Chorus Slams With Gang Vocals And A Hard Bass Switch; Lead Vocal Is Gritty And Close-mic With Doubled Hook Lines

KI-Generierte Musik

2 Tracks

Chorus Slams With Gang Vocals And A Hard Bass Switch; Lead Vocal Is Gritty And Close-mic With Doubled Hook Lines Tracks

Menina de Vermelho

Cover-Art für Menina de Vermelho von Weslorran Wesley
02:50

vor 16 Stunden

von Weslorran Wesley

Título: MENINA DE VERMELHO - VERSÃO LOKA Estilo: Funk Rave / BPM: 150   "Ei DJ... Bota o grave pra tremer! É o som da galera... Prepara, agora que você vai ver!" "Eu vi ela passando, vestida de vermelho 🟥 O corpo delineado, causando desespero Salto alto agulha, bolsa de grife ✨ Ela sabe que é poderosa, vive na vida foda." "Ela gosta de perigo, gosta de vida loka 🖤 Chegou na boca do

funk loud Clap Funk rave at 150 BPM with dembow-locked percussion skittering synth stabs pumping sub drops and a hyped club swing; verse rides sparse kick and shouted ad-libs pre-chorus tightens with risers and filtered FX chorus slams with gang vocals and a hard bass switch; lead vocal is gritty and close-mic with doubled hook lines chopped responses in parentheses and delay throws on the last word; ear candy includes reverse sweeps siren hits and a quick drop-out before each hook; mix is bright and physical

Menina de Vermelho

Cover-Art für Menina de Vermelho von Weslorran Wesley
02:32

vor 16 Stunden

von Weslorran Wesley

Título: MENINA DE VERMELHO - VERSÃO LOKA Estilo: Funk Rave / BPM: 150   "Ei DJ... Bota o grave pra tremer! É o som da galera... Prepara, agora que você vai ver!" "Eu vi ela passando, vestida de vermelho 🟥 O corpo delineado, causando desespero Salto alto agulha, bolsa de grife ✨ Ela sabe que é poderosa, vive na vida foda." "Ela gosta de perigo, gosta de vida loka 🖤 Chegou na boca do

funk loud Clap Funk rave at 150 BPM with dembow-locked percussion skittering synth stabs pumping sub drops and a hyped club swing; verse rides sparse kick and shouted ad-libs pre-chorus tightens with risers and filtered FX chorus slams with gang vocals and a hard bass switch; lead vocal is gritty and close-mic with doubled hook lines chopped responses in parentheses and delay throws on the last word; ear candy includes reverse sweeps siren hits and a quick drop-out before each hook; mix is bright and physical