Onnee Kootu Citee

02:51

há 2 meses

misiree hadhaa ifnoo misiree hadhaa ifnoo tiruun foon mitii dhigaatu ititee malee kee jaalala miti onnee kootu citee malee

male vocals Ethiopian-Oromo pop ballad with male vocals; gentle pentatonic keys and airy synth pads over a midtempo East African groove soft shuffling percussion and rounded bass. Verses stay intimate and close-mic’d; chorus widens with stacked harmonies light echo and bright melodic ad-libs. Subtle guitar fills answer vocal phrases final chorus lifts with extra backing vocals and a drum swell.

Onnee Kootu Citee

02:48

há 2 meses

de adugnalensa803@gmail.com

misiree hadhaa ifnoo misiree hadhaa ifnoo tiruun foon mitii dhigaatu ititee malee kee jaalala miti onnee kootu citee malee

male vocals Ethiopian-Oromo pop ballad with male vocals; gentle pentatonic keys and airy synth pads over a midtempo East African groove soft shuffling percussion and rounded bass. Verses stay intimate and close-mic’d; chorus widens with stacked harmonies light echo and bright melodic ad-libs. Subtle guitar fills answer vocal phrases final chorus lifts with extra backing vocals and a drum swell.

Евген-гармонист Росгвардии

02:34

há 2 meses

de evgenii.plehov83@gmail.com

Евген гармонист росгвардеец, ушлый чувак это просто трындец шансон

male vocals Raw Russian street-chanson vibe with male vocals mid-tempo swing. Dominant acoustic guitar and deep bass bright garmoshka hooks weaving around the vocal. Verse stays talk-sung close and gritty; chorus opens wider with stacked backing shouts and simple crowd-sing melody. Light brushed drums and tambourine mix feels smoky and live like a late bar set that might turn into a brawl.

Евген-гармонист Росгвардии

02:40

há 2 meses

de evgenii.plehov83@gmail.com

Евген гармонист росгвардеец, ушлый чувак это просто трындец шансон

male vocals Raw Russian street-chanson vibe with male vocals mid-tempo swing. Dominant acoustic guitar and deep bass bright garmoshka hooks weaving around the vocal. Verse stays talk-sung close and gritty; chorus opens wider with stacked backing shouts and simple crowd-sing melody. Light brushed drums and tambourine mix feels smoky and live like a late bar set that might turn into a brawl.

Santo Espírito Santo

04:22

há 2 meses

de Nuno Oliveira

Santo espirito santo

male vocals subtle strings tom swells Reverent contemporary worship ballad; warm piano and fingerpicked acoustic guitar male vocals up close and tender. Verse stays minimal with soft pads; chorus blooms with spacious reverb and stacked harmonies. Bridge lifts with soaring melody and a final intimate drop on the last line.

Santo Espírito Santo

03:41

há 2 meses

de Nuno Oliveira

Santo espirito santo

male vocals Portuguese worship ballad with male vocals intimate piano and pad bed warm acoustic guitar swells soft hand percussion and a congregational lift that blooms into a wide emotional chorus; verse stays close and prayerful pre-chorus rises in anticipation final chorus opens bigger with layered harmonies and a reverent soaring finish

“Compose a neo-soul/R&B track inspired by Lalah Hathaway with rich jazz chords, smooth groove, layered vocal harmonies, emotional delivery, and dynamic structure including intro, verses, pre-chorus, chorus, bridge, and outro. Focus on warmth, depth, and expressive vocal phrasing.”rnb soul funk tempo 75 titled I don't want you anymore

male vocals emotional smooth r&b funk dynamic rich jazz vocal Soul Slow-burning neo-soul at 75 BPM with male vocals; warm Rhodes and velvet jazz guitar over a deep pocket bass and brushed swung drums. Verses sit close and conversational with tight three-part harmonies on key phrases; pre-chorus lifts with climbing chords and stacked backgrounds; chorus opens wide with lush church-inflected harmonies and tasteful ad-libs. Bridge modulates slightly adding organ swells and call-and-response vocals before a hushed harmony-rich outro that lets the lead linger over lingering chords.

I Don't Want You Anymore

04:23

há 2 meses

de Souheil Benhadji

“Compose a neo-soul/R&B track inspired by Lalah Hathaway with rich jazz chords, smooth groove, layered vocal harmonies, emotional delivery, and dynamic structure including intro, verses, pre-chorus, chorus, bridge, and outro. Focus on warmth, depth, and expressive vocal phrasing.”rnb soul funk tempo 75 titled I don't want you anymore

male vocals emotional smooth r&b funk dynamic rich jazz vocal Soul Slow-burning neo-soul at 75 BPM with male vocals; warm Rhodes and velvet jazz guitar over a deep pocket bass and brushed swung drums. Verses sit close and conversational with tight three-part harmonies on key phrases; pre-chorus lifts with climbing chords and stacked backgrounds; chorus opens wide with lush church-inflected harmonies and tasteful ad-libs. Bridge modulates slightly adding organ swells and call-and-response vocals before a hushed harmony-rich outro that lets the lead linger over lingering chords.

Late Night Run

02:54

há 2 meses

de Dimadinho Joya

Hip hop

male vocals hip hop rap Dusty boom-bap drums with a warm round bass line and subtle vinyl crackle. Male vocals sit upfront slightly compressed for grit. Verses ride a swung pocket over chopped jazz keys and muted horn stabs; chorus lifts with stacked call-and-response hooks and a subtle choir pad. Final chorus adds extra ad-libs and a filtered drum drop for a triumphant close.

Late Night Run

03:07

há 2 meses

de Dimadinho Joya

Hip hop

male vocals hip hop rap Dusty boom-bap drums with a warm round bass line and subtle vinyl crackle. Male vocals sit upfront slightly compressed for grit. Verses ride a swung pocket over chopped jazz keys and muted horn stabs; chorus lifts with stacked call-and-response hooks and a subtle choir pad. Final chorus adds extra ad-libs and a filtered drum drop for a triumphant close.

В лучах Твоих

04:16

há 2 meses

de Юлия Соловьёва

Твой взгляд, Господь, как солнце ясное, Сквозь тучи греха пробивается; Теплом согревает души страждущие, К себе дорогу освещает. В молитвах наших голос слабый слышишь, Поддержкой становясь в беде любой; Когда надежда покидает душу, Тогда Ты рядом вновь стоишь со мной. В лучах Твоих я вижу жизнь прекрасную, Где нет страданий, боли и печали; Где вечная гармония царствует, И радость льется рекою по

male vocals Warm worship ballad with male vocals gentle piano arpeggios and soft pads; verses intimate and close-mic chorus blooms with strings and subtle toms building a hopeful swell. Final chorus adds stacked harmonies and a lifted key change ending on a lingering vocal ad-lib and fading chords.

В лучах Твоих

03:15

há 2 meses

de Юлия Соловьёва

Твой взгляд, Господь, как солнце ясное, Сквозь тучи греха пробивается; Теплом согревает души страждущие, К себе дорогу освещает. В молитвах наших голос слабый слышишь, Поддержкой становясь в беде любой; Когда надежда покидает душу, Тогда Ты рядом вновь стоишь со мной. В лучах Твоих я вижу жизнь прекрасную, Где нет страданий, боли и печали; Где вечная гармония царствует, И радость льется рекою по

male vocals Warm worship ballad with male vocals gentle piano arpeggios and soft pads; verses intimate and close-mic chorus blooms with strings and subtle toms building a hopeful swell. Final chorus adds stacked harmonies and a lifted key change ending on a lingering vocal ad-lib and fading chords.

В лучах Твоих

03:25

há 2 meses

de Юлия

Твой взгляд, Господь, как солнце ясное, Сквозь тучи греха пробивается; Теплом согревает души страждущие, К себе дорогу освещает. В молитвах наших голос слабый слышишь, Поддержкой становясь в беде любой; Когда надежда покидает душу, Тогда Ты рядом вновь стоишь со мной. В лучах Твоих я вижу жизнь прекрасную, Где нет страданий, боли и печали; Где вечная гармония царствует, И радость льется рекою по

male vocals subtle strings hopeful note. Warm worship ballad with male vocals; gentle piano and soft acoustic guitar underpin a steady heartfelt tempo. Verses stay intimate and close-mic’d; chorus blooms with wide pads and stacked harmonies. Dynamic arc grows from quiet devotion to a soaring final refrain that lingers on a held

Свет сквозь тучи

04:19

há 2 meses

de Юлия

Твой взгляд, Господь, как солнце ясное, Сквозь тучи греха пробивается; Теплом согревает души страждущие, К себе дорогу освещает. В молитвах наших голос слабый слышишь, Поддержкой становясь в беде любой; Когда надежда покидает душу, Тогда Ты рядом вновь стоишь со мной. В лучах Твоих я вижу жизнь прекрасную, Где нет страданий, боли и печали; Где вечная гармония царствует, И радость льется рекою по

male vocals Contemporary Russian worship with male vocals intimate piano and swelling strings gentle percussion opening into a wide congregational lift; the arrangement starts tender and prayerful then blooms into a radiant final chorus with held choir harmonies and a warm reverent mix

В лучах Твоих

03:40

há 2 meses

de Юлия

Твой взгляд, Господь, как солнце ясное, Сквозь тучи греха пробивается; Теплом согревает души страждущие, К себе дорогу освещает. В молитвах наших голос слабый слышишь, Поддержкой становясь в беде любой; Когда надежда покидает душу, Тогда Ты рядом вновь стоишь со мной. В лучах Твоих я вижу жизнь прекрасную, Где нет страданий, боли и печали; Где вечная гармония царствует, И радость льется рекою по

male vocals light drums ending on a hushed Gentle worship ballad with male vocals tender piano arpeggios and soft strings; verses stay intimate and close-mic then chorus blooms with wide pads and lifted harmonies. Energy arc rises from quiet contemplation to a radiant sing-along refrain reverent cadence.

В лучах Твоих

03:36

há 2 meses

de Юлия

Твой взгляд, Господь, как солнце ясное, Сквозь тучи греха пробивается; Теплом согревает души страждущие, К себе дорогу освещает. В молитвах наших голос слабый слышишь, Поддержкой становясь в беде любой; Когда надежда покидает душу, Тогда Ты рядом вновь стоишь со мной. В лучах Твоих я вижу жизнь прекрасную, Где нет страданий, боли и печали; Где вечная гармония царствует, И радость льется рекою по

male vocals light drums ending on a hushed Gentle worship ballad with male vocals tender piano arpeggios and soft strings; verses stay intimate and close-mic then chorus blooms with wide pads and lifted harmonies. Energy arc rises from quiet contemplation to a radiant sing-along refrain reverent cadence.

Fusée Dans La Twingo

02:19

há 2 meses

de Mandie

toutou il mange du foutou dans la Twingo il a été aux toilettes il a chié plus gros qu'un cratère j'ai regardé j'ai cru qu'il avait chié une fusée et qu'elle allait décoller

male vocals Playful French hip-hop swung boom-bap drums and rubbery bass cartoonish synth stabs. Verses stay tight and talky with close-mic rap; chorus opens into chant-like hook with gang vocals and claps. Light vinyl crackle comedic ad-libs and a bass drop on each punchline for extra bounce.

Fusée Dans La Twingo

02:30

há 2 meses

de Mandie

toutou il mange du foutou dans la Twingo il a été aux toilettes il a chié plus gros qu'un cratère j'ai regardé j'ai cru qu'il avait chié une fusée et qu'elle allait décoller

male vocals Playful French hip-hop swung boom-bap drums and rubbery bass cartoonish synth stabs. Verses stay tight and talky with close-mic rap; chorus opens into chant-like hook with gang vocals and claps. Light vinyl crackle comedic ad-libs and a bass drop on each punchline for extra bounce.

Blood on the Moonrise

03:24

há 2 meses

de Yuzumi Haruka

[Style: anime dark, cinematic, emotional, male voices, dual vocal, dramatic, orchestral] [Intro - soft, dark piano]

male vocals emotional orchestral dramatic Soft anime vocal soft strings tremolo strings choirs Dark cinematic anime score with male dual vocals: begins on sparse close-miked piano and low strings then swells into full orchestra with pounding toms and distorted bass swells. Verses stay intimate with one lead vocal and distant echo harmonies; choruses explode with stacked duet lines and dramatic brass stabs. Final refrain pulls instruments back to just piano and whispered doubled vocals for a haunted outro.

Blood on the Moonrise

03:52

há 2 meses

de Yuzumi Haruka

[Style: anime dark, cinematic, emotional, male voices, dual vocal, dramatic, orchestral] [Intro - soft, dark piano]

male vocals emotional orchestral dramatic Soft anime vocal soft strings tremolo strings choirs Dark cinematic anime score with male dual vocals: begins on sparse close-miked piano and low strings then swells into full orchestra with pounding toms and distorted bass swells. Verses stay intimate with one lead vocal and distant echo harmonies; choruses explode with stacked duet lines and dramatic brass stabs. Final refrain pulls instruments back to just piano and whispered doubled vocals for a haunted outro.

Mein Hund, jeha man

01:11

há 2 meses

de John Seeland

mein Hund größ mein Hund laut mein Hund schnell als man glaubt mein und schwarz und auch weiß nice mag mein Hund außer wenn er beißt sie sieht eine Ente jetzt springt sie über Zaun igal haben dann Entenbraten jeha man

male vocals Upbeat German party-rap bouncy trap drums and bright pluck synths. Verses stay jumpy with playful call-and-response ad-libs; hook explodes with gang-shouted chants and wide stereo claps. Short bass slides and pitched vocal chops between lines to keep it cheeky and hyper-catchy.

Moratha Em Plehs Me

02:04

há 2 meses

de Aaron Abi

An afro beat with this lyrics as the refrain - "Yeah Moratha em plehs me buy stahp long em, long Loboo junction go long moomoot street nah mandykwai, soorookim go long two mountain, Neekintz, 8mile field, Guava street, kongo, Gibooree, Coms market, Covahsalah, top street, Delta, Fooritho nah mosquito and three pipe em meplah ol pikinini Moratha. "

male vocals bright shakers Afrobeats groove with warm highlife guitars and a bouncing bassline; call-and-response male vocals lead a catchy town-to-town chant. Verses stay tight and rhythmic chorus opens with layered gang vocals and claps. Subtle horn stabs and synth pads lift the hook keeping the energy joyful and dancefloor-ready.

Morata Em Ples

02:22

há 2 meses

de Aaron Abi

An afro beat with this lyrics as the refrain - "Yeah Moratha em plehs me buy stahp long em, long Loboo junction go long moomoot street nah mandykwai, soorookim go long two mountain, Neekintz, 8mile field, Guava street, kongo, Gibooree, Coms market, Covahsalah, top street, Delta, Fooritho nah mosquito and three pipe em meplah ol pikinini Moratha. "

male vocals bright shakers Afrobeats groove with warm highlife guitars and a bouncing bassline; call-and-response male vocals lead a catchy town-to-town chant. Verses stay tight and rhythmic chorus opens with layered gang vocals and claps. Subtle horn stabs and synth pads lift the hook keeping the energy joyful and dancefloor-ready.

Confessions on the Stairwell

04:04

há 2 meses

de colinm24@icloud.com

A slow melodic rap or R&B style song

male vocals rap slow r&b Slow melodic rap and R&B with male vocals velvet-baritone lead pillowy sub bass brushed rim clicks muted electric piano and nocturnal guitar harmonics; intimate two-speaker call-and-fall arrangement that keeps each confession hanging in the air with a chorus that blooms into stacked harmonies and a late lift from half-time drums to a warmer more pleading groove

Male Vocals

Male Vocals Faixas

Onnee Kootu Citee

Onnee Kootu Citee

Евген-гармонист Росгвардии

Евген-гармонист Росгвардии

Santo Espírito Santo

Santo Espírito Santo

I Don't Want You Anymore

I Don't Want You Anymore

Late Night Run

Late Night Run

В лучах Твоих

В лучах Твоих

В лучах Твоих

Свет сквозь тучи

В лучах Твоих

В лучах Твоих

Fusée Dans La Twingo

Fusée Dans La Twingo

Blood on the Moonrise

Blood on the Moonrise

Mein Hund, jeha man

Moratha Em Plehs Me

Morata Em Ples

Confessions on the Stairwell

Letra da Música

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