Standing In The Rain

03:48

3 luni în urmă

techno upbeat synthesizer SL4 female vocals she left me standing in the rain

female vocals Techno Driving techno groove with bright hypnotic synth stabs and a pulsing sidechained bass. Four-on-the-floor kick anchors an upbeat club-ready rhythm; crisp hi-hats and snappy claps keep it urgent. Female vocals: cool but emotional light reverb for a spacious feel. Hooky topline with stacked harmonies on the chorus and a brief stripped-back break before the final drop.

we can not run o,no where to run to and no strength to run.we can not fight no weapon to fight,no strength to fight.we can not sleep o fear in the morning afternoon and night oo,all hope has gone.( chrus i am calling you Jehovah God of Elijah please show your mercy, you are the only one we have now no shoulder to lean on please show your mercy. i want it in a ragge solemn stye with a female voice

slow female vocals sleep solemn roots reggae groove with deep warm bass and soft skanking guitar on the offbeat; rimshot snare and gentle percussion keep a meditative sway. Female vocals tender but powerful lead the melody with airy harmonies lifting the chorus; subtle organ pads and distant echo on key phrases give it a prayerful spacious feel. Energy builds gently into each chorus then settles back into a reflective almost hymn-like calm.

Show Your Mercy

03:32

3 luni în urmă

de Mercy Glory

we can not run o,no where to run to and no strength to run.we can not fight no weapon to fight,no strength to fight.we can not sleep o fear in the morning afternoon and night oo,all hope has gone.( chrus i am calling you Jehovah God of Elijah please show your mercy, you are the only one we have now no shoulder to lean on please show your mercy. i want it in a ragge solemn stye with a female voice

slow female vocals sleep solemn roots reggae groove with deep warm bass and soft skanking guitar on the offbeat; rimshot snare and gentle percussion keep a meditative sway. Female vocals tender but powerful lead the melody with airy harmonies lifting the chorus; subtle organ pads and distant echo on key phrases give it a prayerful spacious feel. Energy builds gently into each chorus then settles back into a reflective almost hymn-like calm.

Me Sem Buti

01:49

3 luni în urmă

de Tifani Pongo

Verse 1: Chororo phuv, phirav sas o shero, Ruzh thaj leske, dzanes man o pherdo, Dilo mange, kerdyo than, Aven, shukar them, na dikhles kado van! Pre-Chorus: T’ave jekh rat, amaro shoro thaj amari rromni, Hasen amaro, na kerdyol dikhel. Chorus: Me sem buti, me sem baro, thaj tu dikhas, O them phirav, sar me phenav, Amaro dilo lavel anglal, nach o raklo, Rat amaro, na rovel, dzanes, avas man! Verse

female vocals claps and stacked harmonies Upbeat Balkan-pop groove with bright brass stabs rolling tapan-style percussion and warm bass. Verses stay nimble and rhythmic with playful call-and-response between male and female vocals; pre-chorus leans into suspended chords and hand percussion. Chorus explodes with gang shouts lifting the hook. Energetic party feel slightly raw very danceable.

Me Sem Buti

02:23

3 luni în urmă

de Tifani Pongo

Verse 1: Chororo phuv, phirav sas o shero, Ruzh thaj leske, dzanes man o pherdo, Dilo mange, kerdyo than, Aven, shukar them, na dikhles kado van! Pre-Chorus: T’ave jekh rat, amaro shoro thaj amari rromni, Hasen amaro, na kerdyol dikhel. Chorus: Me sem buti, me sem baro, thaj tu dikhas, O them phirav, sar me phenav, Amaro dilo lavel anglal, nach o raklo, Rat amaro, na rovel, dzanes, avas man! Verse

female vocals claps and stacked harmonies Upbeat Balkan-pop groove with bright brass stabs rolling tapan-style percussion and warm bass. Verses stay nimble and rhythmic with playful call-and-response between male and female vocals; pre-chorus leans into suspended chords and hand percussion. Chorus explodes with gang shouts lifting the hook. Energetic party feel slightly raw very danceable.

Umbigo Que Não Cortei

04:02

3 luni în urmă

de Carol Lisboa

infância difícil e poucos amigos,meus pais nao tinha condição na época,me espelho na minha irmã mais velha,casamos minha irmã teve 2 filhos e eu também casei no papel assinei com caneta de ouro meu casamento,trabalho na Alemanha mais vivo com saudades do Brasil, cheiro da minha mãe que mesmo que cortou o umbigo umbilical eu não cortei me faz falta. sinto saudades de aniversário que não posso estar

female vocals Warm light backing harmonies] lingering on the last line. nostalgic MPB ballad with female vocals over nylon-string guitar and soft upright bass; verses intimate and close-mic sparse percussion with brushes and subtle shaker. Chorus blooms with airy pads and a gentle tom build evoking homesick ache and quiet strength. Final outro strips back to just voice and guitar

Umbigo Que Não Cortei

03:58

3 luni în urmă

de Carol Lisboa

infância difícil e poucos amigos,meus pais nao tinha condição na época,me espelho na minha irmã mais velha,casamos minha irmã teve 2 filhos e eu também casei no papel assinei com caneta de ouro meu casamento,trabalho na Alemanha mais vivo com saudades do Brasil, cheiro da minha mãe que mesmo que cortou o umbigo umbilical eu não cortei me faz falta. sinto saudades de aniversário que não posso estar

female vocals Warm light backing harmonies] lingering on the last line. nostalgic MPB ballad with female vocals over nylon-string guitar and soft upright bass; verses intimate and close-mic sparse percussion with brushes and subtle shaker. Chorus blooms with airy pads and a gentle tom build evoking homesick ache and quiet strength. Final outro strips back to just voice and guitar

Tayeri N Tesmin (My Path in the Fog)

02:37

3 luni în urmă

de Tigheri Lounes

ger id d wass ageris degi isagheras thardad ghef felli thaduli achebouv d dhav samas Allan ttizagzawth igani fellas a win attidyawin asahkugh tayeri

female vocals lingering close. Minimal desert-folk ballad with female vocals; close-mic’d lead over soft nylon guitar and frame drum pulse airy flutes answering vocal phrases. Song starts hushed and intimate blooms in the chorus with stacked harmonies and gentle hand percussion then pulls back to a single guitar and voice on the final line for an intimate

Tayeri N Tesmin (My Path in the Fog)

02:42

3 luni în urmă

de Tigheri Lounes

ger id d wass ageris degi isagheras thardad ghef felli thaduli achebouv d dhav samas Allan ttizagzawth igani fellas a win attidyawin asahkugh tayeri

female vocals lingering close. Minimal desert-folk ballad with female vocals; close-mic’d lead over soft nylon guitar and frame drum pulse airy flutes answering vocal phrases. Song starts hushed and intimate blooms in the chorus with stacked harmonies and gentle hand percussion then pulls back to a single guitar and voice on the final line for an intimate

Все деньги текут ко мне

03:07

3 luni în urmă

de Miy

Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас.

female vocals bright pads Glossy club pop with female vocals; steady mid-tempo pulse warm sub-bass and glassy synth plucks. Verses stay intimate and hypnotic close-mic whisper tone; chorus blooms with stacked harmonies and crisp clap groove. Short reverb tail on lead creates a mantra-like trance with subtle risers lifting into each hook and a late-song drop that strips to vocal and bass before the final chorus.

Все деньги текут ко мне

02:36

3 luni în urmă

de Miy

Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас.

female vocals bright pads Glossy club pop with female vocals; steady mid-tempo pulse warm sub-bass and glassy synth plucks. Verses stay intimate and hypnotic close-mic whisper tone; chorus blooms with stacked harmonies and crisp clap groove. Short reverb tail on lead creates a mantra-like trance with subtle risers lifting into each hook and a late-song drop that strips to vocal and bass before the final chorus.

Diecisiete Velas

02:36

3 luni în urmă

de Laura Lopez

feliz cumpleaño en tu 17 años hermanita

female vocals close and intimate in the verses Bright Latin pop with acoustic guitar and warm synth pads; mid-tempo groove that sways. Female vocals up front opening into wide stacked harmonies on the chorus. Light percussion and claps lift the hook bass stays round and supportive. Final chorus adds ad-lib runs and a subtle key lift for a celebratory finish.

Diecisiete Velas

02:37

3 luni în urmă

de Laura Lopez

feliz cumpleaño en tu 17 años hermanita

female vocals close and intimate in the verses Bright Latin pop with acoustic guitar and warm synth pads; mid-tempo groove that sways. Female vocals up front opening into wide stacked harmonies on the chorus. Light percussion and claps lift the hook bass stays round and supportive. Final chorus adds ad-lib runs and a subtle key lift for a celebratory finish.

Midnight Circuit

03:07

3 luni în urmă

de Márk Döbrönte

electro house club mix 80 BMP

dance female vocals electro house airy pads High-energy electro house club mix at 128 BPM feel female vocals. Sharp sidechained synth stabs over a pulsing four-on-the-floor kick bright top-end percussion and a rubbery sub bass. Verses ride a stripped groove with filtered chords; chorus opens wide with detuned leads and stacked gang-style shouts. Short FX risers into each hook tight delay on the vocals for a glossy festival-ready sheen.

Midnight Circuit

02:42

3 luni în urmă

de Márk Döbrönte

electro house club mix 80 BMP

dance female vocals electro house airy pads High-energy electro house club mix at 128 BPM feel female vocals. Sharp sidechained synth stabs over a pulsing four-on-the-floor kick bright top-end percussion and a rubbery sub bass. Verses ride a stripped groove with filtered chords; chorus opens wide with detuned leads and stacked gang-style shouts. Short FX risers into each hook tight delay on the vocals for a glossy festival-ready sheen.

Vuelvo a Empezar Contigo

02:48

3 luni în urmă

de saradsval@alu.edu.gva.es

hazme una canción pop en español con vibes de 2012 con ritmo pegadizo y cantado por una chica o chicas

pop female vocals tambourine Bright 2012-style Latin pop four-on-the-floor kick with crisp claps shiny synth stabs and sidechained pads. Tight punchy verses over muted guitars; chorus explodes with stacked girl-group harmonies and a soaring lead. Middle-eight strips to vocal + synth riser before a final hands-up chorus. Polished radio-ready mix with a playful youthful bounce.

Vuelvo a Empezar Contigo

02:51

3 luni în urmă

de saradsval@alu.edu.gva.es

hazme una canción pop en español con vibes de 2012 con ritmo pegadizo y cantado por una chica o chicas

pop female vocals tambourine Bright 2012-style Latin pop four-on-the-floor kick with crisp claps shiny synth stabs and sidechained pads. Tight punchy verses over muted guitars; chorus explodes with stacked girl-group harmonies and a soaring lead. Middle-eight strips to vocal + synth riser before a final hands-up chorus. Polished radio-ready mix with a playful youthful bounce.

Une Histoire Que Le Silence A Scellée

03:12

3 luni în urmă

de Jean Charlin RANDRIANTIANA

Couplet On s’aimait hors du temps figé, Deux âmes libres à s’égarer, Nos serments semblaient gravés, Dans l’illusion d’éternité. Mais la vie, lente marée, A nos rêves tout arraché, Et nos cœurs désaccordés, Se sont tus sans s’expliquer. Et ça fait mal sans remède, sans détour, Comme un vide qui murmure chaque jour, Un amour trop vaste pour exister, Une histoire que le silence a scellée.

female vocals Intimate French chanson with female vocals close-miked and breathy. Soft piano arpeggios and subtle upright bass under the verses brushed snare and warm pads blooming in the chorus. Energy swells gently from verse to chorus then retreats to a bare fragile outro line. Light string quartet doubles key emotional phrases leaving space for pauses and sighs to carry the weight.

Une Histoire Que Le Silence A Scellée

03:07

3 luni în urmă

de Jean Charlin RANDRIANTIANA

Couplet On s’aimait hors du temps figé, Deux âmes libres à s’égarer, Nos serments semblaient gravés, Dans l’illusion d’éternité. Mais la vie, lente marée, A nos rêves tout arraché, Et nos cœurs désaccordés, Se sont tus sans s’expliquer. Et ça fait mal sans remède, sans détour, Comme un vide qui murmure chaque jour, Un amour trop vaste pour exister, Une histoire que le silence a scellée.

female vocals Intimate French chanson with female vocals close-miked and breathy. Soft piano arpeggios and subtle upright bass under the verses brushed snare and warm pads blooming in the chorus. Energy swells gently from verse to chorus then retreats to a bare fragile outro line. Light string quartet doubles key emotional phrases leaving space for pauses and sighs to carry the weight.

Eres Mi Tesoro

03:09

3 luni în urmă

de Cristabel Vasquez

Alabanza de adoración congregaciónal inspirada

female vocals gentle acoustic guitar Warm modern congregational worship mid-tempo 4/4 with piano-led progression and airy pads; female vocals up front with soft harmonies in the chorus subtle tom builds into a wide soaring final refrain reverb-kissed ambience that invites the whole room to sing

Eres Mi Tesoro

03:38

3 luni în urmă

de Cristabel Vasquez

Alabanza de adoración congregaciónal inspirada

female vocals gentle acoustic guitar Warm modern congregational worship mid-tempo 4/4 with piano-led progression and airy pads; female vocals up front with soft harmonies in the chorus subtle tom builds into a wide soaring final refrain reverb-kissed ambience that invites the whole room to sing

Pentru mireasa Mircea

03:40

3 luni în urmă

de Andreea Mircea

Pentru Miresa Mircea Soția lui Andrei de la cumnatul ei Armando și sora ei Andreea

female vocals Warm acoustic pop ballad with female vocals subtle percussion gentle fingerpicked guitar and soft piano pads; verses stay intimate and close-mic’d chorus lifts with fuller chords and airy backing harmonies. Bridge drops to almost a whisper before a final bright chorus and tender outro tag.

Pentru mireasa Mircea

03:33

3 luni în urmă

de Andreea Mircea

Pentru Miresa Mircea Soția lui Andrei de la cumnatul ei Armando și sora ei Andreea

female vocals Warm acoustic pop ballad with female vocals subtle percussion gentle fingerpicked guitar and soft piano pads; verses stay intimate and close-mic’d chorus lifts with fuller chords and airy backing harmonies. Bridge drops to almost a whisper before a final bright chorus and tender outro tag.

Whole Block Barbie

02:05

3 luni în urmă

de Vincent anecito Guiñez

"B!TCH" Woke up feelin' like I own the whole block Lip gloss poppin', fresh fit on lock They be lookin' but they can't touch what I got Ain't no stress, I'm steady on top Text my girls, "we out tonight, no waitin'" DJ spinnin' tracks

female vocals fresh steady bouncy bass Glossy club-rap banger swung trap drums over dark sharp hat rolls. Female vocals confident and sassy with stacked gang-style ad-libs. Hook explodes with chanty call-and-response energy and wide stereo claps verses stay tighter and more minimal so the punchlines land.

Female Vocals

Female Vocals Piese

Standing In The Rain

Show Your Mercy

Show Your Mercy

Me Sem Buti

Me Sem Buti

Umbigo Que Não Cortei

Umbigo Que Não Cortei

Tayeri N Tesmin (My Path in the Fog)

Tayeri N Tesmin (My Path in the Fog)

Все деньги текут ко мне

Все деньги текут ко мне

Diecisiete Velas

Diecisiete Velas

Midnight Circuit

Midnight Circuit

Vuelvo a Empezar Contigo

Vuelvo a Empezar Contigo

Une Histoire Que Le Silence A Scellée

Une Histoire Que Le Silence A Scellée

Eres Mi Tesoro

Eres Mi Tesoro

Pentru mireasa Mircea

Pentru mireasa Mircea

Whole Block Barbie

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