Când Cad Eu

03:30

3 months ago

o Manea lenta cu problemele vieții când ajuți pe toată lumea la greu și toți te apelează iar atunci când ești tu la necaz nimeni nu-ți mai este aproape

male vocals Slow Romanian pop-folk ballad with half-time drum pulse sparse acoustic guitar and warm bass under intimate male vocals; verse keeps it low and close pre-chorus opens with rising harmony pads chorus lands bigger with stacked doubles and a chantable hook. Add reversed swells into each chorus a small bell motif between lines and a final lift with wide reverb and hand-clap accents. Clean emotional mix with a human front-and-center voice.

Când Cad Eu

03:28

3 months ago

by Iftime Vlad

o Manea lenta cu problemele vieții când ajuți pe toată lumea la greu și toți te apelează iar atunci când ești tu la necaz nimeni nu-ți mai este aproape

male vocals Slow Romanian pop-folk ballad with half-time drum pulse sparse acoustic guitar and warm bass under intimate male vocals; verse keeps it low and close pre-chorus opens with rising harmony pads chorus lands bigger with stacked doubles and a chantable hook. Add reversed swells into each chorus a small bell motif between lines and a final lift with wide reverb and hand-clap accents. Clean emotional mix with a human front-and-center voice.

Mes deux bonheurs

03:03

3 months ago

by Voldi Sona

je veux une chanson douce pour mes deux enfants Miguel sona et Eliotte sona Miguel sona et eliotte mes bonheurs vous été tout pour moi que les bon Dieu vous protège

male vocals Warm chanson with male vocals soft brushed percussion and emotionally close French acoustic pop ballad with gentle fingerpicked guitar and a tender 6/8 sway; verse stays intimate and close-mic pre-chorus lifts with warm harmony pads chorus opens with clear melodic doubles and a simple chantable refrain. Subtle piano tinkles soft string swell into the bridge and a final chorus with airy ad-libs. Bright

Mes deux bonheurs

03:16

3 months ago

by Voldi Sona

je veux une chanson douce pour mes deux enfants Miguel sona et Eliotte sona Miguel sona et eliotte mes bonheurs vous été tout pour moi que les bon Dieu vous protège

male vocals Warm chanson with male vocals soft brushed percussion and emotionally close French acoustic pop ballad with gentle fingerpicked guitar and a tender 6/8 sway; verse stays intimate and close-mic pre-chorus lifts with warm harmony pads chorus opens with clear melodic doubles and a simple chantable refrain. Subtle piano tinkles soft string swell into the bridge and a final chorus with airy ad-libs. Bright

তুমাৰ নামে সুবাখ সানে..তুমাৰ মৰমে পুহৰ আনে.. চৌপাখে গছে ফুলে..হিয়াতে সুগন্ধি লৈ..আহে.. আবেলি পৰতে..দেখু মই তোমাক এ.. চকু তুমাৰ মুৰ.. চকু ঠলে.. মানে কথা মুৰ ক'ব খুজে তুমাকে..ও.তুমাকে..ও.তুমাকে.ও.তুমাকে.

male vocals and a warm short delay throws on the last word Assamese pop-folk ballad with male vocals gentle swung 6/8 pulse and plucked acoustic guitar; verse stays intimate with sparse bass and a hand percussion tick pre-chorus opens into airy pads and a rising nylon-string figure chorus lands on stacked harmonies with a chantable repeated anchor. Vocal is close-mic and tender with doubled hooks and a few soft ad-lib echoes. Ear candy includes reversed swells into the chorus delicate chimes between lines wide mix with polished low end and crisp top

সুগন্ধি তুমাকে

04:02

3 months ago

by Podum Ray

তুমাৰ নামে সুবাখ সানে..তুমাৰ মৰমে পুহৰ আনে.. চৌপাখে গছে ফুলে..হিয়াতে সুগন্ধি লৈ..আহে.. আবেলি পৰতে..দেখু মই তোমাক এ.. চকু তুমাৰ মুৰ.. চকু ঠলে.. মানে কথা মুৰ ক'ব খুজে তুমাকে..ও.তুমাকে..ও.তুমাকে.ও.তুমাকে.

male vocals and a warm short delay throws on the last word Assamese pop-folk ballad with male vocals gentle swung 6/8 pulse and plucked acoustic guitar; verse stays intimate with sparse bass and a hand percussion tick pre-chorus opens into airy pads and a rising nylon-string figure chorus lands on stacked harmonies with a chantable repeated anchor. Vocal is close-mic and tender with doubled hooks and a few soft ad-lib echoes. Ear candy includes reversed swells into the chorus delicate chimes between lines wide mix with polished low end and crisp top

Neon Shuriken

02:05

3 months ago

by Tyler Mangum

anime rap, hip ,hight bass

male vocals bass rap punchy anime Anime rap with hard hip-hop bounce high-bass knock and crisp syncopated drums; verses ride tense and agile pre-chorus narrows to clap and rapid chant chorus hits with doubled male vocals and sharp call-and-response. Add risers into every drop sword-swish accents between lines and brief reverse swells before the hook. Bright forward mix with a glossy edge and heavy low-end punch.

Neon Shuriken

01:58

3 months ago

by Tyler Mangum

anime rap, hip ,hight bass

male vocals bass rap punchy anime Anime rap with hard hip-hop bounce high-bass knock and crisp syncopated drums; verses ride tense and agile pre-chorus narrows to clap and rapid chant chorus hits with doubled male vocals and sharp call-and-response. Add risers into every drop sword-swish accents between lines and brief reverse swells before the hook. Bright forward mix with a glossy edge and heavy low-end punch.

MC JACK

01:56

3 months ago

by MC Jack Baptista

*Mbanza Kongo está no meu peito* *Kuimba é o meu gueto* *Pitágoras é a minha escola e eu sou o MC JACK* *[REFRÃO]* Mbanza Kongo está no meu peito, nunca esqueço Kuimba é o meu gueto, onde eu cresço Pitágoras é a minha escola, tiro 10

male vocals gritty and a warm snare Afro-rap with male vocals 94 BPM swung drums and dusty palm-muted guitar loop; verse rides tight with sparse kick and hand percussion pre-chorus strips to bass and clap snaps chorus hits with stacked gang vocals and a chantable hook. Ad-libs echo the last words a short reverse swell into each chorus close-mic mix with crisp top-end sheen.

MC JACK

02:10

3 months ago

by MC Jack Baptista

*Mbanza Kongo está no meu peito* *Kuimba é o meu gueto* *Pitágoras é a minha escola e eu sou o MC JACK* *[REFRÃO]* Mbanza Kongo está no meu peito, nunca esqueço Kuimba é o meu gueto, onde eu cresço Pitágoras é a minha escola, tiro 10

male vocals gritty and a warm snare Afro-rap with male vocals 94 BPM swung drums and dusty palm-muted guitar loop; verse rides tight with sparse kick and hand percussion pre-chorus strips to bass and clap snaps chorus hits with stacked gang vocals and a chantable hook. Ad-libs echo the last words a short reverse swell into each chorus close-mic mix with crisp top-end sheen.

Mayelle et Papou

03:19

3 months ago

by Raoul Nzeumegne TZETZECHI

Je voudrais une music pour souhaiter une joyeux anniversaire à ma petite sœur chérie mayelle et papou son petit frère, moi Raoul leurs grand frère et tous la cité fololo

male vocals bells pre-chorus lifts with stacked harmonies and a rising snare roll French pop with afrobeats bounce mid-tempo swung percussion and warm melodic synth bass; verse keeps it intimate with guitar stabs and handclaps chorus opens wide with gang-style male vocal doubles and a chantable family hook. Bridge drops to voice and percussion then final chorus returns with extra ad-libs and a bright polished mix. Male vocals.

Mayelle et Papou

02:57

3 months ago

by Raoul Nzeumegne TZETZECHI

Je voudrais une music pour souhaiter une joyeux anniversaire à ma petite sœur chérie mayelle et papou son petit frère, moi Raoul leurs grand frère et tous la cité fololo

male vocals bells pre-chorus lifts with stacked harmonies and a rising snare roll French pop with afrobeats bounce mid-tempo swung percussion and warm melodic synth bass; verse keeps it intimate with guitar stabs and handclaps chorus opens wide with gang-style male vocal doubles and a chantable family hook. Bridge drops to voice and percussion then final chorus returns with extra ad-libs and a bright polished mix. Male vocals.

Auricelia Hoje

02:33

3 months ago

by Jose mairton

feliz. aniversário auricelia a garota mais linda que já vi aqui existe a única pessoa que realmente se importa com vc te amo pra sempre.

male vocals and a bright Portuguese pop ballad with warm mid-tempo groove gentle acoustic guitar and soft piano; verse stays intimate and close-mic pre-chorus lifts with stacked harmonies and rising cymbal swells chorus opens into a singable chant with doubled male vocals and light gang echoes on the name. Add reverse piano swells into the hook a subtle string pad under the last chorus polished mix with a tender radio-ready sheen. male vocals

Auricelia Hoje

02:40

3 months ago

by Jose mairton

feliz. aniversário auricelia a garota mais linda que já vi aqui existe a única pessoa que realmente se importa com vc te amo pra sempre.

male vocals and a bright Portuguese pop ballad with warm mid-tempo groove gentle acoustic guitar and soft piano; verse stays intimate and close-mic pre-chorus lifts with stacked harmonies and rising cymbal swells chorus opens into a singable chant with doubled male vocals and light gang echoes on the name. Add reverse piano swells into the hook a subtle string pad under the last chorus polished mix with a tender radio-ready sheen. male vocals

Llegó La Ropa

02:42

3 months ago

by Hugo Barona

llegó, llegó la ropa americana no sé quede sin su prenda de vestir al mejor precio del mercado todo en variedad y calidad pase ,pase, casera ,casero,joven consulte por su ropa americana

male vocals punchy gang shouts and festive Cumbia-pop with male vocals upbeat mid-tempo groove and syncopated percussion; verse rides light guitar and hand drums pre-chorus tightens with claps and rising brass chorus opens with accordions and a chantable retail-hook. Vocal stays close-mic and playful in verses doubled on the hook with short delay throws. Ear candy: market-call ad-libs quick trumpet stabs and a tambora fill into each chorus. Mix is bright

Llegó La Ropa

02:32

3 months ago

by Hugo Barona

llegó, llegó la ropa americana no sé quede sin su prenda de vestir al mejor precio del mercado todo en variedad y calidad pase ,pase, casera ,casero,joven consulte por su ropa americana

male vocals punchy gang shouts and festive Cumbia-pop with male vocals upbeat mid-tempo groove and syncopated percussion; verse rides light guitar and hand drums pre-chorus tightens with claps and rising brass chorus opens with accordions and a chantable retail-hook. Vocal stays close-mic and playful in verses doubled on the hook with short delay throws. Ear candy: market-call ad-libs quick trumpet stabs and a tambora fill into each chorus. Mix is bright

Даша и стекло

03:16

3 months ago

by Zoom

песня про расставание с девушкой по имени Даша которая использовала парня ради забавы а он её любил всей душой

male vocals glossy a filtered riser into each chorus Pop ballad with mid-tempo pulse and restrained half-time drums; verse stays close-mic with sparse piano and low bass pre-chorus opens into rising pads and breathy doubles chorus lands with stacked male harmonies and a short electric guitar reply. Use delay throws on the name hook and a tiny reverse swell before the last line. Mix is intimate and emotional with a wide polished chorus

Даша и стекло

03:29

3 months ago

by Zoom

песня про расставание с девушкой по имени Даша которая использовала парня ради забавы а он её любил всей душой

male vocals glossy a filtered riser into each chorus Pop ballad with mid-tempo pulse and restrained half-time drums; verse stays close-mic with sparse piano and low bass pre-chorus opens into rising pads and breathy doubles chorus lands with stacked male harmonies and a short electric guitar reply. Use delay throws on the name hook and a tiny reverse swell before the last line. Mix is intimate and emotional with a wide polished chorus

Шагу Назад

03:05

3 months ago

by Дима

если шагу вперёд то умрём с тобой шагу назад то нельзя отступать

male vocals short delay throws on the last word of the hook and a gritty Dark Russian alternative rock with driving mid-tempo pulse tense tom-heavy verses a stripped pre-chorus that tightens to handclaps and low bass then a chorus that opens wide with doubled male vocals and shouted gang hooks on the anchor line. Add reverse cymbal swells into each section punchy mix with cold room air around the voice. male vocals

Шагу Назад

03:02

3 months ago

by Дима

если шагу вперёд то умрём с тобой шагу назад то нельзя отступать

male vocals short delay throws on the last word of the hook and a gritty Dark Russian alternative rock with driving mid-tempo pulse tense tom-heavy verses a stripped pre-chorus that tightens to handclaps and low bass then a chorus that opens wide with doubled male vocals and shouted gang hooks on the anchor line. Add reverse cymbal swells into each section punchy mix with cold room air around the voice. male vocals

Don Roman Calzada

03:21

3 months ago

by Jorge Calzada

Crear un corrido para el señor Roman Calzada que fue un hombre muy bueno y trabajador fue padre de 4 hijas y 3 hijos nacio en Guanajuato se caso con la señora Toñita Sanchez se vino a vivir a la ciudad de México le gustaba escuchar el béisbol en su radio sus nietos y nietas lo adoraban falleció el veintiuno de junio del dosmilsiete

male vocals accordion fills between lines Corrido norteño with male vocals brisk waltz-like bounce and accordion-guitar drive; verse tells his life with warm steady narration pre-chorus lifts with family pride chorus lands on a chantable name refrain and tribute line. Harmonized third on the hook brief gritos on key phrases final chorus opens wider with emotional backing vocals. Bright heartfelt mix with a dry snare and intimate lead voice.

Don Roman Calzada

02:47

3 months ago

by Jorge Calzada

Crear un corrido para el señor Roman Calzada que fue un hombre muy bueno y trabajador fue padre de 4 hijas y 3 hijos nacio en Guanajuato se caso con la señora Toñita Sanchez se vino a vivir a la ciudad de México le gustaba escuchar el béisbol en su radio sus nietos y nietas lo adoraban falleció el veintiuno de junio del dosmilsiete

male vocals accordion fills between lines Corrido norteño with male vocals brisk waltz-like bounce and accordion-guitar drive; verse tells his life with warm steady narration pre-chorus lifts with family pride chorus lands on a chantable name refrain and tribute line. Harmonized third on the hook brief gritos on key phrases final chorus opens wider with emotional backing vocals. Bright heartfelt mix with a dry snare and intimate lead voice.

Gracia de Dios

03:55

3 months ago

by josa3692@gmail.com

una canción sinth rock que hable de la gracia de Dios

male vocals rock punchy Synth rock with driving four-on-the-floor pulse angular guitar stabs pulsing bass synth and a wide chorus lift; verse stays tight and shadowed pre-chorus opens with rising pads and handclaps chorus blooms with stacked male vocals and chantable gang doubles. Filtered arpeggio sweeps reverse cymbal hits into each chorus and a brief breakdown with toms and delay throws. Bright and cinematic with a polished neon sheen; male vocals

Gracia en Cristal

03:52

3 months ago

by josa3692@gmail.com

una canción sinth rock que hable de la gracia de Dios

male vocals rock punchy Synth rock with driving four-on-the-floor pulse angular guitar stabs pulsing bass synth and a wide chorus lift; verse stays tight and shadowed pre-chorus opens with rising pads and handclaps chorus blooms with stacked male vocals and chantable gang doubles. Filtered arpeggio sweeps reverse cymbal hits into each chorus and a brief breakdown with toms and delay throws. Bright and cinematic with a polished neon sheen; male vocals

Male Vocals

Male Vocals Tracks

Când Cad Eu

Când Cad Eu

Mes deux bonheurs

Mes deux bonheurs

সুগন্ধি তুমাকে

সুগন্ধি তুমাকে

Neon Shuriken

Neon Shuriken

MC JACK

MC JACK

Mayelle et Papou

Mayelle et Papou

Auricelia Hoje

Auricelia Hoje

Llegó La Ropa

Llegó La Ropa

Даша и стекло

Даша и стекло

Шагу Назад

Шагу Назад

Don Roman Calzada

Don Roman Calzada

Gracia de Dios

Gracia en Cristal

Song Lyrics

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