Empty Hallway

03:15

há 11 horas

about dad being there when i was small and picking me up when i was sad and had no where to go and now that hes gone I miss him

female vocals sad Country-pop ballad with a soft 92 BPM sway brushed drums and clean acoustic guitar in the verses strings and piano blooming in the pre-chorus and a bigger chorus with warm stacked harmonies; female vocals close-mic’d and intimate with breathy doubles gentle delay throws on the hook a pedal-steel cry in the turnaround and a final chorus lifted by handclaps and wide harmony pads bright and emotional mix

Empty Hallway

02:57

há 11 horas

de Sarah

about dad being there when i was small and picking me up when i was sad and had no where to go and now that hes gone I miss him

female vocals sad Country-pop ballad with a soft 92 BPM sway brushed drums and clean acoustic guitar in the verses strings and piano blooming in the pre-chorus and a bigger chorus with warm stacked harmonies; female vocals close-mic’d and intimate with breathy doubles gentle delay throws on the hook a pedal-steel cry in the turnaround and a final chorus lifted by handclaps and wide harmony pads bright and emotional mix

Dad you are my hero & P; J bwoe compose

02:40

há 6 dias

de vigil easter

bass drums Female Voice male voice Afrobeat sad Soprano emotional beat

Dad you are my hero & P; J bwoe compose

02:55

há 6 dias

de vigil easter

bass drums Female Voice male voice Afrobeat sad Soprano emotional beat

Strangers Now

03:11

há 1 semana

de Megara Lukàcs

sad missing crying

Strangers Now

03:17

há 1 semana

de Megara Lukàcs

sad missing crying

Saanu kise naal milan da shoq nai, Asi apne raah de raja aa… Na kise di soch ch phasde aa, Asi khud de likhe irada aa… Jithe duniya saath chad jandi, Othe asi khud hi khad jande aa… Dhokhe vekh ke hassde aa, Dil ch dard vi sad jande aa… (Hook) Saanu kise di load nai, Asi akele hi kaafi aa… Duniya jhooti lagdi ae, Par asi sach de saathi aa… Saanu kise di load nai, Na kise da sahara chahida… Maa baa

bass sad and a bright Punjabi hip-hop with a steady mid-tempo bounce and crisp handclap swing; verse rides sparse kick and dry snare then pre-chorus opens with filtered synth lift and snare rolls; chorus hits with layered gang doubles and a chanty reply. Add reverse swells into each hook vocal delay throws on the last word punchy mix with intimate lead vocal.

Apne Raah De Raja

02:07

há 1 semana

de Arslan Khan

Saanu kise naal milan da shoq nai, Asi apne raah de raja aa… Na kise di soch ch phasde aa, Asi khud de likhe irada aa… Jithe duniya saath chad jandi, Othe asi khud hi khad jande aa… Dhokhe vekh ke hassde aa, Dil ch dard vi sad jande aa… (Hook) Saanu kise di load nai, Asi akele hi kaafi aa… Duniya jhooti lagdi ae, Par asi sach de saathi aa… Saanu kise di load nai, Na kise da sahara chahida… Maa baa

bass sad and a bright Punjabi hip-hop with a steady mid-tempo bounce and crisp handclap swing; verse rides sparse kick and dry snare then pre-chorus opens with filtered synth lift and snare rolls; chorus hits with layered gang doubles and a chanty reply. Add reverse swells into each hook vocal delay throws on the last word punchy mix with intimate lead vocal.

Cicatrices en tu Voz

04:09

há 2 semanas

de Anette Barahona González

Una canción tipo rap sad, romántica con bajos, para pensar en tu ex, que sea romántico

rap sad intimate sparse percussion and punchy. Sad romantic rap with slow head-nodding bass warm sub drops and a moody late-night pulse; verse rides close-mic confessional bars pre-chorus opens with filtered pads and rising tension chorus lands with a short chantable hook and doubled ad-libs; bridge strips to bass and voice before the final chorus returns fuller with layered harmonies and echo throws. Mix is dark

Cicatrices en tu Voz

03:57

há 2 semanas

de Anette Barahona González

Una canción tipo rap sad, romántica con bajos, para pensar en tu ex, que sea romántico

rap sad intimate sparse percussion and punchy. Sad romantic rap with slow head-nodding bass warm sub drops and a moody late-night pulse; verse rides close-mic confessional bars pre-chorus opens with filtered pads and rising tension chorus lands with a short chantable hook and doubled ad-libs; bridge strips to bass and voice before the final chorus returns fuller with layered harmonies and echo throws. Mix is dark

Quiet Steps, Strong Heart

03:21

há 2 semanas

de aizpuinigo.ca@gmail.com

create an instrumental music sentimental low key a bit sad, inspirational

male vocals low sad inspirational lingering outro. Soft cinematic pop ballad with intimate male vocals; warm piano leads over subtle pads and distant guitar swells brushed snare and deep gentle kick enter gradually. Verses stay hushed and close-mic’d; chorus opens with layered harmonies and a lifting string bed. Final section strips back to piano and voice for a vulnerable

Quiet Steps, Strong Heart

03:10

há 2 semanas

de aizpuinigo.ca@gmail.com

create an instrumental music sentimental low key a bit sad, inspirational

male vocals low sad inspirational lingering outro. Soft cinematic pop ballad with intimate male vocals; warm piano leads over subtle pads and distant guitar swells brushed snare and deep gentle kick enter gradually. Verses stay hushed and close-mic’d; chorus opens with layered harmonies and a lifting string bed. Final section strips back to piano and voice for a vulnerable

why

03:04

há 3 semanas

de Kelly HAAS

emotional country piano sad

why

02:45

há 3 semanas

de Kelly HAAS

emotional country piano sad

Empty Side Of The Bed

03:43

há 3 semanas

de ant long

heart broken sad because my girlfriend left me sod slow reggae song

slow reggae sad heavy reggae groove at 68 BPM warm bass locked with a lazy rimshot shuffle skanking guitar on the offbeat. Male vocals husky and close with soft dub-style delays on key phrases. Sparse organ bubbles in the verse; chorus swells with stacked harmonies and a distant melodica hook. Reverb-drenched drops between sections let the heartbreak hang before the band slides back in.

Empty Side Of The Bed

02:43

há 3 semanas

de ant long

heart broken sad because my girlfriend left me sod slow reggae song

slow reggae sad heavy reggae groove at 68 BPM warm bass locked with a lazy rimshot shuffle skanking guitar on the offbeat. Male vocals husky and close with soft dub-style delays on key phrases. Sparse organ bubbles in the verse; chorus swells with stacked harmonies and a distant melodica hook. Reverb-drenched drops between sections let the heartbreak hang before the band slides back in.

Stuck Back In Time

03:18

há 3 semanas

de Harley Parker

Sad pop song with male vocals in the style of Dean Lewis about finding the woman God made 5 me & falling in ❤️ with her but I ended up losing her due 2 mistakes & bad decisions.Now Im sitting here with a 💔 feeling lost & its like time stood still & Im still stuck back in time when she walked away.I want her 2 realize that Ive changed & I just want her back in my life cuz shes my life,my ❤️ & soul.

male vocals pop warm bass sad Soul Melancholic pop ballad with male vocals; intimate piano and soft acoustic guitar in the verses subtle pads underneath. Chorus blooms with wide reverb and roomy drums that stay gentle but driving. Vocal sits upfront and vulnerable with double-tracked hooks and faint high harmonies on the title line. Final chorus lifts with added harmonies and a slightly bigger snare for emotional payoff then strips back to piano and voice on the last phrase.

Stuck Back In Time

03:17

há 3 semanas

de Harley Parker

Sad pop song with male vocals in the style of Dean Lewis about finding the woman God made 5 me & falling in ❤️ with her but I ended up losing her due 2 mistakes & bad decisions.Now Im sitting here with a 💔 feeling lost & its like time stood still & Im still stuck back in time when she walked away.I want her 2 realize that Ive changed & I just want her back in my life cuz shes my life,my ❤️ & soul.

male vocals pop warm bass sad Soul Melancholic pop ballad with male vocals; intimate piano and soft acoustic guitar in the verses subtle pads underneath. Chorus blooms with wide reverb and roomy drums that stay gentle but driving. Vocal sits upfront and vulnerable with double-tracked hooks and faint high harmonies on the title line. Final chorus lifts with added harmonies and a slightly bigger snare for emotional payoff then strips back to piano and voice on the last phrase.