Then Strip To Charango And Bass For The Bridge Before A Final Explosive Chorus With Crowd-style Gang Vocals.

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2 Piese

Then Strip To Charango And Bass For The Bridge Before A Final Explosive Chorus With Crowd-style Gang Vocals. Piese

Carnaval Urbano de Andahuaylas

Copertă pentru Carnaval Urbano de Andahuaylas de Roy Anthony Buitron Oscco
02:24

1 săptămână în urmă

de Roy Anthony Buitron Oscco

VERSO 1 Te vi bailando en la esquina con sonrisa de sol me mojaste con espuma y me robaste el corazón entre talco y serpentinas me dijiste sin hablar que en febrero los amores no se pueden escapar CORO Carnaval urbano de Andahuaylas amor que nace al zapatear charango llora de alegría cuando tu cintura empieza a girar Carnaval urbano de Andahuaylas beso con talco y con cantar si me mojas yo te quie

carnaval Upbeat Andean urbano-pop midtempo groove with crisp charango riffs bombo legüero pulse and bright brass stabs. Female vocals with airy doubles on the chorus; pre-chorus lifts via stacked harmonies and palmas. Drop a reggaetón-leaning percussion pattern in the hook for dance-floor energy then strip to charango and bass for the bridge before a final explosive chorus with crowd-style gang vocals.

Carnaval Urbano de Andahuaylas

Copertă pentru Carnaval Urbano de Andahuaylas de Roy Anthony Buitron Oscco
03:03

1 săptămână în urmă

de Roy Anthony Buitron Oscco

VERSO 1 Te vi bailando en la esquina con sonrisa de sol me mojaste con espuma y me robaste el corazón entre talco y serpentinas me dijiste sin hablar que en febrero los amores no se pueden escapar CORO Carnaval urbano de Andahuaylas amor que nace al zapatear charango llora de alegría cuando tu cintura empieza a girar Carnaval urbano de Andahuaylas beso con talco y con cantar si me mojas yo te quie

carnaval Upbeat Andean urbano-pop midtempo groove with crisp charango riffs bombo legüero pulse and bright brass stabs. Female vocals with airy doubles on the chorus; pre-chorus lifts via stacked harmonies and palmas. Drop a reggaetón-leaning percussion pattern in the hook for dance-floor energy then strip to charango and bass for the bridge before a final explosive chorus with crowd-style gang vocals.