Midnight Window

02:59

7ヶ月前

piano version

female vocals Intimate felt-piano ballad female vocals close to the mic with soft breaths and small cracks on high notes. Verses sparse and conversational on the middle register; chorus blooms with wider chords and light reverb tail. Subtle stacked harmonies on key words in the hook a single high countermelody note in the final chorus then a quiet rubato outro letting the last chord ring.

Je viens d'Ghazaouet, Dmin précisément, Petit ville mais gros réseau. Ma famille trop connue, on dirait un ministère, Wallah c'est chaud. Je sors acheter du pain, je croise deux cousins, Bent l3am, weld l3am, j'me sens déjà en réunion. Tiens Sabrina viens boire un diabolo, Mohamed Khay. J'ai grandi avec kahwa press, solo, Ils disent ta famille elle est partout à Paris surtout, 14ème, neuf trois, n

female vocals Bouncy Franco-Maghreb trap mid-tempo bounce with tight drums and round sub playful female vocals half-sung half-rapped; verses stay minimal with plucky synths and distant vocal chops chorus opens wider with airy pads and stacked harmonies on the hook light percs and ad-libs coloring the family-name flex arrangement keeps a cheeky story-telling energy from start to finish

Dmin, petit mais partout

03:04

7ヶ月前

by Sabrina Hamdaoui

Je viens d'Ghazaouet, Dmin précisément, Petit ville mais gros réseau. Ma famille trop connue, on dirait un ministère, Wallah c'est chaud. Je sors acheter du pain, je croise deux cousins, Bent l3am, weld l3am, j'me sens déjà en réunion. Tiens Sabrina viens boire un diabolo, Mohamed Khay. J'ai grandi avec kahwa press, solo, Ils disent ta famille elle est partout à Paris surtout, 14ème, neuf trois, n

female vocals Bouncy Franco-Maghreb trap mid-tempo bounce with tight drums and round sub playful female vocals half-sung half-rapped; verses stay minimal with plucky synths and distant vocal chops chorus opens wider with airy pads and stacked harmonies on the hook light percs and ad-libs coloring the family-name flex arrangement keeps a cheeky story-telling energy from start to finish

Maxidora House

02:51

7ヶ月前

by Maximiliano Pin

Crea canción EDM dance electrónica y alegre, 128 BPM, con intro creciente. Pre-coro y drop energéticos. Solo con esta letra: Intro: “Welcome to Maxidora House”, “Bienvenidos a Maxidora House”, “Are you ready?”, “here we go”. Coro: “Maxidora House”, “Siente, vive, una noche sin igual”, “music, music, music”. Kick marcado, synths brillantes, bajo pulsante. Vocal angelical. Duración de unos 3 minutos

dance female vocals [EDM vocal then a final punchy kick Bright festival EDM at 128 BPM with female vocals rising filtered intro into a big-room build. Angelic topline over sharp sidechained synth stacks and pulsing bass. Pre-chorus lifts with risers and claps drop hits with stabs and chopped vocal hooks repeating the main phrases. Short breakdown in the middle higher-energy reprise of the drop.

Maxidora House

02:15

7ヶ月前

by Maximiliano Pin

Crea canción EDM dance electrónica y alegre, 128 BPM, con intro creciente. Pre-coro y drop energéticos. Solo con esta letra: Intro: “Welcome to Maxidora House”, “Bienvenidos a Maxidora House”, “Are you ready?”, “here we go”. Coro: “Maxidora House”, “Siente, vive, una noche sin igual”, “music, music, music”. Kick marcado, synths brillantes, bajo pulsante. Vocal angelical. Duración de unos 3 minutos

dance female vocals [EDM vocal then a final punchy kick Bright festival EDM at 128 BPM with female vocals rising filtered intro into a big-room build. Angelic topline over sharp sidechained synth stacks and pulsing bass. Pre-chorus lifts with risers and claps drop hits with stabs and chopped vocal hooks repeating the main phrases. Short breakdown in the middle higher-energy reprise of the drop.

Primeiro Encontro, Liliane

03:11

7ヶ月前

by Reinaldo

Criar uma música romântica no estilo da cantora Sade. Personagem da música Liliane. Tema da música, nosso primeiro encontro. No tema espor um encontro tranquilo e apaixonado.

female vocals smooth velvety slow-jam à la classic Sade brushed drums and warm fretless bass holding a lazy pocket. Electric piano and clean jazz guitar trade soft phrases; chorus opens with lush backing harmonies and airy reverb. Subtle sax fills weave around the vocal building to a gentle intimate final refrain that lingers.

Primeiro Encontro, Liliane

04:00

7ヶ月前

by Reinaldo

Criar uma música romântica no estilo da cantora Sade. Personagem da música Liliane. Tema da música, nosso primeiro encontro. No tema espor um encontro tranquilo e apaixonado.

female vocals smooth velvety slow-jam à la classic Sade brushed drums and warm fretless bass holding a lazy pocket. Electric piano and clean jazz guitar trade soft phrases; chorus opens with lush backing harmonies and airy reverb. Subtle sax fills weave around the vocal building to a gentle intimate final refrain that lingers.

Off the Leash

02:55

7ヶ月前

by Adriana Marin

Rap

rap female vocals crisp consonants distorted bass swells Moody trap-leaning rap banger for female vocals: clipped 808 groove dark detuned bells and sparse piano stabs. Verses are tight and percussive with doubled ad-libs; hook explodes with layered gang vocals and rising synth risers. Keep the vocal upfront and a late-song drop to half-time for extra swagger.

Off the Leash

04:00

7ヶ月前

by Adriana Marin

Rap

rap female vocals crisp consonants distorted bass swells Moody trap-leaning rap banger for female vocals: clipped 808 groove dark detuned bells and sparse piano stabs. Verses are tight and percussive with doubled ad-libs; hook explodes with layered gang vocals and rising synth risers. Keep the vocal upfront and a late-song drop to half-time for extra swagger.

ستا مینه شو زما

04:00

7ヶ月前

by Towfiqullah Anaiety

عاشقت شدم ای زری من زرمینه بود عشق شیرین من زرمینه بود عشق شیرین من اسما تو شدی مرهم جانم اسراء و یسراء بود دنیای من ستا مینه شو زما ارمان جانان ستا مینه شو زما درمان جانان مجنونت شدم گوش کن ای لیلایم لبخند تو شده امید فردایم ستا مینه شو زما ارمان جانان ستا مینه شو زما درمان جانان این غمت مرا زار و پریشان کرده زلف‌های ظریفت مرا بریان کرده یادِ تان کنم سرِ زبانم سوزد اِ ترکِ تان کنم تمام جانم سوزد

female vocals Afghan-Persian folk-pop ballad with female vocals; gentle rubab and dutar arpeggios over a soft swaying percussion groove. Verses stay intimate and close-mic then chorus blooms with stacked harmonies and warm pad swells. Subtle frame drum builds emotion into the last hook ending on a delicate vocal ad-lib and lingering rubab line.

ستا مینه شو زما

02:57

7ヶ月前

by Towfiqullah Anaiety

عاشقت شدم ای زری من زرمینه بود عشق شیرین من زرمینه بود عشق شیرین من اسما تو شدی مرهم جانم اسراء و یسراء بود دنیای من ستا مینه شو زما ارمان جانان ستا مینه شو زما درمان جانان مجنونت شدم گوش کن ای لیلایم لبخند تو شده امید فردایم ستا مینه شو زما ارمان جانان ستا مینه شو زما درمان جانان این غمت مرا زار و پریشان کرده زلف‌های ظریفت مرا بریان کرده یادِ تان کنم سرِ زبانم سوزد اِ ترکِ تان کنم تمام جانم سوزد

female vocals Afghan-Persian folk-pop ballad with female vocals; gentle rubab and dutar arpeggios over a soft swaying percussion groove. Verses stay intimate and close-mic then chorus blooms with stacked harmonies and warm pad swells. Subtle frame drum builds emotion into the last hook ending on a delicate vocal ad-lib and lingering rubab line.

Glass Candy Heart

03:05

7ヶ月前

by kaka nono

making a song for a band baby monster

bass layered harmonies female vocals Glossy K-pop trap-pop hybrid female vocals. Tight verse over sparse plucky synths subby bass pulses and finger snaps; pre-chorus adds filtered pads and rising risers. Chorus explodes with bright detuned leads and punchy drums; middle-eight strips to vocal and claps before final hook stacks ad-libs and octave doubles.

Glass Candy Heart

03:18

7ヶ月前

by kaka nono

making a song for a band baby monster

bass layered harmonies female vocals Glossy K-pop trap-pop hybrid female vocals. Tight verse over sparse plucky synths subby bass pulses and finger snaps; pre-chorus adds filtered pads and rising risers. Chorus explodes with bright detuned leads and punchy drums; middle-eight strips to vocal and claps before final hook stacks ad-libs and octave doubles.

Porcelain Mornings

04:00

7ヶ月前

by Rojna Darwishi

A calm, dreamy, slightly depressive song with a warm and comforting feeling. Slow tempo, soft and emotional vocals, intimate and gentle. Melancholic but beautiful, calming and peaceful. Atmospheric, cinematic sound with reverb, soft drums, slow melodies, and subtle harmonies. Vintage, sad-girl, nostalgic vibe. Lana Del Rey–inspired mood and atmosphere (dreamy, melancholic, aesthetic)

emotional slow female vocals nostalgic beautiful Soft Warm gentle sad soft bass calming hazy ballad with female vocals; brushed drums and distant piano wrapped in lush reverb. Verses stay close and whispery over muted guitar and subtle pads; chorus blooms with airy harmonies and long cinematic string swells. Warm tape-style saturation gentle swells and drops like waves against a quiet shore.

Porcelain Mornings

04:00

7ヶ月前

by Rojna Darwishi

A calm, dreamy, slightly depressive song with a warm and comforting feeling. Slow tempo, soft and emotional vocals, intimate and gentle. Melancholic but beautiful, calming and peaceful. Atmospheric, cinematic sound with reverb, soft drums, slow melodies, and subtle harmonies. Vintage, sad-girl, nostalgic vibe. Lana Del Rey–inspired mood and atmosphere (dreamy, melancholic, aesthetic)

emotional slow female vocals nostalgic beautiful Soft Warm gentle sad soft bass calming hazy ballad with female vocals; brushed drums and distant piano wrapped in lush reverb. Verses stay close and whispery over muted guitar and subtle pads; chorus blooms with airy harmonies and long cinematic string swells. Warm tape-style saturation gentle swells and drops like waves against a quiet shore.

Chimda Musa, Shining Light

02:37

7ヶ月前

by Chimda Musa

Verse 1 From the fields to the villages, hope is rising high, A woman with a vision, lifting hearts to the sky. When people felt forgotten, she answered the call, Standing strong for the many, giving strength to us all. Chorus Chimda Musa, shining light, Serving the people day and night. With RATEI she leads the way, Bringing hope, a brighter day. Verse 2 For the women, for the youth, for the vo

female vocals light strong Warm inspirational pop ballad with female vocals gentle piano and acoustic guitar at the core; verses stay intimate with soft pads and subtle percussion chorus blooms with layered harmonies steady drums and bass and a catchy singalong hook. Final chorus adds ad-libbed top-line phrases and a lifted key change for emotional climax.

Chimda Musa, Shining Light

03:35

7ヶ月前

by Chimda Musa

Verse 1 From the fields to the villages, hope is rising high, A woman with a vision, lifting hearts to the sky. When people felt forgotten, she answered the call, Standing strong for the many, giving strength to us all. Chorus Chimda Musa, shining light, Serving the people day and night. With RATEI she leads the way, Bringing hope, a brighter day. Verse 2 For the women, for the youth, for the vo

female vocals light strong Warm inspirational pop ballad with female vocals gentle piano and acoustic guitar at the core; verses stay intimate with soft pads and subtle percussion chorus blooms with layered harmonies steady drums and bass and a catchy singalong hook. Final chorus adds ad-libbed top-line phrases and a lifted key change for emotional climax.

Feel the Beat

01:30

7ヶ月前

by Sanaa Oujib

“Feel the Beat – energetic pop dance, 100 BPM, female vocals”

pop dance female vocals Glossy pop-dance at 100 BPM with female vocals; bright four-on-the-floor kick bouncy sidechained synths plucky guitar chops on the off-beats. Verses stay tight and rhythmic with filtered keys; chorus lifts into wide shimmering pads and stacked harmonies. Snappy claps and a playful synth lead double the hook with a brief spoken-style bridge over a stripped groove before the final chorus explodes.

Feel the Beat

01:00

7ヶ月前

by Sanaa Oujib

“Feel the Beat – energetic pop dance, 100 BPM, female vocals”

pop dance female vocals Glossy pop-dance at 100 BPM with female vocals; bright four-on-the-floor kick bouncy sidechained synths plucky guitar chops on the off-beats. Verses stay tight and rhythmic with filtered keys; chorus lifts into wide shimmering pads and stacked harmonies. Snappy claps and a playful synth lead double the hook with a brief spoken-style bridge over a stripped groove before the final chorus explodes.

Feel the Beat

01:15

7ヶ月前

by Fatima Zahrae Oujib

“Feel the Beat – energetic pop dance, 100 BPM, female vocals”

pop dance female vocals Shiny club-pop at 100 BPM female vocals. Tight four-on-the-floor kick bright sidechained synths elastic bass. Verses ride a bouncy pluck pattern with finger snaps; pre-chorus lifts with risers and filtered pads; chorus explodes into wide saw leads and stacked harmonies. Middle-eight strips to drums and vocal chops before final hook.

Feel the Beat

01:48

7ヶ月前

by Fatima Zahrae Oujib

“Feel the Beat – energetic pop dance, 100 BPM, female vocals”

pop dance female vocals Shiny club-pop at 100 BPM female vocals. Tight four-on-the-floor kick bright sidechained synths elastic bass. Verses ride a bouncy pluck pattern with finger snaps; pre-chorus lifts with risers and filtered pads; chorus explodes into wide saw leads and stacked harmonies. Middle-eight strips to drums and vocal chops before final hook.

Sugar-Coated Venom

02:34

7ヶ月前

by Jimin Park

Like jennie, kpop

female vocals Glossy K-pop trap-pop hybrid with female vocals; tight bouncy drums and elastic sub staccato plucks in the verses. Pre-chorus lifts with airy pads and rising synth risers then chorus snaps in bright and punchy with stacked chant hooks and whispery doubles. Middle-eight strips down to bass and snaps then final chorus hits hardest with extra harmonies and ad-libs.

Sugar-Coated Venom

02:29

7ヶ月前

by Jimin Park

Like jennie, kpop

female vocals Glossy K-pop trap-pop hybrid with female vocals; tight bouncy drums and elastic sub staccato plucks in the verses. Pre-chorus lifts with airy pads and rising synth risers then chorus snaps in bright and punchy with stacked chant hooks and whispery doubles. Middle-eight strips down to bass and snaps then final chorus hits hardest with extra harmonies and ad-libs.

Шоҳ Палас — сатҳи олӣ

04:00

7ヶ月前

by Умар Ибн Ал Хаттаб

Шаҳр зери нур, шаб ором аст, Қадамҳо суст, ҳаво соф аст. Баландӣ, хомӯшӣ, манзара, Ин ҷо зиндагӣ — як дараҷа. Ҳар тиреза — орзу, Ҳар субҳ — бо нури нав. Ин ҷо вақт дигар меравад, Ин ҷо сатҳ дигар аст. Шоҳ Палас — сатҳи олӣ, Шоҳ Палас — орзуи ман. Баланд, ором, бо ифтихор, Шоҳ Палас — зиндагии нав. Дур аз садо, дур аз шитоб, Ҳар лаҳза — роҳат, ҳар шаб — хоб. Ин на танҳо хона аст, Ин интихоби одам.

female vocals Cinematic pop ballad with warm piano and airy pads female vocals up close and intimate. Subtle string swells and soft toms build through each section; chorus blooms with stacked harmonies and a wide glossy mix. Gentle percussion and bell-like keys add luxury sparkle while keeping the groove slow and graceful.

Female Vocals

Female Vocals トラック

Midnight Window

Dmin, petit mais partout

Dmin, petit mais partout

Maxidora House

Maxidora House

Primeiro Encontro, Liliane

Primeiro Encontro, Liliane

Off the Leash

Off the Leash

ستا مینه شو زما

ستا مینه شو زما

Glass Candy Heart

Glass Candy Heart

Porcelain Mornings

Porcelain Mornings

Chimda Musa, Shining Light

Chimda Musa, Shining Light

Feel the Beat

Feel the Beat

Feel the Beat

Feel the Beat

Sugar-Coated Venom

Sugar-Coated Venom

Шоҳ Палас — сатҳи олӣ

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