Vocal

de Mac Billions002

A PRAISE SONG FOR ODOGWU MY BOSS (MR ONYEBUCHI)"A.K.A ( ORUSI EGO NA SOUTH AFRICA), HE IS FROM "AMICHI" IN NNEWI SOUTH LOCAL GOVERNMENT', 10 VERSES AND CHORUSES MIXED UP TOGETHER,, MALE VOCAL, ARTIST NAME NAH MAC-BILLIONS, TITLE : ARUSI EGO NA SOUTH' YOUR GRACE TOO MUCH, TEMPO 1.1

de Mac Billions002

A PRAISE SONG FOR ODOGWU MY BOSS (MR ONYEBUCHI)"A.K.A ( ORUSI EGO NA SOUTH AFRICA), HE IS FROM "AMICHI" IN NNEWI SOUTH LOCAL GOVERNMENT', 10 VERSES AND CHORUSES MIXED UP TOGETHER,, MALE VOCAL, ARTIST NAME NAH MAC-BILLIONS, TITLE : ARUSI EGO NA SOUTH' YOUR GRACE TOO MUCH, TEMPO 1.1

de Houston 831 (YOUNG RECRUIT)

Cumbia song in Spanish that hit deep but it motivation inspirational dancy with colombiano and porto rico and mexicana style that talk about tio salomón and make it funny joking around uplifting and talk say para riba vamos or something relatable, Soulful, Joyous, Aggressive, Passionate, Violin, Bass, Cello, Guitar, Trumpet, Trombone, Saxophone, Drums, Male Vocal, Male And Female Vocal

de Houston 831 (YOUNG RECRUIT)

Cumbia song in Spanish that hit deep but it motivation inspirational dancy with colombiano and porto rico and mexicana style that talk about tio salomón and make it funny joking around uplifting and talk say para riba vamos or something relatable, Soulful, Joyous, Aggressive, Passionate, Violin, Bass, Cello, Guitar, Trumpet, Trombone, Saxophone, Drums, Male Vocal, Male And Female Vocal

de Ramiro Pacheco

Produce LA sesión continua de Deep House para bar, duración 1 hora, con energía progresiva y groove contagioso. BPM ideal 122–124 para mantener ritmo bailable sin saturar el ambiente. Bajo profundo y envolvente, kicks definidos, hi-hats brillantes, acordes cálidos y pads atmosféricos. Incorpora vocal chops sutiles y drops suaves, transiciones fluidas, mezcla profesional, vibra nocturna sofisticad0

de Ramiro Pacheco

Produce LA sesión continua de Deep House para bar, duración 1 hora, con energía progresiva y groove contagioso. BPM ideal 122–124 para mantener ritmo bailable sin saturar el ambiente. Bajo profundo y envolvente, kicks definidos, hi-hats brillantes, acordes cálidos y pads atmosféricos. Incorpora vocal chops sutiles y drops suaves, transiciones fluidas, mezcla profesional, vibra nocturna sofisticad0

de Halysson De souza

Brazilian Capoeira – São Bento Grande – Fast tempo – Male vocal – Traditional instruments (berimbau, atabaque, pandeiro) – Energetic and aggressive – Call and response – No pop, no electronic. Iêêê! Toca o gunga que eu vou jogar! Eu sou Buiuzinho pelo mundo a rodar, Capoeira é minha vida, é sem cessar. Sou jogador, sou mandingueiro, Se vier na maldade, vai se complicar. Sou aluno do mestre Buiu, A

de Halysson De souza

Brazilian Capoeira – São Bento Grande – Fast tempo – Male vocal – Traditional instruments (berimbau, atabaque, pandeiro) – Energetic and aggressive – Call and response – No pop, no electronic. Iêêê! Toca o gunga que eu vou jogar! Eu sou Buiuzinho pelo mundo a rodar, Capoeira é minha vida, é sem cessar. Sou jogador, sou mandingueiro, Se vier na maldade, vai se complicar. Sou aluno do mestre Buiu, A

de William Mora

trap latino más orquesta y vocal

de William Mora

trap latino más orquesta y vocal

de Patricio

Slow-burning R&B groove with syrupy wah-wah synth leads and lush portamento pads, female vocals. Intimate, close-mic verses over a lazy swung beat and round sub bass; chorus blooms with stacked harmonies and subtle call-and-response ad-libs. Soft rimshots, brushed hats, and a late-night Rhodes tuck under the topline, with tasteful filter sweeps and a brief synth-vocal unison lick in the bridge to

de Patricio

Slow-burning R&B groove with syrupy wah-wah synth leads and lush portamento pads, female vocals. Intimate, close-mic verses over a lazy swung beat and round sub bass; chorus blooms with stacked harmonies and subtle call-and-response ad-libs. Soft rimshots, brushed hats, and a late-night Rhodes tuck under the topline, with tasteful filter sweeps and a brief synth-vocal unison lick in the bridge to

de Khairyll Gibrail

Soft, relaxing music with a continuous wordless female lead vocal (airy ‘ahh / ooh’ humming) throughout, minimal instruments, slow tempo.

de Khairyll Gibrail

Soft, relaxing music with a continuous wordless female lead vocal (airy ‘ahh / ooh’ humming) throughout, minimal instruments, slow tempo.

de Mikael Joutsen

Turkish-themed, energetic mood, likely featuring Middle Eastern or Eastern instrumental samples blended with modern trap/hip-hop drum production, typical of the artist's style. Hip Hop Instrumental / Rap BeatOriental,slow to mid-tempo pace, minor keys, and atmospheric, emotional, or exotic melodic male vocal Beatboxing bellydance bendir doumbek darbuka Turkish-influenced oriental hip-hop bpm 115

de Mikael Joutsen

Turkish-themed, energetic mood, likely featuring Middle Eastern or Eastern instrumental samples blended with modern trap/hip-hop drum production, typical of the artist's style. Hip Hop Instrumental / Rap BeatOriental,slow to mid-tempo pace, minor keys, and atmospheric, emotional, or exotic melodic male vocal Beatboxing bellydance bendir doumbek darbuka Turkish-influenced oriental hip-hop bpm 115

de yesindridi1@gmail.com

Sad emotional pop, slow tempo, soft piano, ambient pads, male vocal, warm and deep voice, emotional delivery, modern AI music, cinematic, night vibe

de yesindridi1@gmail.com

Sad emotional pop, slow tempo, soft piano, ambient pads, male vocal, warm and deep voice, emotional delivery, modern AI music, cinematic, night vibe

de Rubal Sharma

Soft emotional indie-pop / lo-fi fusion. Tempo around 80 BPM. Minimal production with warm acoustic guitar, gentle piano chords, subtle ambient pads. Light lo-fi texture, soft bass, no heavy drums (only muted kick or soft snap). Intimate close-mic female vocal, slightly breathy, natural and human. Romantic, nostalgic, late-night mood with calm energy. Clean mix, light reverb, dreamy atmosphere.

de Rubal Sharma

Soft emotional indie-pop / lo-fi fusion. Tempo around 80 BPM. Minimal production with warm acoustic guitar, gentle piano chords, subtle ambient pads. Light lo-fi texture, soft bass, no heavy drums (only muted kick or soft snap). Intimate close-mic female vocal, slightly breathy, natural and human. Romantic, nostalgic, late-night mood with calm energy. Clean mix, light reverb, dreamy atmosphere.

de Deepak Singh Tomar

EDM hard rock at 138 BPM. Drop-tuned distorted guitars with tight chugs and wide power chords. Hybrid live drums layered with EDM kick, clap, and metallic snare. Deep analog bass with sidechain. Industrial synth leads, growl bass drop, risers, impacts, and noise sweeps. Gritty high-energy male vocal with distortion and reverb.

de Deepak Singh Tomar

EDM hard rock at 138 BPM. Drop-tuned distorted guitars with tight chugs and wide power chords. Hybrid live drums layered with EDM kick, clap, and metallic snare. Deep analog bass with sidechain. Industrial synth leads, growl bass drop, risers, impacts, and noise sweeps. Gritty high-energy male vocal with distortion and reverb.

de Aryan Suhaan

Dark emotional Punjabi/Urdu ghazal style song, deep male vocal with raw and heavy tone, slow tempo, minimal music, dark piano and clean electric guitar, late night loneliness, intense poetic sadness, no high notes, storytelling singing style

de Aryan Suhaan

Dark emotional Punjabi/Urdu ghazal style song, deep male vocal with raw and heavy tone, slow tempo, minimal music, dark piano and clean electric guitar, late night loneliness, intense poetic sadness, no high notes, storytelling singing style