Male Vocals

de Damiano Zurlo

de Damiano Zurlo

de José Francisco Fernández Escalona

Con todos los instrumentos del Vallenato

de José Francisco Fernández Escalona

Con todos los instrumentos del Vallenato

de Ben Teng

de Alejandro Escalante

I want a vintage song from the 1950s in English, sung by a male voice. A song worthy of a rainy night in some remote town in the United States of America. The lyrics have to be sad and melancholic.

de Alejandro Escalante

I want a vintage song from the 1950s in English, sung by a male voice. A song worthy of a rainy night in some remote town in the United States of America. The lyrics have to be sad and melancholic.

de Alejandro Escalante

quiero una cancion vintage de la decada de los 50 en ingles cantada por un hombre . una cancion digna de una noche de lluvia en algun pueblo perdido en estados unidos .

de Alejandro Escalante

quiero una cancion vintage de la decada de los 50 en ingles cantada por un hombre . una cancion digna de una noche de lluvia en algun pueblo perdido en estados unidos .

de Na Classe Podcast

Epic orchestral news intro music. Powerful brass fanfare, intense woodwinds, dramatic strings, and deep cinematic percussion. Bold and inspiring, with a sense of urgency and grandeur. Perfect for a journalistic opening, blending authority, emotion, and energy for a heroic, modern broadcast.

de Na Classe Podcast

Epic orchestral news intro music. Powerful brass fanfare, intense woodwinds, dramatic strings, and deep cinematic percussion. Bold and inspiring, with a sense of urgency and grandeur. Perfect for a journalistic opening, blending authority, emotion, and energy for a heroic, modern broadcast.

de Ozni Coelho de Souza Simões

an open theme jornalistic song. Christian news theme, serious, proffesional. Deep piano, soft drums, D minor strings for tension and reverence. Subtle pads and light synths add modern tone. Mid-shift to major chords for faith and compassion. Cinematic, documentary-style, no vocals, ambient, professional, calm intensity. looping. enthusiastic, calm.

de Ozni Coelho de Souza Simões

an open theme jornalistic song. Christian news theme, serious, proffesional. Deep piano, soft drums, D minor strings for tension and reverence. Subtle pads and light synths add modern tone. Mid-shift to major chords for faith and compassion. Cinematic, documentary-style, no vocals, ambient, professional, calm intensity. looping. enthusiastic, calm.

de Ozni Coelho de Souza Simões

Christian news theme, serious yet hopeful. Deep piano, soft drums, D minor strings for tension and reverence. Subtle pads and light synths add modern tone. Mid-shift to major chords for faith and compassion. Cinematic, documentary-style, no vocals, ambient, professional, calm intensity.

de Ozni Coelho de Souza Simões

Christian news theme, serious yet hopeful. Deep piano, soft drums, D minor strings for tension and reverence. Subtle pads and light synths add modern tone. Mid-shift to major chords for faith and compassion. Cinematic, documentary-style, no vocals, ambient, professional, calm intensity.

Dark Ritualistic music based on ancient egypt, soft pipes, slow percussion, occasional gong, ethereal egyptian chorus, wind over the sand

Dark Ritualistic music based on ancient egypt, soft pipes, slow percussion, occasional gong, ethereal egyptian chorus, wind over the sand

Rap, straßenrapper, Hip Hop, Reggae, deutsch, kein Autotune, Male voice, 100–105 BPM für etwas mehr Drive Instrumental-Typ: melancholischer Piano- oder Streicher-Beat mit Oldschool-Drums, evtl. Hook mit Vocal-Sample

Rap, straßenrapper, Hip Hop, Reggae, deutsch, kein Autotune, Male voice, 100–105 BPM für etwas mehr Drive Instrumental-Typ: melancholischer Piano- oder Streicher-Beat mit Oldschool-Drums, evtl. Hook mit Vocal-Sample

Metal

Metal

de DG_Black

Lonely that has some rage in it like a phonk

de DG_Black

Lonely that has some rage in it like a phonk

Doamne Dumnezeule, habar n-am unde mă duc, nu văd drumul din fața mea. Nu pot ști cu siguranță unde se va termina. Nici nu mă cunosc cu adevărat, iar faptul că cred că urmez voința ta nu înseamnă că fac asta de fapt. Dar cred că dorința de a te face pe plac chiar te face pe plac. Și sper că am această dorință în tot ceea ce fac. Sper că nu voi face niciodată nimic altceva decât această dorință.