Male Vocals

Musique Générée par IA

2843 Morceaux

Male Vocals Morceaux

Soft Save Point

Pochette de Soft Save Point par Миша Зенков
01:34

il y a 2 mois

de Миша Зенков

Cute relaxing anime-style lofi, cozy game menu background, soft piano melody, light beats, warm atmosphere, gentle vibe, no drop, smooth loop, calm and peaceful

male vocals beats light smooth Soft anime Warm relaxing gentle and brushed Featherlight lofi with warm side-chained pads soft piano top-line low-velocity drums; male vocals up-close and whispery. Verses almost spoken intimate; chorus adds stacked hums and airy oohs for a cozy lift while keeping the groove steady and loopable. Reverb tails and vinyl hiss glue it together into a calm endlessly cycling menu vibe.

Anche A Me Piace Molto

Pochette de Anche A Me Piace Molto par Emilio
03:17

il y a 2 mois

de Emilio

amarmi anche a me piace molto il tuo ricordo che non ti ho detto niente di che non mi hai fatto capire niente

male vocals confessional delivery breaths Italian sad-pop ballad female vocals; intimate piano and soft pads under close-mic verses then drums and warm bass bloom in the chorus. Subtle string swells lift key emotional lines with airy harmonies on the hook. Keep the tempo mid-slow leaving space for sighs and a fragile

Филипе, да запееме

Pochette de Филипе, да запееме par Philip Argirov
02:30

il y a 2 mois

de Philip Argirov

Bulgarian folk song in Macedonian style drum tupan zurna Main instrument: accordion , with bass and traditional tupan/drum rhythm. Energetic, festive, and danceable mood typical for Macedonian folk. Optional male voice at the beginning speaking in Bulgarian: "Дами и господа, за вас ще пее Филип Аргиров!" Traditional Macedonian 7/8 dance rhythm, folk orchestral style.

male vocals accordion orchestral folk Bulgarian Macedonian-style folk; bright accordion leads over driving 7/8 tupan and zurna lines. Male voice intro then band kicks in fast and tight. Call-and-response male vocals with short shout hooks ornamental runs and unison brass doubling the accordion on the main riff. Energetic village-square vibe that keeps the dance floor circling. bulgarian folk

Филипе, да запееме

Pochette de Филипе, да запееме par Philip Argirov
03:10

il y a 2 mois

de Philip Argirov

Bulgarian folk song in Macedonian style drum tupan zurna Main instrument: accordion , with bass and traditional tupan/drum rhythm. Energetic, festive, and danceable mood typical for Macedonian folk. Optional male voice at the beginning speaking in Bulgarian: "Дами и господа, за вас ще пее Филип Аргиров!" Traditional Macedonian 7/8 dance rhythm, folk orchestral style.

male vocals accordion orchestral folk Bulgarian Macedonian-style folk; bright accordion leads over driving 7/8 tupan and zurna lines. Male voice intro then band kicks in fast and tight. Call-and-response male vocals with short shout hooks ornamental runs and unison brass doubling the accordion on the main riff. Energetic village-square vibe that keeps the dance floor circling. bulgarian folk

Lugar del Omnipotente

Pochette de Lugar del Omnipotente par Rosa Romero
03:25

il y a 2 mois

de Rosa Romero

Omnipotente Y Poderoso Eres Tú El Enemigo Me Quiere Desviar De Tu Camino Pero El No se Fijo Que Se Metió En El Lugar Equivocado donde habita el Omnipotente Y Poderoso

male vocals Modern worship ballad with male vocals over airy pads and warm piano; verses start intimate and close-mic then drums and bass rise into an anthemic chorus with wide ambient guitars and stacked gospel-style harmonies on the hook. Final chorus lifts with a key change extra ad-libs and a long reverberant vocal tail.

Lugar del Omnipotente

Pochette de Lugar del Omnipotente par Rosa Romero
03:25

il y a 2 mois

de Rosa Romero

Omnipotente Y Poderoso Eres Tú El Enemigo Me Quiere Desviar De Tu Camino Pero El No se Fijo Que Se Metió En El Lugar Equivocado donde habita el Omnipotente Y Poderoso

male vocals Modern worship ballad with male vocals over airy pads and warm piano; verses start intimate and close-mic then drums and bass rise into an anthemic chorus with wide ambient guitars and stacked gospel-style harmonies on the hook. Final chorus lifts with a key change extra ad-libs and a long reverberant vocal tail.

Orene ehhh

Pochette de Orene ehhh par samuel nganza
03:32

il y a 2 mois

de samuel nganza

Intro (parlé, ambiance douce) Orene… Message ya bolingo ewuti na Samuel Nganza… Motema na ngai ezali ya yo kaka ❤️ Couplet 1 (chanté) Depuis mokolo namonaki yo Vie na ngai ebongwani malembe malembe Sourire na yo ezali lumière Na motema na ngai se yo Yo nde rêve na ngai Yo nde mwasi ya motema Tika ngai naloba lelo Nakolinga yo seko na seko Refrain (dansant – avec chœurs derrière) Orene ehhh 💃🏽

male vocals Afro-rumba blend with gentle Congolese guitar lines and warm bass male vocals in Lingala riding a mid-tempo groove; intro is spoken over soft keys and ambient crowd murmur verse stays smooth and intimate chorus jumps into a brighter danceable feel with call-and-response group chants and claps subtle horn stabs lifting the hook

Orene ehhh

Pochette de Orene ehhh par samuel nganza
04:00

il y a 2 mois

de samuel nganza

Intro (parlé, ambiance douce) Orene… Message ya bolingo ewuti na Samuel Nganza… Motema na ngai ezali ya yo kaka ❤️ Couplet 1 (chanté) Depuis mokolo namonaki yo Vie na ngai ebongwani malembe malembe Sourire na yo ezali lumière Na motema na ngai se yo Yo nde rêve na ngai Yo nde mwasi ya motema Tika ngai naloba lelo Nakolinga yo seko na seko Refrain (dansant – avec chœurs derrière) Orene ehhh 💃🏽

male vocals Afro-rumba blend with gentle Congolese guitar lines and warm bass male vocals in Lingala riding a mid-tempo groove; intro is spoken over soft keys and ambient crowd murmur verse stays smooth and intimate chorus jumps into a brighter danceable feel with call-and-response group chants and claps subtle horn stabs lifting the hook

Carnaval, Carnaval

Pochette de Carnaval, Carnaval par María verdi
02:47

il y a 2 mois

de María verdi

Oye bonita Cómo estás Ya no te veo por aquí llamándome para jugar en carnaval porque es hora de jugar un dos tres Carnaval Carnaval Carnaval Carnaval Carnaval Carnaval es un día muy especial para jugar con bomba Carnaval Carnaval es un día muy especial ya no falta casi nada para el día del amor y la amistad Carnaval Carnaval pronto va a llegar Carnaval Carnaval Carnaval Carnaval va a llegar ya van

male vocals call-and-response carnaval Upbeat tropical cumbia-pop with male vocals; bright brass stabs over bouncing bass and crisp percussion. Verses feel playful and conversational with nylon guitar and light accordion; chorus explodes with gang shouts and stacked harmonies. Short percussion break before the final hook keeping energy high and dancefloor-focused.

Carnaval, Carnaval

Pochette de Carnaval, Carnaval par María verdi
02:35

il y a 2 mois

de María verdi

Oye bonita Cómo estás Ya no te veo por aquí llamándome para jugar en carnaval porque es hora de jugar un dos tres Carnaval Carnaval Carnaval Carnaval Carnaval Carnaval es un día muy especial para jugar con bomba Carnaval Carnaval es un día muy especial ya no falta casi nada para el día del amor y la amistad Carnaval Carnaval pronto va a llegar Carnaval Carnaval Carnaval Carnaval va a llegar ya van

male vocals call-and-response carnaval Upbeat tropical cumbia-pop with male vocals; bright brass stabs over bouncing bass and crisp percussion. Verses feel playful and conversational with nylon guitar and light accordion; chorus explodes with gang shouts and stacked harmonies. Short percussion break before the final hook keeping energy high and dancefloor-focused.

Backroads to Nova Scotia

Pochette de Backroads to Nova Scotia par jeff walker
03:05

il y a 2 mois

de jeff walker

motivational song about visiting Nova Scotia in the style of jelly-roll

male vocals motivational Warm country-rap ballad with male vocals; rootsy acoustic guitar and dobro over a lazy swing kit thick subby bass for weight. Verses half-sung half-spoken with gravelly storytelling; big lifted hook with stacked harmonies and churchy organ pads. Subtle fiddle lines answering the vocal snare hits bloom in the chorus final refrain opens wide with ad-libs and tambourine for a revival-tent feel.

Backroads to Nova Scotia

Pochette de Backroads to Nova Scotia par jeff walker
03:30

il y a 2 mois

de jeff walker

motivational song about visiting Nova Scotia in the style of jelly-roll

male vocals motivational Warm country-rap ballad with male vocals; rootsy acoustic guitar and dobro over a lazy swing kit thick subby bass for weight. Verses half-sung half-spoken with gravelly storytelling; big lifted hook with stacked harmonies and churchy organ pads. Subtle fiddle lines answering the vocal snare hits bloom in the chorus final refrain opens wide with ad-libs and tambourine for a revival-tent feel.

La Légion de Jorvik

Pochette de La Légion de Jorvik par alice.coumont@gmail.com
03:43

il y a 2 mois

de alice.coumont@gmail.com

Vous vous battez pour votre liberté et pour le salut de l'humanité Quand cet enfer s'arrêtera t'il enfin ? (pause cinq secondes) Vous ne pouvez pas vous cachez éternellement Alors libérez l'île de Jorvik du chaos ! Reprenez le château de Marchengast Des créatures venus de Pandoria (pause trois secondes) La légion de combat renaît dees cendres de l'espoir Et seuls les plus vaillants

male vocals Cinematic dark-pop with male vocals hybrid orchestra and aggressive drums. Low strings and distant war drums under the verses; chorus explodes with brass stabs distorted synth bass and a massive singalong hook. Subtle choirs double key lines with dramatic pauses and reverb tails accentuating the spoken countdown moments. Final chorus climbs in intensity ending on a stark echoing vocal.

Backroads and Bright Eyes

Pochette de Backroads and Bright Eyes par Jesennia Chavarria Vasquez
02:47

il y a 2 mois

de Jesennia Chavarria Vasquez

Contry, energy

male vocals Modern country-rock with steady mid-tempo groove bright acoustic strums driving snare and warm bass. Male vocals a touch of grit on the verses; choruses open with big harmonies and slide guitar answering vocal phrases. Subtle organ pad in the bridge final chorus pushes the energy with extra ad-libs and a lifted key feel.

Backroads and Bright Eyes

Pochette de Backroads and Bright Eyes par Jesennia Chavarria Vasquez
02:59

il y a 2 mois

de Jesennia Chavarria Vasquez

Contry, energy

male vocals Modern country-rock with steady mid-tempo groove bright acoustic strums driving snare and warm bass. Male vocals a touch of grit on the verses; choruses open with big harmonies and slide guitar answering vocal phrases. Subtle organ pad in the bridge final chorus pushes the energy with extra ad-libs and a lifted key feel.

Treme o Asfalto

Pochette de Treme o Asfalto par News Mauá
04:00

il y a 2 mois

de News Mauá

FUNK MTG – “Treme o Asfalto” [Intro – DJ Tag / 8 barras] MTG é o código, é grave no talo Favela vibra quando treme o asfalto É som de rua, é ritual DJ solta o beat, clima sobrenatural [Pré-Drop – 8 barras] Olha o giroflex lá longe piscando Mas nós tá no baile, ninguém tá parando Grave batendo, peito vibrando Quando o MTG entra, o mundo tá girando [DROP – 16 barras] Treme, treme, treme o chão (tum-

male vocals funk Baile funk MTG grave agressivo male vocals com voz de comando em primeiro plano. Intro só com percussão seca e sirene distante depois entra o 808 estourado e efeitos de rua. Pré-drop com build de risers filtros abrindo o grave aos poucos. Drop vem com kick socando baixo arrastado e cortes de voz em resposta ao lead clima de baile de favela lotado fumaça e luz girando.

Treme o Asfalto

Pochette de Treme o Asfalto par News Mauá
04:00

il y a 2 mois

de News Mauá

FUNK MTG – “Treme o Asfalto” [Intro – DJ Tag / 8 barras] MTG é o código, é grave no talo Favela vibra quando treme o asfalto É som de rua, é ritual DJ solta o beat, clima sobrenatural [Pré-Drop – 8 barras] Olha o giroflex lá longe piscando Mas nós tá no baile, ninguém tá parando Grave batendo, peito vibrando Quando o MTG entra, o mundo tá girando [DROP – 16 barras] Treme, treme, treme o chão (tum-

male vocals funk Baile funk MTG grave agressivo male vocals com voz de comando em primeiro plano. Intro só com percussão seca e sirene distante depois entra o 808 estourado e efeitos de rua. Pré-drop com build de risers filtros abrindo o grave aos poucos. Drop vem com kick socando baixo arrastado e cortes de voz em resposta ao lead clima de baile de favela lotado fumaça e luz girando.

Crash the Canvas

Pochette de Crash the Canvas par cansu.gokturk@confare.at
03:06

il y a 2 mois

de cansu.gokturk@confare.at

80s-inspired art rock / progressive pop rock, 124 BPM, 4/4, minor key. High, constant energy, no quiet drops. Strong 1-bar staccato guitar hook, instantly catchy, repeated 8–16 bars unchanged. Modern drums, driving bass doubling the hook, synth brass hits, short breakdown, big final hook, abrupt ending.

male vocals rock strong Pop Rock staccato art rock kick Aggressive 80s-inspired art rock / progressive pop at 124 BPM in a minor key; male vocals push in an urgent high register over a relentless one-bar staccato guitar hook doubled by a gritty bass. Modern punchy drums keep constant drive with syncopated tom fills and tight hats plus sharp synth brass stabs accenting downbeats. Short mid-song breakdown strips back to hook and distant vocal shouts before slamming into a final biggest hook with layered gang vocals and extra octave guitars ending suddenly on a clipped unison hit.

Crash the Canvas

Pochette de Crash the Canvas par cansu.gokturk@confare.at
02:25

il y a 2 mois

de cansu.gokturk@confare.at

80s-inspired art rock / progressive pop rock, 124 BPM, 4/4, minor key. High, constant energy, no quiet drops. Strong 1-bar staccato guitar hook, instantly catchy, repeated 8–16 bars unchanged. Modern drums, driving bass doubling the hook, synth brass hits, short breakdown, big final hook, abrupt ending.

male vocals rock strong Pop Rock staccato art rock kick Aggressive 80s-inspired art rock / progressive pop at 124 BPM in a minor key; male vocals push in an urgent high register over a relentless one-bar staccato guitar hook doubled by a gritty bass. Modern punchy drums keep constant drive with syncopated tom fills and tight hats plus sharp synth brass stabs accenting downbeats. Short mid-song breakdown strips back to hook and distant vocal shouts before slamming into a final biggest hook with layered gang vocals and extra octave guitars ending suddenly on a clipped unison hit.

Playground Girl

Pochette de Playground Girl par Mason Mocke
03:29

il y a 2 mois

de Mason Mocke

it was somewhere there was born girl on the playground

male vocals warm bass doubled topline ending on a sparse Indie pop ballad with male vocals clean electric guitar arpeggios and soft rimshot groove. Verses stay intimate and close-mic’d; chorus blooms with airy pads and light tambourine. Subtle backing ooohs in the bridge ringing chord that lets the last vocal hang.

Playground Girl

Pochette de Playground Girl par Mason Mocke
02:33

il y a 2 mois

de Mason Mocke

it was somewhere there was born girl on the playground

male vocals warm bass doubled topline ending on a sparse Indie pop ballad with male vocals clean electric guitar arpeggios and soft rimshot groove. Verses stay intimate and close-mic’d; chorus blooms with airy pads and light tambourine. Subtle backing ooohs in the bridge ringing chord that lets the last vocal hang.

Wilfredo Controla

Pochette de Wilfredo Controla par David Baeza
02:40

il y a 2 mois

de David Baeza

wilfredo ferrer controla el barrio de la glenmont no se hase nada sin su permiso al que desobedece le da piso pues es el que manda tiene contactos por toda la ciudad la policia lo respeta pues con ese vato se juega los clientes están contentos wilfredo vende merca de calidad. han tratado de quitarle el puesto pero no han podido los guarda espaldas lo protegen de noche y día

male vocals pop rock distorted guitars flamenco Dark flamenco-pop banger with male vocals minor-key Spanish guitar over a moody rock rhythm section palmas and claps punctuating lines. Verses stay tense and narrative with close-mic vocal bass pulsing steady. Chorus explodes with shouted gang vocals and a soaring hook. Brief flamenco-style handclap break before the last chorus spacious reverb on ad-libs for a street-legend vibe. spanish rock

Wilfredo Controla

Pochette de Wilfredo Controla par David Baeza
02:34

il y a 2 mois

de David Baeza

wilfredo ferrer controla el barrio de la glenmont no se hase nada sin su permiso al que desobedece le da piso pues es el que manda tiene contactos por toda la ciudad la policia lo respeta pues con ese vato se juega los clientes están contentos wilfredo vende merca de calidad. han tratado de quitarle el puesto pero no han podido los guarda espaldas lo protegen de noche y día

male vocals pop rock distorted guitars flamenco Dark flamenco-pop banger with male vocals minor-key Spanish guitar over a moody rock rhythm section palmas and claps punctuating lines. Verses stay tense and narrative with close-mic vocal bass pulsing steady. Chorus explodes with shouted gang vocals and a soaring hook. Brief flamenco-style handclap break before the last chorus spacious reverb on ad-libs for a street-legend vibe. spanish rock

Canción Que No Termina

Pochette de Canción Que No Termina par Bryan Steven Sanchez Castrillon
04:00

il y a 2 mois

de Bryan Steven Sanchez Castrillon

Genera una canción original estilo folk acústico latino, inspirada en la vibra íntima y melancólica de Kevin Karl. Género: Folk acústico / Indie folk latino Tempo: 88 BPM Compás: 4/4 Tonalidad: G Mayor Progresión de acordes: Versos: G – D – Em – C Pre-Coro: Am – C – G – D Coro: C – D – G – Em Outro: G – D – Em – C – G Instrumentación: Guitarra acústica principal (arpegios en versos, rasgueo suave

male vocals folk indie folk 88 BPM Warm intimate Latin indie-folk in G major male vocals close to the mic over softly picked acoustic guitar in the verses and gentle strums in the chorus. Subtle shaker and soft kick entering at the pre-chorus to lift the energy. Double-tracked vocal and light oooh harmonies in the hook with a final stripped-back outro returning to bare guitar and whispery lead.