Glass in the Spoon

03:45

1 zi în urmă

dark horrorcore rap meets southern rock blues about being addicted to shooting meth and being a broken man trying to survive life and being left alone by everyone who has ever said that they loved him

male vocals rap horrorcore blues southern rock Gritty horrorcore rap over swampy southern rock blues. Male vocals: verses half-whispered half-growled over detuned slide guitar and a lurching swung drum groove. Chorus erupts with gravelly sung hook and distorted power chords. Sub-bass swells under eerie organ drones; occasional reverse-cymbal swipes and distant choir stabs heighten the dread. Final chorus goes huge then cuts to a dry isolated vocal for the last line.

Glass in the Spoon

03:09

1 zi în urmă

de NoFux Atall

dark horrorcore rap meets southern rock blues about being addicted to shooting meth and being a broken man trying to survive life and being left alone by everyone who has ever said that they loved him

male vocals rap horrorcore blues southern rock Gritty horrorcore rap over swampy southern rock blues. Male vocals: verses half-whispered half-growled over detuned slide guitar and a lurching swung drum groove. Chorus erupts with gravelly sung hook and distorted power chords. Sub-bass swells under eerie organ drones; occasional reverse-cymbal swipes and distant choir stabs heighten the dread. Final chorus goes huge then cuts to a dry isolated vocal for the last line.

Lily The Hug Missile

02:50

1 zi în urmă

de Blake Switzer

“Create a 30-second upbeat, funny, and cute rap song about a girl named Lily. She is kind, hilarious, and gives the best hugs ever—sprinting to hug her friends out of nowhere. Mention her sense of humor, how she makes school days better, and include a funny exaggeration about how she apologizes for everything. Include a reference to volleyball at school in a playful way. Make the rap lively, energ

playful rap female vocals handclaps Bouncy schoolyard hip-hop with bright synth stabs and playful bass; female vocals in a quick animated flow. Tight 30-second structure: one verse into an explosive hook with giggly ad-libs and stacked group chants on the chorus to hype Lily’s hugs and humor.

Lily The Hug Missile

04:00

1 zi în urmă

de Blake Switzer

“Create a 30-second upbeat, funny, and cute rap song about a girl named Lily. She is kind, hilarious, and gives the best hugs ever—sprinting to hug her friends out of nowhere. Mention her sense of humor, how she makes school days better, and include a funny exaggeration about how she apologizes for everything. Include a reference to volleyball at school in a playful way. Make the rap lively, energ

playful rap female vocals handclaps Bouncy schoolyard hip-hop with bright synth stabs and playful bass; female vocals in a quick animated flow. Tight 30-second structure: one verse into an explosive hook with giggly ad-libs and stacked group chants on the chorus to hype Lily’s hugs and humor.

Pluie Sur Tana

03:00

1 zi în urmă

de Tahina Randria

Rap malagasy avec du piano

rap close and intimate Warm upright piano chords loop under a laid-back boom-bap drum pocket. Male vocals with conversational verses that build in intensity subtle gospel-style backing harmonies in the hook. Second half adds light strings and a deeper kick for lift while keeping a late-night confessional feel.

Pluie Sur Tana

04:00

1 zi în urmă

de Tahina Randria

Rap malagasy avec du piano

rap close and intimate Warm upright piano chords loop under a laid-back boom-bap drum pocket. Male vocals with conversational verses that build in intensity subtle gospel-style backing harmonies in the hook. Second half adds light strings and a deeper kick for lift while keeping a late-night confessional feel.

Cartable Sur L’Épaule

03:03

1 zi în urmă

de Tahina Randria

Rap français de style nostalgique avec du piano et de guitare

rap piano close and intimate French nostalgic boom-bap with dusty upright piano and warm nylon-string guitar loops slow head-nod groove around 86 BPM. Male vocals with subtle vinyl crackle. Verses start sparse over piano and rimshot then guitar chords bloom in the pre-chorus. Choruses lift with stacked melancolic harmonies and a slightly wider drum pattern. Light bass and brushes keep it soft; final hook strips back to just voice and faint guitar harmonics.

Cartable Sur L’Épaule

03:54

1 zi în urmă

de Tahina Randria

Rap français de style nostalgique avec du piano et de guitare

rap piano close and intimate French nostalgic boom-bap with dusty upright piano and warm nylon-string guitar loops slow head-nod groove around 86 BPM. Male vocals with subtle vinyl crackle. Verses start sparse over piano and rimshot then guitar chords bloom in the pre-chorus. Choruses lift with stacked melancolic harmonies and a slightly wider drum pattern. Light bass and brushes keep it soft; final hook strips back to just voice and faint guitar harmonics.

Midnight Fuel

04:00

1 zi în urmă

de Patryk Szostak

hip hop, beats and energy, rap

male vocals hip hop rap beats octave doubles Hard-hitting East Coast drum groove with swinging hi-hats and a gritty sub bass male vocals. Verse starts sparse with just drums and a dusty chopped sample; chorus widens with layered ad-libs and a rising synth pad. Energy builds each hook last chorus adds crowd-style shouts and extra percussion for a festival-ready climax.

Midnight Fuel

02:42

1 zi în urmă

de Patryk Szostak

hip hop, beats and energy, rap

male vocals hip hop rap beats octave doubles Hard-hitting East Coast drum groove with swinging hi-hats and a gritty sub bass male vocals. Verse starts sparse with just drums and a dusty chopped sample; chorus widens with layered ad-libs and a rising synth pad. Energy builds each hook last chorus adds crowd-style shouts and extra percussion for a festival-ready climax.

Erősnek Kell Maradnom

03:27

1 zi în urmă

de Bianka Bálint

Remény, hit a téma.Hangulat reményteljes,kis düh, rap és pop keverve.Tartalmazza hogy felnőttként élem ezeket a gyerekkori traumát, szeretet hiányt. Tűrök, de ez mar fáradok, de nem adom fel soha! Kislányom miatt muszáj valtoztatnom, hogy ne élje át azt amit én fájdalmakat, veszekedéseket, bántásokat! Szóval erősnek kell maradnom miattam és miatta

pop rap Hybrid rap-pop beat with steady mid-tempo groove warm piano and airy synth pads; verses ride a tight Hungarian rap flow with subtle melodic turns hook blooms into an anthemic pop chorus with big drums and stacked female vocals energy lifts each chorus with brighter chords and a soaring topline final refrain drops instrumentation to spotlight the vocal grit before a full-band triumphant last hit

Erősnek Kell Maradnom

03:31

1 zi în urmă

de Bianka Bálint

Remény, hit a téma.Hangulat reményteljes,kis düh, rap és pop keverve.Tartalmazza hogy felnőttként élem ezeket a gyerekkori traumát, szeretet hiányt. Tűrök, de ez mar fáradok, de nem adom fel soha! Kislányom miatt muszáj valtoztatnom, hogy ne élje át azt amit én fájdalmakat, veszekedéseket, bántásokat! Szóval erősnek kell maradnom miattam és miatta

pop rap Hybrid rap-pop beat with steady mid-tempo groove warm piano and airy synth pads; verses ride a tight Hungarian rap flow with subtle melodic turns hook blooms into an anthemic pop chorus with big drums and stacked female vocals energy lifts each chorus with brighter chords and a soaring topline final refrain drops instrumentation to spotlight the vocal grit before a full-band triumphant last hit