With Rubato Phrases And Ornamental Melismas; Chorus Snaps Tight With Handclaps And Unison Band Hits. Mid-song Lift With Call-and-response Backing Vocals And A Short

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With Rubato Phrases And Ornamental Melismas; Chorus Snaps Tight With Handclaps And Unison Band Hits. Mid-song Lift With Call-and-response Backing Vocals And A Short Piese

Da, mamă, dă cu biciul în mine

Copertă pentru Da, mamă, dă cu biciul în mine de lucianneagu2018@gmail.com
03:15

5 zile în urmă

de lucianneagu2018@gmail.com

o piesa ce transpune cantecul lautaresc al lui gabi lunca Da mama cu biciul in mine, intr-o perspectiva cu influente a muzicii populare spaniole cu acompaniament de taraf plus chitara

acordeon female vocals Romanian lăutărească core with Spanish folk spice; female vocals. Bright taraf (vioara contrabas țambal) weaving around a nylon-string guitar in Phrygian-tinged motifs. Verses stay intimate and storytelling with rubato phrases and ornamental melismas; chorus snaps tight with handclaps and unison band hits. Mid-song lift with call-and-response backing vocals and a short fiery violin–guitar break before the final shouted refrain.

Da, mamă, dă cu biciul în mine

Copertă pentru Da, mamă, dă cu biciul în mine de lucianneagu2018@gmail.com
03:25

5 zile în urmă

de lucianneagu2018@gmail.com

o piesa ce transpune cantecul lautaresc al lui gabi lunca Da mama cu biciul in mine, intr-o perspectiva cu influente a muzicii populare spaniole cu acompaniament de taraf plus chitara

acordeon female vocals Romanian lăutărească core with Spanish folk spice; female vocals. Bright taraf (vioara contrabas țambal) weaving around a nylon-string guitar in Phrygian-tinged motifs. Verses stay intimate and storytelling with rubato phrases and ornamental melismas; chorus snaps tight with handclaps and unison band hits. Mid-song lift with call-and-response backing vocals and a short fiery violin–guitar break before the final shouted refrain.