Bajo La Luna

04:12

há 31 minutos

bachata 90s

male vocals Bachata glossy 90s bachata with swaying bolero rhythm syncopated güira chatter and tumbao bass; verses ride a warm acoustic guitar figure pre-chorus thins to voice and requinto bends chorus opens with layered harmony and sharper bongó snaps. Male vocals close-mic and smoky with short doubles on hook words and ad-lib sighs. Ear candy: requinto fills between lines tape-worn room tail and a rising guira swell into the final chorus. Mix is warm and heartbreak-close

Bajo La Luna

03:25

há 31 minutos

de theking8110@gmail.com

bachata 90s

male vocals Bachata glossy 90s bachata with swaying bolero rhythm syncopated güira chatter and tumbao bass; verses ride a warm acoustic guitar figure pre-chorus thins to voice and requinto bends chorus opens with layered harmony and sharper bongó snaps. Male vocals close-mic and smoky with short doubles on hook words and ad-lib sighs. Ear candy: requinto fills between lines tape-worn room tail and a rising guira swell into the final chorus. Mix is warm and heartbreak-close

Swaminarayan Naam

03:09

há 2 horas

de DIVINE TUNES SANKALP

swaminarayan dhoon

male vocals reverent Devotional dhoon with male vocals steady handclap pulse and warm harmonium drones; verse stays sparse with solo lead and soft tanpura pre-chorus opens into stacked call-and-response chants chorus lands on a tight dhoon loop with group doubles and claps. Add a subtle dholak lift temple bell tails and a short reverse swell into each hook. Intimate and bright in the mix.

Swaminarayan Naam

03:08

há 2 horas

de DIVINE TUNES SANKALP

swaminarayan dhoon

male vocals reverent Devotional dhoon with male vocals steady handclap pulse and warm harmonium drones; verse stays sparse with solo lead and soft tanpura pre-chorus opens into stacked call-and-response chants chorus lands on a tight dhoon loop with group doubles and claps. Add a subtle dholak lift temple bell tails and a short reverse swell into each hook. Intimate and bright in the mix.

Соль на губах

03:02

há 17 horas

de Сергей Имайкин

тоска и боль

male vocals wide reversed swell into the chorus Dark pop ballad with slow half-time pulse aching piano chords and restrained kick; verse stays intimate with sparse keys and finger snaps pre-chorus opens with rising pads and a breathy lift chorus blooms into stacked harmonies and a tight hook. Male vocals in a close-mic lead doubled on key phrases with delay throws on the title words. Vinyl crackle and a final lift with strings. Warm and bruised in the mix.

Соль на губах

03:12

há 17 horas

de Сергей Имайкин

тоска и боль

male vocals wide reversed swell into the chorus Dark pop ballad with slow half-time pulse aching piano chords and restrained kick; verse stays intimate with sparse keys and finger snaps pre-chorus opens with rising pads and a breathy lift chorus blooms into stacked harmonies and a tight hook. Male vocals in a close-mic lead doubled on key phrases with delay throws on the title words. Vinyl crackle and a final lift with strings. Warm and bruised in the mix.

Slay Your Soul

02:23

há 2 dias

de kyzr lucias

a dark catchy song about vox , ( slay your soul) your souls are mine , *glitchy* *mine* *glitches* (echoes) fighting is useless

male vocals Soul Cold and glossy Dark glitch-pop with trap drums half-time pulse crushed synth bass and stuttering vocal chops; verse stays tight and menacing with close-mic male vocals and whispered doubles pre-chorus opens into filtered rises and pitched glitch bursts chorus snaps into a chanty hook with gang-style unison on the title phrase. Ear candy includes reversed swells digital clicks and delay throws on key words. Brightly distorted

Slay Your Soul

02:38

há 2 dias

de kyzr lucias

a dark catchy song about vox , ( slay your soul) your souls are mine , *glitchy* *mine* *glitches* (echoes) fighting is useless

male vocals Soul Cold and glossy Dark glitch-pop with trap drums half-time pulse crushed synth bass and stuttering vocal chops; verse stays tight and menacing with close-mic male vocals and whispered doubles pre-chorus opens into filtered rises and pitched glitch bursts chorus snaps into a chanty hook with gang-style unison on the title phrase. Ear candy includes reversed swells digital clicks and delay throws on key words. Brightly distorted

Cada sonido y cada melodía Te quiero regalar Mi vida ya no es mía Desde que entraste habitar Te mueves en la brisa Y en las olas del mar Tú llenas todo en mí Porque eres tan bueno Porque eres tan bueno (uoh) Y yo más te quiero Por ti yo me muero (me muero) Porque eres tan bueno Porque eres tan bueno Y yo más te quiero Por ti yo me muero, ey Aunque no te vea, me acompañas Mi tormenta tú la calmas

male vocals and a wide bell accents between phrases Spanish worship-pop ballad with male vocals slow 6/8 pulse gentle acoustic guitar and warm pads; verse stays intimate and sparse pre-chorus opens with rising harmony stacks and soft toms chorus blooms with full band grouped doubles and congregation-style backing vocals. Subtle reverse swells before each lift glossy mix with an emotional close-mic lead

Eres Tan Bueno

03:30

há 2 dias

de Cesar Quintana

Cada sonido y cada melodía Te quiero regalar Mi vida ya no es mía Desde que entraste habitar Te mueves en la brisa Y en las olas del mar Tú llenas todo en mí Porque eres tan bueno Porque eres tan bueno (uoh) Y yo más te quiero Por ti yo me muero (me muero) Porque eres tan bueno Porque eres tan bueno Y yo más te quiero Por ti yo me muero, ey Aunque no te vea, me acompañas Mi tormenta tú la calmas

male vocals and a wide bell accents between phrases Spanish worship-pop ballad with male vocals slow 6/8 pulse gentle acoustic guitar and warm pads; verse stays intimate and sparse pre-chorus opens with rising harmony stacks and soft toms chorus blooms with full band grouped doubles and congregation-style backing vocals. Subtle reverse swells before each lift glossy mix with an emotional close-mic lead

Metangula Minha Terra

03:24

há 3 dias

de Nelito Pedro

metangula minha terra nunca irei te esquecer podes ser pobre mais levarei o seu nome até onde eu for levarei o seu nome essa é o homenagem do Nelito filho da dona Mena metangula recordo naqueles tempos quando agente íamos a praia de chuanga brincavamos naquela área branca na praia de chuanga kizomba

male vocals earthy kizomba and punchy. Afro-pop with semba sway and mid-tempo percussion warm malembe groove steady kick and hand drums; verse starts intimate with acoustic guitar and ngoma accents pre-chorus opens with layered claps and rising backing chants chorus lands with bright brass hits and group responses. Male vocals with close-mic lead soft doubles in verses stronger harmony stack on the hook short delay throws on key names. Ear candy: ocean-swell risers reversed marimba tails a final clap lift before each chorus. Mix is warm with a sunlit coastal glow.

Metangula Minha Terra

03:44

há 3 dias

de Nelito Pedro

metangula minha terra nunca irei te esquecer podes ser pobre mais levarei o seu nome até onde eu for levarei o seu nome essa é o homenagem do Nelito filho da dona Mena metangula recordo naqueles tempos quando agente íamos a praia de chuanga brincavamos naquela área branca na praia de chuanga kizomba

male vocals earthy kizomba and punchy. Afro-pop with semba sway and mid-tempo percussion warm malembe groove steady kick and hand drums; verse starts intimate with acoustic guitar and ngoma accents pre-chorus opens with layered claps and rising backing chants chorus lands with bright brass hits and group responses. Male vocals with close-mic lead soft doubles in verses stronger harmony stack on the hook short delay throws on key names. Ear candy: ocean-swell risers reversed marimba tails a final clap lift before each chorus. Mix is warm with a sunlit coastal glow.

Бери гитару

03:18

há 3 dias

de Милена Ишмуратова

давай скорей бери свою гитару и запиши о нем, мега-хит, но ты опять одна на диване, и душа твоя болит, болит.

male vocals bright punchy mix. tight kick-snare groove Pop rock with driving mid-tempo pulse strummed electric and acoustic guitars and a singable chorus lift; verse stays close and conversational pre-chorus opens with layered harmonies and a rising bass line chorus hits with stacked doubles and shouted backing phrases; add pick scrapes a short cymbal swell before each drop and a final chorus with brighter guitars and wider vocal delay. Male vocals intimate in verses and pushed hard on the hook

Бери гитару

03:03

há 3 dias

de Милена Ишмуратова

давай скорей бери свою гитару и запиши о нем, мега-хит, но ты опять одна на диване, и душа твоя болит, болит.

male vocals bright punchy mix. tight kick-snare groove Pop rock with driving mid-tempo pulse strummed electric and acoustic guitars and a singable chorus lift; verse stays close and conversational pre-chorus opens with layered harmonies and a rising bass line chorus hits with stacked doubles and shouted backing phrases; add pick scrapes a short cymbal swell before each drop and a final chorus with brighter guitars and wider vocal delay. Male vocals intimate in verses and pushed hard on the hook

Manhã de Sol

03:07

há 3 dias

de gabrieldacosta gaby

Essa Música e para Querida Mulher Winela da Costa. Hum Manha de Sol. um dia tão perfeito para mim tiver. ao teu lado quero está bem perto de você. como dois Anjinhos eu quero te Amar. manhã de sol. eu quero acorda e te fazer feliz. eu quero viver o amor que Deus me Deu. eu quero te Amar do jeito que eu sonhei. sem te eu não sei. o que seria de mim.

male vocals polished doubled on key lines and emotional. Portuguese pop ballad with a gentle 74 BPM swaying groove soft acoustic guitar and warm electric piano; verse stays intimate with fingerpicked chords and light percussion pre-chorus lifts with subtle string pad and tom builds chorus opens wider with layered harmonies and a steady kick. Male vocals close-mic’d and tender in verses with airy ad-libs and a short delay throw on the hook. Add a brushed cymbal swell reversed piano lift and a final chorus glow. Warm

El Panzitas

01:30

há 3 dias

de Yareli Perez

[Verse 1] No voy a decir su nombre mucho menos su apellido sé que le dicen el panzitas por la gente muy querido de Petacalco es el amigo en la vergiza por la playa desde que estaba morrillo respetuoso y decidido [Pre-Chorus] Pescador de profesión siempre me miran sencillo el mar fue mi escuela no conocí los libros chingándole desde morro la vida ha cambiado [Chorus] El Panzitas, el Panzitas por

male vocals doubled on the hook Regional Mexican corrido with a steady bouncing groove and driving bajo sexto pulse; verse stays restrained and story-heavy pre-chorus lifts with held harmonies and a snare pickup chorus opens wider with gang-style responses and a shouted name hook. Male vocals close-mic and rugged in the verses with brief trumpet swells and a handclap lift into each chorus. Bright punchy mix with a dusty coastal edge.

El Panzitas

01:25

há 3 dias

de Yareli Perez

[Verse 1] No voy a decir su nombre mucho menos su apellido sé que le dicen el panzitas por la gente muy querido de Petacalco es el amigo en la vergiza por la playa desde que estaba morrillo respetuoso y decidido [Pre-Chorus] Pescador de profesión siempre me miran sencillo el mar fue mi escuela no conocí los libros chingándole desde morro la vida ha cambiado [Chorus] El Panzitas, el Panzitas por

male vocals doubled on the hook Regional Mexican corrido with a steady bouncing groove and driving bajo sexto pulse; verse stays restrained and story-heavy pre-chorus lifts with held harmonies and a snare pickup chorus opens wider with gang-style responses and a shouted name hook. Male vocals close-mic and rugged in the verses with brief trumpet swells and a handclap lift into each chorus. Bright punchy mix with a dusty coastal edge.

Puerta Sin Volver

03:13

há 3 dias

de Djmega Auditivo

esta ves fue demasiado esperarte, pues el tiempo me demostró que ya no soy importante y el momento de dejarte ir se llego antes de lo pensado, se que esto me dolerá más que nada, pero es un sufrimiento que tengo que soportar. porque mi corazón y mi mente penso en que volverías otra ves me mentí solo y ahora que todo termino, nose que are sin ti solo se que tengo que olvidarte arrancarte de mi

male vocals latin pop ballad pre-chorus opens with rising strings and breathy doubles slow 84 BPM with a pulsing acoustic guitar soft piano beds and restrained toms; verse stays intimate and close chorus lands with wider harmonies and a short gang-vocal echo on the key line. Male vocals emotional lead with delay throws on the last word of each hook gentle reverse swells into the chorus glossy but warm mix with a tight low end and bright top.

Puerta Sin Volver

03:25

há 3 dias

de Djmega Auditivo

esta ves fue demasiado esperarte, pues el tiempo me demostró que ya no soy importante y el momento de dejarte ir se llego antes de lo pensado, se que esto me dolerá más que nada, pero es un sufrimiento que tengo que soportar. porque mi corazón y mi mente penso en que volverías otra ves me mentí solo y ahora que todo termino, nose que are sin ti solo se que tengo que olvidarte arrancarte de mi

male vocals latin pop ballad pre-chorus opens with rising strings and breathy doubles slow 84 BPM with a pulsing acoustic guitar soft piano beds and restrained toms; verse stays intimate and close chorus lands with wider harmonies and a short gang-vocal echo on the key line. Male vocals emotional lead with delay throws on the last word of each hook gentle reverse swells into the chorus glossy but warm mix with a tight low end and bright top.

Desde o Ventre

03:45

há 3 dias

de Manuel Armando

Yhwh tem guiado os meus caminhos desde do ventre, yhwh tem mi abençoado sempre. Hoje dedico está música ao agradecimento, yhwh muito obrigado por tudo. Yeshua ilumine sempre meus caminho e dos meus familiares. Meus pais Armando e Elisa. Família Celeste, Carlitos, janete e telma. Que o senhor yhwh proteja os vossos lares assim como tem feito no meu. Que a misericórdia e a graça do Senhor nunca se

male vocals spacious soft piano and warm pads in the verses reverse cymbal swells polished mix. doubled choruses Contemporary worship ballad with steady mid-tempo pulse pre-chorus lifting with hand percussion and stacked harmonies chorus opening into full drums and congregation-style responses; male vocals with intimate lead and gentle ad-lib echoes. Airy risers and a glowing final key change; bright

Desde o Ventre

03:58

há 3 dias

de Manuel Armando

Yhwh tem guiado os meus caminhos desde do ventre, yhwh tem mi abençoado sempre. Hoje dedico está música ao agradecimento, yhwh muito obrigado por tudo. Yeshua ilumine sempre meus caminho e dos meus familiares. Meus pais Armando e Elisa. Família Celeste, Carlitos, janete e telma. Que o senhor yhwh proteja os vossos lares assim como tem feito no meu. Que a misericórdia e a graça do Senhor nunca se

male vocals spacious soft piano and warm pads in the verses reverse cymbal swells polished mix. doubled choruses Contemporary worship ballad with steady mid-tempo pulse pre-chorus lifting with hand percussion and stacked harmonies chorus opening into full drums and congregation-style responses; male vocals with intimate lead and gentle ad-lib echoes. Airy risers and a glowing final key change; bright