Sholat Jum’at Berjamaah

04:00

há 4 meses

de Syahrial Arbi

pop slow rock metal blues Medium chill fast

Sholat Jum’at Berjamaah

04:00

há 4 meses

de Syahrial Arbi

pop slow rock metal blues Medium chill fast

Misticismo en Azul

03:44

há 4 meses

de Alejandro Hurtado

Genera una melodía de 432 hz de estilo blues con cadencia mística

slow blues swampy blues at 432 Hz feel; hollow‑body guitar with gentle tremolo brushed snare and deep upright bass. Male vocals upfront smoky and intimate; subtle organ pads add a mystical haze. Verses stay close and conversational chorus blooms with stacked harmonies and a reverb‑washed slide guitar answering each line. Dynamics rise in the last chorus with a slightly rougher vocal edge then fade on a lingering guitar bend.

Misticismo en Azul

04:00

há 4 meses

de Alejandro Hurtado

Genera una melodía de 432 hz de estilo blues con cadencia mística

slow blues swampy blues at 432 Hz feel; hollow‑body guitar with gentle tremolo brushed snare and deep upright bass. Male vocals upfront smoky and intimate; subtle organ pads add a mystical haze. Verses stay close and conversational chorus blooms with stacked harmonies and a reverb‑washed slide guitar answering each line. Dynamics rise in the last chorus with a slightly rougher vocal edge then fade on a lingering guitar bend.

il bacio

04:00

há 4 meses

de Marco Tullio

energetic romantic rock blues

il bacio

00:38

há 4 meses

de Marco Tullio

energetic romantic rock blues

EMPEROR||KAISER

04:00

há 4 meses

de Joao Miguel

upbeat energetic electronic metal Aggressive blues jazz classical

EMPEROR||KAISER

04:00

há 4 meses

de Joao Miguel

upbeat energetic electronic metal Aggressive blues jazz classical

niezuznajoma

02:17

há 4 meses

de Patryk

rock blues ballad single guitar

niezuznajoma

01:55

há 4 meses

de Patryk

rock blues ballad single guitar

My Friday

03:08

há 5 meses

de Wilbaldo Nah

romantic blues

My Friday

04:00

há 5 meses

de Wilbaldo Nah

romantic blues

dark horrorcore rap meets southern rock blues about being addicted to shooting meth and being a broken man trying to survive life and being left alone by everyone who has ever said that they loved him

male vocals rap horrorcore blues southern rock Gritty horrorcore rap over swampy southern rock blues. Male vocals: verses half-whispered half-growled over detuned slide guitar and a lurching swung drum groove. Chorus erupts with gravelly sung hook and distorted power chords. Sub-bass swells under eerie organ drones; occasional reverse-cymbal swipes and distant choir stabs heighten the dread. Final chorus goes huge then cuts to a dry isolated vocal for the last line.

Glass in the Spoon

03:09

há 5 meses

de NoFux Atall

dark horrorcore rap meets southern rock blues about being addicted to shooting meth and being a broken man trying to survive life and being left alone by everyone who has ever said that they loved him

male vocals rap horrorcore blues southern rock Gritty horrorcore rap over swampy southern rock blues. Male vocals: verses half-whispered half-growled over detuned slide guitar and a lurching swung drum groove. Chorus erupts with gravelly sung hook and distorted power chords. Sub-bass swells under eerie organ drones; occasional reverse-cymbal swipes and distant choir stabs heighten the dread. Final chorus goes huge then cuts to a dry isolated vocal for the last line.

Caçador de Medos

03:45

há 5 meses

de João Miguel

Uma música no estilo blues sobre caçar e devorar seus medos e fazer oque ninguém faz, a música deve ter uma guitarra calma e agressiva e um vocal cansado e inspirador

blues vocal smoky Slow-burn electric blues swung groove around 70–80 BPM. Calm but cutting guitar fills around the vocal; verses sit on sparse drums and bass choruses open up with overdriven chords and bent-note licks. Male vocals: worn almost spoken at first rising to a cracked soaring rasp on the hook. Subtle organ pad in the background to thicken the chorus tasteful solo interlude before the last refrain.

Caçador de Medos

04:00

há 5 meses

de João Miguel

Uma música no estilo blues sobre caçar e devorar seus medos e fazer oque ninguém faz, a música deve ter uma guitarra calma e agressiva e um vocal cansado e inspirador

blues vocal smoky Slow-burn electric blues swung groove around 70–80 BPM. Calm but cutting guitar fills around the vocal; verses sit on sparse drums and bass choruses open up with overdriven chords and bent-note licks. Male vocals: worn almost spoken at first rising to a cracked soaring rasp on the hook. Subtle organ pad in the background to thicken the chorus tasteful solo interlude before the last refrain.

Derby Blues Intro

04:00

há 5 meses

de Juliette Delarue

Instrumental intro for a podcast called “Derby Blues”. Modern hip hop, minimal and serious. Start with a few isolated notes or textures, then a short drop into a clean rhythmic beat with a simple melodic motif. Subtle melancholy, calm confidence. Medium tempo. No vintage groove, no psych rock. Contemporary sound design. 8–10 seconds, clean cut.

male vocals rhythmic hip hop simple rap rock blues clean contemporary melancholy minimal Modern hip hop podcast bumper male vocals only for subtle tonal hums and textures no lyrics. Sparse single-note plucks and filtered pads open in isolation then a tight medium-tempo beat drops in with a clean simple two-note motif. Subtle sidechain movement and tasteful reverb tails create melancholy depth while keeping the low end controlled for voiceover clarity; abrupt noise-gated cutoff at 8–10 seconds for a crisp professional transition.

Derby Blues Intro

04:00

há 5 meses

de Juliette Delarue

Instrumental intro for a podcast called “Derby Blues”. Modern hip hop, minimal and serious. Start with a few isolated notes or textures, then a short drop into a clean rhythmic beat with a simple melodic motif. Subtle melancholy, calm confidence. Medium tempo. No vintage groove, no psych rock. Contemporary sound design. 8–10 seconds, clean cut.

male vocals rhythmic hip hop simple rap rock blues clean contemporary melancholy minimal Modern hip hop podcast bumper male vocals only for subtle tonal hums and textures no lyrics. Sparse single-note plucks and filtered pads open in isolation then a tight medium-tempo beat drops in with a clean simple two-note motif. Subtle sidechain movement and tasteful reverb tails create melancholy depth while keeping the low end controlled for voiceover clarity; abrupt noise-gated cutoff at 8–10 seconds for a crisp professional transition.

start!

03:13

há 5 meses

de Kamil Szmidt

blues

start!

03:38

há 5 meses

de Kamil Szmidt

blues

Groove in G

01:02

há 5 meses

de Dark Valorant

Groovy John Mayer–style backing track in G major, 4/4 time, 95 BPM. Laid-back blues-pop / neo-soul groove with tight drums, warm bass, and clean rhythm guitar. Smooth pocket feel, light syncopation, lots of space. No lead guitar or vocals. Similar vibe to ‘Waiting on the World to Change’.”

male vocals pop groovy light smooth blues funk Warm clean world Soul Laid-back John Mayer–style blues-pop in G major at 95 BPM. Tight round live kit with ghost-note hi-hats and soft rimshots warm P-bass sitting deep in the pocket and clean strat-style rhythm guitar on the off-beats with subtle chord extensions. Male vocals up close and conversational a touch of plate reverb. Verses stay spacious and low-key; chorus lifts with doubled vocals light organ pads and extra percussion taps. Overall relaxed Sunday-afternoon groove with plenty of air between parts.

Groove in G

02:47

há 5 meses

de Dark Valorant

Groovy John Mayer–style backing track in G major, 4/4 time, 95 BPM. Laid-back blues-pop / neo-soul groove with tight drums, warm bass, and clean rhythm guitar. Smooth pocket feel, light syncopation, lots of space. No lead guitar or vocals. Similar vibe to ‘Waiting on the World to Change’.”

male vocals pop groovy light smooth blues funk Warm clean world Soul Laid-back John Mayer–style blues-pop in G major at 95 BPM. Tight round live kit with ghost-note hi-hats and soft rimshots warm P-bass sitting deep in the pocket and clean strat-style rhythm guitar on the off-beats with subtle chord extensions. Male vocals up close and conversational a touch of plate reverb. Verses stay spacious and low-key; chorus lifts with doubled vocals light organ pads and extra percussion taps. Overall relaxed Sunday-afternoon groove with plenty of air between parts.

Streets I Paved

03:31

há 6 meses

de NoFux Atall

i paved the streets y'all lil niggas walk on respect the og .deep old man voice raspy 808 trap house banger with delta blues rap meets southern rock blues take me home , male vocals, female vocals, guitar, electronic, chill, synth, dubstep, epic, ballad, powerful

male vocals electronic rap female vocals blues deep ballad Dubstep southern rock Hybrid trap-blues banger: detuned delta slide guitar licks over sub-heavy 808s and sparse trap hats. Verses feature gravelly male vocals up front doubled low and slightly distorted; female hook floats above with airy harmonies and a touch of reverb. Southern-rock power chords slam in on the hook synth bass swells and filtered dubstep growls in the turnarounds. Big epic lift into the last chorus with layered vocals and a wide cinematic mix. delta blues

Blues

Blues Faixas

Legit couple

Sholat Jum’at Berjamaah

Sholat Jum’at Berjamaah

Misticismo en Azul

Misticismo en Azul

il bacio

il bacio

EMPEROR||KAISER

EMPEROR||KAISER

niezuznajoma

niezuznajoma

My Friday

My Friday

Glass in the Spoon

Glass in the Spoon

Caçador de Medos

Caçador de Medos

Derby Blues Intro

Derby Blues Intro

start!

start!

Groove in G

Groove in G

Streets I Paved

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