And Ad-lib Chants. Ear Candy Comes From Whistle Blasts Between Phrases

genre.ai_generated_music

2 genre.tracks

And Ad-lib Chants. Ear Candy Comes From Whistle Blasts Between Phrases genre.tracks

Mérida de Aguante

creator.track.cover_alt
03:02

5 месяцев назад

library.shared.meta_by Yerson Mamani soliz

quiero que sea con el tono de la cumbia de los trapos tema al equipo que tiene más aguante pero para mí equipo Mérida que siempre ganamos

male vocals cumbia gang shouts sweaty - Brass stabs Cumbia de cancha with a driving guiro bouncing bass drum and a chantable singalong groove; verse rides tight percussion and crowd claps pre-chorus lifts with snare rolls and call-and-response chorus hits with full brass and repeated hook lines. Male vocals with rough lead shouted doubles on the hook and ad-lib chants. Ear candy comes from whistle blasts between phrases a brief halftime stop before the final chorus and crowd-style responses; bright and stadium-close mix.

Mérida de Aguante

creator.track.cover_alt
02:54

5 месяцев назад

library.shared.meta_by Yerson Mamani soliz

quiero que sea con el tono de la cumbia de los trapos tema al equipo que tiene más aguante pero para mí equipo Mérida que siempre ganamos

male vocals cumbia gang shouts sweaty - Brass stabs Cumbia de cancha with a driving guiro bouncing bass drum and a chantable singalong groove; verse rides tight percussion and crowd claps pre-chorus lifts with snare rolls and call-and-response chorus hits with full brass and repeated hook lines. Male vocals with rough lead shouted doubles on the hook and ad-lib chants. Ear candy comes from whistle blasts between phrases a brief halftime stop before the final chorus and crowd-style responses; bright and stadium-close mix.