Bajo La Luna

04:12

il y a 2 heures

bachata 90s

male vocals Bachata glossy 90s bachata with swaying bolero rhythm syncopated güira chatter and tumbao bass; verses ride a warm acoustic guitar figure pre-chorus thins to voice and requinto bends chorus opens with layered harmony and sharper bongó snaps. Male vocals close-mic and smoky with short doubles on hook words and ad-lib sighs. Ear candy: requinto fills between lines tape-worn room tail and a rising guira swell into the final chorus. Mix is warm and heartbreak-close

Bajo La Luna

03:25

il y a 2 heures

de theking8110@gmail.com

bachata 90s

male vocals Bachata glossy 90s bachata with swaying bolero rhythm syncopated güira chatter and tumbao bass; verses ride a warm acoustic guitar figure pre-chorus thins to voice and requinto bends chorus opens with layered harmony and sharper bongó snaps. Male vocals close-mic and smoky with short doubles on hook words and ad-lib sighs. Ear candy: requinto fills between lines tape-worn room tail and a rising guira swell into the final chorus. Mix is warm and heartbreak-close

Show You More

02:37

il y a 15 heures

de yosue4101@uorak.com

Baby, I just wanna show you things Girl, I'll be different Baby, I could buy you wedding rings Don't care about the distance Baby, I just wanna show you things Girl, I'll be different Baby, I could buy you wedding rings Give a fuck about the distance Oou-ohh, oou-oh, oou-oh, oou-oh Oou-ohh-oh, oou-oh, oou-oh, oou-oh Oou-ohh-oh, oou-oh, oou-oh, oou-oh-oh Oou-ohh-oh, oou-oh, oou-oh, oou-oh-oh Leave

swung drums glossy doubled on the hook Pop R&B with mid-tempo bounce plush sub-bass and sparkling guitar flicks; verse stays intimate with sparse keys and clipped ad-libs pre-chorus lifts with layered harmonies and a filtered rise chorus opens wide with stacked vocals and a chantable ooh hook. Breathy close-mic lead with delay throws on the last word of each line. Ear candy: reversed vocal swells into the pre tiny chime accents between phrases and a final chorus lift with crowd-style backing. Bright and emotionally direct.

Ujujuhu

02:41

il y a 2 jours

de Liam Mairi

sfhllcfljgijththumimjukukujujuhuv

rubbery synth bass glossy Electropop with bouncy four-on-the-floor drums and staccato handclaps; verse keeps it sparse with clipped vocal phrasing and a playful bass pulse pre-chorus lifts with rising filters and stacked ooohs chorus opens wide with gang vocal repeats and a bright lead synth hook. Add reversed swells into the drop tiny percussive blips between lines and short delay throws on the nonsense hook. Crisp and punchy with a candy-colored mix.

Ujujuhu

02:58

il y a 2 jours

de Liam Mairi

sfhllcfljgijththumimjukukujujuhuv

rubbery synth bass glossy Electropop with bouncy four-on-the-floor drums and staccato handclaps; verse keeps it sparse with clipped vocal phrasing and a playful bass pulse pre-chorus lifts with rising filters and stacked ooohs chorus opens wide with gang vocal repeats and a bright lead synth hook. Add reversed swells into the drop tiny percussive blips between lines and short delay throws on the nonsense hook. Crisp and punchy with a candy-colored mix.

Izandla Phezulu

03:15

il y a 4 jours

de herman.kgasago@gmail.com

a hipe love zulu amapiano song

Shakers glossy ad-lib panning Amapiano with bouncy log-drum swing and skippy percussive pockets; verse rides a minimal kick and marimba tease pre-chorus strips to handclaps and a rising vocal chant chorus opens with warm chords log-drum bounce and a short call-and-response hook. Lead vocal is close-mic and playful with doubled chorus lines and echoed end words. Ear candy includes reversed piano swells a filtered whistle lift into the hook and a quick vocal chop tag after each chorus. Bright club-ready mix with a deep sub pocket.

Izandla Phezulu

03:37

il y a 4 jours

de herman.kgasago@gmail.com

a hipe love zulu amapiano song

Shakers glossy ad-lib panning Amapiano with bouncy log-drum swing and skippy percussive pockets; verse rides a minimal kick and marimba tease pre-chorus strips to handclaps and a rising vocal chant chorus opens with warm chords log-drum bounce and a short call-and-response hook. Lead vocal is close-mic and playful with doubled chorus lines and echoed end words. Ear candy includes reversed piano swells a filtered whistle lift into the hook and a quick vocal chop tag after each chorus. Bright club-ready mix with a deep sub pocket.

Turbo Heartbeat

03:15

il y a 5 jours

de Egor Kornyhow

Bass-heavy modern club pop, 124 BPM four-on-the-floor, punchy distorted 808 sub-bass with sidechain pumping; VERSE: stripped-back minimal groove, filtered synths, tight rhythmic focus, intimate energy; PRE-CHORUS: rising tension, snare rolls, white noise sweep, pitch riser, filtered build; CHORUS DROP: explosive full-energy release, wide stereo synth chords, massive bass impact, euphoric melodic h

rhythmic pop minimal noise glossy Bass-heavy modern club pop at 124 BPM with four-on-the-floor kick punchy distorted 808 sub and sidechain pumping; verse strips to filtered synth pulses and tight kick-clap focus pre-chorus builds with snare rolls white-noise swells and a pitch riser chorus drops wide stereo chords and euphoric lead motifs bridge pulls to half-time sub hits then final drop slams fuller. Bright club-ready mix with huge low end.

Turbo Heartbeat

03:25

il y a 5 jours

de Egor Kornyhow

Bass-heavy modern club pop, 124 BPM four-on-the-floor, punchy distorted 808 sub-bass with sidechain pumping; VERSE: stripped-back minimal groove, filtered synths, tight rhythmic focus, intimate energy; PRE-CHORUS: rising tension, snare rolls, white noise sweep, pitch riser, filtered build; CHORUS DROP: explosive full-energy release, wide stereo synth chords, massive bass impact, euphoric melodic h

rhythmic pop minimal noise glossy Bass-heavy modern club pop at 124 BPM with four-on-the-floor kick punchy distorted 808 sub and sidechain pumping; verse strips to filtered synth pulses and tight kick-clap focus pre-chorus builds with snare rolls white-noise swells and a pitch riser chorus drops wide stereo chords and euphoric lead motifs bridge pulls to half-time sub hits then final drop slams fuller. Bright club-ready mix with huge low end.

Mê Trai Suốt Đời

02:40

il y a 6 jours

de Thắng Nguyễn

Mê trai Mê trai.Mê trai mê trai Em mê trai Có đầu thai cũng không hết Không hết Không hết.Không hết Nghiện ngập mọi thứ Có thể cai Còn nghiện trai thì chẳng cai bao giờ Thấy trai đẹp mắt sáng liền Liều vitamin A chẳng có tác dụng gì đâu Mê trai hông có gì sai Chỉ là khi rảnh ngắm nhìn chút thôi Không gì ngăn nổi Em mê trai suốt đời Trai đẹp.Trai đẹp trai đẹp Trai đẹp tất cả đều là chồng em.

bass female vocals glossy pre-chorus strips to kick Bubblegum pop with bouncy four-on-the-floor disco groove playful syncopated bass and handclaps; verse stays light with clipped percussion and cheeky melodic phrasing and rising synth tension chorus blooms with stacked female harmonies and chanty doubles on the hook. Add tiny whistle fills reversed spark swells and a glittery key change lift into the final chorus. Bright punchy mix with a cute flirtatious sheen; female vocals

Mê Trai Suốt Đời

02:21

il y a 6 jours

de Thắng Nguyễn

Mê trai Mê trai.Mê trai mê trai Em mê trai Có đầu thai cũng không hết Không hết Không hết.Không hết Nghiện ngập mọi thứ Có thể cai Còn nghiện trai thì chẳng cai bao giờ Thấy trai đẹp mắt sáng liền Liều vitamin A chẳng có tác dụng gì đâu Mê trai hông có gì sai Chỉ là khi rảnh ngắm nhìn chút thôi Không gì ngăn nổi Em mê trai suốt đời Trai đẹp.Trai đẹp trai đẹp Trai đẹp tất cả đều là chồng em.

bass female vocals glossy pre-chorus strips to kick Bubblegum pop with bouncy four-on-the-floor disco groove playful syncopated bass and handclaps; verse stays light with clipped percussion and cheeky melodic phrasing and rising synth tension chorus blooms with stacked female harmonies and chanty doubles on the hook. Add tiny whistle fills reversed spark swells and a glittery key change lift into the final chorus. Bright punchy mix with a cute flirtatious sheen; female vocals

Late Night Receipt

03:01

il y a 6 jours

de Hani Khan

Light Auto-tune):Delay

male vocals light octave doubles glossy Pop-R&B with a laid-back mid-tempo bounce and swung hi-hats built on warm keys tight sub and a soft four-on-the-floor pulse; verse stays intimate and minimal pre-chorus lifts with filtered chords and vocal stacks chorus opens wide with light auto-tune and delay throws on the last word of each hook. Ear candy includes reverse swells into the pre a clipped vocal chop answer after each chorus line and a tiny tape stop before the bridge. Bright close-mic mix with a smooth low end and polished top.

Late Night Receipt

02:51

il y a 6 jours

de Hani Khan

Light Auto-tune):Delay

male vocals light octave doubles glossy Pop-R&B with a laid-back mid-tempo bounce and swung hi-hats built on warm keys tight sub and a soft four-on-the-floor pulse; verse stays intimate and minimal pre-chorus lifts with filtered chords and vocal stacks chorus opens wide with light auto-tune and delay throws on the last word of each hook. Ear candy includes reverse swells into the pre a clipped vocal chop answer after each chorus line and a tiny tape stop before the bridge. Bright close-mic mix with a smooth low end and polished top.

Mute City

03:00

il y a 1 semaine

de Bartek Madej

Intro] Yeah... Late night ride You know how it goes [Zwrotka 1] I’ve been driving through the city with my thoughts on mute, too much noise around me, so I cut it loose. People talk a lot, but they don’t say truth, they only come around when they need some use. I remember cold nights, no one by my side, now they see me moving and they ask for time. Funny how it changes when the tables turn, when y

noise sliding 808s glossy Melodic rap with moody trap drums and a half-time bounce; verse stays sparse with clipped hats and a dark piano motif pre-chorus opens with layered harmony and rising synth air chorus hits with stacked doubles and a chantable top line. Vocal is close-mic and intimate in verses wider on hooks with ad-lib echoes and short delay throws. Ear candy includes reversed swells tape-stop fills and a filtered bass drop into the chorus. Mix is dark and upfront.

Mute City

02:54

il y a 1 semaine

de Bartek Madej

Intro] Yeah... Late night ride You know how it goes [Zwrotka 1] I’ve been driving through the city with my thoughts on mute, too much noise around me, so I cut it loose. People talk a lot, but they don’t say truth, they only come around when they need some use. I remember cold nights, no one by my side, now they see me moving and they ask for time. Funny how it changes when the tables turn, when y

noise sliding 808s glossy Melodic rap with moody trap drums and a half-time bounce; verse stays sparse with clipped hats and a dark piano motif pre-chorus opens with layered harmony and rising synth air chorus hits with stacked doubles and a chantable top line. Vocal is close-mic and intimate in verses wider on hooks with ad-lib echoes and short delay throws. Ear candy includes reversed swells tape-stop fills and a filtered bass drop into the chorus. Mix is dark and upfront.

Sous La Moka

02:45

il y a 1 semaine

de Fadi Maffo

Une chanson romantique

female vocals chanson elastic bass glossy tiny bell accents French pop-R&B midtempo swung groove with warm kick-snare and light guitar shimmer; verse stays intimate with close mic and soft harmonies pre-chorus lifts with filtered claps and risers chorus blooms with stacked female doubles and a chantable top-line. Ear candy: reversed swells into the hook delay throws on the last word. Bright romantic mix.

Sous La Moka

02:37

il y a 1 semaine

de Fadi Maffo

Une chanson romantique

female vocals chanson elastic bass glossy tiny bell accents French pop-R&B midtempo swung groove with warm kick-snare and light guitar shimmer; verse stays intimate with close mic and soft harmonies pre-chorus lifts with filtered claps and risers chorus blooms with stacked female doubles and a chantable top-line. Ear candy: reversed swells into the hook delay throws on the last word. Bright romantic mix.

Virginia Montoya mi amor

02:42

il y a 1 semaine

de Juliomartin Marqueztabanico

el primer día que te vi sentí algo por ti yo de legos admiraba tu belleza de pies a cabeza nunca pensé que al pasar los años tu estarías aquí si aquí en mis brazos no se si fue obra del destino o obra de dios pero agradesco a los dos tu llevas por nombre Virginia y por apellido llevas montoya te dedico esta canción en prueba de mi amor nunca te vallas de mi tu llegaste en el mejor momento amor

glossy and emotional. Latin pop ballad with gentle reggaeton pulse soft kick-snare groove and acoustic guitar verses; verse stays intimate with piano and bass pre-chorus lifts with rising strings and breathy harmony stacks chorus opens wide with handclaps and a memorable chant. Lead vocal is close-mic and tender with doubled chorus lines subtle delay throws on the name and warm gang harmonies on the hook. Ear candy includes a reverse swell into each chorus shimmering top-line chimes and a final key-change lift. Mix is warm

Virginia Montoya mi amor

03:00

il y a 1 semaine

de Juliomartin Marqueztabanico

el primer día que te vi sentí algo por ti yo de legos admiraba tu belleza de pies a cabeza nunca pensé que al pasar los años tu estarías aquí si aquí en mis brazos no se si fue obra del destino o obra de dios pero agradesco a los dos tu llevas por nombre Virginia y por apellido llevas montoya te dedico esta canción en prueba de mi amor nunca te vallas de mi tu llegaste en el mejor momento amor

glossy and emotional. Latin pop ballad with gentle reggaeton pulse soft kick-snare groove and acoustic guitar verses; verse stays intimate with piano and bass pre-chorus lifts with rising strings and breathy harmony stacks chorus opens wide with handclaps and a memorable chant. Lead vocal is close-mic and tender with doubled chorus lines subtle delay throws on the name and warm gang harmonies on the hook. Ear candy includes a reverse swell into each chorus shimmering top-line chimes and a final key-change lift. Mix is warm

Longueure d Onde

03:14

il y a 1 semaine

de Clement Bourdette

une musique qui parle d’un amour impossible car pas sur la meme longueure d’onde avec une partie de la musique homme et l’aitre femme et des passe passe entre les deux .genre : Dark trap, melancholic RnB, moody beats, layered vocals, deep bass

beats moody deep bass deep glossy reversed swells into the hook Dark trap and melancholic R&B with moody half-time drums and layered vocal harmonies; verse one leans intimate and low with male lead verse two answers in female lead pre-chorus tightens with rising tension chorus opens wide on stacked doubles and a chantable call-and-response. Use delay throws on key words and filtered ad-libs that slide between the two voices. Mix is dark and close-mic with a heavy low end.

Longueure d Onde

03:18

il y a 1 semaine

de Clement Bourdette

une musique qui parle d’un amour impossible car pas sur la meme longueure d’onde avec une partie de la musique homme et l’aitre femme et des passe passe entre les deux .genre : Dark trap, melancholic RnB, moody beats, layered vocals, deep bass