Metal

AI-Generated Music

198 Tracks

Metal Tracks

Merve, Raise the Chaos

Cover art for Merve, Raise the Chaos by Holly Crap
02:53

5 months ago

by Holly Crap

Birthday song for my sister merve , heavy metal type

metal Explosive modern metalcore: drop-tuned guitars double-kick barrages female scream/sing vocals. Verses punch with chugging palm mutes and snarled growls; chorus flips to a soaring melodic hook over big power chords. Brief halftime breakdown with gang shouts then a final key change lift on the last refrain.

Merve, Raise the Chaos

Cover art for Merve, Raise the Chaos by Holly Crap
03:14

5 months ago

by Holly Crap

Birthday song for my sister merve , heavy metal type

metal Explosive modern metalcore: drop-tuned guitars double-kick barrages female scream/sing vocals. Verses punch with chugging palm mutes and snarled growls; chorus flips to a soaring melodic hook over big power chords. Brief halftime breakdown with gang shouts then a final key change lift on the last refrain.

Behind the Birthday Song

Cover art for Behind the Birthday Song by Rylan Thompson
04:00

5 months ago

by Rylan Thompson

Electronic happy vibes but then turn dark heavy metal about Freddy fazbear's pizzeria and William aftons horrors and murders behind the scenes

male vocals electronic happy metal double-kick drums Starts with bright bouncy electro-pop: sidechained synths chiptune arps and a four-on-the-floor kick. First sections feel bubbly and major-key with male vocals soft and playful. Midway everything glitches and drops into downtuned guitars and screamed harmonies; synths become eerie pads and metallic stabs. Final chorus fuses catchy pop topline with brutal metalcore growls for a whiplash theatrical climax.

Behind the Birthday Song

Cover art for Behind the Birthday Song by Rylan Thompson
04:00

5 months ago

by Rylan Thompson

Electronic happy vibes but then turn dark heavy metal about Freddy fazbear's pizzeria and William aftons horrors and murders behind the scenes

male vocals electronic happy metal double-kick drums Starts with bright bouncy electro-pop: sidechained synths chiptune arps and a four-on-the-floor kick. First sections feel bubbly and major-key with male vocals soft and playful. Midway everything glitches and drops into downtuned guitars and screamed harmonies; synths become eerie pads and metallic stabs. Final chorus fuses catchy pop topline with brutal metalcore growls for a whiplash theatrical climax.

Specters of the Inferno

Cover art for Specters of the Inferno by Nicola Miniussi
03:18

5 months ago

by Nicola Miniussi

Power metal song that talks about ghosts in hell, fender distorted guitars,

female vocals metal power metal Blazing power metal with galloping double-kick layered distorted Fender guitars and soaring female vocals. Verses ride tight palm-muted riffs; chorus erupts into wide harmonized leads and stacked choirs. Mid-song bridge drops to half-time with reverb-soaked clean arpeggios before a climactic shred solo section and final key-lift chorus.

Specters of the Inferno

Cover art for Specters of the Inferno by Nicola Miniussi
03:59

5 months ago

by Nicola Miniussi

Power metal song that talks about ghosts in hell, fender distorted guitars,

female vocals metal power metal Blazing power metal with galloping double-kick layered distorted Fender guitars and soaring female vocals. Verses ride tight palm-muted riffs; chorus erupts into wide harmonized leads and stacked choirs. Mid-song bridge drops to half-time with reverb-soaked clean arpeggios before a climactic shred solo section and final key-lift chorus.

Sad Frank (It’s Okay to Be Sad)

Cover art for Sad Frank (It’s Okay to Be Sad) by Me_Jos7e
03:34

5 months ago

by Me_Jos7e

Sad Frank (It’s Okay to Be Sad) Verse 1 It’s a sad day in the quiet hall Neon lights, but they don’t shine at all Frank’s in the corner with his head hung low Everyone runs, but they don’t even know He’s not a monster, not a thing to fear He’s been waiting all night, year after year Once had dreams, once had plans Now he’s just Sad Frank, doing what he can Pre-Chorus Metal heart, but it still brea

metal low sad Indie alt-pop ballad with male vocals gentle drums and warm bass. Verse sits over mellow electric piano and soft guitar swells; pre-chorus adds rising pads and subtle toms; chorus blooms with stacked harmonies and a lifting synth hook. Final pass strips back to mostly vocal and keys for a tender landing.

Sad Frank (It’s Okay to Be Sad)

Cover art for Sad Frank (It’s Okay to Be Sad) by Me_Jos7e
03:15

5 months ago

by Me_Jos7e

Sad Frank (It’s Okay to Be Sad) Verse 1 It’s a sad day in the quiet hall Neon lights, but they don’t shine at all Frank’s in the corner with his head hung low Everyone runs, but they don’t even know He’s not a monster, not a thing to fear He’s been waiting all night, year after year Once had dreams, once had plans Now he’s just Sad Frank, doing what he can Pre-Chorus Metal heart, but it still brea

metal low sad Indie alt-pop ballad with male vocals gentle drums and warm bass. Verse sits over mellow electric piano and soft guitar swells; pre-chorus adds rising pads and subtle toms; chorus blooms with stacked harmonies and a lifting synth hook. Final pass strips back to mostly vocal and keys for a tender landing.

Skirl of the Storm

Cover art for Skirl of the Storm by Dion Boyle
03:28

5 months ago

by Dion Boyle

Wrestling entrance needs bagpipes all throughout the song and the vocals to be rock/metal preferably singing in a scottish accent we can have a little guitar and drums plus violin but they should be background instruments and bagpipes should be loud and heard at all timea also need to have some background singers

violin female vocals rock metal loud Bagpipes lead at full blast from the first bar droning and cutting melodies weaving a warlike theme. Male lead with thick Scottish accent gritty rock/metal delivery backed by fierce female gang vocals on the hook. Guitars stay low and chuggy drums heavy on toms and crashes for an arena feel violin slicing in for dramatic lifts. Chorus explodes with stacked harmonies and crowd-chant moments perfect for a dominant entrance walk. wrestling

Skirl of the Storm

Cover art for Skirl of the Storm by Dion Boyle
03:23

5 months ago

by Dion Boyle

Wrestling entrance needs bagpipes all throughout the song and the vocals to be rock/metal preferably singing in a scottish accent we can have a little guitar and drums plus violin but they should be background instruments and bagpipes should be loud and heard at all timea also need to have some background singers

violin female vocals rock metal loud Bagpipes lead at full blast from the first bar droning and cutting melodies weaving a warlike theme. Male lead with thick Scottish accent gritty rock/metal delivery backed by fierce female gang vocals on the hook. Guitars stay low and chuggy drums heavy on toms and crashes for an arena feel violin slicing in for dramatic lifts. Chorus explodes with stacked harmonies and crowd-chant moments perfect for a dominant entrance walk. wrestling

Crown of Ember

Cover art for Crown of Ember by Yann Berger
03:40

5 months ago

by Yann Berger

Epic melodic metal with long guitar solo

male vocals metal Epic melodic metal with galloping double-kick wide rhythm guitars and soaring male vocals. Verses start in a tense half-time stomp then surge into a heroic chant-ready chorus. Long emotional guitar solo builds from lyrical bends to rapid-fire runs over modulating chords then returns to a towering final hook with gang shouts and cymbal showers.

Crown of Ember

Cover art for Crown of Ember by Yann Berger
04:00

5 months ago

by Yann Berger

Epic melodic metal with long guitar solo

male vocals metal Epic melodic metal with galloping double-kick wide rhythm guitars and soaring male vocals. Verses start in a tense half-time stomp then surge into a heroic chant-ready chorus. Long emotional guitar solo builds from lyrical bends to rapid-fire runs over modulating chords then returns to a towering final hook with gang shouts and cymbal showers.

Siren in My Chest

Cover art for Siren in My Chest by Wissal Khelloufi
03:09

5 months ago

by Wissal Khelloufi

Got you. 🖤 vibe is: dark-pop, minimal, breathy, emotional, a little broken but powerful. Short lines. Space to breathe. Almost whispered pain. Here’s a song script / lyrics you can paste directly into an AI music generator and sing over a siren-like beat. ⸻ Title: “Siren in My Chest” Intro (soft, breathy) Mm… Yeah I hear it again Verse 1 I don’t scream, I just fade ou

emotional pop metal Soft breathy minimal Dark-pop minimal ballad over a pulsing siren-like synth lead and subby bass. Sparse drums with roomy kick and delicate hi-hats; verses almost whispered close-mic female vocals with lots of breath and reverb. Chorus swells with layered harmonies and a haunting high pad then drops back into stark intimacy. Occasional reverse effects and swells for tension leaving ample negative space.

Siren in My Chest

Cover art for Siren in My Chest by Wissal Khelloufi
02:58

5 months ago

by Wissal Khelloufi

Got you. 🖤 vibe is: dark-pop, minimal, breathy, emotional, a little broken but powerful. Short lines. Space to breathe. Almost whispered pain. Here’s a song script / lyrics you can paste directly into an AI music generator and sing over a siren-like beat. ⸻ Title: “Siren in My Chest” Intro (soft, breathy) Mm… Yeah I hear it again Verse 1 I don’t scream, I just fade ou

emotional pop metal Soft breathy minimal Dark-pop minimal ballad over a pulsing siren-like synth lead and subby bass. Sparse drums with roomy kick and delicate hi-hats; verses almost whispered close-mic female vocals with lots of breath and reverb. Chorus swells with layered harmonies and a haunting high pad then drops back into stark intimacy. Occasional reverse effects and swells for tension leaving ample negative space.

Rusted Halo in the Acid Rain

Cover art for Rusted Halo in the Acid Rain by walt cusak
03:08

5 months ago

by walt cusak

death metal

metal death metal Ultra-aggressive death metal with downtuned chug-heavy guitars blast beats and guttural male vocals. Verses stay tight and fast with palm-muted riffs and dissonant tremolo lines; chorus opens into half-time stomps and a wide chantable hook. Brief grinding breakdown in the bridge with divebombs and layered growls before a final all-out chorus.

Rusted Halo in the Acid Rain

Cover art for Rusted Halo in the Acid Rain by walt cusak
03:12

5 months ago

by walt cusak

death metal

metal death metal Ultra-aggressive death metal with downtuned chug-heavy guitars blast beats and guttural male vocals. Verses stay tight and fast with palm-muted riffs and dissonant tremolo lines; chorus opens into half-time stomps and a wide chantable hook. Brief grinding breakdown in the bridge with divebombs and layered growls before a final all-out chorus.

Will of the Storm

Cover art for Will of the Storm by József Tóth
03:02

5 months ago

by József Tóth

Create an original Naruto-inspired battle track. Gradually build from despair to determination, as a warrior rises through willpower. Start with Eastern bamboo flute/shakuhachi, tense and minimal, then add heavier drums. Evolve into rock-metal with distorted guitars, ending in an epic fusion climax. Goosebumps, perseverance, inner strength. No copying existing Naruto music.

male vocals rock metal minimal choir pads Hybrid score-rock with male vocals: shakuhachi and soft taiko pulse in a sparse intro low strings holding drones. First verse sits over tense minimal percussion; heavy drums and tom runs creep in. Chorus explodes into modern metal—drop-tuned guitars tight chugs and soaring lead lines. Second half introduces double-time drums and koto arpeggios under the riff. Final climax fuses all elements wide gang vocals on the hook long held notes and a blazing guitar solo riding over stacked harmonies.

Will of the Storm

Cover art for Will of the Storm by József Tóth
02:05

5 months ago

by József Tóth

Create an original Naruto-inspired battle track. Gradually build from despair to determination, as a warrior rises through willpower. Start with Eastern bamboo flute/shakuhachi, tense and minimal, then add heavier drums. Evolve into rock-metal with distorted guitars, ending in an epic fusion climax. Goosebumps, perseverance, inner strength. No copying existing Naruto music.

male vocals rock metal minimal choir pads Hybrid score-rock with male vocals: shakuhachi and soft taiko pulse in a sparse intro low strings holding drones. First verse sits over tense minimal percussion; heavy drums and tom runs creep in. Chorus explodes into modern metal—drop-tuned guitars tight chugs and soaring lead lines. Second half introduces double-time drums and koto arpeggios under the riff. Final climax fuses all elements wide gang vocals on the hook long held notes and a blazing guitar solo riding over stacked harmonies.

kalhmera hlie

Cover art for kalhmera hlie by AK ak
03:53

5 months ago

by AK ak

metal similar to the song "psychosocial"

kalhmera hlie

Cover art for kalhmera hlie by AK ak
03:18

5 months ago

by AK ak

metal similar to the song "psychosocial"

Analog Tides Suite

Cover art for Analog Tides Suite by Diego Fernando Martinez Guido
02:27

5 months ago

by Diego Fernando Martinez Guido

Instrumental backing track, 54 minutes long. No guitars, no vocals. Instruments: 5-string bass, fusion drums, vintage analog synths (70s–80s, Air style). Intro: smooth jazz-fusion groove inspired Every 8 bars the style changes in this order: Funk groove inspired Classic rock feel inspired by Neo-classical heavy metal energy 4 min no guitars

rock metal funk classical Classic Rock Smooth Jazz 54-minute evolving fusion soundscape built around 5-string bass fusion kit and warm vintage synths. Start with a smooth jazz-fusion pocket soft electric keys and airy pads. Every 8 bars the drummer pivots feel: first into a syncopated funk pocket with snappy ghost notes then a driving big-swing classic rock pulse then into high-intensity virtuosic neoclassical-style lines voiced on synths. Four-minute intro holds a relaxed groove before the shifts begin. Throughout the bass moves from mellow legato support to aggressive melodic lead with tasteful overdrive toward the end. Wide immersive mix long tape-style delays and plate reverbs everything glued together with gentle bus compression.

Analog Tides Suite

Cover art for Analog Tides Suite by Diego Fernando Martinez Guido
01:27

5 months ago

by Diego Fernando Martinez Guido

Instrumental backing track, 54 minutes long. No guitars, no vocals. Instruments: 5-string bass, fusion drums, vintage analog synths (70s–80s, Air style). Intro: smooth jazz-fusion groove inspired Every 8 bars the style changes in this order: Funk groove inspired Classic rock feel inspired by Neo-classical heavy metal energy 4 min no guitars

rock metal funk classical Classic Rock Smooth Jazz 54-minute evolving fusion soundscape built around 5-string bass fusion kit and warm vintage synths. Start with a smooth jazz-fusion pocket soft electric keys and airy pads. Every 8 bars the drummer pivots feel: first into a syncopated funk pocket with snappy ghost notes then a driving big-swing classic rock pulse then into high-intensity virtuosic neoclassical-style lines voiced on synths. Four-minute intro holds a relaxed groove before the shifts begin. Throughout the bass moves from mellow legato support to aggressive melodic lead with tasteful overdrive toward the end. Wide immersive mix long tape-style delays and plate reverbs everything glued together with gentle bus compression.

ZENLAY in the Deep Desert

Cover art for ZENLAY in the Deep Desert by Andreas Knappe
04:00

6 months ago

by Andreas Knappe

power metal The Yutani Federation has industries across the galaxy, its Arrakis division recruits agents on-world to collaborate on conducting Deep Desert operations for spice refinement and rare materials. conducting spice-runs with carriers & sandcrawlers to the Deep Desert and i want some one to scream ZENLAY because shai hulud is coming to eat us

metal deep world power metal Blazing power metal at 190 BPM twin guitars galloping in harmony over thunderous double-kick. Male vocals jump between soaring cleans and piercing high screams; gang shouts on the hook. Big anthemic chorus with stacked harmonies then a half-time chug-heavy bridge before a shreddy guitar solo explodes back into the final chorus.

ZENLAY in the Deep Desert

Cover art for ZENLAY in the Deep Desert by Andreas Knappe
03:53

6 months ago

by Andreas Knappe

power metal The Yutani Federation has industries across the galaxy, its Arrakis division recruits agents on-world to collaborate on conducting Deep Desert operations for spice refinement and rare materials. conducting spice-runs with carriers & sandcrawlers to the Deep Desert and i want some one to scream ZENLAY because shai hulud is coming to eat us

metal deep world power metal Blazing power metal at 190 BPM twin guitars galloping in harmony over thunderous double-kick. Male vocals jump between soaring cleans and piercing high screams; gang shouts on the hook. Big anthemic chorus with stacked harmonies then a half-time chug-heavy bridge before a shreddy guitar solo explodes back into the final chorus.