Na Minha Cola

02:48

il y a 4 semaines

x nelby haha eu vi com a wi gang dinovo para mantar Bófia na minha cola quer mi pegar mas não vai mi pegar porque estou a tamangar eu não Batoto bem da hed eu estou iloquecer

male vocals punchy Trap with dark half-time bounce rattling hi-hats and deep sub hits; verse rides sparse drums and tense bass pre-chorus tightens with filtered synth pulses chorus lands with hard unison doubles and short gang shouts. Vocal is male close-mic and rough with delay throws on the hook and ad-lib echoes in the gaps. Riser sweeps reverse crash swells and a clipped vinyl hiss bridge the sections; mix is dry and aggressive.

Хул

03:20

il y a 4 semaines

de Алена Устелемова

Люблю тебя, как море любит солнце Как небо любит тишину Люблю так как только можно Но не когда не разлюблю кто если не ты ? кто меня спасёт ? улетает дым она знает толк позволь растворится в объятиях ты теперь ближе слышишь ? пронекаешь в сознание это послание свыше Чем она тебе нравится ? Хул

male vocals warm sub-bass pre-chorus opens with stacked harmonies and filtered pads Alt-pop R&B with mid-tempo swung drums glassy keys and a sparse verse-to-chorus lift; verse stays intimate and close-mic chorus lands with wider doubles soft gang backing and a small rhythmic clap pattern. Add reversed swells into the pre-chorus delayed vocal throws on key phrases and a delicate top-line bell that returns between lines. Bright but emotional polished and intimate male vocals.

Хул

03:14

il y a 4 semaines

de Алена Устелемова

Люблю тебя, как море любит солнце Как небо любит тишину Люблю так как только можно Но не когда не разлюблю кто если не ты ? кто меня спасёт ? улетает дым она знает толк позволь растворится в объятиях ты теперь ближе слышишь ? пронекаешь в сознание это послание свыше Чем она тебе нравится ? Хул

male vocals warm sub-bass pre-chorus opens with stacked harmonies and filtered pads Alt-pop R&B with mid-tempo swung drums glassy keys and a sparse verse-to-chorus lift; verse stays intimate and close-mic chorus lands with wider doubles soft gang backing and a small rhythmic clap pattern. Add reversed swells into the pre-chorus delayed vocal throws on key phrases and a delicate top-line bell that returns between lines. Bright but emotional polished and intimate male vocals.

Оптоволокно

01:43

il y a 4 semaines

de Алексей

Тем кто хочет нашей смерти мы выносим приговор ‎ ‎Провод плотно застилает поле ‎Оптоволокно ‎ ‎ 200 метров до пасадки Взрывы музыка ‎Войны ‎ ‎Не врагу определять кто мы и на что вольны ‎ ‎Апрель Хантер за пультом держат курс ‎ мы на виражах летим на твой вкус ‎ ‎Тихо летим по краю небосвода ‎Каждый твой шаг мне виден из провода

male vocals punchy reversed impacts Trap-inflected Russian rap with militant half-time bounce tense marching snares and sharp low-end pulses; verse rides sparse with clipped delivery and double-tracked bar endings pre-chorus opens into wider harmonies and rising tension chorus lands with gang-style unison on the anchor line. Filtered noise risers and a brief sub drop before each hook. Dark close-mic mix with gritty male vocals and occasional delay throws.

Оптоволокно

01:45

il y a 4 semaines

de Алексей

Тем кто хочет нашей смерти мы выносим приговор ‎ ‎Провод плотно застилает поле ‎Оптоволокно ‎ ‎ 200 метров до пасадки Взрывы музыка ‎Войны ‎ ‎Не врагу определять кто мы и на что вольны ‎ ‎Апрель Хантер за пультом держат курс ‎ мы на виражах летим на твой вкус ‎ ‎Тихо летим по краю небосвода ‎Каждый твой шаг мне виден из провода

male vocals punchy reversed impacts Trap-inflected Russian rap with militant half-time bounce tense marching snares and sharp low-end pulses; verse rides sparse with clipped delivery and double-tracked bar endings pre-chorus opens into wider harmonies and rising tension chorus lands with gang-style unison on the anchor line. Filtered noise risers and a brief sub drop before each hook. Dark close-mic mix with gritty male vocals and occasional delay throws.

Sheena Got Haters

02:35

il y a 1 mois

de Sheena Whidby

Sheena got bunch of haters be hating for no damn reason

male vocals rubbery bass punchy mix mid-tempo swung drums Pop-rap with male vocals clipped guitar stabs and a chanty hook built for call-and-response; verse stays dry and close-mic pre-chorus opens with doubled harmonies chorus hits harder with stacked gang vocals and short delay throws on the name Sheena. Filtered risers and reverse cymbals lift into each hook with a brief beat-drop bridge and bright

Sheena Got Haters

02:20

il y a 1 mois

de Sheena Whidby

Sheena got bunch of haters be hating for no damn reason

male vocals rubbery bass punchy mix mid-tempo swung drums Pop-rap with male vocals clipped guitar stabs and a chanty hook built for call-and-response; verse stays dry and close-mic pre-chorus opens with doubled harmonies chorus hits harder with stacked gang vocals and short delay throws on the name Sheena. Filtered risers and reverse cymbals lift into each hook with a brief beat-drop bridge and bright

Bwana Uhimidiwe

01:20

il y a 1 mois

de Michael John

[Intro] [clean electric guitar riff, steady drum beat, melodic bass] [Chorus] [male lead vocals with light reverb] Hallelujah Bwana uhimidiwe Sifa zako zikufikie Maombi yangu yakufikie [choir enters in harmony] (oh yakufikie) [Verse 1] [lead vocals] Umenikung'uta mavumbi na kunifanya nijue kweli yako Wewe ni kweli na haki uzima wapatikana kwako Baba [choir] (eh) Nakushukuru Jehovah [choir] (eh)

male vocals light electric steady clean harmony melodic bass clear Worship gospel with clean electric guitar arpeggios steady mid-tempo drums and warm choir pads; verse stays intimate with male lead vocals and light room reverb pre-chorus lifts through stacked harmonies chorus opens wide with call-and-response choir accents subtle handclaps and a gentle organ swell before the final refrain. Bright reverent mix with spacious vocal layers and a polished church-hall glow.

Bwana Uhimidiwe

01:04

il y a 1 mois

de Michael John

[Intro] [clean electric guitar riff, steady drum beat, melodic bass] [Chorus] [male lead vocals with light reverb] Hallelujah Bwana uhimidiwe Sifa zako zikufikie Maombi yangu yakufikie [choir enters in harmony] (oh yakufikie) [Verse 1] [lead vocals] Umenikung'uta mavumbi na kunifanya nijue kweli yako Wewe ni kweli na haki uzima wapatikana kwako Baba [choir] (eh) Nakushukuru Jehovah [choir] (eh)

male vocals light electric steady clean harmony melodic bass clear Worship gospel with clean electric guitar arpeggios steady mid-tempo drums and warm choir pads; verse stays intimate with male lead vocals and light room reverb pre-chorus lifts through stacked harmonies chorus opens wide with call-and-response choir accents subtle handclaps and a gentle organ swell before the final refrain. Bright reverent mix with spacious vocal layers and a polished church-hall glow.

Paredes Blancas

03:14

il y a 1 mois

de Antonio Martín Muñoz

Acto I: El Bautismo del Metal y las Paredes Blancas (Verso 1) En el silencio blanco donde el dolor no avisa, nació una voluntad que no conoce la sumisión ni la prisa. Un bautismo de urgencia, frío de metal y bisturí, el quirófano temblando, pero el niño dijo: "Estoy aquí". Nueve marcas en la piel, nueve pactos con la vida, mientras el mundo afuera corría sin salida, en el búnker de la mente se en

male vocals metal heavy reversed cymbal swells and claustrophobic mix. Spanish metalcore with mid-tempo stomp palm-muted verse riffing and half-time chorus hits; verse rides tense low guitars and toms pre-chorus strips to voice and floor-tom pulses chorus opens with wide gang shouts and stacked harmonies. Male vocals with gritty close-mic verses shouted doubles on hooks brief whispered lift before the drop. Metallic scrape risers and a final snare lift into the last chorus. Bright

Paredes Blancas

03:24

il y a 1 mois

de Antonio Martín Muñoz

Acto I: El Bautismo del Metal y las Paredes Blancas (Verso 1) En el silencio blanco donde el dolor no avisa, nació una voluntad que no conoce la sumisión ni la prisa. Un bautismo de urgencia, frío de metal y bisturí, el quirófano temblando, pero el niño dijo: "Estoy aquí". Nueve marcas en la piel, nueve pactos con la vida, mientras el mundo afuera corría sin salida, en el búnker de la mente se en

male vocals metal heavy reversed cymbal swells and claustrophobic mix. Spanish metalcore with mid-tempo stomp palm-muted verse riffing and half-time chorus hits; verse rides tense low guitars and toms pre-chorus strips to voice and floor-tom pulses chorus opens with wide gang shouts and stacked harmonies. Male vocals with gritty close-mic verses shouted doubles on hooks brief whispered lift before the drop. Metallic scrape risers and a final snare lift into the last chorus. Bright

Tonton Isma

03:18

il y a 1 mois

de Annaëlle Belahy

tonton isma alves bug up hio tonton naka Isma lelah maventy bé eeeh kibo Nany hio kony kizemby eehhh malahelo za mahita anao fa na dia zegny anao courage eeh fa Dariana bala ratsy mandilatra anao ooohhh zahava tsara horogno nany maventy bé igny eeeh malahelo za am Nany fa tsy haiko atoko tampoko izy niaraka am n'olo bala olo ratsy ro koa miteraka agny atohoragna tsoha tsy zaza courage Dariana yeah

male vocals polished Afro-pop ballad with mid-tempo four-on-the-floor pulse warm percussion and gentle syncopated hand drums; verse stays sparse with close-mic male vocals and soft guitar stabs pre-chorus lifts with layered harmonies and a rising pad chorus opens with stacked doubles and a chantable hook. Ear candy includes reversed swell leads into the chorus airy vocal echoes on key words and a brief percussion drop before the final lift. Bright intimate mix with a wide emotional center.

Tonton Isma

03:25

il y a 1 mois

de Annaëlle Belahy

tonton isma alves bug up hio tonton naka Isma lelah maventy bé eeeh kibo Nany hio kony kizemby eehhh malahelo za mahita anao fa na dia zegny anao courage eeh fa Dariana bala ratsy mandilatra anao ooohhh zahava tsara horogno nany maventy bé igny eeeh malahelo za am Nany fa tsy haiko atoko tampoko izy niaraka am n'olo bala olo ratsy ro koa miteraka agny atohoragna tsoha tsy zaza courage Dariana yeah

male vocals polished Afro-pop ballad with mid-tempo four-on-the-floor pulse warm percussion and gentle syncopated hand drums; verse stays sparse with close-mic male vocals and soft guitar stabs pre-chorus lifts with layered harmonies and a rising pad chorus opens with stacked doubles and a chantable hook. Ear candy includes reversed swell leads into the chorus airy vocal echoes on key words and a brief percussion drop before the final lift. Bright intimate mix with a wide emotional center.

Vamos a Bailar

03:01

il y a 1 mois

de Bruno Rojas Sanches

**Vamos a Bailar** Vamos a bailar, toda la noche sin parar, Siente el ritmo que te hace vibrar, La pista encendida, no vamos a parar, Muévelo así, déjate llevar. La música suena, se prende la fiesta, Tu cuerpo mueve con tanta destreza, Luces de colores, la noche es joven,

male vocals punchy syncopated percussion Latin dance-pop with dembow-locked drums and a bouncing bassline; verse rides lean with palm-muted synth stabs pre-chorus strips to handclaps and a rising synth sweep chorus hits with stacked gang vocals and a bright hook lead. Male vocals are close-mic in verses doubled and shouted on the hook with ad-lib panning and short delay throws. Vinyl crackle intro reverse swell into the drop and sparkle hits between phrases; mix is glossy and club-wide.

Vamos a Bailar

02:41

il y a 1 mois

de Bruno Rojas Sanches

**Vamos a Bailar** Vamos a bailar, toda la noche sin parar, Siente el ritmo que te hace vibrar, La pista encendida, no vamos a parar, Muévelo así, déjate llevar. La música suena, se prende la fiesta, Tu cuerpo mueve con tanta destreza, Luces de colores, la noche es joven,

male vocals punchy syncopated percussion Latin dance-pop with dembow-locked drums and a bouncing bassline; verse rides lean with palm-muted synth stabs pre-chorus strips to handclaps and a rising synth sweep chorus hits with stacked gang vocals and a bright hook lead. Male vocals are close-mic in verses doubled and shouted on the hook with ad-lib panning and short delay throws. Vinyl crackle intro reverse swell into the drop and sparkle hits between phrases; mix is glossy and club-wide.

Backroom Tape

04:51

il y a 1 mois

de Aefilino

make it a haunting phonk cinematic rap slow but chill techno uncensored swearing filled calm confusing like found footage vibes static like glitched song bout the backrooms and make it LONG like really LONG and accurate

male vocals rap slow Techno wide reversed swells vinyl crackle bursts Phonk cinematic rap slow but chill techno pulse with half-time drums dusty sub hits warped bell accents and a dragging groove; verse rides a cold close-mic low register with doubled whispers pre-chorus thins to heartbeat kicks and chopped breaths chorus opens wide with pitched gang echoes and a repeating chant bridge drops to tape hiss and a filtered voice before the final return. Glitched transition hits and narrow stereo flickers thread through a dark gritty mix; male vocals.

Backroom Tape

03:55

il y a 1 mois

de Aefilino

make it a haunting phonk cinematic rap slow but chill techno uncensored swearing filled calm confusing like found footage vibes static like glitched song bout the backrooms and make it LONG like really LONG and accurate

male vocals rap slow Techno wide reversed swells vinyl crackle bursts Phonk cinematic rap slow but chill techno pulse with half-time drums dusty sub hits warped bell accents and a dragging groove; verse rides a cold close-mic low register with doubled whispers pre-chorus thins to heartbeat kicks and chopped breaths chorus opens wide with pitched gang echoes and a repeating chant bridge drops to tape hiss and a filtered voice before the final return. Glitched transition hits and narrow stereo flickers thread through a dark gritty mix; male vocals.

Mi Kalap Lo Balus

02:19

il y a 1 mois

de Pity Menz

Mi kalap lo balus na mi fly igo, touch down lo nadzab airport em kumul country, mi kisim bas na mi ron ikam, sore markham valley yu nice tumas, bihainim miles high way kam kamap lo Lae City, go down lo Lae main market rauma eighteen. Morobe em ples mi stap nau, kumul em I fly antap turu, yu ba painim mi lo wonem hap, thirteen ai hunter malahang mi stap na wara busu, pasin barata i stap lo Morob.

male vocals country open Tok Pisin pop with a mid-tempo island bounce syncopated kick-snare groove and warm bass guitar under bright acoustic strums; verse rides a loose travel-story pulse pre-chorus strips to handclaps and bass lift chorus hits with stacked male vocals and a chanty hook. Add reversed swells into the first downbeat light whistle fills between phrases and a short drum break before the final chorus. Bright radio-ready mix with close-mic male vocals and wide hook doubles.

Mi Kalap Lo Balus

02:32

il y a 1 mois

de Pity Menz

Mi kalap lo balus na mi fly igo, touch down lo nadzab airport em kumul country, mi kisim bas na mi ron ikam, sore markham valley yu nice tumas, bihainim miles high way kam kamap lo Lae City, go down lo Lae main market rauma eighteen. Morobe em ples mi stap nau, kumul em I fly antap turu, yu ba painim mi lo wonem hap, thirteen ai hunter malahang mi stap na wara busu, pasin barata i stap lo Morob.

male vocals country open Tok Pisin pop with a mid-tempo island bounce syncopated kick-snare groove and warm bass guitar under bright acoustic strums; verse rides a loose travel-story pulse pre-chorus strips to handclaps and bass lift chorus hits with stacked male vocals and a chanty hook. Add reversed swells into the first downbeat light whistle fills between phrases and a short drum break before the final chorus. Bright radio-ready mix with close-mic male vocals and wide hook doubles.

Basement Cipher

02:48

il y a 1 mois

de Thato Mafela

hip hop, underground rap, raw and deep

male vocals hip hop raw deep intimate reverse swells tape hiss punchy mix with delay throws on key words Hip hop / underground rap with a slow head-nod swing dusty drums murmured sub-bass and tense off-grid hi-hats; verse rides sparse kick clipped snare and a warped loop pre-chorus opens with filtered chops and a rising drone chorus lands on bigger drums with gang ad-libs and a gritty one-line chant. Male vocals close-mic and dry in verses doubled and slightly distorted on hooks and brief vinyl crackle. Dark underground rap

Alina Gibi Bahar

03:50

il y a 1 mois

de Nurlan Aliyev

Alina, gözlerinde yıldızlar parlar, Gülüşünle bahara döner sokaklar. Bir melodi gibi kalbimde çalarsın, Her yeni günde umut olursun. Nakarat Alina, Alina, rüzgâr gibi özgür, Kalbimdeki ışık, en güzel ömür. Alina, Alina, geceye ay gibi, Seninle dünya daha güzel şimdi. 2. Kıta Adını duysam yüzüm güler hemen, Sesin gelir uzaktan tatlı bir esen. Hayaller renklenir sen yanımdayken, Zaman bile durur sen

male vocals polished doubled chorus lines emotional mix Turkish pop ballad with a soft mid-tempo sway and gentle acoustic-to-synth arrangement; verse starts intimate with fingerpicked guitar and light percussion pre-chorus lifts with rising pads and a half-step drum build chorus opens wide with stacked harmonies and warm bass; male vocals with close-mic lead and airy ad-libs; ear candy includes reversed piano swells delicate chime accents and a final lift into the last chorus; bright

Alina Gibi Bahar

03:27

il y a 1 mois

de Nurlan Aliyev

Alina, gözlerinde yıldızlar parlar, Gülüşünle bahara döner sokaklar. Bir melodi gibi kalbimde çalarsın, Her yeni günde umut olursun. Nakarat Alina, Alina, rüzgâr gibi özgür, Kalbimdeki ışık, en güzel ömür. Alina, Alina, geceye ay gibi, Seninle dünya daha güzel şimdi. 2. Kıta Adını duysam yüzüm güler hemen, Sesin gelir uzaktan tatlı bir esen. Hayaller renklenir sen yanımdayken, Zaman bile durur sen

male vocals polished doubled chorus lines emotional mix Turkish pop ballad with a soft mid-tempo sway and gentle acoustic-to-synth arrangement; verse starts intimate with fingerpicked guitar and light percussion pre-chorus lifts with rising pads and a half-step drum build chorus opens wide with stacked harmonies and warm bass; male vocals with close-mic lead and airy ad-libs; ear candy includes reversed piano swells delicate chime accents and a final lift into the last chorus; bright

Liberian Cry

03:07

il y a 1 mois

de D Cecelia Akoi Wonlah

“Liberian Government” — ELIDO ft. TESTIFY [Intro – ELIDO] Yeah yeah… ELIDO on the melody… From the streets of Liberia We singing for the people dem… TESTIFY, tell them something! [Chorus – ELIDO] Liberian government, hear the cry of the people Everyday suffering, life no easy for the people Mama crying, children hungry every season Too much promise, but we still searching for a reason Ohhh ohhh We

male vocals crowd-style shouts Afro-fusion gospel-leaning pop with mid-tempo swung drums and driving hand percussion; intro starts sparse with voice and congas verse stays intimate with bass kalimba plucks and call-and-response ad-libs pre-chorus lifts with rising choir pads and snare rolls chorus opens wide with stacked male vocals and a chantable hook bridge strips back to handclaps and testimony lines before a final chorus with fuller harmonies and short delay throws on the key phrase. Bright urgent and emotional with a clean punchy mix and warm low end; male vocals

Liberian Cry

03:14

il y a 1 mois

de D Cecelia Akoi Wonlah

“Liberian Government” — ELIDO ft. TESTIFY [Intro – ELIDO] Yeah yeah… ELIDO on the melody… From the streets of Liberia We singing for the people dem… TESTIFY, tell them something! [Chorus – ELIDO] Liberian government, hear the cry of the people Everyday suffering, life no easy for the people Mama crying, children hungry every season Too much promise, but we still searching for a reason Ohhh ohhh We

male vocals crowd-style shouts Afro-fusion gospel-leaning pop with mid-tempo swung drums and driving hand percussion; intro starts sparse with voice and congas verse stays intimate with bass kalimba plucks and call-and-response ad-libs pre-chorus lifts with rising choir pads and snare rolls chorus opens wide with stacked male vocals and a chantable hook bridge strips back to handclaps and testimony lines before a final chorus with fuller harmonies and short delay throws on the key phrase. Bright urgent and emotional with a clean punchy mix and warm low end; male vocals

Male Vocals

Male Vocals Morceaux

Na Minha Cola

Хул

Хул

Оптоволокно

Оптоволокно

Sheena Got Haters

Sheena Got Haters

Bwana Uhimidiwe

Bwana Uhimidiwe

Paredes Blancas

Paredes Blancas

Tonton Isma

Tonton Isma

Vamos a Bailar

Vamos a Bailar

Backroom Tape

Backroom Tape

Mi Kalap Lo Balus

Mi Kalap Lo Balus

Basement Cipher

Alina Gibi Bahar

Alina Gibi Bahar

Liberian Cry

Liberian Cry

Paroles de la Chanson

Générer des paroles

Confirmation de mise à niveau

Succès !

Une erreur est survenue