pierre

Nitaamini

Letra de la Canción

Generar Letras

Confirmación de mejora

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