Close-mic Vocal With Subtle Harmony On Key Words. Choruses Lift With Fuller Backing Harmonies

genre.ai_generated_music

2 genre.tracks

Close-mic Vocal With Subtle Harmony On Key Words. Choruses Lift With Fuller Backing Harmonies genre.tracks

Floxy, This Storm Will Pass

creator.track.cover_alt
04:00

vor 8 Monaten

library.shared.meta_by Miles Og

make a nice country song for my lover, call her name Omosefe and call her other name Florence my Floxy. telling her how beautiful, strong and loving she is. also mentioning her name daughters name Samara and Kayla. telling her that whatever ever she’s going through will fade away and pass. make the song 4 minutes using female vocals

female vocals country strong beautiful piano pads Warm modern country ballad with female vocals; gentle picked acoustic guitar and soft pedal steel to start brushed drums and upright bass easing in by first chorus. Verses stay intimate and storytelling close-mic vocal with subtle harmony on key words. Choruses lift with fuller backing harmonies and a steady backbeat. Final chorus adds ad‑lib runs and a small key-lift feel through arrangement then strips back to just guitar and voice on the last line for a tender outro.

Floxy, This Storm Will Pass

creator.track.cover_alt
04:00

vor 8 Monaten

library.shared.meta_by Miles Og

make a nice country song for my lover, call her name Omosefe and call her other name Florence my Floxy. telling her how beautiful, strong and loving she is. also mentioning her name daughters name Samara and Kayla. telling her that whatever ever she’s going through will fade away and pass. make the song 4 minutes using female vocals

female vocals country strong beautiful piano pads Warm modern country ballad with female vocals; gentle picked acoustic guitar and soft pedal steel to start brushed drums and upright bass easing in by first chorus. Verses stay intimate and storytelling close-mic vocal with subtle harmony on key words. Choruses lift with fuller backing harmonies and a steady backbeat. Final chorus adds ad‑lib runs and a small key-lift feel through arrangement then strips back to just guitar and voice on the last line for a tender outro.