Female Vocals

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1253 트랙

Female Vocals 트랙

Ma Réincarnation Version Anime

yoona Min의 Ma Réincarnation Version Anime 커버 아트
02:45

4개월 전

by yoona Min

ma réincarnation version anime

female vocals anime High-energy J-pop / anime opening style female vocals. Bright distorted guitars locked with punchy drums shimmering synth arps and side-chained pads. Tight driving verses that leap into a big anthemic hook with stacked harmonies and octave doubles. Brief half-time bridge with airy reverb then a final key-lift chorus that pushes maximum emotion and sparkle.

Ma Réincarnation Version Anime

yoona Min의 Ma Réincarnation Version Anime 커버 아트
03:33

4개월 전

by yoona Min

ma réincarnation version anime

female vocals anime High-energy J-pop / anime opening style female vocals. Bright distorted guitars locked with punchy drums shimmering synth arps and side-chained pads. Tight driving verses that leap into a big anthemic hook with stacked harmonies and octave doubles. Brief half-time bridge with airy reverb then a final key-lift chorus that pushes maximum emotion and sparkle.

Chrome Lipstick & Leather Dreams

Madisyn Epperson의 Chrome Lipstick & Leather Dreams 커버 아트
03:37

4개월 전

by Madisyn Epperson

1981 demo glam heavy metal with high raspy female vocals with the song sounding like a recorded tape that's kindof muffled

female vocals metal Raw 1981 glam-metal demo vibe muffled tape saturation and gentle pitch warble drums slightly boxy and pushed back crunchy double-tracked guitars panned wide throaty bass up the middle. High raspy female vocals riding the edge of breakup stacked call-and-response gang shouts on the hook. Occasional squealy lead fills between lines short reverb tails smeared like a worn cassette. Energy: mid-tempo strut in the verses big fist-pump lift on the chorus.

Chrome Lipstick & Leather Dreams

Madisyn Epperson의 Chrome Lipstick & Leather Dreams 커버 아트
03:30

4개월 전

by Madisyn Epperson

1981 demo glam heavy metal with high raspy female vocals with the song sounding like a recorded tape that's kindof muffled

female vocals metal Raw 1981 glam-metal demo vibe muffled tape saturation and gentle pitch warble drums slightly boxy and pushed back crunchy double-tracked guitars panned wide throaty bass up the middle. High raspy female vocals riding the edge of breakup stacked call-and-response gang shouts on the hook. Occasional squealy lead fills between lines short reverb tails smeared like a worn cassette. Energy: mid-tempo strut in the verses big fist-pump lift on the chorus.

Late Night at 118

Candy craze의 Late Night at 118 커버 아트
03:01

4개월 전

by Candy craze

Make a south african house with piano chords must be 118

female vocals and a warm Smooth South African house groove at 118 BPM bouncing log-drum-style bass and bright piano chords carrying the topline. Female vocals up close and airy; verses minimal with shuffling percussion and soft pads. Chorus widens with stacked harmonies subtle chant responses rolling groove that keeps dancers in a hypnotic pocket.

Late Night at 118

Candy craze의 Late Night at 118 커버 아트
03:27

4개월 전

by Candy craze

Make a south african house with piano chords must be 118

female vocals and a warm Smooth South African house groove at 118 BPM bouncing log-drum-style bass and bright piano chords carrying the topline. Female vocals up close and airy; verses minimal with shuffling percussion and soft pads. Chorus widens with stacked harmonies subtle chant responses rolling groove that keeps dancers in a hypnotic pocket.

Ahora Soy Libre

Andrea Gazquez의 Ahora Soy Libre 커버 아트
02:58

4개월 전

by Andrea Gazquez

ahora soy libre ahora puedo ser yo mismo

female vocals euphoric hook. Bright Latin pop with female vocals crisp acoustic guitars over a tight drum groove warm electric bass and subtle synth pads. Verses stay intimate and close-mic’d; pre-chorus adds claps and rising backing harmonies; chorus bursts wide with stacked vocals and a catchy top-line. Short bridge strips to guitar and vocal then slams back into a final

Ahora Soy Libre

Andrea Gazquez의 Ahora Soy Libre 커버 아트
03:03

4개월 전

by Andrea Gazquez

ahora soy libre ahora puedo ser yo mismo

female vocals euphoric hook. Bright Latin pop with female vocals crisp acoustic guitars over a tight drum groove warm electric bass and subtle synth pads. Verses stay intimate and close-mic’d; pre-chorus adds claps and rising backing harmonies; chorus bursts wide with stacked vocals and a catchy top-line. Short bridge strips to guitar and vocal then slams back into a final

Storm Rites

Uwe Uhlmann의 Storm Rites 커버 아트
04:00

4개월 전

by Uwe Uhlmann

Starts with a Worldbeat,And Electric Guitar Riff Future , Erotik female Voice raspi base drums dramly indianer chant , monk Chor chant , church Sound , Steak Sound And Stormy Riff New-Age, Downtempo Electronica Ambient Experimental Ethnic Chants Hook Long Outro Bagpie And Drums Traditionell , Gregorian Chants, Religious Overtones With Atmospheric Synths, French-Like Whispers And Somewhat Erotic

female vocals electric ambient experimental electronica downtempo Slow-burning downtempo electronica with female vocals; deep raspy lead riding a roomy swung kick and tactile bass. Opens with distant world percussion storm FX and a distorted guitar motif then folds in Indian-inspired and Gregorian-style chants as layered textures. Mid-song a moody New Age pad swell and subtle church-organ colors create religious overtones while breathy French-like whispers circle the stereo field. Long hypnotic outro evolves into bagpipe and tom-driven folk cadence chants and atmospherics rising in a ritualistic crescendo before dissolving into reverb.

Storm Rites

Uwe Uhlmann의 Storm Rites 커버 아트
02:52

4개월 전

by Uwe Uhlmann

Starts with a Worldbeat,And Electric Guitar Riff Future , Erotik female Voice raspi base drums dramly indianer chant , monk Chor chant , church Sound , Steak Sound And Stormy Riff New-Age, Downtempo Electronica Ambient Experimental Ethnic Chants Hook Long Outro Bagpie And Drums Traditionell , Gregorian Chants, Religious Overtones With Atmospheric Synths, French-Like Whispers And Somewhat Erotic

female vocals electric ambient experimental electronica downtempo Slow-burning downtempo electronica with female vocals; deep raspy lead riding a roomy swung kick and tactile bass. Opens with distant world percussion storm FX and a distorted guitar motif then folds in Indian-inspired and Gregorian-style chants as layered textures. Mid-song a moody New Age pad swell and subtle church-organ colors create religious overtones while breathy French-like whispers circle the stereo field. Long hypnotic outro evolves into bagpipe and tom-driven folk cadence chants and atmospherics rising in a ritualistic crescendo before dissolving into reverb.

Les Géants de Belfast

Gaetan Drouart의 Les Géants de Belfast 커버 아트
04:00

4개월 전

by Gaetan Drouart

Titre : Les Géants de Belfast Couplet 1 – Belfast, 1908 Sur les quais d’acier, au cœur de Belfast, Trois rêves naissaient, forgés par la main de l’audace. Là, Olympic grandit, robuste et fier, Puis Titanic, étoile brillante dans l’air. Couplet 2 – Titanic Sous les projecteurs, il fut l’apogée du temps, Le plus grand, le plus luxueux, rêvant l’infini vent. Mais l’histoire prit fin quand l’iceberg l

female vocals Orchestral folk-pop ballad with female vocals gentle piano and fingerpicked guitar leading the verses; strings swell on the choruses with bodhrán-style percussion entering to echo shipyard rhythm. Energy arcs from intimate storytelling to a soaring bittersweet refrain adding distant choir harmonies on the final chorus and a subtle low brass bed for grandeur.

Les Géants de Belfast

Gaetan Drouart의 Les Géants de Belfast 커버 아트
02:59

4개월 전

by Gaetan Drouart

Titre : Les Géants de Belfast Couplet 1 – Belfast, 1908 Sur les quais d’acier, au cœur de Belfast, Trois rêves naissaient, forgés par la main de l’audace. Là, Olympic grandit, robuste et fier, Puis Titanic, étoile brillante dans l’air. Couplet 2 – Titanic Sous les projecteurs, il fut l’apogée du temps, Le plus grand, le plus luxueux, rêvant l’infini vent. Mais l’histoire prit fin quand l’iceberg l

female vocals Orchestral folk-pop ballad with female vocals gentle piano and fingerpicked guitar leading the verses; strings swell on the choruses with bodhrán-style percussion entering to echo shipyard rhythm. Energy arcs from intimate storytelling to a soaring bittersweet refrain adding distant choir harmonies on the final chorus and a subtle low brass bed for grandeur.

Не сравнивай меня

Caйko의 Не сравнивай меня 커버 아트
03:05

4개월 전

by Caйko

НЕ СРАВНИВАЙ МЕНЯ С ДРУГИМИ. Эй слыш, это не она я за тобой не бегаю ни туда и ни сюда ты уже весь красный мальчик ахахаха мальчик с пальчик Эй слыш ты не мой Малыш так бывает котик, когда по ночам не спишь

female vocals Dark Russian pop-rap swaggering groove with sparse trap drums deep sub and icy keys; verses half-rapped in a tight pocket chorus sung with catchy melodic lift and stacked female harmonies; drops hit with filtered drums and chopped ad-libs leaving plenty of space for confident attitude-heavy female vocals

Не сравнивай меня

Caйko의 Не сравнивай меня 커버 아트
02:44

4개월 전

by Caйko

НЕ СРАВНИВАЙ МЕНЯ С ДРУГИМИ. Эй слыш, это не она я за тобой не бегаю ни туда и ни сюда ты уже весь красный мальчик ахахаха мальчик с пальчик Эй слыш ты не мой Малыш так бывает котик, когда по ночам не спишь

female vocals Dark Russian pop-rap swaggering groove with sparse trap drums deep sub and icy keys; verses half-rapped in a tight pocket chorus sung with catchy melodic lift and stacked female harmonies; drops hit with filtered drums and chopped ad-libs leaving plenty of space for confident attitude-heavy female vocals

Te iubesc

Constanta Timbaliuc의 Te iubesc 커버 아트
02:50

4개월 전

by Constanta Timbaliuc

Te iubesc

female vocals Warm acoustic-pop ballad with intimate female vocals close-mic’d and breathy. Fingerpicked guitar and soft piano build from sparse verses into a wide singalong chorus with subtle pads and low percussion. Second chorus adds gentle harmonies and a simple melodic hook that lingers after the last chord.

Te iubesc

Constanta Timbaliuc의 Te iubesc 커버 아트
03:28

4개월 전

by Constanta Timbaliuc

Te iubesc

female vocals Warm acoustic-pop ballad with intimate female vocals close-mic’d and breathy. Fingerpicked guitar and soft piano build from sparse verses into a wide singalong chorus with subtle pads and low percussion. Second chorus adds gentle harmonies and a simple melodic hook that lingers after the last chord.

Pelan-Pelan Ku Lepas

Intan Nursyahila의 Pelan-Pelan Ku Lepas 커버 아트
04:00

4개월 전

by Intan Nursyahila

aku menerima mu lagi hanya karna aku masih mencintai mu dan menginginkan diri mu tapi mengapa kini kita tak seperti dulu lagi andai kau tak ingin kan ku lagi katakan pada ku perlahan lahan aku cuba terima kenyataan nya maafkan aku kerena memaksa diri mu untuk terus seperti dulu. buat kan lagu bahasa melayu lagu jiwang galau sedih

female vocals then a final Moody Indonesian pop ballad female vocals; gentle piano and soft pads lead the verses close-mic intimate tone. Chorus blooms with airy strings subtle sub-bass and tight stacked harmonies on the hook. Second chorus lifts with light drum pulses and reverb-washed guitars. Bridge drops to near-acapella tension stripped-down chorus that lets the vocal crack and linger.

Pelan-Pelan Ku Lepas

Intan Nursyahila의 Pelan-Pelan Ku Lepas 커버 아트
04:00

4개월 전

by Intan Nursyahila

aku menerima mu lagi hanya karna aku masih mencintai mu dan menginginkan diri mu tapi mengapa kini kita tak seperti dulu lagi andai kau tak ingin kan ku lagi katakan pada ku perlahan lahan aku cuba terima kenyataan nya maafkan aku kerena memaksa diri mu untuk terus seperti dulu. buat kan lagu bahasa melayu lagu jiwang galau sedih

female vocals then a final Moody Indonesian pop ballad female vocals; gentle piano and soft pads lead the verses close-mic intimate tone. Chorus blooms with airy strings subtle sub-bass and tight stacked harmonies on the hook. Second chorus lifts with light drum pulses and reverb-washed guitars. Bridge drops to near-acapella tension stripped-down chorus that lets the vocal crack and linger.

Calling Isabelle

allefhabacukassuncaolucio@gmail.com의 Calling Isabelle 커버 아트
04:00

4개월 전

by allefhabacukassuncaolucio@gmail.com

Isabelle Santiago

female vocals Warm indie-pop with female vocals; gentle fingerpicked acoustic guitar and soft brushed drums at first then a lift into a bright driving chorus with subtle synth pads. Intimate close-mic verses; choruses bloom with stacked harmonies and a catchy top-line. Light bass movement keeps it bouncy; crisp snaps and tambourine add sparkle on the hook.

Calling Isabelle

allefhabacukassuncaolucio@gmail.com의 Calling Isabelle 커버 아트
03:32

4개월 전

by allefhabacukassuncaolucio@gmail.com

Isabelle Santiago

female vocals Warm indie-pop with female vocals; gentle fingerpicked acoustic guitar and soft brushed drums at first then a lift into a bright driving chorus with subtle synth pads. Intimate close-mic verses; choruses bloom with stacked harmonies and a catchy top-line. Light bass movement keeps it bouncy; crisp snaps and tambourine add sparkle on the hook.

Camaradas Cascas de Bala

Tutuzin의 Camaradas Cascas de Bala 커버 아트
03:24

4개월 전

by Tutuzin

Temos novos camaradas cascas de balas no sítio!!! além dos camaradas gatos e cachorro, temos os camaradas galos e galinhas, chegaram ontem no sítio!! jakinho comprou dois galos a Chico preto, e comprou oito galos e galinhas lá em Vieirópolis, os galos começaram a brigar, e jakinho teve que separar eles, Beleza meus camaradas cascas de bala, galo e galinha, ovo e pintinho vai ter de monte!!

female vocals triangle Upbeat forró-pop groove with zabumba and accordion female vocals bright and playful. Verses stay bouncy and close to the storytelling chorus widens with gang shouts and clap accents. Light bass underpins a rustic party vibe; short call-and-response hooks keep it catchy and easy to sing along.

Camaradas Cascas de Bala

Tutuzin의 Camaradas Cascas de Bala 커버 아트
02:47

4개월 전

by Tutuzin

Temos novos camaradas cascas de balas no sítio!!! além dos camaradas gatos e cachorro, temos os camaradas galos e galinhas, chegaram ontem no sítio!! jakinho comprou dois galos a Chico preto, e comprou oito galos e galinhas lá em Vieirópolis, os galos começaram a brigar, e jakinho teve que separar eles, Beleza meus camaradas cascas de bala, galo e galinha, ovo e pintinho vai ter de monte!!

female vocals triangle Upbeat forró-pop groove with zabumba and accordion female vocals bright and playful. Verses stay bouncy and close to the storytelling chorus widens with gang shouts and clap accents. Light bass underpins a rustic party vibe; short call-and-response hooks keep it catchy and easy to sing along.

Două suflete la Frankfurt

Lebedi Alexandra의 Două suflete la Frankfurt 커버 아트
03:20

4개월 전

by Lebedi Alexandra

Suntem două suflete — Alexandra și Ecaterina, Viața ne-a legat printr-o poveste mai puțin senină, Din rău am învățat, ne-am ridicat mereu, Și-am devenit prietene cum rar găsești mereu. N-am să uit seara când ne-am văzut prima dată, Într-un oraș străin, dar inima împăcată, La Frankfurt, printre lumini și vise mii, Am știut că tu lângă mine vei fi. Sunt curioasă de tine, de tot ce ești tu, Și cât de

female vocals Warm acoustic pop ballad with female vocals; gentle fingerpicked guitar and soft pads subtle piano answering the vocal phrases. Intimate verse delivery close-mic whispery tone on the confessional lines; chorus blooms with airy harmonies and a steady grounded kick. Light shaker and bass swelling in on the second half to lift the emotion ending on a stripped-down final hook a cappella over a lingering guitar chord.

Două suflete la Frankfurt

Lebedi Alexandra의 Două suflete la Frankfurt 커버 아트
03:14

4개월 전

by Lebedi Alexandra

Suntem două suflete — Alexandra și Ecaterina, Viața ne-a legat printr-o poveste mai puțin senină, Din rău am învățat, ne-am ridicat mereu, Și-am devenit prietene cum rar găsești mereu. N-am să uit seara când ne-am văzut prima dată, Într-un oraș străin, dar inima împăcată, La Frankfurt, printre lumini și vise mii, Am știut că tu lângă mine vei fi. Sunt curioasă de tine, de tot ce ești tu, Și cât de

female vocals Warm acoustic pop ballad with female vocals; gentle fingerpicked guitar and soft pads subtle piano answering the vocal phrases. Intimate verse delivery close-mic whispery tone on the confessional lines; chorus blooms with airy harmonies and a steady grounded kick. Light shaker and bass swelling in on the second half to lift the emotion ending on a stripped-down final hook a cappella over a lingering guitar chord.

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