Ma voix tremble

03:09

há 1 mês

Triste avec ma voix

female vocals tape hiss pre-chorus opens with rising strings and breathy doubles French pop-R&B ballad with female vocals slow half-time pulse soft piano chords and muted kick verse keeps it intimate and bare chorus blooms with stacked harmonies and a short echo tail on the hook bridge drops to voice and felt piano before the final lift close-mic intimate mix with glossy highs and gentle reverse swells between lines

Ma voix tremble

03:08

há 1 mês

de Ouled-Bourya Inès

Triste avec ma voix

female vocals tape hiss pre-chorus opens with rising strings and breathy doubles French pop-R&B ballad with female vocals slow half-time pulse soft piano chords and muted kick verse keeps it intimate and bare chorus blooms with stacked harmonies and a short echo tail on the hook bridge drops to voice and felt piano before the final lift close-mic intimate mix with glossy highs and gentle reverse swells between lines

Marielita Está canción es para ti Departe de Erling Antonio Zeledón el joven a quien siempre te lleva en su corazón Quiero decirte que Eres increíble eres una joven muy linda 🥰 I la verdad me gustas mucho 🥺 Si algún día yo no estoy recuerda lo importante que eras para mí recuerda que siempre te llevaré en mi corazón por favor cuídate mucho Marielita te quiero mucho

male vocals emotional pre-chorus opens with rising strings and breathy doubles close-mic and tender in verses Latin pop ballad with gentle mid-tempo pulse and steady acoustic guitar; verse stays intimate with soft piano and light percussion chorus lands on warm layered harmonies and a simple sing-back hook. Male vocals wider stacked ad-libs on the chorus. Small reverse swell into each chorus and a final lift with hand percussion. Bright polished mix with a soft glow.

Siempre en mi corazón

03:28

há 1 mês

de Erling Antonio Zeledón

Marielita Está canción es para ti Departe de Erling Antonio Zeledón el joven a quien siempre te lleva en su corazón Quiero decirte que Eres increíble eres una joven muy linda 🥰 I la verdad me gustas mucho 🥺 Si algún día yo no estoy recuerda lo importante que eras para mí recuerda que siempre te llevaré en mi corazón por favor cuídate mucho Marielita te quiero mucho

male vocals emotional pre-chorus opens with rising strings and breathy doubles close-mic and tender in verses Latin pop ballad with gentle mid-tempo pulse and steady acoustic guitar; verse stays intimate with soft piano and light percussion chorus lands on warm layered harmonies and a simple sing-back hook. Male vocals wider stacked ad-libs on the chorus. Small reverse swell into each chorus and a final lift with hand percussion. Bright polished mix with a soft glow.

Paper Umbrella

03:32

há 1 mês

de nayan@slris.com

give me romantic rain song

romantic pre-chorus opens with rising strings and breathy doubles Pop ballad with a slow swung groove brushed drums and warm Rhodes; verse stays intimate with sparse piano and close-mic vocal chorus lands with full drum lift and harmony stacks. Use rain-drop foley reverse swell transitions and a delayed vocal throw on the hook word. Bright glossy mix with a soft cinematic glow.

Paper Umbrella

03:53

há 1 mês

de nayan@slris.com

give me romantic rain song

romantic pre-chorus opens with rising strings and breathy doubles Pop ballad with a slow swung groove brushed drums and warm Rhodes; verse stays intimate with sparse piano and close-mic vocal chorus lands with full drum lift and harmony stacks. Use rain-drop foley reverse swell transitions and a delayed vocal throw on the hook word. Bright glossy mix with a soft cinematic glow.

Tres Bendiciones

03:38

há 1 mês

de Eduvel Cervantes

Gracias Dios por prestarme tres bellos hijos dos princesas Mey Meli y un tercero que no engendre pero es parte de mi vida Dylan las princesas me reprochan mi carácter y el no estar a su lado pero Dios sabe que la luchaba por ellos desde las madrugadas hasta altas horas del dia nunca valoraron mi sacrificio y hasta mi familia llegó a su fin pero doy gracias a Dios por las fuerzas y pido perdón

emotional female vocals a reversed swell into each chorus pre-chorus opens with rising strings and breathy doubles piano arpeggios soft acoustic guitar Latin pop ballad with worship warmth mid-tempo pulse and restrained kick; verse keeps it intimate and close-mic chorus lifts with stacked female harmonies and a tender gang-vocal echo on the key phrase. Include gentle rim clicks and a final lift with choir-like pads; bright and polished with a warm radio mix. female vocals

Tres Bendiciones

03:31

há 1 mês

de Eduvel Cervantes

Gracias Dios por prestarme tres bellos hijos dos princesas Mey Meli y un tercero que no engendre pero es parte de mi vida Dylan las princesas me reprochan mi carácter y el no estar a su lado pero Dios sabe que la luchaba por ellos desde las madrugadas hasta altas horas del dia nunca valoraron mi sacrificio y hasta mi familia llegó a su fin pero doy gracias a Dios por las fuerzas y pido perdón

emotional female vocals a reversed swell into each chorus pre-chorus opens with rising strings and breathy doubles piano arpeggios soft acoustic guitar Latin pop ballad with worship warmth mid-tempo pulse and restrained kick; verse keeps it intimate and close-mic chorus lifts with stacked female harmonies and a tender gang-vocal echo on the key phrase. Include gentle rim clicks and a final lift with choir-like pads; bright and polished with a warm radio mix. female vocals

Biletul Spre Rai

03:43

há 1 mês

de Ecaterina Batir

Doi străini prinși în ploaie, fără să se vadă. Mi-ai cerut o brichetă, deși nu fumai, Și-am văzut în ochii tăi biletul spre un alt rai. Am lăsat în spate bagaje și frici, Am urcat în primul tren, fără să știm unde ajungem de aici. Rămânem noi doi, pe un ecran alb-negru sau color, Doi actori principali prinși în cel mai mare dor...

cinematic female vocals rai soft piano pulses pre-chorus opens with rising strings and breathy doubles Romantic pop ballad with a slow 6/8 sway and gentle acoustic guitar and restrained brush drums; verse stays intimate and close-mic chorus blooms with layered female vocals and held harmonies. Use a faint tape hiss a reversed swell into the pre-chorus and a shimmering final chord. Warm and emotionally close. female vocals

Biletul Spre Rai

03:34

há 1 mês

de Ecaterina Batir

Doi străini prinși în ploaie, fără să se vadă. Mi-ai cerut o brichetă, deși nu fumai, Și-am văzut în ochii tăi biletul spre un alt rai. Am lăsat în spate bagaje și frici, Am urcat în primul tren, fără să știm unde ajungem de aici. Rămânem noi doi, pe un ecran alb-negru sau color, Doi actori principali prinși în cel mai mare dor...

cinematic female vocals rai soft piano pulses pre-chorus opens with rising strings and breathy doubles Romantic pop ballad with a slow 6/8 sway and gentle acoustic guitar and restrained brush drums; verse stays intimate and close-mic chorus blooms with layered female vocals and held harmonies. Use a faint tape hiss a reversed swell into the pre-chorus and a shimmering final chord. Warm and emotionally close. female vocals

Не похоже на конец

03:36

há 1 mês

de Анна Нико

Не похоже, что это конец. Знаешь говорят, чтобы забыть человека нужно отдалится от него, не видеть каждый день и тому подобное. Я вижу тебя ежедневно и кажется с каждой секундой проведённой рядом, я всё дальше и дальше. Все твои колкие слова в мой адрес, ты ведь знаешь, что я не обижаюсь, потому что понимаю, этим ты лишь хочешь меня задеть, да посильнее, а я ведь не дура, я не реагирую на эти про

female vocals polished doubled hook lines and emotional. pre-chorus opens with rising strings and breathy doubles Russian pop ballad with female vocals mid-tempo pulse and gentle swung drums; verse stays intimate with sparse piano and muted bass chorus lands on wide harmony stacks and a short chantable refrain. Vocal treatment is close-mic and vulnerable in verses with airy ad-libs and delay throws on key words. Ear candy includes reversed piano swells soft cymbal lifts and a final chorus lift with fuller percussion. Mix is warm

Не похоже на конец

03:25

há 1 mês

de Анна Нико

Не похоже, что это конец. Знаешь говорят, чтобы забыть человека нужно отдалится от него, не видеть каждый день и тому подобное. Я вижу тебя ежедневно и кажется с каждой секундой проведённой рядом, я всё дальше и дальше. Все твои колкие слова в мой адрес, ты ведь знаешь, что я не обижаюсь, потому что понимаю, этим ты лишь хочешь меня задеть, да посильнее, а я ведь не дура, я не реагирую на эти про

female vocals polished doubled hook lines and emotional. pre-chorus opens with rising strings and breathy doubles Russian pop ballad with female vocals mid-tempo pulse and gentle swung drums; verse stays intimate with sparse piano and muted bass chorus lands on wide harmony stacks and a short chantable refrain. Vocal treatment is close-mic and vulnerable in verses with airy ad-libs and delay throws on key words. Ear candy includes reversed piano swells soft cymbal lifts and a final chorus lift with fuller percussion. Mix is warm

Perdón, Yesenia

04:10

há 1 mês

de Melvin Motta cruz

hola mi vida hermosa yesenia de esta manera quiero pedirte perdón mi amada esposa perdón por tu lágrimas mi amor te amo estos minutos lejos de ti son un calvario para mi te necesito mucho mi vida

male vocals bright and polished mix. pre-chorus opens with rising strings and breathy doubles Latin pop ballad with gentle bolero sway and mid-tempo pulse; verse stays intimate with acoustic guitar and soft hand percussion chorus lands on a warm singable hook with stacked male harmonies and small gang-style echo replies. Add piano flourishes a light percussion lift into each chorus and a final bridge that strips to voice and guitar before a fuller last refrain. Intimate close-mic male vocals tender and emotional

Perdón, Yesenia

03:18

há 1 mês

de Melvin Motta cruz

hola mi vida hermosa yesenia de esta manera quiero pedirte perdón mi amada esposa perdón por tu lágrimas mi amor te amo estos minutos lejos de ti son un calvario para mi te necesito mucho mi vida

male vocals bright and polished mix. pre-chorus opens with rising strings and breathy doubles Latin pop ballad with gentle bolero sway and mid-tempo pulse; verse stays intimate with acoustic guitar and soft hand percussion chorus lands on a warm singable hook with stacked male harmonies and small gang-style echo replies. Add piano flourishes a light percussion lift into each chorus and a final bridge that strips to voice and guitar before a fuller last refrain. Intimate close-mic male vocals tender and emotional

Floare Mică

03:20

há 1 mês

de Mariana Gabriela

FIICA MEA ESTE TOTUL PENTRU MINE EA ADUCE LUMINA CARE MA FACE SA CANT O FLOARE MICA BLANDA SI DULCE FIICELE SUNT CA SOARELE DIMINETII O SPERANTA DEAUR CAND CERULL ESTE GRII

pre-chorus opens with rising strings and breathy doubles Pop ballad with gentle acoustic piano and warm pad swells slow 78 BPM soft brushed percussion in verse chorus blooms with stacked harmonies and a lifted drum pulse; intimate close-mic lead tender gang-style backing on the hook reverse piano swell into each chorus airy chimes between lines bright polished mix with a soft emotional glow

Floare Mică

03:16

há 1 mês

de Mariana Gabriela

FIICA MEA ESTE TOTUL PENTRU MINE EA ADUCE LUMINA CARE MA FACE SA CANT O FLOARE MICA BLANDA SI DULCE FIICELE SUNT CA SOARELE DIMINETII O SPERANTA DEAUR CAND CERULL ESTE GRII

pre-chorus opens with rising strings and breathy doubles Pop ballad with gentle acoustic piano and warm pad swells slow 78 BPM soft brushed percussion in verse chorus blooms with stacked harmonies and a lifted drum pulse; intimate close-mic lead tender gang-style backing on the hook reverse piano swell into each chorus airy chimes between lines bright polished mix with a soft emotional glow

Puerta Sin Volver

03:13

há 2 meses

de Djmega Auditivo

esta ves fue demasiado esperarte, pues el tiempo me demostró que ya no soy importante y el momento de dejarte ir se llego antes de lo pensado, se que esto me dolerá más que nada, pero es un sufrimiento que tengo que soportar. porque mi corazón y mi mente penso en que volverías otra ves me mentí solo y ahora que todo termino, nose que are sin ti solo se que tengo que olvidarte arrancarte de mi

male vocals latin pop ballad pre-chorus opens with rising strings and breathy doubles slow 84 BPM with a pulsing acoustic guitar soft piano beds and restrained toms; verse stays intimate and close chorus lands with wider harmonies and a short gang-vocal echo on the key line. Male vocals emotional lead with delay throws on the last word of each hook gentle reverse swells into the chorus glossy but warm mix with a tight low end and bright top.

Puerta Sin Volver

03:25

há 2 meses

de Djmega Auditivo

esta ves fue demasiado esperarte, pues el tiempo me demostró que ya no soy importante y el momento de dejarte ir se llego antes de lo pensado, se que esto me dolerá más que nada, pero es un sufrimiento que tengo que soportar. porque mi corazón y mi mente penso en que volverías otra ves me mentí solo y ahora que todo termino, nose que are sin ti solo se que tengo que olvidarte arrancarte de mi

male vocals latin pop ballad pre-chorus opens with rising strings and breathy doubles slow 84 BPM with a pulsing acoustic guitar soft piano beds and restrained toms; verse stays intimate and close chorus lands with wider harmonies and a short gang-vocal echo on the key line. Male vocals emotional lead with delay throws on the last word of each hook gentle reverse swells into the chorus glossy but warm mix with a tight low end and bright top.

233 Məktəb

03:40

há 2 meses

de Biznes Vidio

233 nömrəli məktəbə 233 məktəb – uşaqlıq yuvamız, Divarlarında gülüş, səsimiz qaldı. Qaçdıq həyətində, arzularla dolu, Zaman keçdi… hər şey orda qaldı. Şükran Əkbərov – bir ad, bir xatirə, Dostluğun izi, ürəkdə iz qoydu. O günlər saf idi, qayğısız idi, İndi xatırladıqca gözlər doldu…Cavanlıq ötür, zaman dayanmaz, Hər kəs öz yolunda itir bir az. Bir vaxt uşaqlıq – indi xatirə, Ürəkdə qalır… silinmə

male vocals spacious Azerbaijani nostalgic pop ballad with male vocals mid-tempo sway and gentle 6/8 pulse; verse stays intimate with piano and soft percussion pre-chorus opens with rising strings and breathy doubles chorus lands on a warm group harmony and handclap lift. Add subtle reversed swells bell accents between lines and a final lift with fuller drums. Mix is warm and close-mic in the verses.

233 Məktəb

03:08

há 2 meses

de Biznes Vidio

233 nömrəli məktəbə 233 məktəb – uşaqlıq yuvamız, Divarlarında gülüş, səsimiz qaldı. Qaçdıq həyətində, arzularla dolu, Zaman keçdi… hər şey orda qaldı. Şükran Əkbərov – bir ad, bir xatirə, Dostluğun izi, ürəkdə iz qoydu. O günlər saf idi, qayğısız idi, İndi xatırladıqca gözlər doldu…Cavanlıq ötür, zaman dayanmaz, Hər kəs öz yolunda itir bir az. Bir vaxt uşaqlıq – indi xatirə, Ürəkdə qalır… silinmə

male vocals spacious Azerbaijani nostalgic pop ballad with male vocals mid-tempo sway and gentle 6/8 pulse; verse stays intimate with piano and soft percussion pre-chorus opens with rising strings and breathy doubles chorus lands on a warm group harmony and handclap lift. Add subtle reversed swells bell accents between lines and a final lift with fuller drums. Mix is warm and close-mic in the verses.

Pre-chorus Opens With Rising Strings And Breathy Doubles