Reggaetón

Música Gerada por IA

58 Faixas

Reggaetón Faixas

Camden and the Stars

Capa de Camden and the Stars por ben.senn@joshgen.org
02:31

há 6 dias

de ben.senn@joshgen.org

a pensive thoughtful track with violins and cellos but with a modern reggaeton beat that's pronounced but overwhelming - lyrics are about a boy detective named camden who loves star wars

emotional reggaetón and polished. Reggaeton-pop with a pronounced dembow groove pensive string bed and syncopated percussion; verse rides tight low-end and pizzicato violins pre-chorus thins to cello pulses and vocal lifts chorus opens with stacked strings and a chantable hook. Lead vocal stays close-mic and thoughtful with doubled hooks soft ad-libs in parentheses and short delay throws on key names. Ear candy includes reverse string swells a brief percussion break before the chorus and chime accents between lines. Bright

Camden and the Stars

Capa de Camden and the Stars por ben.senn@joshgen.org
02:38

há 6 dias

de ben.senn@joshgen.org

a pensive thoughtful track with violins and cellos but with a modern reggaeton beat that's pronounced but overwhelming - lyrics are about a boy detective named camden who loves star wars

emotional reggaetón and polished. Reggaeton-pop with a pronounced dembow groove pensive string bed and syncopated percussion; verse rides tight low-end and pizzicato violins pre-chorus thins to cello pulses and vocal lifts chorus opens with stacked strings and a chantable hook. Lead vocal stays close-mic and thoughtful with doubled hooks soft ad-libs in parentheses and short delay throws on key names. Ear candy includes reverse string swells a brief percussion break before the chorus and chime accents between lines. Bright

Ella Rompe Todo

Capa de Ella Rompe Todo por Bryan
02:41

há 1 semana

de Bryan

creame una cancion de fiesta, perreo, playa que ella es la que rompe la discoteca etc en reggaeton con dembow

punchy reggaetón with doubled hook lines Reggaeton dembow with a hard perreo pulse syncopated drums and rolling sub-bass; verse stays lean with cheeky call-and-response lines pre-chorus lifts with filtered percussion and rising chants chorus opens wider with club shouts and sticky repeated anchor. Lead vocal is close-mic and playful ad-lib panning and short delay throws on the last word. Ear candy: conga fills into the drop reversed swell before the chorus and a bright whistle stab. Mix is glossy and bass-heavy.

Ella Rompe Todo

Capa de Ella Rompe Todo por Bryan
02:42

há 1 semana

de Bryan

creame una cancion de fiesta, perreo, playa que ella es la que rompe la discoteca etc en reggaeton con dembow

punchy reggaetón with doubled hook lines Reggaeton dembow with a hard perreo pulse syncopated drums and rolling sub-bass; verse stays lean with cheeky call-and-response lines pre-chorus lifts with filtered percussion and rising chants chorus opens wider with club shouts and sticky repeated anchor. Lead vocal is close-mic and playful ad-lib panning and short delay throws on the last word. Ear candy: conga fills into the drop reversed swell before the chorus and a bright whistle stab. Mix is glossy and bass-heavy.

No me importa

Capa de No me importa por Alan Gomez
02:15

há 3 semanas

de Alan Gomez

reggaetón

No me importa

Capa de No me importa por Alan Gomez
02:27

há 3 semanas

de Alan Gomez

reggaetón

Mele y Marshall en la Agencia Arcoiris

Capa de Mele y Marshall en la Agencia Arcoiris por Sharito Hernandez
02:52

há 1 mês

de Sharito Hernandez

una canción con los nombres mele Marshall también que tenga mitad reggaeton mitad salsa también los nombres colibry agency agencia Arcoiris Verso 1 – salsa romántica) Mele llegó con su luz encendida, baila suave, pero cambia la vida, como un ángel con ritmo en la piel, cuando sonríe todo se siente bien. Marshall con fuerza, talento y visión, mente brillante con puro corazón y fé en Dios cuando

salsa reggaetón Warm crossover of romantic salsa and midtempo reggaetón; live brass bright piano montuno and congas in the salsa half then a slick sub-heavy beat with crisp percussion for the reggaetón half. Male and female vocals trading lines playful back-and-forth ad-libs and a big singalong hook that keeps tying the agency names into the love story. Energy starts intimate and sentimental then lifts into a dancefloor-ready climax with stacked harmonies.

Mele y Marshall en la Agencia Arcoiris

Capa de Mele y Marshall en la Agencia Arcoiris por Sharito Hernandez
03:15

há 1 mês

de Sharito Hernandez

una canción con los nombres mele Marshall también que tenga mitad reggaeton mitad salsa también los nombres colibry agency agencia Arcoiris Verso 1 – salsa romántica) Mele llegó con su luz encendida, baila suave, pero cambia la vida, como un ángel con ritmo en la piel, cuando sonríe todo se siente bien. Marshall con fuerza, talento y visión, mente brillante con puro corazón y fé en Dios cuando

salsa reggaetón Warm crossover of romantic salsa and midtempo reggaetón; live brass bright piano montuno and congas in the salsa half then a slick sub-heavy beat with crisp percussion for the reggaetón half. Male and female vocals trading lines playful back-and-forth ad-libs and a big singalong hook that keeps tying the agency names into the love story. Energy starts intimate and sentimental then lifts into a dancefloor-ready climax with stacked harmonies.

En La Roca Estoy Firme

Capa de En La Roca Estoy Firme por Rojas Santiago
02:05

há 1 mês

de Rojas Santiago

Un Reggaeton Cristiano Con El Título En La Roca Estoy Firme

reggaetón warm synth pads Bright reggaeton cristiano with mid-tempo dembow and rhythmic acoustic guitar chops; male vocals upfront call-and-response coros in the hook. Verses stay tight and percussive chorus widens with stacked harmonies and airy reverb. Sub bass supports the groove light piano fills and clap layers lift the final chorus for a congregational hands-up feel.

En La Roca Estoy Firme

Capa de En La Roca Estoy Firme por Rojas Santiago
01:56

há 1 mês

de Rojas Santiago

Un Reggaeton Cristiano Con El Título En La Roca Estoy Firme

reggaetón warm synth pads Bright reggaeton cristiano with mid-tempo dembow and rhythmic acoustic guitar chops; male vocals upfront call-and-response coros in the hook. Verses stay tight and percussive chorus widens with stacked harmonies and airy reverb. Sub bass supports the groove light piano fills and clap layers lift the final chorus for a congregational hands-up feel.

me niegas

Capa de me niegas por zambrano ortiz jorge alberto
02:33

há 1 mês

de zambrano ortiz jorge alberto

reggaetón

me niegas

Capa de me niegas por zambrano ortiz jorge alberto
02:20

há 1 mês

de zambrano ortiz jorge alberto

reggaetón

Bandolera Pero Fina

Capa de Bandolera Pero Fina por Magisn Xupw
03:34

há 2 meses

de Magisn Xupw

dembow y reggaeton Tu no eres bandolera pero dale don dale, ‎Dale se pone chivirika pa q el pelo se lo jale en ese pantalon corto el booty sobre sale  no tiene el cuerpo en venta pero sale for sale le pico el ojo y capta señales ‎

reggaetón snare crowd chants Hard-hitting dembow-reggaeton hybrid male vocals. Tight percussive groove with bright snares and deep sub syncopated reggaeton drums pushing the tempo. Verses stripped to kick and a rubbery bass line; chorus explodes with detuned synth leads and stacked gang vocals. Short risers and filtered drops keep it club-ready and loopable for DJs.

Bandolera Pero Fina

Capa de Bandolera Pero Fina por Magisn Xupw
04:00

há 2 meses

de Magisn Xupw

dembow y reggaeton Tu no eres bandolera pero dale don dale, ‎Dale se pone chivirika pa q el pelo se lo jale en ese pantalon corto el booty sobre sale  no tiene el cuerpo en venta pero sale for sale le pico el ojo y capta señales ‎

reggaetón snare crowd chants Hard-hitting dembow-reggaeton hybrid male vocals. Tight percussive groove with bright snares and deep sub syncopated reggaeton drums pushing the tempo. Verses stripped to kick and a rubbery bass line; chorus explodes with detuned synth leads and stacked gang vocals. Short risers and filtered drops keep it club-ready and loopable for DJs.

En Otra Dimensión

Capa de En Otra Dimensión por Juan Di tifanny
02:16

há 2 meses

de Juan Di tifanny

en otra dimensión reggaeton trap

male vocals rap reggaetón Dark reggaeton-trap crossover with male vocals subby sidechained bass tight dembow groove blended with halftime trap drums. Verses stay minimal with distant pad chords and filtered vocal chops; chorus hits wider with bright synth leads stacked chant ad-libs and a hooky top-line. Occasional risers and stuttered delays to lift into each hook keeping the energy club-ready and hypnotic.

En Otra Dimensión

Capa de En Otra Dimensión por Juan Di tifanny
03:58

há 2 meses

de Juan Di tifanny

en otra dimensión reggaeton trap

male vocals rap reggaetón Dark reggaeton-trap crossover with male vocals subby sidechained bass tight dembow groove blended with halftime trap drums. Verses stay minimal with distant pad chords and filtered vocal chops; chorus hits wider with bright synth leads stacked chant ad-libs and a hooky top-line. Occasional risers and stuttered delays to lift into each hook keeping the energy club-ready and hypnotic.

Obsesionados Los Dos

Capa de Obsesionados Los Dos por Damaris “Dama” suarez
02:54

há 2 meses

de Damaris “Dama” suarez

Estoy obsesionada conmigo , los dos nos obsesionamos hay que admitirlo , estás con ella ahora pero pensando en mí , que tonto te ves , esa noche hasta el amanecer mientras lo hacíamos me reclamabas por qué me aleje de ti antes, voz femenina estilo K-pop trap y reggaeton pop

pop rap k pop reggaetón K-pop-trap meets reggaeton pop; mid-tempo bounce with sharp 808s glassy synth stabs and percussive vocal chops. Female vocals: breathy and teasing in the verses stacked and anthemic in the hook. Verses sit in a tight swaggering pocket; pre-chorus thins to filtered pads; chorus explodes with bright leads sub-heavy low end and airy harmonies on the top line.

Obsesionados Los Dos

Capa de Obsesionados Los Dos por Damaris “Dama” suarez
03:24

há 2 meses

de Damaris “Dama” suarez

Estoy obsesionada conmigo , los dos nos obsesionamos hay que admitirlo , estás con ella ahora pero pensando en mí , que tonto te ves , esa noche hasta el amanecer mientras lo hacíamos me reclamabas por qué me aleje de ti antes, voz femenina estilo K-pop trap y reggaeton pop

pop rap k pop reggaetón K-pop-trap meets reggaeton pop; mid-tempo bounce with sharp 808s glassy synth stabs and percussive vocal chops. Female vocals: breathy and teasing in the verses stacked and anthemic in the hook. Verses sit in a tight swaggering pocket; pre-chorus thins to filtered pads; chorus explodes with bright leads sub-heavy low end and airy harmonies on the top line.

Tô Sumida Mas Tô Bem

Capa de Tô Sumida Mas Tô Bem por Tatiana Zanoaga
02:35

há 2 meses

de Tatiana Zanoaga

Trap/reggaeton Brazilian Portuguese, male or female vocal, deep or raspy tone, catchy short hook (15–20 sec), repetitive chorus, 120–140 BPM, heavy 808 bass, punchy trap/reggaeton drums, minimal melodic embellishments, layered vocals on hook, adlibs (“yeah”, “vamos”, “woo”), modern synths and percussion, emotional and relatable lyrics, urban street vibe, TikTok and social media-friendly structure,

male vocals emotional rap deep vocal tone reggaetón minimal Hybrid trap-reggaeton at ~132 BPM with Brazilian percussion flourishes deep slightly raspy tone. Sparse melancholic synth plucks and subby 808s under a tight dembow-pattern drum groove. Hook explodes with stacked gang vocals ad-libs (“yeah” “vamos” “woo”) and filtered risers for TikTok-ready impact; verses stay minimal and intimate letting the vocal sit upfront. Short loopable form tailored for social clips and quick cuts.

Tô Sumida Mas Tô Bem

Capa de Tô Sumida Mas Tô Bem por Tatiana Zanoaga
03:14

há 2 meses

de Tatiana Zanoaga

Trap/reggaeton Brazilian Portuguese, male or female vocal, deep or raspy tone, catchy short hook (15–20 sec), repetitive chorus, 120–140 BPM, heavy 808 bass, punchy trap/reggaeton drums, minimal melodic embellishments, layered vocals on hook, adlibs (“yeah”, “vamos”, “woo”), modern synths and percussion, emotional and relatable lyrics, urban street vibe, TikTok and social media-friendly structure,

male vocals emotional rap deep vocal tone reggaetón minimal Hybrid trap-reggaeton at ~132 BPM with Brazilian percussion flourishes deep slightly raspy tone. Sparse melancholic synth plucks and subby 808s under a tight dembow-pattern drum groove. Hook explodes with stacked gang vocals ad-libs (“yeah” “vamos” “woo”) and filtered risers for TikTok-ready impact; verses stay minimal and intimate letting the vocal sit upfront. Short loopable form tailored for social clips and quick cuts.

Vem Jogando Lento

Capa de Vem Jogando Lento por Costel
02:40

há 2 meses

de Costel

Brazilian Portuguese trap/reggaeton, male or female raspy vocal, catchy 15‑20 sec hook, repetitive chorus, 120‑140 BPM, heavy 808 bass, punchy drums, minimal melody, adlibs (“yeah”, “vamos”), urban street vibe, TikTok/shorts-friendly.

rap vocal reggaetón minimal Dark Brazilian trap-reggaeton at ~130 BPM male or female raspy vocals. Heavy sub-808s and punchy clipped drums drive a minimal groove with a single percussive synth stab on the offbeat. Hook is hyper-repetitive and TikTok-ready with tight call-and-response ad-libs (“yeah” “vamos”) panned wide. Verses stay sparse and close-mic’d; chorus opens with doubled leads and a subtle distorted layer for grit. DJ-style stop on the last bar of each hook for dance transitions.

Vem Jogando Lento

Capa de Vem Jogando Lento por Costel
02:58

há 2 meses

de Costel

Brazilian Portuguese trap/reggaeton, male or female raspy vocal, catchy 15‑20 sec hook, repetitive chorus, 120‑140 BPM, heavy 808 bass, punchy drums, minimal melody, adlibs (“yeah”, “vamos”), urban street vibe, TikTok/shorts-friendly.

rap vocal reggaetón minimal Dark Brazilian trap-reggaeton at ~130 BPM male or female raspy vocals. Heavy sub-808s and punchy clipped drums drive a minimal groove with a single percussive synth stab on the offbeat. Hook is hyper-repetitive and TikTok-ready with tight call-and-response ad-libs (“yeah” “vamos”) panned wide. Verses stay sparse and close-mic’d; chorus opens with doubled leads and a subtle distorted layer for grit. DJ-style stop on the last bar of each hook for dance transitions.

Rudo imoto

Capa de Rudo imoto por Kudakwashe Mukamba
03:25

há 2 meses

de Kudakwashe Mukamba

violin piano synth Soul raggae reggaetón dancehall mbira bass

Rudo imoto

Capa de Rudo imoto por Kudakwashe Mukamba
02:54

há 2 meses

de Kudakwashe Mukamba

violin piano synth Soul raggae reggaetón dancehall mbira bass

Mostrando 1 a 24 de 58 resultados