Felállok Még Egyszer

03:40

8 months ago

library.shared.meta_by Imre Renye

Energetikus, motiváló rap zene fiatalos stílusban, gyors ritmus, erős dob és basszus, témája: küzdelem és siker"

male vocals rap High-energy Hungarian rap banger male vocals over sharp trap drums and thick bass hits. Verses double-time around 145 BPM tight hi-hats and percussive ad-libs. Hook explodes with chant-like gang vocals and layered shouts. Short filtered intro then beat slams in; bridge strips back to bass and claps before final chorus stacks harmonies and rises into a hard stop.

Felállok Még Egyszer

03:10

8 months ago

library.shared.meta_by Imre Renye

Energetikus, motiváló rap zene fiatalos stílusban, gyors ritmus, erős dob és basszus, témája: küzdelem és siker"

male vocals rap High-energy Hungarian rap banger male vocals over sharp trap drums and thick bass hits. Verses double-time around 145 BPM tight hi-hats and percussive ad-libs. Hook explodes with chant-like gang vocals and layered shouts. Short filtered intro then beat slams in; bridge strips back to bass and claps before final chorus stacks harmonies and rises into a hard stop.

Dancing On Your Tongue

03:14

8 months ago

library.shared.meta_by Pearl Boi

A playful upbeat sexy love reggaeton,R&b, hip-hop and pop song

male vocals playful pop hip hop rap r&b reggaetón Playful reggaeton–R&B crossover with male vocals; bouncy dembow groove under warm Rhodes keys and a rubbery bassline crisp trap hats and snappy claps. Verses sit in a laid-back suggestive pocket; pre-chorus lifts with rising synth pads; chorus explodes into bright pop hooks and stacked harmonies with occasional rap ad-libs tucked around the lead.

Dancing On Your Tongue

03:03

8 months ago

library.shared.meta_by Pearl Boi

A playful upbeat sexy love reggaeton,R&b, hip-hop and pop song

male vocals playful pop hip hop rap r&b reggaetón Playful reggaeton–R&B crossover with male vocals; bouncy dembow groove under warm Rhodes keys and a rubbery bassline crisp trap hats and snappy claps. Verses sit in a laid-back suggestive pocket; pre-chorus lifts with rising synth pads; chorus explodes into bright pop hooks and stacked harmonies with occasional rap ad-libs tucked around the lead.

olo w pierdolonym avantcie

04:00

8 months ago

library.shared.meta_by Oliwier Forczek

Olo wpierdolo jezdzi jak pojebany Audi S4B6 w avancie aż się wszyscy patrzą ma dziewczynę Anastazję która kocha nad życie ruchają się codziennie aż blok nie wytrzymuje jest wysoki jak wychodzi to wszyscy się go boją na dupie siedzi mu Kubuś w BMW E87 i Kacper w maździe RX8 gonią się jak pojebani po zakrętach wszyscy spierdalaj im z drogi bo się ich boją , horror core Suicideboys i Freddie Dredd

male vocals hip hop rap Bleak horrorcore trap with male vocals gliding sub-bass and eerie detuned bells; verses stay close and tense with whispered doubles and distant screams hook explodes with distorted 808s and clipped hi-hats; sparse piano stabs in the bridge heavy saturation on ad-libs reverb tails stretching like a tunnel at night

olo w pierdolonym avantcie

03:36

8 months ago

library.shared.meta_by Oliwier Forczek

Olo wpierdolo jezdzi jak pojebany Audi S4B6 w avancie aż się wszyscy patrzą ma dziewczynę Anastazję która kocha nad życie ruchają się codziennie aż blok nie wytrzymuje jest wysoki jak wychodzi to wszyscy się go boją na dupie siedzi mu Kubuś w BMW E87 i Kacper w maździe RX8 gonią się jak pojebani po zakrętach wszyscy spierdalaj im z drogi bo się ich boją , horror core Suicideboys i Freddie Dredd

male vocals hip hop rap Bleak horrorcore trap with male vocals gliding sub-bass and eerie detuned bells; verses stay close and tense with whispered doubles and distant screams hook explodes with distorted 808s and clipped hi-hats; sparse piano stabs in the bridge heavy saturation on ad-libs reverb tails stretching like a tunnel at night

hunnid peso

04:00

8 months ago

library.shared.meta_by sasod33039@newtrea.com

rap slowed slowed beat hunniddolla beat

hunnid peso

02:21

8 months ago

library.shared.meta_by sasod33039@newtrea.com

rap slowed slowed beat hunniddolla beat

No More Dark Roads

02:38

8 months ago

library.shared.meta_by lil tank & lil boo

a country rap song about never giving up god has my back an no more dark roads faith has it all my lord

male vocals rap country Modern country-rap crossover with male vocals; twangy acoustic guitar over a warm subby kick and crisp snares verses in a laid-back rap flow with subtle banjo plucks and organ pads. Chorus lifts into melodic singing with stacked harmonies and a soaring slide guitar line. Dynamic build each hook final chorus adds gospel-style backing vocals and a big open drum groove.

No More Dark Roads

03:05

8 months ago

library.shared.meta_by lil tank & lil boo

a country rap song about never giving up god has my back an no more dark roads faith has it all my lord

male vocals rap country Modern country-rap crossover with male vocals; twangy acoustic guitar over a warm subby kick and crisp snares verses in a laid-back rap flow with subtle banjo plucks and organ pads. Chorus lifts into melodic singing with stacked harmonies and a soaring slide guitar line. Dynamic build each hook final chorus adds gospel-style backing vocals and a big open drum groove.

VEGALISATION

03:03

8 months ago

library.shared.meta_by Xsirack Vega

rap

VEGALISATION

02:15

8 months ago

library.shared.meta_by Xsirack Vega

rap

Brillo En Mi Jornada

02:26

8 months ago

library.shared.meta_by Celeste Cardoso

una canción rap alegre sobre el trabajo

rap female vocals crisp claps Sunny boom-bap groove with bouncy bass and upbeat keys; female vocals playful yet powerful stacking call-and-response hooks in the chorus. Verses ride a tight pocket agile flow and smile-in-the-voice attitude; bridge strips back to drums and bass before a triumphant final chorus with doubled leads and sweet harmonies.

Brillo En Mi Jornada

03:28

8 months ago

library.shared.meta_by Celeste Cardoso

una canción rap alegre sobre el trabajo

rap female vocals crisp claps Sunny boom-bap groove with bouncy bass and upbeat keys; female vocals playful yet powerful stacking call-and-response hooks in the chorus. Verses ride a tight pocket agile flow and smile-in-the-voice attitude; bridge strips back to drums and bass before a triumphant final chorus with doubled leads and sweet harmonies.

Velvet Night Confessions

02:55

8 months ago

library.shared.meta_by Emmanuel Israel

Primary genre: 🎶 R&B / Soul Secondary genre: 🎧 Hip-hop (lyrics) Possible fusion: 🌍 Afro-R&B (if you use Afrobeat drums)

male vocals hip hop rap r&b Afrobeat Soul lifted hook thick sub bass Smoky R&B slow-burn with male vocals over warm Rhodes and lazy Afro-inflected drums; verses lean into close-mic intimacy and half-sung rap cadences chorus blooms with stacked harmonies and airy pads bridge strips to claps and bass before a final

Velvet Night Confessions

04:00

8 months ago

library.shared.meta_by Emmanuel Israel

Primary genre: 🎶 R&B / Soul Secondary genre: 🎧 Hip-hop (lyrics) Possible fusion: 🌍 Afro-R&B (if you use Afrobeat drums)

male vocals hip hop rap r&b Afrobeat Soul lifted hook thick sub bass Smoky R&B slow-burn with male vocals over warm Rhodes and lazy Afro-inflected drums; verses lean into close-mic intimacy and half-sung rap cadences chorus blooms with stacked harmonies and airy pads bridge strips to claps and bass before a final

Enfin Toi

01:46

8 months ago

library.shared.meta_by Icare Djiki Gnenzeko

Create song lyrics for the C-section of CeCe Peniston – “Finally”, from minute 3:12 to 3:29. The lyrics should be in French, performed as modern club rap with a 2025 sound — fresh, contemporary, and forward-thinking (not 90s-style). Male voice. Hip-hop influenced. Happy, upbeat, warm, rhythmic, and melodic.

male vocals rhythmic happy hip hop rap fresh Warm contemporary swung trap drums Bouncy club rap with glossy synth stabs and a rubbery sub-bass. Male vocals ride a melodic rap pocket playful and rhythmic. Hooks stack with airy tuned backups and bright claps; short format like a lifted C-section that DJs can loop. Clean wide mix to feel huge on modern systems.

Enfin Toi

02:02

8 months ago

library.shared.meta_by Icare Djiki Gnenzeko

Create song lyrics for the C-section of CeCe Peniston – “Finally”, from minute 3:12 to 3:29. The lyrics should be in French, performed as modern club rap with a 2025 sound — fresh, contemporary, and forward-thinking (not 90s-style). Male voice. Hip-hop influenced. Happy, upbeat, warm, rhythmic, and melodic.

male vocals rhythmic happy hip hop rap fresh Warm contemporary swung trap drums Bouncy club rap with glossy synth stabs and a rubbery sub-bass. Male vocals ride a melodic rap pocket playful and rhythmic. Hooks stack with airy tuned backups and bright claps; short format like a lifted C-section that DJs can loop. Clean wide mix to feel huge on modern systems.

Feeds, Strings, and City Wings

02:50

8 months ago

library.shared.meta_by SneekyStrings

The song is about a content creator who loves to play string instrument like violin, ukulele and guitar. She is a Filipino overseas worker living in Dubai. She like rap music, hip-hop and Dance Music. She live to go on Livestream on YouTube and Facebook. She has passion for music and traveling. She likes to eat.

male vocals hip hop rap violin Ukulele Bouncy pop-rap with male vocals over bright plucks and a driving four-on-the-floor groove; verses sit on playful trap-inflected drums and warm sub choruses bloom with stacked hooks synth risers and crowd-style chants. Occasional chopped vocal FX and filtered drops before big dancey returns keeping the energy festival-ready yet still intimate.

Feeds, Strings, and City Wings

02:41

8 months ago

library.shared.meta_by SneekyStrings

The song is about a content creator who loves to play string instrument like violin, ukulele and guitar. She is a Filipino overseas worker living in Dubai. She like rap music, hip-hop and Dance Music. She live to go on Livestream on YouTube and Facebook. She has passion for music and traveling. She likes to eat.

male vocals hip hop rap violin Ukulele Bouncy pop-rap with male vocals over bright plucks and a driving four-on-the-floor groove; verses sit on playful trap-inflected drums and warm sub choruses bloom with stacked hooks synth risers and crowd-style chants. Occasional chopped vocal FX and filtered drops before big dancey returns keeping the energy festival-ready yet still intimate.