Headmistress Door

03:47

há 1 mês

A song about a girl who suffered domestic violence at home while facing bullying at school and while being in secondary school you would always find her in the headmistress office in the breaks or free lessons as she was her mother aunt and at age of 18 she entered in beauty competition to gain the confidence back even if now she is 26 years flashback always ready to hunt her

breaks polished cinematic mix. breathy ad-libs piano swells with doubled hooks Soulful pop ballad with slow 6/8 sway soft piano and low bass under a restrained kick; verse stays intimate and sparse pre-chorus opens with rising strings and brushed snare chorus blooms into stacked harmonies and a lifted top-line. Lead female vocal is close-mic and vulnerable and delay throws. Tape hiss and a final key-change lift; warm

Headmistress Door

03:32

há 1 mês

de Ritienne Sultana

A song about a girl who suffered domestic violence at home while facing bullying at school and while being in secondary school you would always find her in the headmistress office in the breaks or free lessons as she was her mother aunt and at age of 18 she entered in beauty competition to gain the confidence back even if now she is 26 years flashback always ready to hunt her

breaks polished cinematic mix. breathy ad-libs piano swells with doubled hooks Soulful pop ballad with slow 6/8 sway soft piano and low bass under a restrained kick; verse stays intimate and sparse pre-chorus opens with rising strings and brushed snare chorus blooms into stacked harmonies and a lifted top-line. Lead female vocal is close-mic and vulnerable and delay throws. Tape hiss and a final key-change lift; warm

Del Uno Al Quince

01:34

há 1 mês

de Brittany Noemi Muños García

canción de los números asta el 15 elevados al cuadrados

call-and-response ad-libs pre-chorus tightens with rising vocal stacks with doubled hooks Latin pop singalong with a bouncy dembow pulse and handclap groove; verse moves in a playful step-by-step count and the chorus lands on a chantable number pattern. Lead vocal stays bright and close small risers into each lift and sparkly chimes between phrases. Crisp clean mix with a classroom-party glow.

Del Uno Al Quince

01:20

há 1 mês

de Brittany Noemi Muños García

canción de los números asta el 15 elevados al cuadrados

call-and-response ad-libs pre-chorus tightens with rising vocal stacks with doubled hooks Latin pop singalong with a bouncy dembow pulse and handclap groove; verse moves in a playful step-by-step count and the chorus lands on a chantable number pattern. Lead vocal stays bright and close small risers into each lift and sparkly chimes between phrases. Crisp clean mix with a classroom-party glow.

Catarina E Mãe

03:20

há 1 mês

de Alberto Perón (Sämärïtänö)

O vento que sopra em Cabinda traz uma canção Que nasce do peito e ecoa no meu coração. Catarina é força, é a terra, é a raiz, A árvore firme que me faz ser feliz. Mãe Maquidolanda, teu nome é um altar, Onde eu aprendi o que é amar. Verso 2 Lembro dos teus olhos a me guiar na escuridão, Do calor seguro que vinha da tua mão. Suyane cresceu sob a tua luz, o teu manto, Onde a dor se desfaz e seca o

male vocals and a wide soft shakers reversed swell transitions with doubled hooks glowing mix. Afro-pop ballad with gentle semba sway mid-tempo and lilting percussion; verse stays intimate with acoustic guitar and low hand drums pre-chorus opens with rising harmony stacks and filtered pad swells chorus lands with warm call-and-response vocals and a held choir line. Lead male vocal close-mic and tender short delay throws on name phrases and a final lift with handclaps

Catarina E Mãe

03:17

há 1 mês

de Alberto Perón (Sämärïtänö)

O vento que sopra em Cabinda traz uma canção Que nasce do peito e ecoa no meu coração. Catarina é força, é a terra, é a raiz, A árvore firme que me faz ser feliz. Mãe Maquidolanda, teu nome é um altar, Onde eu aprendi o que é amar. Verso 2 Lembro dos teus olhos a me guiar na escuridão, Do calor seguro que vinha da tua mão. Suyane cresceu sob a tua luz, o teu manto, Onde a dor se desfaz e seca o

male vocals and a wide soft shakers reversed swell transitions with doubled hooks glowing mix. Afro-pop ballad with gentle semba sway mid-tempo and lilting percussion; verse stays intimate with acoustic guitar and low hand drums pre-chorus opens with rising harmony stacks and filtered pad swells chorus lands with warm call-and-response vocals and a held choir line. Lead male vocal close-mic and tender short delay throws on name phrases and a final lift with handclaps

Sidoine Mon Cœur

02:38

há 1 mês

de mbolinanguera92@gmail.com

Sidoine je suis pour toi mon cœur je t'aime

female vocals airy pads polished soft electric piano delay throws on key words emotionally close mix. with doubled hooks French pop-R&B with a warm mid-tempo sway and gentle offbeat hand percussion; verse stays intimate with dry kick and muted guitar; pre-chorus lifts with stacked harmonies and a rising synth swell; chorus opens into wider drums and chant-like backing vocals on the name. Female lead vocal close-mic and tender and subtle ad-lib tails. Bright

Sidoine Mon Cœur

02:54

há 1 mês

de mbolinanguera92@gmail.com

Sidoine je suis pour toi mon cœur je t'aime

female vocals airy pads polished soft electric piano delay throws on key words emotionally close mix. with doubled hooks French pop-R&B with a warm mid-tempo sway and gentle offbeat hand percussion; verse stays intimate with dry kick and muted guitar; pre-chorus lifts with stacked harmonies and a rising synth swell; chorus opens into wider drums and chant-like backing vocals on the name. Female lead vocal close-mic and tender and subtle ad-lib tails. Bright

A Tus Pies

03:58

há 2 meses

de Dixon de Jesús Díaz Gonzáles

Espíritu Santo guía mi vida a tus pies mi Jesús hoy vengo ante ti mi rey porque solo tú eres el que me fortalece mi corazón y no hay nadie que se compare a ti mi Jesús eres la razón de mi respirar mi Jesús Porque solo en ti confiaré mi Jesús eres todo para mí mi rey hoy vengo a postrarme adelante de tu presencia mi Jesús eres digno mi Jesús eres todo para mí mi Jesús eres tú mi rey uuuu

male vocals stacked harmonies spacious reverse swells warm piano arpeggios brief ad-lib echoes Contemporary worship ballad with a steady half-time pulse soft kick and toms in verses; pre-chorus strips to piano and vocal lift chorus opens with soaring pads and gentle hand percussion. Lead male vocals intimate and prayerful with doubled hooks and a final lift with wider backing choir feel. Airy risers and a soft cymbal bloom into the chorus; mix is warm and emotionally close-mic.

A Tus Pies

03:47

há 2 meses

de Dixon de Jesús Díaz Gonzáles

Espíritu Santo guía mi vida a tus pies mi Jesús hoy vengo ante ti mi rey porque solo tú eres el que me fortalece mi corazón y no hay nadie que se compare a ti mi Jesús eres la razón de mi respirar mi Jesús Porque solo en ti confiaré mi Jesús eres todo para mí mi rey hoy vengo a postrarme adelante de tu presencia mi Jesús eres digno mi Jesús eres todo para mí mi Jesús eres tú mi rey uuuu

male vocals stacked harmonies spacious reverse swells warm piano arpeggios brief ad-lib echoes Contemporary worship ballad with a steady half-time pulse soft kick and toms in verses; pre-chorus strips to piano and vocal lift chorus opens with soaring pads and gentle hand percussion. Lead male vocals intimate and prayerful with doubled hooks and a final lift with wider backing choir feel. Airy risers and a soft cymbal bloom into the chorus; mix is warm and emotionally close-mic.

With Doubled Hooks