On s’est perdus, on se retrouve

03:40

há 1 semana

une histoire amoureuses puis la rupture et ensuite les retrouvailles

male vocals subtle bass Warm acoustic pop with male vocals close-mic intimate tone. First verse sparse with soft guitar and light piano; chorus brings steady kick and wide backing harmonies. Second verse adds rhythmic strums and brushed snare bridge strips back to vocal and pads then final chorus blooms with stacked ad-libs and a bright hopeful lift.

On s’est perdus, on se retrouve

03:02

há 1 semana

de Vivien

une histoire amoureuses puis la rupture et ensuite les retrouvailles

male vocals subtle bass Warm acoustic pop with male vocals close-mic intimate tone. First verse sparse with soft guitar and light piano; chorus brings steady kick and wide backing harmonies. Second verse adds rhythmic strums and brushed snare bridge strips back to vocal and pads then final chorus blooms with stacked ad-libs and a bright hopeful lift.

Numb by Twenty-One

02:57

há 1 semana

de John Mankevich

Emotional underground rage rap with melodic autotuned vocals. Youthful, slightly raspy male voice with heavy pitch correction, casual delivery, and slurred phrasing. Dark but nostalgic vibe, mixing flexing and vulnerability. Minimalistic trap beat with airy synths, distorted 808s, soft plucky melodies, and loose hi-hats. Lyrics about growing up fast, feeling numb, fake friends, late nights

male vocals emotional rap nostalgic Soft fake Moody underground trap with filtered distorted 808s and airy pads. Sparse pluck loop carries a melancholic motif; loose hi-hats and lazy snare rolls leave pockets for a slurred heavily tuned male vocal. Verses stay intimate and confessional; hook widens with stacked harmonies and a subtle octave double pushing the emotion while keeping it hazy and detached.

Numb by Twenty-One

02:48

há 1 semana

de John Mankevich

Emotional underground rage rap with melodic autotuned vocals. Youthful, slightly raspy male voice with heavy pitch correction, casual delivery, and slurred phrasing. Dark but nostalgic vibe, mixing flexing and vulnerability. Minimalistic trap beat with airy synths, distorted 808s, soft plucky melodies, and loose hi-hats. Lyrics about growing up fast, feeling numb, fake friends, late nights

male vocals emotional rap nostalgic Soft fake Moody underground trap with filtered distorted 808s and airy pads. Sparse pluck loop carries a melancholic motif; loose hi-hats and lazy snare rolls leave pockets for a slurred heavily tuned male vocal. Verses stay intimate and confessional; hook widens with stacked harmonies and a subtle octave double pushing the emotion while keeping it hazy and detached.

Graveyard of Chances

04:00

há 1 semana

de onal dio

Drill hip-hop, creepy, harmony orchestra, hook riff Arabic violin, hopeless vibes, 94 BPM. Intro with harmony riff and hook Begin with verse 1 for 16 bar First chorus after verse 1 for 8 bar Second verse after first chorus for 16 bar Next chorus after verse 2 for 8 bar, more dramatically beat Third verse after second chorus for 16 bar The last chorus with climax and hook, then outro

male vocals hip hop rap violin drill harmony Dark UK drill at 94 BPM male vocals. Cold swallowed kick pattern with sliding bass; eerie orchestral harmonies stack under a reverb-soaked Arabic violin hook riff that opens the track and keeps returning. Verses sit tight and close almost whispered at first then grow into sharper more aggressive deliveries. First two choruses ride a minimal drum pattern and tense strings; third verse adds choral pads and heavier low-end. Final chorus explodes with stacked ad-libs octave-doubled lead and the violin riff screaming on top before a long haunted fade-out.

Graveyard of Chances

04:00

há 1 semana

de onal dio

Drill hip-hop, creepy, harmony orchestra, hook riff Arabic violin, hopeless vibes, 94 BPM. Intro with harmony riff and hook Begin with verse 1 for 16 bar First chorus after verse 1 for 8 bar Second verse after first chorus for 16 bar Next chorus after verse 2 for 8 bar, more dramatically beat Third verse after second chorus for 16 bar The last chorus with climax and hook, then outro

male vocals hip hop rap violin drill harmony Dark UK drill at 94 BPM male vocals. Cold swallowed kick pattern with sliding bass; eerie orchestral harmonies stack under a reverb-soaked Arabic violin hook riff that opens the track and keeps returning. Verses sit tight and close almost whispered at first then grow into sharper more aggressive deliveries. First two choruses ride a minimal drum pattern and tense strings; third verse adds choral pads and heavier low-end. Final chorus explodes with stacked ad-libs octave-doubled lead and the violin riff screaming on top before a long haunted fade-out.

Midnight Mirrorball

01:43

há 1 semana

de mojsony13a

italo disco,euro disco

male vocals disco Shimmering Italo/euro disco with male vocals; elastic synth bass and arpeggiated keys driving a four-on-the-floor groove. Tight drum machine pulse and gated reverb snares with glossy pads underneath. Verse stays lean and talky pre-chorus adds octave jumps and claps chorus blooms into stacked octave vocals and bright synth leads for a euphoric dancefloor-ready hook.

Midnight Mirrorball

04:00

há 1 semana

de mojsony13a

italo disco,euro disco

male vocals disco Shimmering Italo/euro disco with male vocals; elastic synth bass and arpeggiated keys driving a four-on-the-floor groove. Tight drum machine pulse and gated reverb snares with glossy pads underneath. Verse stays lean and talky pre-chorus adds octave jumps and claps chorus blooms into stacked octave vocals and bright synth leads for a euphoric dancefloor-ready hook.

Endless Little Taps

02:50

há 1 semana

de Ian

A clicker game background music

male vocals soft sidechained pads and a tight Bubbly chiptune pop with male vocals bright plucky synths dry kick. Verses stay minimal with bitcrushed arps and light bass; chorus blooms with stacked harmonies clap layers and a simple singalong top line. Keep the groove loop-friendly for a clicker game with gentle builds and resets so it can cycle for hours.

Endless Little Taps

04:00

há 1 semana

de Ian

A clicker game background music

male vocals soft sidechained pads and a tight Bubbly chiptune pop with male vocals bright plucky synths dry kick. Verses stay minimal with bitcrushed arps and light bass; chorus blooms with stacked harmonies clap layers and a simple singalong top line. Keep the groove loop-friendly for a clicker game with gentle builds and resets so it can cycle for hours.

カクガリボウヤの破滅ロンド

02:55

há 1 semana

de モジャー

ロックなので頼む。youtuberエクスタシーについての曲を作って。彼の特徴は虚言癖（陽キャと噓をつく陰キャ、実在しない恋人、せXでバズった話）、ニート、84kg、スマブラで対戦相手がレバガチャ速いと陰キャやんと言う、煽り成敗、エクスタシーっていう名前なのに視聴者たちにカクガリボウヤという名前に変えられた。猪突猛進、霹靂一千、破滅への輪舞曲、煉獄（キンクルの上bで殺す技）、そのコース一番得意なんだを使う、データスマブラー。

male vocals gang shouts High-energy Japanese rock with male vocals sharp distorted guitars double-time drum fills. Verses stay tight and clipped over chugging power chords; chorus explodes with open chords and octave leads. Brief half-time breakdown before the final hook bass follows the kick for a driving aggressive feel. Vocals spit with punk attitude slight grit on the top end backing yells on key phrases.

Mac-Billions (Aru Mu Sholo)

03:42

há 1 semana

de MAC BILLIONS

my name nah mac-billions... (ARU MU SHOLO KA MU KWABA IKO. (translation) MY BODY NEED SEX, BUT IT'S AGAINST MY FAITH,) help me generate a Nigerian afrobeat, nijia flavor, song , (male vocal), (12 verses and choruses mixed up with together

male vocals warm bass Afrobeat vocal Mid-tempo Nigerian Afrobeats groove with bouncy log drums and bright guitar licks; male vocals glide between smooth melodic lines and rhythmic sing-rapping. Call-and-response crowd shouts on key phrases subtle choral support in the hook and a playful talking section in the bridge. Arrangement builds from sparse drums and shakers into a fuller party feel with horns and airy pads on the final chorus keeping everything danceable and radio-ready.

Mac-Billions (Aru Mu Sholo)

03:24

há 1 semana

de MAC BILLIONS

my name nah mac-billions... (ARU MU SHOLO KA MU KWABA IKO. (translation) MY BODY NEED SEX, BUT IT'S AGAINST MY FAITH,) help me generate a Nigerian afrobeat, nijia flavor, song , (male vocal), (12 verses and choruses mixed up with together

male vocals warm bass Afrobeat vocal Mid-tempo Nigerian Afrobeats groove with bouncy log drums and bright guitar licks; male vocals glide between smooth melodic lines and rhythmic sing-rapping. Call-and-response crowd shouts on key phrases subtle choral support in the hook and a playful talking section in the bridge. Arrangement builds from sparse drums and shakers into a fuller party feel with horns and airy pads on the final chorus keeping everything danceable and radio-ready.

Cell Block Confessions

03:03

há 1 semana

de Sahel Nazari

rap song and talk about why you went to prison

male vocals rap Gritty East Coast boom-bap with male vocals dusty drum loop detuned piano stabs and a tense bassline. Verses stay close and confessional almost whispered; chorus widens with stacked vocals subtle choir pad and harder-hitting snare. Final hook drags a half-time feel echo throws on key words leaving a raw cinematic aftertaste.

Cell Block Confessions

03:08

há 1 semana

de Sahel Nazari

rap song and talk about why you went to prison

male vocals rap Gritty East Coast boom-bap with male vocals dusty drum loop detuned piano stabs and a tense bassline. Verses stay close and confessional almost whispered; chorus widens with stacked vocals subtle choir pad and harder-hitting snare. Final hook drags a half-time feel echo throws on key words leaving a raw cinematic aftertaste.

Sa Tamang Panahon

04:00

há 1 semana

de John Row Haboc

PAGMAMAHAL NILA BOSS J & TISAY SA TAMANG PANAHON AT PAGKAKATAON NA MAY MABUTING INTENSYON SA ISAT ISA HINDI SUSUSKO SA KAHIT ANONG HAMON NG BUHAY, MAGKASAMA SA HIRAP AT SAYA. KUNTENTO

male vocals Warm Pinoy R&B with male vocals over smooth keys and round bass; verses stay intimate and conversational pre-chorus lifts with subtle harmonies chorus blooms with layered ad-libs and a gentle beat that sways like a slow dance

Sa Tamang Panahon

04:00

há 1 semana

de John Row Haboc

PAGMAMAHAL NILA BOSS J & TISAY SA TAMANG PANAHON AT PAGKAKATAON NA MAY MABUTING INTENSYON SA ISAT ISA HINDI SUSUSKO SA KAHIT ANONG HAMON NG BUHAY, MAGKASAMA SA HIRAP AT SAYA. KUNTENTO

male vocals Warm Pinoy R&B with male vocals over smooth keys and round bass; verses stay intimate and conversational pre-chorus lifts with subtle harmonies chorus blooms with layered ad-libs and a gentle beat that sways like a slow dance

Crown of Ember

03:40

há 1 semana

de Yann Berger

Epic melodic metal with long guitar solo

male vocals metal Epic melodic metal with galloping double-kick wide rhythm guitars and soaring male vocals. Verses start in a tense half-time stomp then surge into a heroic chant-ready chorus. Long emotional guitar solo builds from lyrical bends to rapid-fire runs over modulating chords then returns to a towering final hook with gang shouts and cymbal showers.

Crown of Ember

04:00

há 1 semana

de Yann Berger

Epic melodic metal with long guitar solo

male vocals metal Epic melodic metal with galloping double-kick wide rhythm guitars and soaring male vocals. Verses start in a tense half-time stomp then surge into a heroic chant-ready chorus. Long emotional guitar solo builds from lyrical bends to rapid-fire runs over modulating chords then returns to a towering final hook with gang shouts and cymbal showers.

Wir schlagen Geschichte

03:34

há 1 semana

de Laura Rise-Against

Ein Intro für eine Award-Verleihung eines Spielmannszuges. Querflöten, Trommeln, Becken, Pauke und Lyra. Steigerung ins epische. Nicht mittelalterlich. Ohrwurm Qualität. Text auf deutsch. Über eine Gruppe Spielleute, die seit vielen Jahren zusammen musizieren und Spaß haben.

male vocals Triumphant pop-anthem vibe for male vocals; bright brass-synth layers mirroring flutes tight marching snare groove that grows into thunderous toms and timpani shimmering crashes on section lifts. Start sparse with voice and light rhythmic pulse then build each pass with gang shouts and octave-doubled hooks until the final chorus feels stadium-epic.

Wir schlagen Geschichte

02:55

há 1 semana

de Laura Rise-Against

Ein Intro für eine Award-Verleihung eines Spielmannszuges. Querflöten, Trommeln, Becken, Pauke und Lyra. Steigerung ins epische. Nicht mittelalterlich. Ohrwurm Qualität. Text auf deutsch. Über eine Gruppe Spielleute, die seit vielen Jahren zusammen musizieren und Spaß haben.

male vocals Triumphant pop-anthem vibe for male vocals; bright brass-synth layers mirroring flutes tight marching snare groove that grows into thunderous toms and timpani shimmering crashes on section lifts. Start sparse with voice and light rhythmic pulse then build each pass with gang shouts and octave-doubled hooks until the final chorus feels stadium-epic.