Mê Trai Suốt Đời

02:21

6 days ago

Mê trai Mê trai.Mê trai mê trai Em mê trai Có đầu thai cũng không hết Không hết Không hết.Không hết Nghiện ngập mọi thứ Có thể cai Còn nghiện trai thì chẳng cai bao giờ Thấy trai đẹp mắt sáng liền Liều vitamin A chẳng có tác dụng gì đâu Mê trai hông có gì sai Chỉ là khi rảnh ngắm nhìn chút thôi Không gì ngăn nổi Em mê trai suốt đời Trai đẹp.Trai đẹp trai đẹp Trai đẹp tất cả đều là chồng em.

bass female vocals glossy pre-chorus strips to kick Bubblegum pop with bouncy four-on-the-floor disco groove playful syncopated bass and handclaps; verse stays light with clipped percussion and cheeky melodic phrasing and rising synth tension chorus blooms with stacked female harmonies and chanty doubles on the hook. Add tiny whistle fills reversed spark swells and a glittery key change lift into the final chorus. Bright punchy mix with a cute flirtatious sheen; female vocals

Suelta el Ritmo

02:26

6 days ago

by Briana Yarely Campos Garcia

Una canción para bailar

female vocals playful ad-libs. Dance-pop with reggaeton bounce dembow-locked drums and bright synth stabs; verse rides sparse percussion and slick bass pre-chorus strips to claps and a rising filter chorus hits with a lifted four-on-the-floor pulse and chant doubles. Female vocals in close-mic verses stacked hook harmonies reverse swells into every drop glossy and punchy mix.

Suelta el Ritmo

02:28

6 days ago

by Briana Yarely Campos Garcia

Una canción para bailar

female vocals playful ad-libs. Dance-pop with reggaeton bounce dembow-locked drums and bright synth stabs; verse rides sparse percussion and slick bass pre-chorus strips to claps and a rising filter chorus hits with a lifted four-on-the-floor pulse and chant doubles. Female vocals in close-mic verses stacked hook harmonies reverse swells into every drop glossy and punchy mix.

Open the Gate

02:46

6 days ago

by Ederlyn Aguillon

worship song

female vocals tender worship reversed swells Worship ballad with female vocals steady 72 BPM soft piano arpeggios and warm pad swells; verse stays intimate and close-mic pre-chorus lifts with stacked harmonies and a rising tom pulse chorus opens wide with choir-like doubles and simple hand percussion bridge drops to just piano and lead vocal before a final chorus with fuller pads and a gentle key lift. Bright spacious mix with glowing low end and intimate front-of-mic presence.

Open the Gate

02:48

6 days ago

by Ederlyn Aguillon

worship song

female vocals tender worship reversed swells Worship ballad with female vocals steady 72 BPM soft piano arpeggios and warm pad swells; verse stays intimate and close-mic pre-chorus lifts with stacked harmonies and a rising tom pulse chorus opens wide with choir-like doubles and simple hand percussion bridge drops to just piano and lead vocal before a final chorus with fuller pads and a gentle key lift. Bright spacious mix with glowing low end and intimate front-of-mic presence.

Pa Oubliyé

03:14

6 days ago

by Pascal Mayaud

Pa oubliyé koté ou sòti frérot, jòdi-a ou ja oubliyé kimoun ou yé. Ou ka écrasé kolèg a’w pou monté an grad, ou ka sèvi tout mwayen pou toujou pli byen plase. Ou ni moun dèyè’w ki ka protéjé’w, ou sav byen kijan sistèm-la ka maché, ou ka sèvi sa pou pòté tèt a’w pli wo, san gadé ki moun ki ka pran kou. Kon yo ja fè pou kouvè sèten bagay, lè yo té bizwen sové moun ki té ka fè soufrans ba lòt. Mé

female vocals Afro-Caribbean zouk-pop with syncopated percussion and warm syncopated bass mid-tempo sway; verse stays tense and sparse with hand drums and clipped guitar pre-chorus opens into stacked harmonies and rising toms chorus lands on a chanty lift with doubled female lead and soft gang backing vocals. Add reversed swell before the hook breathy ad-libs on line endings and a glossy but earthy mix that stays intimate and punchy. female vocals

Pa Oubliyé

03:26

6 days ago

by Pascal Mayaud

Pa oubliyé koté ou sòti frérot, jòdi-a ou ja oubliyé kimoun ou yé. Ou ka écrasé kolèg a’w pou monté an grad, ou ka sèvi tout mwayen pou toujou pli byen plase. Ou ni moun dèyè’w ki ka protéjé’w, ou sav byen kijan sistèm-la ka maché, ou ka sèvi sa pou pòté tèt a’w pli wo, san gadé ki moun ki ka pran kou. Kon yo ja fè pou kouvè sèten bagay, lè yo té bizwen sové moun ki té ka fè soufrans ba lòt. Mé

female vocals Afro-Caribbean zouk-pop with syncopated percussion and warm syncopated bass mid-tempo sway; verse stays tense and sparse with hand drums and clipped guitar pre-chorus opens into stacked harmonies and rising toms chorus lands on a chanty lift with doubled female lead and soft gang backing vocals. Add reversed swell before the hook breathy ad-libs on line endings and a glossy but earthy mix that stays intimate and punchy. female vocals

Pe 23 Ianuarie

02:10

6 days ago

by Roxana Butnaru

Te-am găsit când nu căutam nimic, Dar ai devenit tot ce-mi lipsea un pic, Dintr-o zi obișnuită ai făcut destin, Pe 23.01.2026 te-am numit „al meu” deplin. Refren: Ești liniștea din haosul meu, Singurul „noi” din tot ce era „eu”, Și dacă lumea s-ar opri în loc, Tot pe tine te-aș alege din nou. Vers 2: Știi să mă citești fără cuvinte, Rămâi când toate pleacă din minte, De atunci timpul parcă s-a opr

emotional female vocals Pop ballad with female vocals mid-tempo 6/8 feel gentle piano arpeggios and warm pad bed; verse stays intimate with sparse piano and finger snaps pre-chorus lifts with soft strings and a rising tom pattern chorus opens into full drum pulse and stacked harmonies. Use close-mic lead airy doubles on the hook and short delay throws on key lines. Add a reversed swell into each chorus and a subtle heartbeat kick under the bridge. Bright and polished with a cinematic pop sheen.

Pe 23 Ianuarie

02:17

6 days ago

by Roxana Butnaru

Te-am găsit când nu căutam nimic, Dar ai devenit tot ce-mi lipsea un pic, Dintr-o zi obișnuită ai făcut destin, Pe 23.01.2026 te-am numit „al meu” deplin. Refren: Ești liniștea din haosul meu, Singurul „noi” din tot ce era „eu”, Și dacă lumea s-ar opri în loc, Tot pe tine te-aș alege din nou. Vers 2: Știi să mă citești fără cuvinte, Rămâi când toate pleacă din minte, De atunci timpul parcă s-a opr

emotional female vocals Pop ballad with female vocals mid-tempo 6/8 feel gentle piano arpeggios and warm pad bed; verse stays intimate with sparse piano and finger snaps pre-chorus lifts with soft strings and a rising tom pattern chorus opens into full drum pulse and stacked harmonies. Use close-mic lead airy doubles on the hook and short delay throws on key lines. Add a reversed swell into each chorus and a subtle heartbeat kick under the bridge. Bright and polished with a cinematic pop sheen.

Ася и Олеся

03:09

6 days ago

by Огурец Солёный

Песня в стиле электронного постхардкора про Лучших подруг Асю и Олесю. Они самые милые и весёлые и у обеих по двое детей, но они со всем справляются. Олеся сканирует бесконечные кизы в аптеках, а Ася работает в мире ткани. Олесю иногда называли бибкой любя, но она всегда выёбывалась на это

female vocals Electronic post-hardcore with driving half-time drums chugging synth-guitars and a punchy bass pulse; verse rides tight and tense with sparse glitch hits pre-chorus opens into rising stacks and shouted gang harmonies chorus slams wide with octave vocals and soaring melodic doubles. Female lead vocal gritty low verses layered unison hooks brief scream accents reversed swells into each drop metallic impacts on transitions crisp and aggressive mix with glossy top end.

Ася и Олеся

03:08

6 days ago

by Огурец Солёный

Песня в стиле электронного постхардкора про Лучших подруг Асю и Олесю. Они самые милые и весёлые и у обеих по двое детей, но они со всем справляются. Олеся сканирует бесконечные кизы в аптеках, а Ася работает в мире ткани. Олесю иногда называли бибкой любя, но она всегда выёбывалась на это

female vocals Electronic post-hardcore with driving half-time drums chugging synth-guitars and a punchy bass pulse; verse rides tight and tense with sparse glitch hits pre-chorus opens into rising stacks and shouted gang harmonies chorus slams wide with octave vocals and soaring melodic doubles. Female lead vocal gritty low verses layered unison hooks brief scream accents reversed swells into each drop metallic impacts on transitions crisp and aggressive mix with glossy top end.

Luz Que Me Inspira

03:35

6 days ago

by José armelio Garcia

porque yo te amo amor porque yo te amo oh oh eres la luz que ilumina la estrella que me inspira

female vocals warm acoustic guitar polished pre-chorus opens with rising harmony stacks Latin pop ballad with mid-tempo swing soft programmed percussion piano swells and a gentle Latin groove; verse stays intimate and close-mic chorus blooms with stacked female vocals and short delay throws on the hook words. Add reversed cymbal swells soft handclaps and a shimmering pad into each chorus. Bright and emotional with a glossy radio mix.

Luz Que Me Inspira

03:23

6 days ago

by José armelio Garcia

porque yo te amo amor porque yo te amo oh oh eres la luz que ilumina la estrella que me inspira

female vocals warm acoustic guitar polished pre-chorus opens with rising harmony stacks Latin pop ballad with mid-tempo swing soft programmed percussion piano swells and a gentle Latin groove; verse stays intimate and close-mic chorus blooms with stacked female vocals and short delay throws on the hook words. Add reversed cymbal swells soft handclaps and a shimmering pad into each chorus. Bright and emotional with a glossy radio mix.

Juste À Temps

03:07

1 week ago

by Sabine “Valifirepad” Bouquet

74 BPM half-time, D minor. Female urgent voice, breathless on chorus. Half-time verses, double-time drum bursts. Mechanical bass, piano tinkling, strings swell. 2 sec silence, then a cappella "J’ai aimé trop tard, mais exactement à la bonne seconde", then full return. Final chorus repeat "Un peu tard pour les étoiles – juste à temps pour toi" 3x. Raw punchy mix. Lyrics: Un peu tard pour les étoile

raw female vocals A Cappella Dark pop ballad at 74 BPM in D minor with half-time verses double-time drum bursts mechanical bass tinkling piano and string swells; verse stays sparse and tense pre-chorus opens with rising piano figures chorus hits breathless and urgent with stacked doubles and short delay throws on key lines. A 2-second silence leads into an a cappella line then the full band returns hard. Final chorus repeats like a mantra raw and punchy mix

Juste À Temps

03:21

1 week ago

by Sabine “Valifirepad” Bouquet

74 BPM half-time, D minor. Female urgent voice, breathless on chorus. Half-time verses, double-time drum bursts. Mechanical bass, piano tinkling, strings swell. 2 sec silence, then a cappella "J’ai aimé trop tard, mais exactement à la bonne seconde", then full return. Final chorus repeat "Un peu tard pour les étoiles – juste à temps pour toi" 3x. Raw punchy mix. Lyrics: Un peu tard pour les étoile

raw female vocals A Cappella Dark pop ballad at 74 BPM in D minor with half-time verses double-time drum bursts mechanical bass tinkling piano and string swells; verse stays sparse and tense pre-chorus opens with rising piano figures chorus hits breathless and urgent with stacked doubles and short delay throws on key lines. A 2-second silence leads into an a cappella line then the full band returns hard. Final chorus repeats like a mantra raw and punchy mix

Patio de Salsa

02:15

1 week ago

by mariapipicoceres@gmail.com

latin cumbia, happy song yo dance to, with argentinian accent (in spanish)

happy female vocals Latin punchy cumbia syncopated percussion ad-lib echoes with doubled chorus lines Latin cumbia with a bright tumbao groove bouncy bass guitar and guiro-driven swing; verse keeps the rhythm lean with playful guitar stabs and handclaps pre-chorus lifts with rising percussion and stacked gang shouts chorus opens wide with accordion riffs and a sing-back hook. Female vocals lead close and cheeky and short delay throws on the hook word. Maraca flicks reversed swells into the chorus and a final percussion break. Sunny and crisp in the mix.

Patio de Salsa

02:15

1 week ago

by mariapipicoceres@gmail.com

latin cumbia, happy song yo dance to, with argentinian accent (in spanish)

happy female vocals Latin punchy cumbia syncopated percussion ad-lib echoes with doubled chorus lines Latin cumbia with a bright tumbao groove bouncy bass guitar and guiro-driven swing; verse keeps the rhythm lean with playful guitar stabs and handclaps pre-chorus lifts with rising percussion and stacked gang shouts chorus opens wide with accordion riffs and a sing-back hook. Female vocals lead close and cheeky and short delay throws on the hook word. Maraca flicks reversed swells into the chorus and a final percussion break. Sunny and crisp in the mix.

Mirror in Silk

03:17

1 week ago

by Gabino Parraguizar20

Gemma Chan: [singing] Look at me ... I will never pass for a perfect bride Or a perfect daughter Can it be? I'm not meant to play this part? Now I see That if I were truly to be myself I would break my family's heart. Who is that girl I see Staring straight back at me Why is my reflection someone I don't know Somehow I cannot hide Who I am, though I've tried When will my reflection show Who I am i

female vocals polished and low strings soft kick Pop ballad with female vocals mid-tempo pulse and gentle swung drums; verse keeps it intimate with piano pre-chorus lifts with rising harmony stacks and filtered percussion chorus opens wide with a soaring lead and doubled oohs. Add a reversed swell before each chorus a small bell sparkle on transitions and a final key-change feel. Bright emotional mix with close-mic vocals and glossy reverb tails.

Mirror in Silk

03:26

1 week ago

by Gabino Parraguizar20

Gemma Chan: [singing] Look at me ... I will never pass for a perfect bride Or a perfect daughter Can it be? I'm not meant to play this part? Now I see That if I were truly to be myself I would break my family's heart. Who is that girl I see Staring straight back at me Why is my reflection someone I don't know Somehow I cannot hide Who I am, though I've tried When will my reflection show Who I am i

female vocals polished and low strings soft kick Pop ballad with female vocals mid-tempo pulse and gentle swung drums; verse keeps it intimate with piano pre-chorus lifts with rising harmony stacks and filtered percussion chorus opens wide with a soaring lead and doubled oohs. Add a reversed swell before each chorus a small bell sparkle on transitions and a final key-change feel. Bright emotional mix with close-mic vocals and glossy reverb tails.

Corazón Vuela Alto

03:20

1 week ago

by agustina milione

amor mío es tre tanto corazones mi alma se desvanece el viento sopla más fuerte i la brida se nota cuando me mira mi corazón se me acelera corazón vuela más altos en cada escena te pienso corazón corazón vuela más altos no dejo de pensar en ti amor mío

female vocals polished a breathy lift before each chorus Latin pop ballad with a slow pulsing groove and soft percussion; verse stays intimate with sparse piano and finger snaps pre-chorus lifts with rising pads and a brief tom build chorus opens with warm strings and stacked harmonies. Female vocals in close-mic lead doubled on the hook with airy ad-libs and gentle delay throws on key phrases. Ear candy includes reversed swells into the pre-chorus and a final string rise. Bright emotional mix with a glossy radio sheen.

Corazón Vuela Alto

03:17

1 week ago

by agustina milione

amor mío es tre tanto corazones mi alma se desvanece el viento sopla más fuerte i la brida se nota cuando me mira mi corazón se me acelera corazón vuela más altos en cada escena te pienso corazón corazón vuela más altos no dejo de pensar en ti amor mío

female vocals polished a breathy lift before each chorus Latin pop ballad with a slow pulsing groove and soft percussion; verse stays intimate with sparse piano and finger snaps pre-chorus lifts with rising pads and a brief tom build chorus opens with warm strings and stacked harmonies. Female vocals in close-mic lead doubled on the hook with airy ad-libs and gentle delay throws on key phrases. Ear candy includes reversed swells into the pre-chorus and a final string rise. Bright emotional mix with a glossy radio sheen.