Obsesionados Los Dos

02:54

há 4 meses

Estoy obsesionada conmigo , los dos nos obsesionamos hay que admitirlo , estás con ella ahora pero pensando en mí , que tonto te ves , esa noche hasta el amanecer mientras lo hacíamos me reclamabas por qué me aleje de ti antes, voz femenina estilo K-pop trap y reggaeton pop

pop rap k pop reggaetón K-pop-trap meets reggaeton pop; mid-tempo bounce with sharp 808s glassy synth stabs and percussive vocal chops. Female vocals: breathy and teasing in the verses stacked and anthemic in the hook. Verses sit in a tight swaggering pocket; pre-chorus thins to filtered pads; chorus explodes with bright leads sub-heavy low end and airy harmonies on the top line.

Obsesionados Los Dos

03:24

há 4 meses

de Damaris “Dama” suarez

Estoy obsesionada conmigo , los dos nos obsesionamos hay que admitirlo , estás con ella ahora pero pensando en mí , que tonto te ves , esa noche hasta el amanecer mientras lo hacíamos me reclamabas por qué me aleje de ti antes, voz femenina estilo K-pop trap y reggaeton pop

pop rap k pop reggaetón K-pop-trap meets reggaeton pop; mid-tempo bounce with sharp 808s glassy synth stabs and percussive vocal chops. Female vocals: breathy and teasing in the verses stacked and anthemic in the hook. Verses sit in a tight swaggering pocket; pre-chorus thins to filtered pads; chorus explodes with bright leads sub-heavy low end and airy harmonies on the top line.

Tô Sumida Mas Tô Bem

02:35

há 4 meses

de Tatiana Zanoaga

Trap/reggaeton Brazilian Portuguese, male or female vocal, deep or raspy tone, catchy short hook (15–20 sec), repetitive chorus, 120–140 BPM, heavy 808 bass, punchy trap/reggaeton drums, minimal melodic embellishments, layered vocals on hook, adlibs (“yeah”, “vamos”, “woo”), modern synths and percussion, emotional and relatable lyrics, urban street vibe, TikTok and social media-friendly structure,

male vocals emotional rap deep vocal tone reggaetón minimal Hybrid trap-reggaeton at ~132 BPM with Brazilian percussion flourishes deep slightly raspy tone. Sparse melancholic synth plucks and subby 808s under a tight dembow-pattern drum groove. Hook explodes with stacked gang vocals ad-libs (“yeah” “vamos” “woo”) and filtered risers for TikTok-ready impact; verses stay minimal and intimate letting the vocal sit upfront. Short loopable form tailored for social clips and quick cuts.

Tô Sumida Mas Tô Bem

03:14

há 4 meses

de Tatiana Zanoaga

Trap/reggaeton Brazilian Portuguese, male or female vocal, deep or raspy tone, catchy short hook (15–20 sec), repetitive chorus, 120–140 BPM, heavy 808 bass, punchy trap/reggaeton drums, minimal melodic embellishments, layered vocals on hook, adlibs (“yeah”, “vamos”, “woo”), modern synths and percussion, emotional and relatable lyrics, urban street vibe, TikTok and social media-friendly structure,

male vocals emotional rap deep vocal tone reggaetón minimal Hybrid trap-reggaeton at ~132 BPM with Brazilian percussion flourishes deep slightly raspy tone. Sparse melancholic synth plucks and subby 808s under a tight dembow-pattern drum groove. Hook explodes with stacked gang vocals ad-libs (“yeah” “vamos” “woo”) and filtered risers for TikTok-ready impact; verses stay minimal and intimate letting the vocal sit upfront. Short loopable form tailored for social clips and quick cuts.

Vem Jogando Lento

02:40

há 4 meses

de Costel

Brazilian Portuguese trap/reggaeton, male or female raspy vocal, catchy 15‑20 sec hook, repetitive chorus, 120‑140 BPM, heavy 808 bass, punchy drums, minimal melody, adlibs (“yeah”, “vamos”), urban street vibe, TikTok/shorts-friendly.

rap vocal reggaetón minimal Dark Brazilian trap-reggaeton at ~130 BPM male or female raspy vocals. Heavy sub-808s and punchy clipped drums drive a minimal groove with a single percussive synth stab on the offbeat. Hook is hyper-repetitive and TikTok-ready with tight call-and-response ad-libs (“yeah” “vamos”) panned wide. Verses stay sparse and close-mic’d; chorus opens with doubled leads and a subtle distorted layer for grit. DJ-style stop on the last bar of each hook for dance transitions.

Vem Jogando Lento