Devenir Moi

03:29

3주 전

Après tous les problèmes, j'ai enfin compris. Aujourd'hui, j'essaie de devenir la personne que tu voulais voir en moi. Je continue d'avancer grâce à toi. Pardonne-moi d'avoir été faible. Je n'arrivais pas à contrôler mes peurs. Si je t'ai laissé partir, c'est parce que je me sentais perdue et incapable de te donner ce que tu méritais. Tu as tout fait pour que notre histoire continue, mais je voula

male vocals emotional French pop ballad with male vocals mid-tempo 6/8 sway tender piano arpeggios and soft brushed drums; verse stays intimate and close-mic pre-chorus lifts with layered harmonies and rising strings chorus opens wide with warm bass and doubled lead. Breathy vocal cracks a few echo throws on key words reversed piano swells into each chorus final lift with subtle choir pads. Bright and polished with a cinematic sheen.

Devenir Moi

03:49

3주 전

by Hady Diallo

Après tous les problèmes, j'ai enfin compris. Aujourd'hui, j'essaie de devenir la personne que tu voulais voir en moi. Je continue d'avancer grâce à toi. Pardonne-moi d'avoir été faible. Je n'arrivais pas à contrôler mes peurs. Si je t'ai laissé partir, c'est parce que je me sentais perdue et incapable de te donner ce que tu méritais. Tu as tout fait pour que notre histoire continue, mais je voula

male vocals emotional French pop ballad with male vocals mid-tempo 6/8 sway tender piano arpeggios and soft brushed drums; verse stays intimate and close-mic pre-chorus lifts with layered harmonies and rising strings chorus opens wide with warm bass and doubled lead. Breathy vocal cracks a few echo throws on key words reversed piano swells into each chorus final lift with subtle choir pads. Bright and polished with a cinematic sheen.

Brighter Days

03:20

3주 전

by stambaughs977@gmail.com

mellow e.d.m, male voice,gettin over traume,when everything that can go wrong does go wrong at the same time,hoping for brighter days

male vocals mellow polished and spacious mix. Mellow EDM with a laid-back four-on-the-floor pulse soft sidechain swell and syncopated percussion; verse rides sparse keys and muted sub pulses pre-chorus opens with filtered pads and rising air chorus blooms with wider synth chords and a simple topline. Male vocals are close-mic and vulnerable in verses doubled and lightly tuned on the hook with delay throws on the last word. Ear candy: reversed swell into each chorus tiny bell ticks between phrases brushed risers before the bridge. Intimate

Brighter Days

03:58

3주 전

by stambaughs977@gmail.com

mellow e.d.m, male voice,gettin over traume,when everything that can go wrong does go wrong at the same time,hoping for brighter days

male vocals mellow polished and spacious mix. Mellow EDM with a laid-back four-on-the-floor pulse soft sidechain swell and syncopated percussion; verse rides sparse keys and muted sub pulses pre-chorus opens with filtered pads and rising air chorus blooms with wider synth chords and a simple topline. Male vocals are close-mic and vulnerable in verses doubled and lightly tuned on the hook with delay throws on the last word. Ear candy: reversed swell into each chorus tiny bell ticks between phrases brushed risers before the bridge. Intimate

Even Hate Me

02:43

4주 전

by Deandre Leid

girl i love you even hate me

male vocals intimate and punchy. pre-chorus strips to handclaps and a rising synth wash Alt-pop with male vocals mid-tempo swung drums and warm sub-bass; verse rides sparse Rhodes and clipped guitar chorus opens with stacked harmonies and a gritty lead double. Use delay throws on the hook word reverse cymbal lifts into each chorus and tiny vocal chops between lines. Bright

Even Hate Me

02:43

4주 전

by Deandre Leid

girl i love you even hate me

male vocals intimate and punchy. pre-chorus strips to handclaps and a rising synth wash Alt-pop with male vocals mid-tempo swung drums and warm sub-bass; verse rides sparse Rhodes and clipped guitar chorus opens with stacked harmonies and a gritty lead double. Use delay throws on the hook word reverse cymbal lifts into each chorus and tiny vocal chops between lines. Bright

Taratasy Nentin'ny Fo

03:15

4주 전

by Francisnaya Officiel

Intro Yeuuh Francisnaya Couplet 1: Ny fialatsigny tsy hisy aminah na roue na raiky Fa za nangigny fa izy nanantona sy ny kaiky Tsy nisalasala fa de nanambara amina Hoe ny ao ampouny tombe amoureux sy efa taraiky Koa azafady aminao akamako sy namako Ambelao fona izy efa tsy anao fa anjarako Fa tsy any intsony izy fefa ampela tanako Anao fa ex izy efa lasako

male vocals Afro-pop malagasy with a steady mid-tempo bounce and light shuffling percussion verse built on guitar stabs and warm bass; pre-chorus tightens with snapped backing vocals and rising synth air; chorus opens wide with stacked male vocals and a chantable hook. Short delay throws on key phrase handclap lift into choruses brushed drum fills between sections. Bright punchy mix with intimate close-mic lead and glossy harmonies. male vocals

Taratasy Nentin'ny Fo

03:00

4주 전

by Francisnaya Officiel

Intro Yeuuh Francisnaya Couplet 1: Ny fialatsigny tsy hisy aminah na roue na raiky Fa za nangigny fa izy nanantona sy ny kaiky Tsy nisalasala fa de nanambara amina Hoe ny ao ampouny tombe amoureux sy efa taraiky Koa azafady aminao akamako sy namako Ambelao fona izy efa tsy anao fa anjarako Fa tsy any intsony izy fefa ampela tanako Anao fa ex izy efa lasako

male vocals Afro-pop malagasy with a steady mid-tempo bounce and light shuffling percussion verse built on guitar stabs and warm bass; pre-chorus tightens with snapped backing vocals and rising synth air; chorus opens wide with stacked male vocals and a chantable hook. Short delay throws on key phrase handclap lift into choruses brushed drum fills between sections. Bright punchy mix with intimate close-mic lead and glossy harmonies. male vocals

Fierté de Kimbanseke

03:17

4주 전

by Kongolo Christian

Titre : Fierté de Kimbanseke Couplet 1 Dans les rues de Kimbanseke, l'espoir s'est levé, Un homme de vision est venu travailler. Toujours proche du peuple, toujours à écouter, Pour le bien de la commune, il ne cesse d'avancer. Refrain Jeancy Nganga Kidumu, notre fierté, Bourgmestre dévoué, homme de vérité. Kimbanseke chante pour te remercier, Pour ton courage et ta volonté. Couplet 2 Tu encourages

male vocals triumphant and radio-ready. airy ad-libs Afro-pop with mid-tempo 4-on-the-floor pulse buoyant percussion and call-and-response grooves; verse stays warm and story-driven pre-chorus lifts with handclaps and rising harmony stacks chorus opens wide with communal chants and short echoed phrases. Lead male vocal front and center with doubled hook lines and a few crowd-style backing responses. Bright brass stabs shaker runs and a subtle lift before each chorus; polished

Fierté de Kimbanseke

03:29

4주 전

by Kongolo Christian

Titre : Fierté de Kimbanseke Couplet 1 Dans les rues de Kimbanseke, l'espoir s'est levé, Un homme de vision est venu travailler. Toujours proche du peuple, toujours à écouter, Pour le bien de la commune, il ne cesse d'avancer. Refrain Jeancy Nganga Kidumu, notre fierté, Bourgmestre dévoué, homme de vérité. Kimbanseke chante pour te remercier, Pour ton courage et ta volonté. Couplet 2 Tu encourages

male vocals triumphant and radio-ready. airy ad-libs Afro-pop with mid-tempo 4-on-the-floor pulse buoyant percussion and call-and-response grooves; verse stays warm and story-driven pre-chorus lifts with handclaps and rising harmony stacks chorus opens wide with communal chants and short echoed phrases. Lead male vocal front and center with doubled hook lines and a few crowd-style backing responses. Bright brass stabs shaker runs and a subtle lift before each chorus; polished

Lubni Salas

03:37

4주 전

by Mi Kra

LUBNI SALAS LUBNI AČIJAS SOSKEMAN O ŠERJO DILIŇARES PO ME TUT LASKO KAMAVA PEN MANGE ČIKAMES MANCA TE ĎŽIVES IMAR ČAJE PALTUT MEROVAV HIN TUHA TRIN CAVE SOSKEMAN AVKA TRAPINES O MIRO PALTUT ROVEL AVKEMAN PALE LASKO

male vocals cinematic and close Romani pop ballad with a slow swaying pulse intimate acoustic guitar and brushed percussion underneath; verse keeps it sparse with close-mic male vocals and gentle harmonic doubles pre-chorus rises on a held bass note and handclap lift chorus opens with warm strings and stacked backing lines. Add a soft accordion sigh between phrases a reverse swell into the first chorus and a final lift with wider harmony. Mix is warm

Lubni Salas

03:10

4주 전

by Mi Kra

LUBNI SALAS LUBNI AČIJAS SOSKEMAN O ŠERJO DILIŇARES PO ME TUT LASKO KAMAVA PEN MANGE ČIKAMES MANCA TE ĎŽIVES IMAR ČAJE PALTUT MEROVAV HIN TUHA TRIN CAVE SOSKEMAN AVKA TRAPINES O MIRO PALTUT ROVEL AVKEMAN PALE LASKO

male vocals cinematic and close Romani pop ballad with a slow swaying pulse intimate acoustic guitar and brushed percussion underneath; verse keeps it sparse with close-mic male vocals and gentle harmonic doubles pre-chorus rises on a held bass note and handclap lift chorus opens with warm strings and stacked backing lines. Add a soft accordion sigh between phrases a reverse swell into the first chorus and a final lift with wider harmony. Mix is warm

Plasa Din Londra

03:19

4주 전

by cola master

unde va pe internet sau cunoscut mai exact pe radio hits nrg au vorbit la telefon sau placut au riscat si ei in data sau si intalnit undeva intr-un aeroport din londra ea intarziind din cauza ca ea muncea si sefu nu o invoia , stefan era cu gandul ca sia luat o mare plasa

male vocals emotional short delay throws on key words doubled chorus lines Pop ballad with male vocals mid-tempo swung groove piano-led verses and a lifted chorus; verse stays intimate with sparse keys and bass pre-chorus opens with rising drums and filtered pads chorus lands on wide stacked harmonies and a strong drum backbeat. Use close-mic lead and a soft ad-lib bed on the hook. Add a reversed swell into the chorus and a final lift with handclaps for shine. Bright and radio-polished

Plasa Din Londra

03:17

4주 전

by cola master

unde va pe internet sau cunoscut mai exact pe radio hits nrg au vorbit la telefon sau placut au riscat si ei in data sau si intalnit undeva intr-un aeroport din londra ea intarziind din cauza ca ea muncea si sefu nu o invoia , stefan era cu gandul ca sia luat o mare plasa

male vocals emotional short delay throws on key words doubled chorus lines Pop ballad with male vocals mid-tempo swung groove piano-led verses and a lifted chorus; verse stays intimate with sparse keys and bass pre-chorus opens with rising drums and filtered pads chorus lands on wide stacked harmonies and a strong drum backbeat. Use close-mic lead and a soft ad-lib bed on the hook. Add a reversed swell into the chorus and a final lift with handclaps for shine. Bright and radio-polished

Ngizohamba Nawe

03:05

4주 전

by Zanzorah Brown

amapiano

male vocals glossy reverse swells club-close mix. shuffling shakers Amapiano with log-drum bounce airy keys and a laid-back four-on-the-floor pulse; verse stays sparse with clipped male lead and soft call phrases pre-chorus lifts with stacked harmonies and filtered piano chorus opens into a sticky chant with gang ad-libs. Vocal chops coin-like perc ticks. Warm

Ngizohamba Nawe

03:09

4주 전

by Zanzorah Brown

amapiano

male vocals glossy reverse swells club-close mix. shuffling shakers Amapiano with log-drum bounce airy keys and a laid-back four-on-the-floor pulse; verse stays sparse with clipped male lead and soft call phrases pre-chorus lifts with stacked harmonies and filtered piano chorus opens into a sticky chant with gang ad-libs. Vocal chops coin-like perc ticks. Warm

Banabeso

04:10

4주 전

by Djkhahliso

make Afro house love song for my brother and my sister using the male vocals with Sesotho language

male vocals Shakers wide and deep bass chant doubles Afro house with a driving four-on-the-floor pulse syncopated percussion and warm log drum accents; verse rides sparse kick pre-chorus lifts with filtered pads and rising vocal layers chorus opens with claps and a bright synth hook. Male vocals front and center intimate in verses and stacked with group-style ad-libs on the hook. Ear candy includes reverse sweeps into the chorus hand drum fills and short delay throws on key phrases. Mix is warm and glossy with a club-ready low end.

GWENDOLYN TAI