milosz_sm - 1460 Dni

02:48

9 luni în urmă

library.shared.meta_by Miłosz Smoła

rap trap love song

milosz_sm - 1460 Dni

02:38

9 luni în urmă

library.shared.meta_by Miłosz Smoła

rap trap love song

Faith in My Rearview

02:34

9 luni în urmă

library.shared.meta_by Sweetie

Faith in My Rearview CREATE A NO CLIPPING, CRYSTAL-CLEAR, CLEAN BASS, ATLANTA TRAP, RAP SONG WITH LEVEL BOOST. STUDIO MASTERING

male vocals rap clean ad-libs Atlanta trap banger with sub-heavy ultra-clean bass and crisp hats; male vocals in a confident mid-low register. Verses ride tight swung drums and sparse icy keys; chorus widens with layered doubles and a subtle choir pad. Mix hits loud and polished with aggressive limiting detailed top-end and punchy 808-style low-end that stays crystal-clear.

Faith in My Rearview

03:17

9 luni în urmă

library.shared.meta_by Sweetie

Faith in My Rearview CREATE A NO CLIPPING, CRYSTAL-CLEAR, CLEAN BASS, ATLANTA TRAP, RAP SONG WITH LEVEL BOOST. STUDIO MASTERING

male vocals rap clean ad-libs Atlanta trap banger with sub-heavy ultra-clean bass and crisp hats; male vocals in a confident mid-low register. Verses ride tight swung drums and sparse icy keys; chorus widens with layered doubles and a subtle choir pad. Mix hits loud and polished with aggressive limiting detailed top-end and punchy 808-style low-end that stays crystal-clear.

Derby Blues Intro

04:00

9 luni în urmă

library.shared.meta_by Juliette Delarue

Instrumental intro for a podcast called “Derby Blues”. Modern hip hop, minimal and serious. Start with a few isolated notes or textures, then a short drop into a clean rhythmic beat with a simple melodic motif. Subtle melancholy, calm confidence. Medium tempo. No vintage groove, no psych rock. Contemporary sound design. 8–10 seconds, clean cut.

male vocals rhythmic hip hop simple rap rock blues clean contemporary melancholy minimal Modern hip hop podcast bumper male vocals only for subtle tonal hums and textures no lyrics. Sparse single-note plucks and filtered pads open in isolation then a tight medium-tempo beat drops in with a clean simple two-note motif. Subtle sidechain movement and tasteful reverb tails create melancholy depth while keeping the low end controlled for voiceover clarity; abrupt noise-gated cutoff at 8–10 seconds for a crisp professional transition.

Derby Blues Intro

04:00

9 luni în urmă

library.shared.meta_by Juliette Delarue

Instrumental intro for a podcast called “Derby Blues”. Modern hip hop, minimal and serious. Start with a few isolated notes or textures, then a short drop into a clean rhythmic beat with a simple melodic motif. Subtle melancholy, calm confidence. Medium tempo. No vintage groove, no psych rock. Contemporary sound design. 8–10 seconds, clean cut.

male vocals rhythmic hip hop simple rap rock blues clean contemporary melancholy minimal Modern hip hop podcast bumper male vocals only for subtle tonal hums and textures no lyrics. Sparse single-note plucks and filtered pads open in isolation then a tight medium-tempo beat drops in with a clean simple two-note motif. Subtle sidechain movement and tasteful reverb tails create melancholy depth while keeping the low end controlled for voiceover clarity; abrupt noise-gated cutoff at 8–10 seconds for a crisp professional transition.

Ta Noc Mówi Szeptem

02:45

9 luni în urmă

library.shared.meta_by Kamil

Polish rap song, male rap verses, female sung chorus, modern melodic trap beat, 92 BPM, emotional but catchy, night city vibe, clean vocals, radio-ready, Polish language Intro – spoken] Yeah… To ta noc [Zwrotka 1 – rap] Zegar bije późno, miasto oddycha światłem W głowie mam marzenia, nie pytaj mnie jak tam Każdy nosi maskę, każdy walczy sam Ja piszę swoją drogę, linijka po linijkach

emotional rap clean Modern melodic trap at 92 BPM clean male rap in the verses silky female vocal on the hook. Smooth reverb‑kissed keys with airy pads and tight hats; deep controlled low end. Verses stay close and intimate hook widens with stacked harmonies and subtle delay throws. Radio-ready polish clear topline late-night city sheen.

Ta Noc Mówi Szeptem

02:29

9 luni în urmă

library.shared.meta_by Kamil

Polish rap song, male rap verses, female sung chorus, modern melodic trap beat, 92 BPM, emotional but catchy, night city vibe, clean vocals, radio-ready, Polish language Intro – spoken] Yeah… To ta noc [Zwrotka 1 – rap] Zegar bije późno, miasto oddycha światłem W głowie mam marzenia, nie pytaj mnie jak tam Każdy nosi maskę, każdy walczy sam Ja piszę swoją drogę, linijka po linijkach

emotional rap clean Modern melodic trap at 92 BPM clean male rap in the verses silky female vocal on the hook. Smooth reverb‑kissed keys with airy pads and tight hats; deep controlled low end. Verses stay close and intimate hook widens with stacked harmonies and subtle delay throws. Radio-ready polish clear topline late-night city sheen.

Moonlight Corner

02:18

9 luni în urmă

library.shared.meta_by Jay General

Dancehall-trap music Sweet melody synth, guitar and piano on the intro and outro,heavy 808 kick and baseline,dancehall snares,trap music hats,100bpm tempo,key Bb Major generate a Trap-dancehall instrumentals with trap music hats and dancehall snares

male vocals rap dancehall trap music Moody trap-dancehall blend at 100 BPM in Bb major male vocals. Sweet bell-like synth and clean guitar echo over soft piano on intro and outro then a thick 808 and deep bassline slide in under crisp dancehall snares and skittering trap hats. Verses sit in a smoky half-rap singjay pocket; hook opens wider with layered male harmonies and subtle vocoder doubles. Reverb-kissed ad-libs and occasional filtered drops keep the groove hypnotic while the low end stays chesty and club-ready.

Moonlight Corner

02:23

9 luni în urmă

library.shared.meta_by Jay General

Dancehall-trap music Sweet melody synth, guitar and piano on the intro and outro,heavy 808 kick and baseline,dancehall snares,trap music hats,100bpm tempo,key Bb Major generate a Trap-dancehall instrumentals with trap music hats and dancehall snares

male vocals rap dancehall trap music Moody trap-dancehall blend at 100 BPM in Bb major male vocals. Sweet bell-like synth and clean guitar echo over soft piano on intro and outro then a thick 808 and deep bassline slide in under crisp dancehall snares and skittering trap hats. Verses sit in a smoky half-rap singjay pocket; hook opens wider with layered male harmonies and subtle vocoder doubles. Reverb-kissed ad-libs and occasional filtered drops keep the groove hypnotic while the low end stays chesty and club-ready.

Money

02:33

9 luni în urmă

library.shared.meta_by Vladix Ivailov

rap

Money

04:00

9 luni în urmă

library.shared.meta_by Vladix Ivailov

rap

Mírame de Frente

02:04

9 luni în urmă

library.shared.meta_by byron alegre

“Crear un beat urbano tipo trap/reggaetón argentino similar a “Mirame” de ROKKO: tempo ~92 BPM, bajo 808 profundo con slides, sintetizadores suaves y ambientales, hi-hats sincopados con rolls, kick fuerte en 1 y 3, claps en 2 y 4, reverb y delay moderados para una atmósfera nocturna.”

male vocals rap Argentinian trap-reggaeton ~92 BPM deep sliding 808 and airy pads under male vocals. Verses sit in a close conversational pocket with syncopated hats and tight claps; chorus opens wider with lush synth layers subtle vocal doubles and long-tail reverb on key phrases. Moderate delay throws on last words to enhance the nocturnal atmosphere occasional low-octave harmonies on transitions.

Mírame de Frente

03:02

9 luni în urmă

library.shared.meta_by byron alegre

“Crear un beat urbano tipo trap/reggaetón argentino similar a “Mirame” de ROKKO: tempo ~92 BPM, bajo 808 profundo con slides, sintetizadores suaves y ambientales, hi-hats sincopados con rolls, kick fuerte en 1 y 3, claps en 2 y 4, reverb y delay moderados para una atmósfera nocturna.”

male vocals rap Argentinian trap-reggaeton ~92 BPM deep sliding 808 and airy pads under male vocals. Verses sit in a close conversational pocket with syncopated hats and tight claps; chorus opens wider with lush synth layers subtle vocal doubles and long-tail reverb on key phrases. Moderate delay throws on last words to enhance the nocturnal atmosphere occasional low-octave harmonies on transitions.