Niko Tofauti

03:06

il y a 6 jours

Niko fresh, niko clean, niko tofauti Kila siku ni mpya, hakuna kurudia hizi Style yangu ni juu, haishuki chini MSF Outfit Store—ndipo siri ilipo kweliJeans zangu zinaongea bila kusema Ni clean, ni sharp, kila mtu anaelewa Cargo pants zikikaa, comfort na style Unaweza tembea mchana hadi night bila trial Wanasema “bro umebadilika sana” Nawajibu “ni mwonekano tu, nimejipanga” Kila kitu nilichovaa kin

fresh warm bass clean syncopated percussion Afrobeats pop in Swahili with mid-tempo bounce and glossy guitar flicks; verse stays tight and conversational pre-chorus lifts with stacked harmony and a filtered clap build chorus opens with chanty doubles and gang vocals on the anchor line. Add little ad-lib echoes tape-stop turns before the hook and bright punchy mix with a polished streetwear glow.

Niko Tofauti

03:18

il y a 6 jours

de Siphilian Sanga (Movie boort)

Niko fresh, niko clean, niko tofauti Kila siku ni mpya, hakuna kurudia hizi Style yangu ni juu, haishuki chini MSF Outfit Store—ndipo siri ilipo kweliJeans zangu zinaongea bila kusema Ni clean, ni sharp, kila mtu anaelewa Cargo pants zikikaa, comfort na style Unaweza tembea mchana hadi night bila trial Wanasema “bro umebadilika sana” Nawajibu “ni mwonekano tu, nimejipanga” Kila kitu nilichovaa kin

fresh warm bass clean syncopated percussion Afrobeats pop in Swahili with mid-tempo bounce and glossy guitar flicks; verse stays tight and conversational pre-chorus lifts with stacked harmony and a filtered clap build chorus opens with chanty doubles and gang vocals on the anchor line. Add little ad-lib echoes tape-stop turns before the hook and bright punchy mix with a polished streetwear glow.

Paso a Paso

02:22

il y a 1 semaine

de Videoso

Crear una música suave pero motivadora de una duración de 2 minutos para usar como fondo de un video de un curso y que no tenga final brusco para que pueda repetirse sim sobresaltos

male vocals warm bass soft piano polished light acoustic guitar Soft motivational pop ballad with gentle mid-tempo pulse and restrained hand percussion; verse stays intimate and airy pre-chorus lifts with rising harmonies chorus opens wider with stacked male vocals and a memorable chantable hook. Add subtle reverse swells into the pre-chorus bright bell accents on transitions and a soft trailing reverb tail on the final line for seamless looping. Mix is warm and close-mic with an uplifting but calm feel.

Paso a Paso

02:12

il y a 1 semaine

de Videoso

Crear una música suave pero motivadora de una duración de 2 minutos para usar como fondo de un video de un curso y que no tenga final brusco para que pueda repetirse sim sobresaltos

male vocals warm bass soft piano polished light acoustic guitar Soft motivational pop ballad with gentle mid-tempo pulse and restrained hand percussion; verse stays intimate and airy pre-chorus lifts with rising harmonies chorus opens wider with stacked male vocals and a memorable chantable hook. Add subtle reverse swells into the pre-chorus bright bell accents on transitions and a soft trailing reverb tail on the final line for seamless looping. Mix is warm and close-mic with an uplifting but calm feel.

Bontuko Bontuyyee

02:26

il y a 2 semaines

de Yisiak Abebe

ka music yisiak abebe shakura Gildo Alaabaa bareedinaadha Ati Anaaf bontuko bontuyyee Ani sumaan jaallee kan biraan hin barbaadu Ani bar simaalee Si yaadeera dafi kottu maaloo Si yaadeera

warm bass call-and-response ad-libs glossy Afro-pop with a midtempo 4/4 bounce and syncopated percussion; verse stays intimate with fingerpicked guitar and light shaker; pre-chorus lifts with stacked harmonies and a rising synth wash; chorus opens wider with claps and a repeating hook. Lead vocal is close-mic and tender in verses doubled on key lines in the chorus. Ear candy includes reversed swells into the hook a soft riser before the drop and bright percussion ticks between phrases. Mix is warm and radio-bright.

Bontuko Bontuyyee

02:22

il y a 2 semaines

de Yisiak Abebe

ka music yisiak abebe shakura Gildo Alaabaa bareedinaadha Ati Anaaf bontuko bontuyyee Ani sumaan jaallee kan biraan hin barbaadu Ani bar simaalee Si yaadeera dafi kottu maaloo Si yaadeera

warm bass call-and-response ad-libs glossy Afro-pop with a midtempo 4/4 bounce and syncopated percussion; verse stays intimate with fingerpicked guitar and light shaker; pre-chorus lifts with stacked harmonies and a rising synth wash; chorus opens wider with claps and a repeating hook. Lead vocal is close-mic and tender in verses doubled on key lines in the chorus. Ear candy includes reversed swells into the hook a soft riser before the drop and bright percussion ticks between phrases. Mix is warm and radio-bright.

ይያ ሙጥር

03:04

il y a 2 semaines

de Yasin Mohammed

ይያ ሙጥር ኧዥኝ ስርሙሽ ትትላኝ በጭ አብሮታሽ ኧወድንሽ ፈገግታሽ ኧወድንሽ መልካማንሽ የቂንም አሽቱ ብቻ አዥ የህን ቤኝ ኔሽ ትያዬ የህን ቤኝ ይያ ሙጥር ቤቢዬ አትምም ጊናት ኤነቢሽ ኧወድሽ ኤክ ኧወድሽ ውዴታኛ ስርም የቂኑ ሂነመኝ አሽትንሽ ወንበርመኛ አሽትንሽ ምሽተኛ ትኸኜ ኧሸው ገገኝ ይያ ሙጥር ኤኸን አትቤኝ የህን ቤኝ ሲመኝ አሺ ይያ ጬትንሽ አሺ ይያ ኮከበኛሽ ባኖዪ ግሬድ እንም መልካማ አሽትንሽሽ

male vocals warm bass polished Ethiopian pop with a mid-tempo swing and handclap-led groove; verse rides sparse kick and plucked keys pre-chorus lifts with stacked harmonies and rising percussion chorus opens wider with gang vocal doubles on the anchor phrase and short echo replies. Male lead vocal stays close-mic and intimate in verses then gets doubled and lifted on hooks. Ear candy: reversed swells into choruses quick drum fill turns and shimmering top-line chimes. Bright and radio-forward mix.

ይያ ሙጥር

03:00

il y a 2 semaines

de Yasin Mohammed

ይያ ሙጥር ኧዥኝ ስርሙሽ ትትላኝ በጭ አብሮታሽ ኧወድንሽ ፈገግታሽ ኧወድንሽ መልካማንሽ የቂንም አሽቱ ብቻ አዥ የህን ቤኝ ኔሽ ትያዬ የህን ቤኝ ይያ ሙጥር ቤቢዬ አትምም ጊናት ኤነቢሽ ኧወድሽ ኤክ ኧወድሽ ውዴታኛ ስርም የቂኑ ሂነመኝ አሽትንሽ ወንበርመኛ አሽትንሽ ምሽተኛ ትኸኜ ኧሸው ገገኝ ይያ ሙጥር ኤኸን አትቤኝ የህን ቤኝ ሲመኝ አሺ ይያ ጬትንሽ አሺ ይያ ኮከበኛሽ ባኖዪ ግሬድ እንም መልካማ አሽትንሽሽ

male vocals warm bass polished Ethiopian pop with a mid-tempo swing and handclap-led groove; verse rides sparse kick and plucked keys pre-chorus lifts with stacked harmonies and rising percussion chorus opens wider with gang vocal doubles on the anchor phrase and short echo replies. Male lead vocal stays close-mic and intimate in verses then gets doubled and lifted on hooks. Ear candy: reversed swells into choruses quick drum fill turns and shimmering top-line chimes. Bright and radio-forward mix.

Mía FM, Música Cristiana Para Vos

01:55

il y a 2 semaines

de Juan

mía FM música cristiana para vos 99.3

female vocals warm bass Bright Latin pop worship feel with female vocals; clean acoustic guitars on upbeat strums and tight pop drums. Verses stay intimate and close-mic pre-chorus lifts with subtle pads and harmony chorus blossoms with layered backing vocals and claps. Logo-ready hook concise and catchy perfect for quick on-air stings between songs.

Mía FM, Música Cristiana Para Vos

02:21

il y a 2 semaines

de Juan

mía FM música cristiana para vos 99.3

female vocals warm bass Bright Latin pop worship feel with female vocals; clean acoustic guitars on upbeat strums and tight pop drums. Verses stay intimate and close-mic pre-chorus lifts with subtle pads and harmony chorus blossoms with layered backing vocals and claps. Logo-ready hook concise and catchy perfect for quick on-air stings between songs.

Stuck Back In Time

03:18

il y a 3 semaines

de Harley Parker

Sad pop song with male vocals in the style of Dean Lewis about finding the woman God made 5 me & falling in ❤️ with her but I ended up losing her due 2 mistakes & bad decisions.Now Im sitting here with a 💔 feeling lost & its like time stood still & Im still stuck back in time when she walked away.I want her 2 realize that Ive changed & I just want her back in my life cuz shes my life,my ❤️ & soul.

male vocals pop warm bass sad Soul Melancholic pop ballad with male vocals; intimate piano and soft acoustic guitar in the verses subtle pads underneath. Chorus blooms with wide reverb and roomy drums that stay gentle but driving. Vocal sits upfront and vulnerable with double-tracked hooks and faint high harmonies on the title line. Final chorus lifts with added harmonies and a slightly bigger snare for emotional payoff then strips back to piano and voice on the last phrase.

Stuck Back In Time

03:17

il y a 3 semaines

de Harley Parker

Sad pop song with male vocals in the style of Dean Lewis about finding the woman God made 5 me & falling in ❤️ with her but I ended up losing her due 2 mistakes & bad decisions.Now Im sitting here with a 💔 feeling lost & its like time stood still & Im still stuck back in time when she walked away.I want her 2 realize that Ive changed & I just want her back in my life cuz shes my life,my ❤️ & soul.

male vocals pop warm bass sad Soul Melancholic pop ballad with male vocals; intimate piano and soft acoustic guitar in the verses subtle pads underneath. Chorus blooms with wide reverb and roomy drums that stay gentle but driving. Vocal sits upfront and vulnerable with double-tracked hooks and faint high harmonies on the title line. Final chorus lifts with added harmonies and a slightly bigger snare for emotional payoff then strips back to piano and voice on the last phrase.

Vavina Taubar

03:16

il y a 1 mois

de FREIZER PINIA

marit life blo ume e beian orit tasol lo eya time marit problem e kamup yu beian tok bagarapim me lo eye blo ol tambu line blo me lo eya lo ples p-n-t-v eya manam paina balieya mara kaina ena balieya ka mara boina eyau raika bul k-doy eyau bata k+doy maski yu tok bagarapim me lo ol kainkain toktok but bai me still lukautim yu raika vavina taubar na love blo me bai still stap yet wantem yu

male vocals warm bass Mid‑tempo PNG island pop with male vocals; clean reverb-soaked guitars gentle kick and rim-click groove. Verses stay intimate and conversational; chorus blooms with stacked harmonies and airy pads. Subtle log-drum–style percussion in the bridge last chorus pushes the emotion with ad‑lib runs and a brighter mix.

Vavina Taubar

03:27

il y a 1 mois

de FREIZER PINIA

marit life blo ume e beian orit tasol lo eya time marit problem e kamup yu beian tok bagarapim me lo eye blo ol tambu line blo me lo eya lo ples p-n-t-v eya manam paina balieya mara kaina ena balieya ka mara boina eyau raika bul k-doy eyau bata k+doy maski yu tok bagarapim me lo ol kainkain toktok but bai me still lukautim yu raika vavina taubar na love blo me bai still stap yet wantem yu

male vocals warm bass Mid‑tempo PNG island pop with male vocals; clean reverb-soaked guitars gentle kick and rim-click groove. Verses stay intimate and conversational; chorus blooms with stacked harmonies and airy pads. Subtle log-drum–style percussion in the bridge last chorus pushes the emotion with ad‑lib runs and a brighter mix.

Ce Que Jésus Pense de Moi

03:33

il y a 2 mois

de salinace

je ne suis pas ce que ce Monde pense de moi, Mais, moi je suis un fils de Dieu, j'ai bâti ma vie sur trois fondements anh, anh, ô l'amour de Dieu en Moi aha Ah, anh anh, la prière et l'observation de toute la paroooleeuh, ce que le monde dit, cela m'importe peu, ce que le monde pense de moi, cela m'importe peu euh euh, mais mon soucis est de savoir, ce que Jésus pense de moi yeh yeh yeh yeh,

male vocals warm bass Afro-gospel groove with bright guitars and mid‑tempo drums; male vocals in a call-and-response style with a catchy congregational hook. Verses stay rhythmic and spoken-sung chorus explodes with stacked harmonies and claps; subtle synth pads lift the bridge for a final powerful refrain.

Ce Que Jésus Pense de Moi

03:15

il y a 2 mois

de salinace

je ne suis pas ce que ce Monde pense de moi, Mais, moi je suis un fils de Dieu, j'ai bâti ma vie sur trois fondements anh, anh, ô l'amour de Dieu en Moi aha Ah, anh anh, la prière et l'observation de toute la paroooleeuh, ce que le monde dit, cela m'importe peu, ce que le monde pense de moi, cela m'importe peu euh euh, mais mon soucis est de savoir, ce que Jésus pense de moi yeh yeh yeh yeh,

male vocals warm bass Afro-gospel groove with bright guitars and mid‑tempo drums; male vocals in a call-and-response style with a catchy congregational hook. Verses stay rhythmic and spoken-sung chorus explodes with stacked harmonies and claps; subtle synth pads lift the bridge for a final powerful refrain.

Paper Cups & Quiet Streets

03:46

il y a 2 mois

de Pandu Thota

a 21 year old guy and 21 year old girl, they both want to go out and spend a day together. They are simple. they go to very simple places and have simple conversations. There is no physical touch. but lot of love hidden in their hearts. Give me a melody which suits their love

simple warm bass Gentle acoustic pop ballad with male and female vocals trading lines; fingerpicked guitar and soft brushed drums. Verses stay intimate and close-mic’d subtle piano doubling key phrases. Chorus blooms with light vocal harmonies and a soft tambourine lift. Final chorus strips back to guitar and voices for a tender unfinished-ending feel.

Paper Cups & Quiet Streets

03:10

il y a 2 mois

de Pandu Thota

a 21 year old guy and 21 year old girl, they both want to go out and spend a day together. They are simple. they go to very simple places and have simple conversations. There is no physical touch. but lot of love hidden in their hearts. Give me a melody which suits their love

simple warm bass Gentle acoustic pop ballad with male and female vocals trading lines; fingerpicked guitar and soft brushed drums. Verses stay intimate and close-mic’d subtle piano doubling key phrases. Chorus blooms with light vocal harmonies and a soft tambourine lift. Final chorus strips back to guitar and voices for a tender unfinished-ending feel.

Playground Girl

03:29

il y a 2 mois

de Mason Mocke

it was somewhere there was born girl on the playground

male vocals warm bass doubled topline ending on a sparse Indie pop ballad with male vocals clean electric guitar arpeggios and soft rimshot groove. Verses stay intimate and close-mic’d; chorus blooms with airy pads and light tambourine. Subtle backing ooohs in the bridge ringing chord that lets the last vocal hang.

Playground Girl

02:33

il y a 2 mois

de Mason Mocke

it was somewhere there was born girl on the playground

male vocals warm bass doubled topline ending on a sparse Indie pop ballad with male vocals clean electric guitar arpeggios and soft rimshot groove. Verses stay intimate and close-mic’d; chorus blooms with airy pads and light tambourine. Subtle backing ooohs in the bridge ringing chord that lets the last vocal hang.

DJ Poe-Ma op de Zaterdagavond

03:09

il y a 2 mois

de Tim Van der hoek

het liedje moet gaan over dj die heet poe-ma en draait op de zaterdagavond bij piratencombi en woont in hoogeveen en hij draait nederlands, engels en duitstalige plaatjes en graag hollandse en rustige achtergrondmuziek niet te druk

warm bass Easygoing Dutch party-pop midtempo four-on-the-floor with soft percussion and gentle pads; verses stay intimate over sparse keys chorus opens with bright acoustic guitar strums and subtle crowd ad-libs male vocals laid-back and smiley background harmonies lifting the hook each time.

DJ Poe-Ma op de Zaterdagavond

03:05

il y a 2 mois

de Tim Van der hoek

het liedje moet gaan over dj die heet poe-ma en draait op de zaterdagavond bij piratencombi en woont in hoogeveen en hij draait nederlands, engels en duitstalige plaatjes en graag hollandse en rustige achtergrondmuziek niet te druk

warm bass Easygoing Dutch party-pop midtempo four-on-the-floor with soft percussion and gentle pads; verses stay intimate over sparse keys chorus opens with bright acoustic guitar strums and subtle crowd ad-libs male vocals laid-back and smiley background harmonies lifting the hook each time.

ანანო, ნათია და სალომე

03:59

il y a 2 mois

de Dato Mdivnishvili

ქუჩაში როცა მზე ამოდის ნელა, დღე იწყება ახალი ფერებით, სიცილი ისმის ყველგან შორიდან, სიხარული მოდის გულებით. მისამღერი: ანანო — როგორც დილა ნათელი, ნათია — როგორც ცა ლურჯი და მშვიდი, სალომე — როგორც ვარსკვლავი ღამეში, სამივე ერთად — ბედნიერების სითბო. მეორე კუპლეტი: ოცნებები აქვთ დიდი და ლამაზი, წინ მიდიან საკუთარი გზით, რაც არ უნდა მოხდეს ცხოვრებაში, ერთმანეთს აძლევენ ძალას და შუქს. მისამღერი: ან

male vocals warm bass light percussion Bright upbeat Georgian pop midtempo groove with acoustic guitar and shimmering synth pads; male vocals up front soft female backing harmonies in the hook verses gentle and narrative then chorus opening wider and anthemic with a short instrumental lift between sections

ანანო, ნათია და სალომე

02:30

il y a 2 mois

de Dato Mdivnishvili

ქუჩაში როცა მზე ამოდის ნელა, დღე იწყება ახალი ფერებით, სიცილი ისმის ყველგან შორიდან, სიხარული მოდის გულებით. მისამღერი: ანანო — როგორც დილა ნათელი, ნათია — როგორც ცა ლურჯი და მშვიდი, სალომე — როგორც ვარსკვლავი ღამეში, სამივე ერთად — ბედნიერების სითბო. მეორე კუპლეტი: ოცნებები აქვთ დიდი და ლამაზი, წინ მიდიან საკუთარი გზით, რაც არ უნდა მოხდეს ცხოვრებაში, ერთმანეთს აძლევენ ძალას და შუქს. მისამღერი: ან

male vocals warm bass light percussion Bright upbeat Georgian pop midtempo groove with acoustic guitar and shimmering synth pads; male vocals up front soft female backing harmonies in the hook verses gentle and narrative then chorus opening wider and anthemic with a short instrumental lift between sections

Warm Bass

Warm Bass Morceaux

Niko Tofauti

Niko Tofauti

Paso a Paso

Paso a Paso

Bontuko Bontuyyee

Bontuko Bontuyyee

ይያ ሙጥር

ይያ ሙጥር

Mía FM, Música Cristiana Para Vos

Mía FM, Música Cristiana Para Vos

Stuck Back In Time

Stuck Back In Time

Vavina Taubar

Vavina Taubar

Ce Que Jésus Pense de Moi

Ce Que Jésus Pense de Moi

Paper Cups & Quiet Streets

Paper Cups & Quiet Streets

Playground Girl

Playground Girl

DJ Poe-Ma op de Zaterdagavond

DJ Poe-Ma op de Zaterdagavond

ანანო, ნათია და სალომე

ანანო, ნათია და სალომე

Paroles de la Chanson

Générer des paroles

Confirmation de mise à niveau

Succès !

Une erreur est survenue