Both Feet in Rome

03:04

4 weeks ago

Make a song that sounds EXACTLY like "Upside Down" as sung by Jack Johnson. But the song is a theme playing before a highschool homeschool co-op debate. I am debating them arguing (Devil's advocate) that they are not in schism. The refrian: "Keep both fee in Rome, even when your heart feel torn, She might be bruised but never broken, keep both feet in Rome." NOT NOT NOT a Pop song. Old Fashioned.

pop theme upright bass brushed snare Old-fashioned folk with warm acoustic strum and a loose porch-swing groove; verse stays sparse and conversational pre-chorus lifts with handclaps and a humming harmony chorus opens into gang-style unison on the refrain bridge drops to fingerpicked guitar and one close-mic voice before the final chorus returns fuller. Intimate dusty mix with room tone tape warmth and a few soft whistled turns between lines.

Both Feet in Rome

03:02

4 weeks ago

by jonaspmhouston@gmail.com

Make a song that sounds EXACTLY like "Upside Down" as sung by Jack Johnson. But the song is a theme playing before a highschool homeschool co-op debate. I am debating them arguing (Devil's advocate) that they are not in schism. The refrian: "Keep both fee in Rome, even when your heart feel torn, She might be bruised but never broken, keep both feet in Rome." NOT NOT NOT a Pop song. Old Fashioned.

pop theme upright bass brushed snare Old-fashioned folk with warm acoustic strum and a loose porch-swing groove; verse stays sparse and conversational pre-chorus lifts with handclaps and a humming harmony chorus opens into gang-style unison on the refrain bridge drops to fingerpicked guitar and one close-mic voice before the final chorus returns fuller. Intimate dusty mix with room tone tape warmth and a few soft whistled turns between lines.

Baba Wehu

03:30

1 month ago

by Brian Martin

eeeeh eeeej tunakia mzee kutuondokea ni huzuni ni uchungu sana watoto karisa mwalimu riziki zena rehema heleni salim George Rashid wakilia ni kilio huko chalani udzahuricha na hani wewe baba wehu

male vocals upright bass close-mic Swahili taarab-inflected Afro-folk lament with a slow swung pulse and soft hand percussion; verse stays intimate on muted guitar and thin accordion pre-chorus opens with rising choir pads chorus lands on a tight call-and-response chant. Lead male vocals front and center with warm doubles small echo throws on key names and a gentle mbira sparkle into the turnaround. Mix is earthy and mournful

Baba Wehu

03:26

1 month ago

by Brian Martin

eeeeh eeeej tunakia mzee kutuondokea ni huzuni ni uchungu sana watoto karisa mwalimu riziki zena rehema heleni salim George Rashid wakilia ni kilio huko chalani udzahuricha na hani wewe baba wehu

male vocals upright bass close-mic Swahili taarab-inflected Afro-folk lament with a slow swung pulse and soft hand percussion; verse stays intimate on muted guitar and thin accordion pre-chorus opens with rising choir pads chorus lands on a tight call-and-response chant. Lead male vocals front and center with warm doubles small echo throws on key names and a gentle mbira sparkle into the turnaround. Mix is earthy and mournful

Coturno de Ouro

02:37

2 months ago

by Diego Mattos

Faça uma música engraçada "falando de cuturno narrador de rodeio garganta de ouro"

male vocals upright bass doubled hook lines and a glossy Country-pop with a playful two-step swing handclaps on the backbeat bouncing acoustic guitar and a bright fiddle hook; verse stays light and conversational pre-chorus tightens with claps and a rising whistle chorus opens with group shouts and a catchy chant. Male vocals with cheeky lead delivery short delay throws on punchlines little crowd ad-libs punchy mix with dusty barn-room color and a few comic honky-tonk fills.

Coturno de Ouro

02:32

2 months ago

by Diego Mattos

Faça uma música engraçada "falando de cuturno narrador de rodeio garganta de ouro"

male vocals upright bass doubled hook lines and a glossy Country-pop with a playful two-step swing handclaps on the backbeat bouncing acoustic guitar and a bright fiddle hook; verse stays light and conversational pre-chorus tightens with claps and a rising whistle chorus opens with group shouts and a catchy chant. Male vocals with cheeky lead delivery short delay throws on punchlines little crowd ad-libs punchy mix with dusty barn-room color and a few comic honky-tonk fills.

Sunset On Steve’s Patio

02:59

2 months ago

by grantghutchinson@gmail.com

Steve is selling hotdogs and beer for the sunset patio in leisure lakes trying to make a buck to buy patio furniture so everyone can enjoy the sunset

upright bass communal feel. Warm heartland pop with a touch of country-folk; male vocals over strummed acoustic guitar and brushed drums. First verse intimate and story-driven chorus opens with group harmonies and tambourine. Light organ pad blooms on the last chorus for a sun-drenched

Sunset On Steve’s Patio

03:07

2 months ago

by grantghutchinson@gmail.com

Steve is selling hotdogs and beer for the sunset patio in leisure lakes trying to make a buck to buy patio furniture so everyone can enjoy the sunset

upright bass communal feel. Warm heartland pop with a touch of country-folk; male vocals over strummed acoustic guitar and brushed drums. First verse intimate and story-driven chorus opens with group harmonies and tambourine. Light organ pad blooms on the last chorus for a sun-drenched

Hinni Hinrichs, der Tangogeiger

03:05

7 months ago

by Martin

Tango über „Hinni Hinrichs dem Tangogeiger“

catchy chorus upright bass tango arranged for male vocals; production intimate and smoky with strong dynamic swells into a bold dramatic tango with bandoneon and nylon-string guitar; medium tempo with sharp stabs and rubato intro; vocal phrasing follows violin-style melodic arcs romantic strings

Upright Bass

Upright Bass Tracks

Both Feet in Rome

Both Feet in Rome

Baba Wehu

Baba Wehu

Coturno de Ouro

Coturno de Ouro

Sunset On Steve’s Patio

Sunset On Steve’s Patio

Hinni Hinrichs, der Tangogeiger

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