tonight like that

03:00

2 luni în urmă

library.shared.meta_by Michael Wiederkehr

acoustic guitar catchy chorus warm male vocal ~92 BPM Modern country smoky late-night bar mood playful sensual lyrics subtle slide guitar relaxed drums intimate after-hours atmosphere.

one more day

04:14

2 luni în urmă

library.shared.meta_by Michael Wiederkehr

acoustic guitar warm piano Emotional commercial EDM 126 BPM deep female vocal meaningful lyrics uplifting melody euphoric build huge melodic drop festival anthem organic feel.

Fabrice et son tracteur

02:25

5 luni în urmă

library.shared.meta_by Louane GAYE

🎵 Fabrice et son tracteur 🎵 (suite) Dans le silence bleu des champs endormis, Fabrice veille encore quand la nuit s’oublie, Les étoiles penchées sur les blés mûrs, Et le tracteur qui tousse dans l’air si pur. Il dort pas beaucoup, Fabrice, la nuit, Le moteur ronronne, ça tient compagnie, Sur son vieux tracteur, les mains bien serrées, Il refait le monde sans trop parler. Refrain : Oh Fabrice, dans

male vocals acoustic guitar French chanson with rustic folk-pop bounce mid-tempo and gently swaying; verse stays sparse with accordion hand percussion and a low drone pre-chorus lifts with backing oohs and a snare swell chorus opens wider with warm harmonies and stomp-clap rhythm. Male vocals in a close weathered lead with soft doubles on the hook a few group responses in parentheses vinyl crackle and field ambience between sections bright but earthy mix with a cozy village-radio shine.

Fabrice et son tracteur

03:02

5 luni în urmă

library.shared.meta_by Louane GAYE

🎵 Fabrice et son tracteur 🎵 (suite) Dans le silence bleu des champs endormis, Fabrice veille encore quand la nuit s’oublie, Les étoiles penchées sur les blés mûrs, Et le tracteur qui tousse dans l’air si pur. Il dort pas beaucoup, Fabrice, la nuit, Le moteur ronronne, ça tient compagnie, Sur son vieux tracteur, les mains bien serrées, Il refait le monde sans trop parler. Refrain : Oh Fabrice, dans

male vocals acoustic guitar French chanson with rustic folk-pop bounce mid-tempo and gently swaying; verse stays sparse with accordion hand percussion and a low drone pre-chorus lifts with backing oohs and a snare swell chorus opens wider with warm harmonies and stomp-clap rhythm. Male vocals in a close weathered lead with soft doubles on the hook a few group responses in parentheses vinyl crackle and field ambience between sections bright but earthy mix with a cozy village-radio shine.

Kalábrie V Nás

03:28

5 luni în urmă

library.shared.meta_by Ivan Kolcak

náš příběh začíná naše krásná amantea naš náš sen se spli v Kalábrii život bude krásný v naší Itálii děti budou šťastné naše budoucnost je v Kalábrii bílá třpytivá Kalábrie amanteo jsi zlata tvé krásné město je tak kouzelné moře jsi tak krásné a třpytivé Ivánek drží Peťulku v náručí děti kolem nás běháji všichni tak moc šťastné

female vocals acoustic guitar hand percussion and a bright bell-like accents between lines Mediterranean pop ballad with female vocals lilting 6/8 pulse and warm synth pads; verse stays intimate and image-driven pre-chorus lifts with stacked harmonies and a rising claps pattern chorus opens wide with bold unison doubles and gentle crowd-style oohs bridge drops to voice and guitar before the final chorus blooms. Use soft delay throws on the hook name glossy mix with sunlit low end.

Kalábrie V Nás

03:23

5 luni în urmă

library.shared.meta_by Ivan Kolcak

náš příběh začíná naše krásná amantea naš náš sen se spli v Kalábrii život bude krásný v naší Itálii děti budou šťastné naše budoucnost je v Kalábrii bílá třpytivá Kalábrie amanteo jsi zlata tvé krásné město je tak kouzelné moře jsi tak krásné a třpytivé Ivánek drží Peťulku v náručí děti kolem nás běháji všichni tak moc šťastné

female vocals acoustic guitar hand percussion and a bright bell-like accents between lines Mediterranean pop ballad with female vocals lilting 6/8 pulse and warm synth pads; verse stays intimate and image-driven pre-chorus lifts with stacked harmonies and a rising claps pattern chorus opens wide with bold unison doubles and gentle crowd-style oohs bridge drops to voice and guitar before the final chorus blooms. Use soft delay throws on the hook name glossy mix with sunlit low end.

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