Male Vocals

by Ghaith Alsaid

**Create a high-energy, traditional Arabic folk dance track suitable for a full-length song. Style: Shamri, Jubi, Zamar, and Dabke fusion. Tempo: fast and energetic (125–130 BPM) to maintain constant excitement. Duration: full song (3–4 minutes). Instruments: traditional Zamar, dabke drums, douf/riq, light qanun/oud for melody accents, optional subtle claps or crowd chants. Mood: festive, highly

by Ghaith Alsaid

**Create a high-energy, traditional Arabic folk dance track suitable for a full-length song. Style: Shamri, Jubi, Zamar, and Dabke fusion. Tempo: fast and energetic (125–130 BPM) to maintain constant excitement. Duration: full song (3–4 minutes). Instruments: traditional Zamar, dabke drums, douf/riq, light qanun/oud for melody accents, optional subtle claps or crowd chants. Mood: festive, highly

by Sulav Basnet

Create a 10-minute instrumental psytrance track with no vocals. The tempo should be 145–148 BPM, featuring a deep rolling bassline, tight punchy kick, and hypnotic rhythmic patterns. Include evolving psychedelic synths, acid leads, spacey effects, and atmospheric pads to build a trippy, immersive journey. The track should have a gradual intro, multiple energy peaks and breakdowns, and a smooth out

by Sulav Basnet

Create a 10-minute instrumental psytrance track with no vocals. The tempo should be 145–148 BPM, featuring a deep rolling bassline, tight punchy kick, and hypnotic rhythmic patterns. Include evolving psychedelic synths, acid leads, spacey effects, and atmospheric pads to build a trippy, immersive journey. The track should have a gradual intro, multiple energy peaks and breakdowns, and a smooth out

by Najjar Multimedia

موسيقى هادئة جداً، عزف بيانو حقيقي وبطيء، نغمات متقطعة مع مساحات صمت، لمسات كمان خفيفة جداً في الخلفية، إحساس إنساني، حميمي، صادق، غير إلكتروني، بدون إيقاع، أصلية وغير مستخدمة، مناسبة لبودكاست إنساني واقعي، مدة 30 ثانية

by Najjar Multimedia

موسيقى هادئة جداً، عزف بيانو حقيقي وبطيء، نغمات متقطعة مع مساحات صمت، لمسات كمان خفيفة جداً في الخلفية، إحساس إنساني، حميمي، صادق، غير إلكتروني، بدون إيقاع، أصلية وغير مستخدمة، مناسبة لبودكاست إنساني واقعي، مدة 30 ثانية

by Fitness Gym

Create an original Moroccan song in Darija with a Gnawa style. Use traditional Gnawa rhythm, guembri, qraqeb, and hand claps. The song should be energetic and say “hiya, hiya, aji nergdu, darna maghribiya, gnawa hiya” in the chorus. Make the melody festive and powerful like a celebration in the street. The vibe should be proud, joyful, and modern but with authentic Moroccan Gnawa roots. No English

by Fitness Gym

Create an original Moroccan song in Darija with a Gnawa style. Use traditional Gnawa rhythm, guembri, qraqeb, and hand claps. The song should be energetic and say “hiya, hiya, aji nergdu, darna maghribiya, gnawa hiya” in the chorus. Make the melody festive and powerful like a celebration in the street. The vibe should be proud, joyful, and modern but with authentic Moroccan Gnawa roots. No English

by Gabriel Garcia

Quiero un intro para un podcast de dos mujeres que hablan de chismes de la farándula, que sea estilo pop, divertido con enganche, de una duración de 30 segundos, que de espectativa al público de lo que van a ver, solo instrumental, sin letra.Pop americano.

by Gabriel Garcia

Quiero un intro para un podcast de dos mujeres que hablan de chismes de la farándula, que sea estilo pop, divertido con enganche, de una duración de 30 segundos, que de espectativa al público de lo que van a ver, solo instrumental, sin letra.Pop americano.

by Abcd Abcd

very ancient islamic music vocals

by Abcd Abcd

very ancient islamic music vocals

by Richard Ihezue

"Create a soft, emotional, and gentle instrumental background track with a focus on piano. The music should be calm, soothing, and subtle, with light ambient pads or strings to enhance the emotional depth, but no drums or heavy percussion. The tempo should be slow to medium, around 60–80 BPM, creating a peaceful and reflective atmosphere suitable for health content and voice-over narration.

by Richard Ihezue

"Create a soft, emotional, and gentle instrumental background track with a focus on piano. The music should be calm, soothing, and subtle, with light ambient pads or strings to enhance the emotional depth, but no drums or heavy percussion. The tempo should be slow to medium, around 60–80 BPM, creating a peaceful and reflective atmosphere suitable for health content and voice-over narration.

by Md Jiya bay

ফেলে আসা পাহাড় ডাকে স্বপ্নের ভাষায়, নদীর জলে ভাসে আমার শৈশবের ছায়া। দুই হাজার সতেরো, আগুনের সে রাত, আরাকান ছেড়ে এলাম বুকে ভাঙা প্রভাত। বাংলার মাটি আপন, তবু মন মানে না, মায়ের দেশের গন্ধ আজও হৃদয় ছোঁয় ও মায়ানমার, আমার ঘর, আমার পরিচয়, রোহিঙ্গার চোখে আজও শান্তির স্বপ্ন রয়। শিবিরে থাকি, তবু মন উড়ে যায় দূরে, ফিরে যেতে চাই নিরাপদ আলো-ভরা নীড়ে। পলিথিনের ঘরে বৃষ্টি ঝরে রাতভর, ভবিষ্যৎ প্রশ্ন

by Md Jiya bay

ফেলে আসা পাহাড় ডাকে স্বপ্নের ভাষায়, নদীর জলে ভাসে আমার শৈশবের ছায়া। দুই হাজার সতেরো, আগুনের সে রাত, আরাকান ছেড়ে এলাম বুকে ভাঙা প্রভাত। বাংলার মাটি আপন, তবু মন মানে না, মায়ের দেশের গন্ধ আজও হৃদয় ছোঁয় ও মায়ানমার, আমার ঘর, আমার পরিচয়, রোহিঙ্গার চোখে আজও শান্তির স্বপ্ন রয়। শিবিরে থাকি, তবু মন উড়ে যায় দূরে, ফিরে যেতে চাই নিরাপদ আলো-ভরা নীড়ে। পলিথিনের ঘরে বৃষ্টি ঝরে রাতভর, ভবিষ্যৎ প্রশ্ন

by Van Daimler

Jolly

by Arturo Herrera

electro mambo bailable estilo dylan y lenny, semi romantico

by Arturo Herrera

electro mambo bailable estilo dylan y lenny, semi romantico

by Eric Calabria Lopez

smooth chill synthwave electronic music

by Eric Calabria Lopez

smooth chill synthwave electronic music

by Dark Valorant

Groovy John Mayer–style backing track in G major, 4/4 time, 95 BPM. Laid-back blues-pop / neo-soul groove with tight drums, warm bass, and clean rhythm guitar. Smooth pocket feel, light syncopation, lots of space. No lead guitar or vocals. Similar vibe to ‘Waiting on the World to Change’.”

by Dark Valorant

Groovy John Mayer–style backing track in G major, 4/4 time, 95 BPM. Laid-back blues-pop / neo-soul groove with tight drums, warm bass, and clean rhythm guitar. Smooth pocket feel, light syncopation, lots of space. No lead guitar or vocals. Similar vibe to ‘Waiting on the World to Change’.”

by Hüsrev Etike

Sokaklar sus diyor ama duvarlar bağırır, Yoksulun cebinde umut, zenginin dilinde yalan var. Adalet terazisi paslı, hep aynı tarafa eğilir, Bizim payımıza sabır düştü, onlarınkine saltanat. Korkuyla büyüttünüz bizi, ama korku artık yoruldu, Bu şehir diz çökmez, bu ses bir gün mutlaka duyulur. Susmam artık, kırıldı zincir, Bu ateş içimde, sönmez, yenilmez. Duysun herkes, bu halk yenilir mi?