Male Vocals

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3301 Faixas

Male Vocals Faixas

Детский врач 57-го

Capa de Детский врач 57-го por Виталий Мазуркевич
03:04

há 3 meses

de Виталий Мазуркевич

песня про дурацкого детского врача который родился в 1957 году и умер в 2026 году и обосрался

male vocals then a final Gritty Russian alt-rock band feel male vocals; crunchy guitars and dry snare in a mid‑tempo stomp. Verses stay close and talky bass pulsing under sarcastic storytelling; chorus explodes with gang shouts and octave guitars. Brief bridge strips to voice and toms louder hook with ad‑libs and extra backing vocals.

Suzana Doroteia

Capa de Suzana Doroteia por mr sorte
03:35

há 3 meses

de mr sorte

Crie um rap romântico brasileiro, voz masculina, Rap reflexivo, com storytellin, Batida lenta e emocional Conte a história da minha paixão pela Suzana Doroteia: vivemos um amor virtual. Nunca nos conhecemos pessoalmente. Porém, gosto muito dela, amo-a mesmo passando 3 anos e ainda nunca a ver. Aguardo pelo dia que lhe vou ver. Quero lhe abraçar e beijar etc

male vocals rap slow reflective Brazilian rap ballad male vocals. Warm Rhodes chords and distant filtered guitar over a lazy boom-bap groove with deep soft kick and round bass. Verses intimate and confessional close-mic vocal with subtle plate reverb; hook opens with airy backing harmonies and a brighter pad swelling on downbeats. Occasional reverse-cymbal swells and vinyl crackle add nostalgia. Final chorus lifts with layered ad-libs and a slight lift in drum intensity then a gentle fade on sustained keys.

Suzana Doroteia

Capa de Suzana Doroteia por mr sorte
03:45

há 3 meses

de mr sorte

Crie um rap romântico brasileiro, voz masculina, Rap reflexivo, com storytellin, Batida lenta e emocional Conte a história da minha paixão pela Suzana Doroteia: vivemos um amor virtual. Nunca nos conhecemos pessoalmente. Porém, gosto muito dela, amo-a mesmo passando 3 anos e ainda nunca a ver. Aguardo pelo dia que lhe vou ver. Quero lhe abraçar e beijar etc

male vocals rap slow reflective Brazilian rap ballad male vocals. Warm Rhodes chords and distant filtered guitar over a lazy boom-bap groove with deep soft kick and round bass. Verses intimate and confessional close-mic vocal with subtle plate reverb; hook opens with airy backing harmonies and a brighter pad swelling on downbeats. Occasional reverse-cymbal swells and vinyl crackle add nostalgia. Final chorus lifts with layered ad-libs and a slight lift in drum intensity then a gentle fade on sustained keys.

Ash in the Chapel

Capa de Ash in the Chapel por Віталій Мазуркевич
03:55

há 3 meses

de Віталій Мазуркевич

Black metal

male vocals metal Black-Metal Blistering second-wave black metal: tremolo-picked minor key guitars blast-beat assaults and cold bass under raw rasping male vocals. Verses stay tight and relentless; chorus widens into dark chant-like phrasing with dissonant chords. Brief mid-song drop into half-time stomping groove before slamming back into full-speed fury. Cavernous distant reverb on voice for a ritual-in-a-cathedral feel.

Ash in the Chapel

Capa de Ash in the Chapel por Віталій Мазуркевич
03:41

há 3 meses

de Віталій Мазуркевич

Black metal

male vocals metal Black-Metal Blistering second-wave black metal: tremolo-picked minor key guitars blast-beat assaults and cold bass under raw rasping male vocals. Verses stay tight and relentless; chorus widens into dark chant-like phrasing with dissonant chords. Brief mid-song drop into half-time stomping groove before slamming back into full-speed fury. Cavernous distant reverb on voice for a ritual-in-a-cathedral feel.

Kuenda Kwamakaita Baba

Capa de Kuenda Kwamakaita Baba por Casper Mackenzie
04:02

há 3 meses

de Casper Mackenzie

kuenda kwamakaita Baba kwaka rwadza

male vocals slow mournful Afro-acoustic ballad with male vocals; fingerpicked guitar and soft shaker at first then warm bass and subtle choir pads enter on the chorus. Lead sits intimate and close with airy harmonies on key lines. Energy rises gently in the second chorus adding light percussion and a distant call-and-response then fades to a bare guitar and voice outro.

Kuenda Kwamakaita Baba

Capa de Kuenda Kwamakaita Baba por Casper Mackenzie
03:31

há 3 meses

de Casper Mackenzie

kuenda kwamakaita Baba kwaka rwadza

male vocals slow mournful Afro-acoustic ballad with male vocals; fingerpicked guitar and soft shaker at first then warm bass and subtle choir pads enter on the chorus. Lead sits intimate and close with airy harmonies on key lines. Energy rises gently in the second chorus adding light percussion and a distant call-and-response then fades to a bare guitar and voice outro.

Danyi névre születtem

Capa de Danyi névre születtem por Péter Szabó
02:06

há 3 meses

de Péter Szabó

Apám élve vagy holtan,örökké megvédem a nevedet, még akkor is ,ha egész világ ellenem van,mert ere a névre születni kell, eszt ajándékba nem lehet kapni,mert a Danyi hatalomra születek ,a Isten a leg komolyab csatákat olyanoknak ata leg erősebb embereknek ataApám nyomán járok, vérrel írt történetek, Senki nem állhat elém, ha a nevem élek. A Danyi nem fél, a vihar csak edz, Minden csatában erőseb

male vocals airy pads Dark trap beat with cinematic strings and deep male vocals; verses almost whispered then rising into a growling anthemic hook. Heavy 808-style low end and sparse percussion in the verses; chorus hits with stacked gang shouts and sharp snare. Leave space after each hook line for ad-libs and crowd vocals.

Danyi névre születtem

Capa de Danyi névre születtem por Péter Szabó
02:33

há 3 meses

de Péter Szabó

Apám élve vagy holtan,örökké megvédem a nevedet, még akkor is ,ha egész világ ellenem van,mert ere a névre születni kell, eszt ajándékba nem lehet kapni,mert a Danyi hatalomra születek ,a Isten a leg komolyab csatákat olyanoknak ata leg erősebb embereknek ataApám nyomán járok, vérrel írt történetek, Senki nem állhat elém, ha a nevem élek. A Danyi nem fél, a vihar csak edz, Minden csatában erőseb

male vocals airy pads Dark trap beat with cinematic strings and deep male vocals; verses almost whispered then rising into a growling anthemic hook. Heavy 808-style low end and sparse percussion in the verses; chorus hits with stacked gang shouts and sharp snare. Leave space after each hook line for ad-libs and crowd vocals.

Gosum Gosum

Capa de Gosum Gosum por Natalia Kiping tum
03:31

há 3 meses

de Natalia Kiping tum

buat kan lagu island reggae bahasa png corus gosum gosum yang enak di dengar

male vocals reggae Island reggae with sunny PNG flavor mid‑tempo groove and warm male vocals. Skanking guitars lock with a round lazy bass; rimshot snare and soft shakers carry a beach‑fire sway. Chorus lifts with stacked harmonies on “gosum gosum ” subtle call‑and‑response and a bright lead synth doubling the hook. Easy feel‑good vibe built for sing‑along.

Solwara Smile

Capa de Solwara Smile por Koe Sjah
02:54

há 3 meses

de Koe Sjah

buat kan lagu island reggae bahasa png

male vocals reggae midtempo round subby bass Laid-back island reggae groove with warm offbeat skank guitar lazy rimshot snare. Male vocals easy singalong chorus airy falsetto ad-libs on hooks. Light organ bubbles in the verses chorus opens with stacked harmonies and bright percussion shakers. Sunny perfect for swaying under palm trees.

Solwara Smile

Capa de Solwara Smile por Koe Sjah
02:56

há 3 meses

de Koe Sjah

buat kan lagu island reggae bahasa png

male vocals reggae midtempo round subby bass Laid-back island reggae groove with warm offbeat skank guitar lazy rimshot snare. Male vocals easy singalong chorus airy falsetto ad-libs on hooks. Light organ bubbles in the verses chorus opens with stacked harmonies and bright percussion shakers. Sunny perfect for swaying under palm trees.

Olha o Celular, Amada

Capa de Olha o Celular, Amada por francisjunior janeiro
03:03

há 3 meses

de francisjunior janeiro

olhe o celular amada celular olho o celular amada celular estou tentando te matar matar em pensamento e não esto vendo esto no vento e creno e rolpa cara o mundo mi escuta preciso de você vem comigo sim ou não olhe o celular amada o celular olho o celular amada o celular

male vocals head-nod groove Moody Brazilian trap ballad male vocals; spacious keys and airy pads distant guitar plucks. Half-whispered verses with close-mic intimacy 808s pulsing under the chest. Chorus blooms with layered harmonies and wide reverb hi-hats fluttering. Final hook circles hypnotically letting the vocal obsession ride on a slow

Olha o Celular, Amada

Capa de Olha o Celular, Amada por francisjunior janeiro
03:22

há 3 meses

de francisjunior janeiro

olhe o celular amada celular olho o celular amada celular estou tentando te matar matar em pensamento e não esto vendo esto no vento e creno e rolpa cara o mundo mi escuta preciso de você vem comigo sim ou não olhe o celular amada o celular olho o celular amada o celular

male vocals head-nod groove Moody Brazilian trap ballad male vocals; spacious keys and airy pads distant guitar plucks. Half-whispered verses with close-mic intimacy 808s pulsing under the chest. Chorus blooms with layered harmonies and wide reverb hi-hats fluttering. Final hook circles hypnotically letting the vocal obsession ride on a slow

Skip All Conditions

Capa de Skip All Conditions por Radio Music
02:49

há 3 meses

de Radio Music

make rap song about no condition no arguments we skip so many parts a hearts will never be dent or damaged again

male vocals rap Minimalist trap beat with swung hi-hats and deep 808 glide male vocals in a confident conversational pocket. Verses tight and percussive; chorus anthemic with stacked ad-libs and subtle pitch-shifted doubles. Sparse keys and airy pads bloom slightly in the hook to lift the emotion while keeping it club-ready.

Skip All Conditions

Capa de Skip All Conditions por Radio Music
02:50

há 3 meses

de Radio Music

make rap song about no condition no arguments we skip so many parts a hearts will never be dent or damaged again

male vocals rap Minimalist trap beat with swung hi-hats and deep 808 glide male vocals in a confident conversational pocket. Verses tight and percussive; chorus anthemic with stacked ad-libs and subtle pitch-shifted doubles. Sparse keys and airy pads bloom slightly in the hook to lift the emotion while keeping it club-ready.

Drugs again

Capa de Drugs again por Thomas Morino
03:46

há 3 meses

de Thomas Morino

male vocals dark fast death metal evil

Drugs again

Capa de Drugs again por Thomas Morino
03:38

há 3 meses

de Thomas Morino

male vocals dark fast death metal evil

Sommerfest in Leipzig

Capa de Sommerfest in Leipzig por WIEL Filmproduktion Leipzig
02:42

há 3 meses

de WIEL Filmproduktion Leipzig

cheerful, upbeat song about summer festival in Leipzig Genre: Eco-party music – electronic beats Mood: Festive, lively, positive, danceable. About 2–3 minutes., rock, reggae, punk, electronic, electronic dance, rock anthem

male vocals electronic beats rock drums reggae Punk bridge strips to bass Male vocals over bouncey eco-electro groove; skanking reggae guitar on the offbeat fuzzy punk bass and bright four-on-the-floor kick. Verses stay tight and rhythmic with half-spoken melodies; chorus explodes into a shout-along rock anthem with stacked gang vocals and claps. Synth leads add playful hooks and crowd noise before a final big chorus.

Sommerfest in Leipzig

Capa de Sommerfest in Leipzig por WIEL Filmproduktion Leipzig
02:41

há 3 meses

de WIEL Filmproduktion Leipzig

cheerful, upbeat song about summer festival in Leipzig Genre: Eco-party music – electronic beats Mood: Festive, lively, positive, danceable. About 2–3 minutes., rock, reggae, punk, electronic, electronic dance, rock anthem

male vocals electronic beats rock drums reggae Punk bridge strips to bass Male vocals over bouncey eco-electro groove; skanking reggae guitar on the offbeat fuzzy punk bass and bright four-on-the-floor kick. Verses stay tight and rhythmic with half-spoken melodies; chorus explodes into a shout-along rock anthem with stacked gang vocals and claps. Synth leads add playful hooks and crowd noise before a final big chorus.

Mitad de Luz

Capa de Mitad de Luz por Alexander Acosta Ur
03:06

há 3 meses

de Alexander Acosta Ur

keipop dance electric alegre suave significativa triste y alegre media romántica

male vocals dance electric octave lead Glossy keipop dance track with bouncy side‑chain bass glassy synth plucks and tight four-on-the-floor kick. Male vocals airy and romantic start intimate over sparse chords; chorus blooms with bright pads and stacked harmonies. Second half adds filtered arps and a subtle vocoder hook for a bittersweet uplifting finish.

Mitad de Luz

Capa de Mitad de Luz por Alexander Acosta Ur
03:15

há 3 meses

de Alexander Acosta Ur

keipop dance electric alegre suave significativa triste y alegre media romántica

male vocals dance electric octave lead Glossy keipop dance track with bouncy side‑chain bass glassy synth plucks and tight four-on-the-floor kick. Male vocals airy and romantic start intimate over sparse chords; chorus blooms with bright pads and stacked harmonies. Second half adds filtered arps and a subtle vocoder hook for a bittersweet uplifting finish.

La Túnica

Capa de La Túnica por Leonardo De leon rabelo
02:41

há 3 meses

de Leonardo De leon rabelo

Camine por el decierto pero el me puso La Túnica , preciosa única y de mejor calidad Me Dijo toma par camino por qué hay mucha alversidad la armadura de guerrero te la tengo prepara Tamo en una nueva era dónde Reyna la marda prepárate pal terreno donde Te boy a lleva , mucho fuego y balacera , malavibra dónde quiera , la maldad que predomina no se puede compara , pero te puse una túnica

male vocals Dark Latin trap with male vocals half-whispered verses over sparse sub-bass and eerie pads; hook opens wider with chanted doubles and distant choirs. Beat starts minimal then adds crisp hi-hats and deep kicks by the second chorus. Occasional pitched-down ad-libs and riser swells to accent the “nueva era / fuego y balacera” lines ending on a filtered echoing hook line.

La Túnica

Capa de La Túnica por Leonardo De leon rabelo
03:01

há 3 meses

de Leonardo De leon rabelo

Camine por el decierto pero el me puso La Túnica , preciosa única y de mejor calidad Me Dijo toma par camino por qué hay mucha alversidad la armadura de guerrero te la tengo prepara Tamo en una nueva era dónde Reyna la marda prepárate pal terreno donde Te boy a lleva , mucho fuego y balacera , malavibra dónde quiera , la maldad que predomina no se puede compara , pero te puse una túnica

male vocals Dark Latin trap with male vocals half-whispered verses over sparse sub-bass and eerie pads; hook opens wider with chanted doubles and distant choirs. Beat starts minimal then adds crisp hi-hats and deep kicks by the second chorus. Occasional pitched-down ad-libs and riser swells to accent the “nueva era / fuego y balacera” lines ending on a filtered echoing hook line.