Bayang Di Tangan

03:57

4 months ago

library.shared.meta_by gfdtghfy@gmail.com

cinta yang tak pernah ada

string swells chorus blooms with full drums Indonesian pop ballad with mid-tempo swung drums and warm electric piano; verse stays close and sparse with fingerpicked guitar bass enters on the second line pre-chorus opens with rising pads and backing harmonies and doubled lead vocal. Bridge drops to piano and breathy vocal then final chorus lifts with octave doubles and a soft tambourine shimmer. Intimate glossy mix with a wide emotional chorus.

Bayang Di Tangan

03:49

4 months ago

library.shared.meta_by gfdtghfy@gmail.com

cinta yang tak pernah ada

string swells chorus blooms with full drums Indonesian pop ballad with mid-tempo swung drums and warm electric piano; verse stays close and sparse with fingerpicked guitar bass enters on the second line pre-chorus opens with rising pads and backing harmonies and doubled lead vocal. Bridge drops to piano and breathy vocal then final chorus lifts with octave doubles and a soft tambourine shimmer. Intimate glossy mix with a wide emotional chorus.

Tata Alba

02:55

5 months ago

library.shared.meta_by albalamasmejor@yopmail.com

Genérame una canción del género pop-rock español con un fuerte componente de balada acústica y pop. Que vaya dedicada a Antón (un amigo) y a mi hermano (Adrián) que me llama Tata Alba. Son de las personas más bonitas que conozco, son mi lugar seguro, me hacen sentirme bien. Gracias a Antón gane confianza en mí misma y gracias a Adrián que me hace ser la niña más feliz del mundo, les quiero

pop rock and a bright chorus blooms with full drums emotional mix Spanish pop-rock ballad with acoustic guitar-driven verses gentle kick and bass pulse and a soaring pop chorus; verse stays intimate and close-mic with fingerpicked guitar and soft harmony swells pre-chorus opens with rising toms and doubled vocal lines wide electric guitars and stacked backing vocals on the names; bridge strips back to voice and guitar before a final lift with handclaps warm delays

Tata Alba

03:05

5 months ago

library.shared.meta_by albalamasmejor@yopmail.com

Genérame una canción del género pop-rock español con un fuerte componente de balada acústica y pop. Que vaya dedicada a Antón (un amigo) y a mi hermano (Adrián) que me llama Tata Alba. Son de las personas más bonitas que conozco, son mi lugar seguro, me hacen sentirme bien. Gracias a Antón gane confianza en mí misma y gracias a Adrián que me hace ser la niña más feliz del mundo, les quiero

pop rock and a bright chorus blooms with full drums emotional mix Spanish pop-rock ballad with acoustic guitar-driven verses gentle kick and bass pulse and a soaring pop chorus; verse stays intimate and close-mic with fingerpicked guitar and soft harmony swells pre-chorus opens with rising toms and doubled vocal lines wide electric guitars and stacked backing vocals on the names; bridge strips back to voice and guitar before a final lift with handclaps warm delays

Três Presentes

03:18

5 months ago

library.shared.meta_by Jonito lovito angelo

Eu abro os olhos e já sei Quem me sustentou, quem me guardou Não foi por força, não foi por mim Foi a Tua mão, foi só por Ti _Pré-refrão_ A cada dia o Senhor me dá Mais um motivo pra Te louvar E quando olho pra minha casa Vejo a Tua graça a me alcançar _Refrão_ Obrigado, Deus, pela vida que me deste Obrigado, Pai, por tudo que sou hoje Tu me deste três presentes,

female vocals chorus blooms with full drums Gospel pop with mid-tempo lift swung handclaps and warm piano under soft kick and bass; verse stays intimate with sparse keys and close female vocal pre-chorus opens with stacked harmonies and rising pads choir-style doubles and short delay throws on the anchor phrase. Add reversed swells into the pre-chorus a bright shaker lift into each chorus and a final lift with ad-lib harmonies. Clean radiant emotional mix. female vocals

Três Presentes

03:20

5 months ago

library.shared.meta_by Jonito lovito angelo

Eu abro os olhos e já sei Quem me sustentou, quem me guardou Não foi por força, não foi por mim Foi a Tua mão, foi só por Ti _Pré-refrão_ A cada dia o Senhor me dá Mais um motivo pra Te louvar E quando olho pra minha casa Vejo a Tua graça a me alcançar _Refrão_ Obrigado, Deus, pela vida que me deste Obrigado, Pai, por tudo que sou hoje Tu me deste três presentes,

female vocals chorus blooms with full drums Gospel pop with mid-tempo lift swung handclaps and warm piano under soft kick and bass; verse stays intimate with sparse keys and close female vocal pre-chorus opens with stacked harmonies and rising pads choir-style doubles and short delay throws on the anchor phrase. Add reversed swells into the pre-chorus a bright shaker lift into each chorus and a final lift with ad-lib harmonies. Clean radiant emotional mix. female vocals

Unaweza Yesu

04:43

6 months ago

library.shared.meta_by enmamr19@gmail.com

swahili gospel song of worship. nyimbo nzuri ya kuabudu inaita unaweza yesu. ya kuabudu lakini baadae inabadilika na kuwa ya kuchangamka na kuchezeka ila mwanzo inaanza kwa kuabudu na katikati ya wimbo anatokea mtu anafanya maombi anaombea watu. maombi ya kumsifu mungu na kuombea watu wenye shida mbali mbali

male vocals bass Gospel claps worship guitar chops chorus blooms with full drums Swahili gospel worship that starts reverent and prayerful then opens into joyful praise and dancing; slow-to-mid tempo with soft keys and pad in verse pre-chorus strips to vocal call and hand percussion and choir shouts; middle section shifts to a spoken-sung prayer over a gentle groove then final chorus gets brighter with call-and-response and praise breaks; male vocals close-mic lead with warm doubles on hooks choir responses short delay throws on key phrases rising swell into every lift crisp and uplifting mix

Tal Cual Soy

03:40

6 months ago

library.shared.meta_by ANA MARIA SANCHEZ RODRIGUEZ

“Tal Cual Soy” En cada historia, en cada amanecer, hay una voz que invita a creer. Entre risas, pruebas y amor, Dios nos enseña a ser mejor. No hay dudas, no hay temor, solo vida y corazón. Porque en lo simple y en lo real, su gracia siempre está. Tal cual soy, así me ama el Señor, Tal cual soy, camino en su luz, compartiendo esperanza y verdad en Jesús. En Radio Adonay suena la fe, palabras qu

simple open and heartfelt. Contemporary worship pop with gentle 92 BPM pulse soft acoustic guitar and warm pads; verse rides sparse piano and hand percussion pre-chorus opens with rising toms and stacked harmonies chorus blooms with full drums group vocals and repeated anchor phrase. Lead vocal is intimate in verses doubled on hook with airy ad-libs and delay throws. Ear candy includes reversed swells into choruses bell accents between phrases and a final lift with claps. Mix is bright

Tal Cual Soy

03:19

6 months ago

library.shared.meta_by ANA MARIA SANCHEZ RODRIGUEZ

“Tal Cual Soy” En cada historia, en cada amanecer, hay una voz que invita a creer. Entre risas, pruebas y amor, Dios nos enseña a ser mejor. No hay dudas, no hay temor, solo vida y corazón. Porque en lo simple y en lo real, su gracia siempre está. Tal cual soy, así me ama el Señor, Tal cual soy, camino en su luz, compartiendo esperanza y verdad en Jesús. En Radio Adonay suena la fe, palabras qu

simple open and heartfelt. Contemporary worship pop with gentle 92 BPM pulse soft acoustic guitar and warm pads; verse rides sparse piano and hand percussion pre-chorus opens with rising toms and stacked harmonies chorus blooms with full drums group vocals and repeated anchor phrase. Lead vocal is intimate in verses doubled on hook with airy ad-libs and delay throws. Ear candy includes reversed swells into choruses bell accents between phrases and a final lift with claps. Mix is bright

Chorus Blooms With Full Drums