Tebaa'n Tebaa'n

02:29

il y a 4 semaines

Wimbo huu unaitwa "Tebaa'n Tebaa'n" (تباعاً تباعاً)

female vocals rubbery bass glossy club-ready mix with a warm low end. Afropop with a mid-tempo dembow pulse and syncopated hand percussion; verse stays lean with kalimba plucks and tight kick snaps; pre-chorus lifts with filtered choir pads and rising claps; chorus opens wide with stacked female doubles chanty call-and-response and short delay throws on the hook. Ear candy: reversed vocal swell into the chorus bell hits between lines tiny snare pickups. Bright

Tebaa'n Tebaa'n

02:47

il y a 4 semaines

de Khadija Khussen

Wimbo huu unaitwa "Tebaa'n Tebaa'n" (تباعاً تباعاً)

female vocals rubbery bass glossy club-ready mix with a warm low end. Afropop with a mid-tempo dembow pulse and syncopated hand percussion; verse stays lean with kalimba plucks and tight kick snaps; pre-chorus lifts with filtered choir pads and rising claps; chorus opens wide with stacked female doubles chanty call-and-response and short delay throws on the hook. Ear candy: reversed vocal swell into the chorus bell hits between lines tiny snare pickups. Bright

Sheena Got Haters

02:35

il y a 1 mois

de Sheena Whidby

Sheena got bunch of haters be hating for no damn reason

male vocals rubbery bass punchy mix mid-tempo swung drums Pop-rap with male vocals clipped guitar stabs and a chanty hook built for call-and-response; verse stays dry and close-mic pre-chorus opens with doubled harmonies chorus hits harder with stacked gang vocals and short delay throws on the name Sheena. Filtered risers and reverse cymbals lift into each hook with a brief beat-drop bridge and bright

Sheena Got Haters

02:20

il y a 1 mois

de Sheena Whidby

Sheena got bunch of haters be hating for no damn reason

male vocals rubbery bass punchy mix mid-tempo swung drums Pop-rap with male vocals clipped guitar stabs and a chanty hook built for call-and-response; verse stays dry and close-mic pre-chorus opens with doubled harmonies chorus hits harder with stacked gang vocals and short delay throws on the name Sheena. Filtered risers and reverse cymbals lift into each hook with a brief beat-drop bridge and bright

Quando eu a cordo pela madrugada, sempre vai estar chamando para dar uma mijada, ele é muito legal, sempre está aqui, mas se irritar o chute na sua canela ali vai dar vou uma névoa, uma névoa uma né muito atencioso, vou manevo, uma névoa uma né cuidado se ele ficar nervoso. É alguma névo uma névoa uma neve ali é muito legal sempre estar aqui nessa cadeira ele é sensacional pooooopooooooooooooooooo

punchy rubbery bass and upfront. dembow-leaning percussion Brazilian funk-pop with a bouncy syncopated groove and sparse verse instrumentation that opens into a chanty chorus. Verse rides clipped drums and a playful synth riff; pre-chorus strips to hand percussion and bass stops; chorus hits with stacked gang vocals and a bright hook. Lead vocal is close-mic and cheeky with doubled lines on the hook and ad-lib responses in parentheses. Ear candy includes reversed swells into the chorus short stop-time breaks and a final crowd-style chant. Mix is glossy

Névoa na Madrugada

02:40

il y a 1 mois

de Si Silva

Quando eu a cordo pela madrugada, sempre vai estar chamando para dar uma mijada, ele é muito legal, sempre está aqui, mas se irritar o chute na sua canela ali vai dar vou uma névoa, uma névoa uma né muito atencioso, vou manevo, uma névoa uma né cuidado se ele ficar nervoso. É alguma névo uma névoa uma neve ali é muito legal sempre estar aqui nessa cadeira ele é sensacional pooooopooooooooooooooooo

punchy rubbery bass and upfront. dembow-leaning percussion Brazilian funk-pop with a bouncy syncopated groove and sparse verse instrumentation that opens into a chanty chorus. Verse rides clipped drums and a playful synth riff; pre-chorus strips to hand percussion and bass stops; chorus hits with stacked gang vocals and a bright hook. Lead vocal is close-mic and cheeky with doubled lines on the hook and ad-lib responses in parentheses. Ear candy includes reversed swells into the chorus short stop-time breaks and a final crowd-style chant. Mix is glossy

Island Pressure

03:19

il y a 1 mois

de Cyrine

reagge beat

male vocals bass wide rubbery bass Reggae with a laid-back one-drop groove skanking guitar off the backbeat and a sun-warm midtempo sway; verse stays sparse with drums and rim clicks pre-chorus opens with organ and hand percussion chorus lifts with stacked male harmonies and chanty responses. Add tape echo throws on key words a small horn lick between lines and a wave-like filter swell into the final chorus. Mix is warm and groove-forward with intimate close-mic male vocals and dubby low-end space.

Island Pressure

03:10

il y a 1 mois

de Cyrine

reagge beat

male vocals bass wide rubbery bass Reggae with a laid-back one-drop groove skanking guitar off the backbeat and a sun-warm midtempo sway; verse stays sparse with drums and rim clicks pre-chorus opens with organ and hand percussion chorus lifts with stacked male harmonies and chanty responses. Add tape echo throws on key words a small horn lick between lines and a wave-like filter swell into the final chorus. Mix is warm and groove-forward with intimate close-mic male vocals and dubby low-end space.

Adf Jioi Oh

01:20

il y a 1 mois

de Adriano Francisco Santos

adfjioiouhg

rubbery bass Syncopated claps Pop with bouncy mid-tempo percussion and a bright synth hook; verse stays minimal with tight drums and playful vocal stabs pre-chorus lifts with filtered harmony stacks and rising toms chorus opens wide with gang doubles and a repeatable chant. Vocal is close-mic and rhythmic with ad-lib echoes on the hook quick delay throws on end words and a glossy punchy mix with little ear-candy blips between phrases.

Adf Jioi Oh

02:03

il y a 1 mois

de Adriano Francisco Santos

adfjioiouhg

rubbery bass Syncopated claps Pop with bouncy mid-tempo percussion and a bright synth hook; verse stays minimal with tight drums and playful vocal stabs pre-chorus lifts with filtered harmony stacks and rising toms chorus opens wide with gang doubles and a repeatable chant. Vocal is close-mic and rhythmic with ad-lib echoes on the hook quick delay throws on end words and a glossy punchy mix with little ear-candy blips between phrases.

Corner Booth

02:35

il y a 1 mois

de Julonne Glover

write a song about me and my girlfriend

polished rubbery bass Pop-R&B with a laid-back midtempo bounce warm swung drums and glossy chord stabs; verse rides sparse keys and finger snaps pre-chorus opens with rising pad swells and stacked harmonies chorus lands on full drums with a chantable hook and short ad-lib doubles. Use intimate close-mic lead soft harmonies on line ends and a few delay throws on the hook word. Ear candy comes from reverse piano swells tiny vocal chop fills and a filtered drum lift into the final chorus. Bright and close enough to feel like a confession.

Corner Booth

02:24

il y a 1 mois

de Julonne Glover

write a song about me and my girlfriend

polished rubbery bass Pop-R&B with a laid-back midtempo bounce warm swung drums and glossy chord stabs; verse rides sparse keys and finger snaps pre-chorus opens with rising pad swells and stacked harmonies chorus lands on full drums with a chantable hook and short ad-lib doubles. Use intimate close-mic lead soft harmonies on line ends and a few delay throws on the hook word. Ear candy comes from reverse piano swells tiny vocal chop fills and a filtered drum lift into the final chorus. Bright and close enough to feel like a confession.

Marta Dói Tudo

02:38

il y a 1 mois

de leiritinta@gmail.com

Música pop da Marta dor de ossos e articulações

male vocals pop rubbery bass short delay throws on key words close-mic verses doubled chorus lines Pop with mid-tempo four-on-the-floor pulse crisp handclaps and bright synth hooks; verse stays tight and intimate pre-chorus lifts with stacked harmonies and snare build chorus opens wide with gang vocals on the name. Male vocals glossy mix with a few filtered risers and a final lift into the last refrain.

Marta Dói Tudo

02:55

il y a 1 mois

de leiritinta@gmail.com

Música pop da Marta dor de ossos e articulações

male vocals pop rubbery bass short delay throws on key words close-mic verses doubled chorus lines Pop with mid-tempo four-on-the-floor pulse crisp handclaps and bright synth hooks; verse stays tight and intimate pre-chorus lifts with stacked harmonies and snare build chorus opens wide with gang vocals on the name. Male vocals glossy mix with a few filtered risers and a final lift into the last refrain.

Tinky Winky

01:54

il y a 1 mois

de blumi_yt

crea un cover de la cancion powerdown en ves de mx pon a tinky winky y en ves de bf pon a guardian

rubbery bass claps on the backbeat Pop synthwave with a pulsing mid-tempo groove and bright arpeggio keys; verse stays tight and playful pre-chorus lifts with filtered pads and stacked oohs chorus opens wide with chant doubles and a toy-box melody. Lead vocal is cheeky and close-mic in verses layered with handclap gang vocals on the hook. Ear candy: reverse swells into each chorus tiny bell runs and delay throws on the last word. Crisp glossy mix with a bouncy radio sheen.

Tinky Winky

02:43

il y a 1 mois

de blumi_yt

crea un cover de la cancion powerdown en ves de mx pon a tinky winky y en ves de bf pon a guardian

rubbery bass claps on the backbeat Pop synthwave with a pulsing mid-tempo groove and bright arpeggio keys; verse stays tight and playful pre-chorus lifts with filtered pads and stacked oohs chorus opens wide with chant doubles and a toy-box melody. Lead vocal is cheeky and close-mic in verses layered with handclap gang vocals on the hook. Ear candy: reverse swells into each chorus tiny bell runs and delay throws on the last word. Crisp glossy mix with a bouncy radio sheen.

Fernanda Na Na

02:09

il y a 2 mois

de Manuela Alves da Silva

Fernanda Fernanda ela come meleca ela come meleca na na na na na na na na na na na na na na na na na Fernanda Fernanda ela come meleca ela come meleca na na na na na na na na na na na na na na na na na na na na na na na na na na e agora vou te mostrar ela é muito sobra ceilda muito sobressaiu

female vocals punchy syncopated percussion rubbery bass risers into each drop Brazilian funk-pop with a bouncy dembow-leaning groove and playful female vocals; verse rides tight and cheeky pre-chorus lifts with handclaps and a quick stop-start build chorus hits with chanty gang doubles and the "na na na" hook. Add ear candy with whistle pops and tiny ad-lib echoes. Bright club-ready mix with a glossy top end.

Fernanda Na Na

02:17

il y a 2 mois

de Manuela Alves da Silva

Fernanda Fernanda ela come meleca ela come meleca na na na na na na na na na na na na na na na na na Fernanda Fernanda ela come meleca ela come meleca na na na na na na na na na na na na na na na na na na na na na na na na na na e agora vou te mostrar ela é muito sobra ceilda muito sobressaiu

female vocals punchy syncopated percussion rubbery bass risers into each drop Brazilian funk-pop with a bouncy dembow-leaning groove and playful female vocals; verse rides tight and cheeky pre-chorus lifts with handclaps and a quick stop-start build chorus hits with chanty gang doubles and the "na na na" hook. Add ear candy with whistle pops and tiny ad-lib echoes. Bright club-ready mix with a glossy top end.

Не Сбивай Ритм

03:03

il y a 2 mois

de Андрей Андрей

танцевальная, энергичная

male vocals punchy rubbery bass Syncopated claps Dance-pop with a driving four-on-the-floor pulse and bright synth stabs; verse stays tight and percussive pre-chorus lifts with filtered risers and stacked chants chorus opens wider with gang vocals and a repeatable hook. Lead male vocals are close-mic in verses double-tracked on the hook with short delay throws and ad-lib lifts. Add reversed swells into each drop metallic fills and crisp sidechain bounce. Bright club-ready mix.

Не Сбивай Ритм

03:04

il y a 2 mois

de Андрей Андрей

танцевальная, энергичная

male vocals punchy rubbery bass Syncopated claps Dance-pop with a driving four-on-the-floor pulse and bright synth stabs; verse stays tight and percussive pre-chorus lifts with filtered risers and stacked chants chorus opens wider with gang vocals and a repeatable hook. Lead male vocals are close-mic in verses double-tracked on the hook with short delay throws and ad-lib lifts. Add reversed swells into each drop metallic fills and crisp sidechain bounce. Bright club-ready mix.

M-Eins Disco

02:20

il y a 2 mois

de Mahira Jn

m eins m eins Disco Getränke Snacks fanta Cola pepsi sprite Sonnenbrille von pardon Gucci dabei noch nie so eine coole Party gemacht ich will das es nie endet biss morgen m eins Disco this way to Disco oh ja baby the way you move ulala komm wir machen party heute nacht weck mich mit dem dj du weißt ja ja left right left right down up jaaa jaahhh lets go m eins Disco Getränke dies das ananas uhhhh

male vocals disco then chorus explodes with crowd chants rubbery bass Bouncy Euro-club banger at 126 BPM male vocals upfront with bright tuned doubles on the hook. Glittery synth leads over a tight four-on-the-floor kick and fizzy clap stacks. Pre-chorus strips to toms and risers vocoder echoes and wide stereo plucks. Bridge drops to filtered beat and spoken ad-libs then final hook hits hardest with layered gang vocals and extra percussion.

M-Eins Disco

03:08

il y a 2 mois

de Mahira Jn

m eins m eins Disco Getränke Snacks fanta Cola pepsi sprite Sonnenbrille von pardon Gucci dabei noch nie so eine coole Party gemacht ich will das es nie endet biss morgen m eins Disco this way to Disco oh ja baby the way you move ulala komm wir machen party heute nacht weck mich mit dem dj du weißt ja ja left right left right down up jaaa jaahhh lets go m eins Disco Getränke dies das ananas uhhhh

male vocals disco then chorus explodes with crowd chants rubbery bass Bouncy Euro-club banger at 126 BPM male vocals upfront with bright tuned doubles on the hook. Glittery synth leads over a tight four-on-the-floor kick and fizzy clap stacks. Pre-chorus strips to toms and risers vocoder echoes and wide stereo plucks. Bridge drops to filtered beat and spoken ad-libs then final hook hits hardest with layered gang vocals and extra percussion.

Slow Tide Phonk

03:55

il y a 2 mois

de dasty 30

wavephonk melodic sithetizer slow drummer bass

slow rubbery bass Moody wavephonk beat built on detuned melodic synth leads and hazy pads swung half-time drums with deep subtle tape warble and filtered risers; structure rides a gentle build from sparse intro into a hypnotic loop perfect for soft headnods and late-night drives

Slow Tide Phonk

03:35

il y a 2 mois

de dasty 30

wavephonk melodic sithetizer slow drummer bass

slow rubbery bass Moody wavephonk beat built on detuned melodic synth leads and hazy pads swung half-time drums with deep subtle tape warble and filtered risers; structure rides a gentle build from sparse intro into a hypnotic loop perfect for soft headnods and late-night drives

Rubbery Bass

Rubbery Bass Morceaux

Tebaa'n Tebaa'n

Tebaa'n Tebaa'n

Sheena Got Haters

Sheena Got Haters

Névoa na Madrugada

Névoa na Madrugada

Island Pressure

Island Pressure

Adf Jioi Oh

Adf Jioi Oh

Corner Booth

Corner Booth

Marta Dói Tudo

Marta Dói Tudo

Tinky Winky

Tinky Winky

Fernanda Na Na

Fernanda Na Na

Не Сбивай Ритм

Не Сбивай Ритм

M-Eins Disco

M-Eins Disco

Slow Tide Phonk

Slow Tide Phonk

Paroles de la Chanson

Générer des paroles

Confirmation de mise à niveau

Succès !

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