Specters of the Inferno

03:18

il y a 5 jours

Power metal song that talks about ghosts in hell, fender distorted guitars,

female vocals metal power metal Blazing power metal with galloping double-kick layered distorted Fender guitars and soaring female vocals. Verses ride tight palm-muted riffs; chorus erupts into wide harmonized leads and stacked choirs. Mid-song bridge drops to half-time with reverb-soaked clean arpeggios before a climactic shred solo section and final key-lift chorus.

Specters of the Inferno

03:59

il y a 5 jours

de Nicola Miniussi

Power metal song that talks about ghosts in hell, fender distorted guitars,

female vocals metal power metal Blazing power metal with galloping double-kick layered distorted Fender guitars and soaring female vocals. Verses ride tight palm-muted riffs; chorus erupts into wide harmonized leads and stacked choirs. Mid-song bridge drops to half-time with reverb-soaked clean arpeggios before a climactic shred solo section and final key-lift chorus.

Under the city lights, here I stand My heart on fire, nothing can hold my hand Step by step, I chase what I desire Every obstacle? Just a challenge I conquer higher I hear the call of life, it’s calling me Every moment that passes is a chance to be free Wings of hope, I soar above the clouds No fear, no stopping, this is my crowd Hardships? They mean nothing to me I’m the maker of my path, no

female vocals and wide Anthemic pop with bright synth pads steady mid-tempo groove punchy drums. Male vocals confident yet warm with stacked harmonies on the hook. Verses stay tight and rhythmic; chorus lifts with soaring top-line and held notes. Subtle guitar accents and airy risers push each chorus into a triumphant stadium-ready feel.

Wings Of My Own

02:57

il y a 5 jours

de Houda Mh

Under the city lights, here I stand My heart on fire, nothing can hold my hand Step by step, I chase what I desire Every obstacle? Just a challenge I conquer higher I hear the call of life, it’s calling me Every moment that passes is a chance to be free Wings of hope, I soar above the clouds No fear, no stopping, this is my crowd Hardships? They mean nothing to me I’m the maker of my path, no

female vocals and wide Anthemic pop with bright synth pads steady mid-tempo groove punchy drums. Male vocals confident yet warm with stacked harmonies on the hook. Verses stay tight and rhythmic; chorus lifts with soaring top-line and held notes. Subtle guitar accents and airy risers push each chorus into a triumphant stadium-ready feel.

Nightfall Surge

04:00

il y a 6 jours

de Marcell Illes

Create a 138–140 BPM dark hard house / trance remix track with strong dancefloor energy. - Begin with a soft, flowing atmospheric intro: airy pads, subtle textures, no heavy percussion yet. - Slowly layer instruments over 1–2 minutes: 1. Soft arpeggiated synths 2. Different drums gradually entering 3. Rolling hard bassline building tension 4. Stomping dancefloor-style drums to huge drop

female vocals remix strong Soft bassline Shakers trance Dark hard house / trance at 139 BPM. Extended intro starts with wide misty pads and distant noise swells; a soft glassy arpeggio creeps in filtered and slow. Over a minute layers of percussive ticks and toms build then a rolling distorted bassline locks to a pounding four-on-the-floor. Female vocals hover in spacious reverb at first then snap dry and upfront on the drop as the kick and bass slam in. Big sidechained pads screaming lead in the hook and crisp rides for peak-time dancefloor impact. hard house

Nightfall Surge

04:00

il y a 6 jours

de Marcell Illes

Create a 138–140 BPM dark hard house / trance remix track with strong dancefloor energy. - Begin with a soft, flowing atmospheric intro: airy pads, subtle textures, no heavy percussion yet. - Slowly layer instruments over 1–2 minutes: 1. Soft arpeggiated synths 2. Different drums gradually entering 3. Rolling hard bassline building tension 4. Stomping dancefloor-style drums to huge drop

female vocals remix strong Soft bassline Shakers trance Dark hard house / trance at 139 BPM. Extended intro starts with wide misty pads and distant noise swells; a soft glassy arpeggio creeps in filtered and slow. Over a minute layers of percussive ticks and toms build then a rolling distorted bassline locks to a pounding four-on-the-floor. Female vocals hover in spacious reverb at first then snap dry and upfront on the drop as the kick and bass slam in. Big sidechained pads screaming lead in the hook and crisp rides for peak-time dancefloor impact. hard house

Je Suis En Moulinette

02:14

il y a 6 jours

de Bérengère Minig

« Je vous entend très mal madame, vous êtes très loin du téléphone … Ne le mangez pas quand même ! » « Bonjour Pascale Maison Grosdoit .. Ah excusez-moi je me suis trompée de numéro – Aurevoir » « Si vous cherchez un code en gestion, il ne faut pas mettre le mot » « Attends je suis en moulinette ! » « Nan mais je te rappelle Yannou parce que là hein ….je ne m’en sors pas" j'ai sauterie

female vocals Playful French electro-pop bouncy side-chained synths and tight drum groove. Spoken-word snippets weave into melodic hooks; verses stay minimal with dry vocal up front choruses bloom with stacked harmonies and bright pads. Brief glitchy break before final hook leaving space for ad-libbed phone-call interjections.

Je Suis En Moulinette

04:00

il y a 6 jours

de Bérengère Minig

« Je vous entend très mal madame, vous êtes très loin du téléphone … Ne le mangez pas quand même ! » « Bonjour Pascale Maison Grosdoit .. Ah excusez-moi je me suis trompée de numéro – Aurevoir » « Si vous cherchez un code en gestion, il ne faut pas mettre le mot » « Attends je suis en moulinette ! » « Nan mais je te rappelle Yannou parce que là hein ….je ne m’en sors pas" j'ai sauterie

female vocals Playful French electro-pop bouncy side-chained synths and tight drum groove. Spoken-word snippets weave into melodic hooks; verses stay minimal with dry vocal up front choruses bloom with stacked harmonies and bright pads. Brief glitchy break before final hook leaving space for ad-libbed phone-call interjections.

چهار اولنگ

03:30

il y a 6 jours

de sonatullah007@gmail.com

باز جمع شد رفیقا مقصد چهار اولنگ

female vocals Upbeat Iranian pop with female vocals; bright live percussion and driving bass groove playful synth leads weaving around a sing-along hook. Verses stay tight with a bouncy conversational flow; chorus explodes with stacked harmonies and claps that invite a crowd shout-back. Brief middle lift strips to percussion and vocal call-and-response then everything slams back for a final high-energy chorus.

چهار اولنگ

04:00

il y a 6 jours

de sonatullah007@gmail.com

باز جمع شد رفیقا مقصد چهار اولنگ

female vocals Upbeat Iranian pop with female vocals; bright live percussion and driving bass groove playful synth leads weaving around a sing-along hook. Verses stay tight with a bouncy conversational flow; chorus explodes with stacked harmonies and claps that invite a crowd shout-back. Brief middle lift strips to percussion and vocal call-and-response then everything slams back for a final high-energy chorus.

Sof In — Tabiiy Lazzat

02:00

il y a 6 jours

de SAIDJON SAIDOV

(1-kuplet) Tong saharda boshlanar Sof in bilan kun, Tabiiy lazzat beradi har bir yangi tun. Mevalar ta’mi, mehr bilan qo‘shilgan, Har qoshiqda sifat, yurakdan ulashilgan. (Nakarat) Sof in — bu tabiiy lazzat, har biringiz uchun, Sof in — quvonch ulashar bugun va har kun. Bir tatib ko‘r, his qil farqni darhol, Sof in bilan hayot yanada shirin, yanada lol. (2-kuplet) Bolalar kulgusi, oilada fayz, Sof

female vocals Bright pop jingle energy with female vocals; acoustic guitar and light piano set a sunny tone soft shaker groove and warm bass give bounce. Verses stay intimate and close-mic kids’ choir doubles key lines in the chorus. Final hook stacks harmonies and a short tagline repeat for a catchy brand feel.

Sof In — Tabiiy Lazzat

02:50

il y a 6 jours

de SAIDJON SAIDOV

(1-kuplet) Tong saharda boshlanar Sof in bilan kun, Tabiiy lazzat beradi har bir yangi tun. Mevalar ta’mi, mehr bilan qo‘shilgan, Har qoshiqda sifat, yurakdan ulashilgan. (Nakarat) Sof in — bu tabiiy lazzat, har biringiz uchun, Sof in — quvonch ulashar bugun va har kun. Bir tatib ko‘r, his qil farqni darhol, Sof in bilan hayot yanada shirin, yanada lol. (2-kuplet) Bolalar kulgusi, oilada fayz, Sof

female vocals Bright pop jingle energy with female vocals; acoustic guitar and light piano set a sunny tone soft shaker groove and warm bass give bounce. Verses stay intimate and close-mic kids’ choir doubles key lines in the chorus. Final hook stacks harmonies and a short tagline repeat for a catchy brand feel.

Good Morning, Early Morning

02:50

il y a 1 semaine

de Vivek Kumar ojha

🎵 Early in the morning, sun comes out, La la la, we sing and shout 🌞 Birdies chirp, tweet-tweet-tweet 🐦 Clap your hands and tap your feet 👏🦶 🎵 Wash my face and brush my teeth, Clean and fresh from head to feet 🪥 Good morning mummy, good morning dad 👨‍👩‍👧 Start the day feeling glad 😊 🎵 Flowers smile, sky so blue, Early morning, I love you 💙 Jump and play, laugh and sing, Morning time i

female vocals fresh clean Bright acoustic kids-pop with female vocals; gentle ukulele and soft hand percussion under the verses claps and simple drum groove lifting the chorus. Melodies stay bouncy and easy to sing along with group-kid backing vocals on hooks. Short cheerful bridge with a key change feel at the final chorus for an extra burst of joy.

Falling Through the Static Garden

04:00

il y a 1 semaine

de Alexis Posada

Slow-bloom ambient electronica, soft evolving pads and distant arps, subtle glitches like falling dust. Energy starts as a faint shimmer, then widens with warm side-chained swells and a muted, pulsating bass. Female vocals in intimate whispers, reverb-drenched harmonies that drift in and out like memories over a long fade-out perfect for a trailer for a animation., ambient

male vocals slow female vocals ambient Soft Warm faint electronica Slow-bloom ambient electronica with evolving soft pads distant glassy arps and tiny granular glitches like drifting dust. Female and male vocals in close whispery unison occasionally splitting into reverb-drenched harmonies that fade in and out. Side-chained warm synth swells and a muted pulsating bass rise gently through the middle then dissolve into a long shimmering outro perfect for an introspective animation trailer.

Falling Through the Static Garden

03:41

il y a 1 semaine

de Alexis Posada

Slow-bloom ambient electronica, soft evolving pads and distant arps, subtle glitches like falling dust. Energy starts as a faint shimmer, then widens with warm side-chained swells and a muted, pulsating bass. Female vocals in intimate whispers, reverb-drenched harmonies that drift in and out like memories over a long fade-out perfect for a trailer for a animation., ambient

male vocals slow female vocals ambient Soft Warm faint electronica Slow-bloom ambient electronica with evolving soft pads distant glassy arps and tiny granular glitches like drifting dust. Female and male vocals in close whispery unison occasionally splitting into reverb-drenched harmonies that fade in and out. Side-chained warm synth swells and a muted pulsating bass rise gently through the middle then dissolve into a long shimmering outro perfect for an introspective animation trailer.

Dorul Meu cu Vax Alb

04:00

il y a 1 semaine

de crina.neagu@yahoo.com

Piesa pe versus cu voice feminine, de factura lautareasca interbelica cu influence Gabi lunca

female vocals Old-world Romanian lăutărească waltz clarinet answering the voice cimbalom runs upright bass and subtle violin slides. Intimate smoky-room tempo that leans and sways; verses stay close and conversational chorus blooms into wider bittersweet melody with light backing harmonies and ornamental trills. Warm slightly vintage mix that feels like shellac records and candlelit tables.

Dorul Meu cu Vax Alb

03:20

il y a 1 semaine

de crina.neagu@yahoo.com

Piesa pe versus cu voice feminine, de factura lautareasca interbelica cu influence Gabi lunca

female vocals Old-world Romanian lăutărească waltz clarinet answering the voice cimbalom runs upright bass and subtle violin slides. Intimate smoky-room tempo that leans and sways; verses stay close and conversational chorus blooms into wider bittersweet melody with light backing harmonies and ornamental trills. Warm slightly vintage mix that feels like shellac records and candlelit tables.

Skirl of the Storm

03:28

il y a 1 semaine

de Dion Boyle

Wrestling entrance needs bagpipes all throughout the song and the vocals to be rock/metal preferably singing in a scottish accent we can have a little guitar and drums plus violin but they should be background instruments and bagpipes should be loud and heard at all timea also need to have some background singers

violin female vocals rock metal loud Bagpipes lead at full blast from the first bar droning and cutting melodies weaving a warlike theme. Male lead with thick Scottish accent gritty rock/metal delivery backed by fierce female gang vocals on the hook. Guitars stay low and chuggy drums heavy on toms and crashes for an arena feel violin slicing in for dramatic lifts. Chorus explodes with stacked harmonies and crowd-chant moments perfect for a dominant entrance walk. wrestling

Skirl of the Storm

03:23

il y a 1 semaine

de Dion Boyle

Wrestling entrance needs bagpipes all throughout the song and the vocals to be rock/metal preferably singing in a scottish accent we can have a little guitar and drums plus violin but they should be background instruments and bagpipes should be loud and heard at all timea also need to have some background singers