Olsen Naidon

02:30

il y a 4 mois

Mi stap long house bilong mi na yu bin tok mi Olsen yu displa mangi ya bilong w, okay kabwum Naidon Nanang bye mi stop Mama, papa bilong mi you stap long distance Wa

male vocals and a bright Tok Pisin pop with a mid-tempo swaying groove hand percussion and warm guitar figures; verse stays intimate and conversational pre-chorus opens up with stacked harmonies chorus lands on a chantable call-and-response. Male vocals with close-mic lead soft doubles and short ad-lib echoes on the hook. Airy risers into the chorus a brief drum pullback before the bridge clean mix with a heartfelt open center.

Olsen Naidon

02:05

il y a 4 mois

de Sonuy Max

Mi stap long house bilong mi na yu bin tok mi Olsen yu displa mangi ya bilong w, okay kabwum Naidon Nanang bye mi stop Mama, papa bilong mi you stap long distance Wa

male vocals and a bright Tok Pisin pop with a mid-tempo swaying groove hand percussion and warm guitar figures; verse stays intimate and conversational pre-chorus opens up with stacked harmonies chorus lands on a chantable call-and-response. Male vocals with close-mic lead soft doubles and short ad-lib echoes on the hook. Airy risers into the chorus a brief drum pullback before the bridge clean mix with a heartfelt open center.

Corner Store Riddim

03:23

il y a 4 mois

de Johnny Tomasson

old school reggae

male vocals reggae Dusty walking bass skanking guitar chops Old-school reggae with a laid-back one-drop groove and warm live drums; verse rides sparse with bass and rimshot pre-chorus lifts with organ bubbles and harmony swells chorus opens with gang vocals and brass hits. Lead male vocals are close-mic and relaxed with dub delay throws on key words and a few call-and-response echoes. Tape hiss spring reverb tails and a horn pickup between sections. Warm and sun-faded mix

Corner Store Riddim

02:25

il y a 4 mois

de Johnny Tomasson

old school reggae

male vocals reggae Dusty walking bass skanking guitar chops Old-school reggae with a laid-back one-drop groove and warm live drums; verse rides sparse with bass and rimshot pre-chorus lifts with organ bubbles and harmony swells chorus opens with gang vocals and brass hits. Lead male vocals are close-mic and relaxed with dub delay throws on key words and a few call-and-response echoes. Tape hiss spring reverb tails and a horn pickup between sections. Warm and sun-faded mix

Princesa Shary

02:39

il y a 4 mois

de william garcia

eres hermosa princesa y aqui estoy para cuidarte eres. como una estrella mi princesa shary vales mucho sincera y carñosa

male vocals brushed drums glossy delay throws on the last word muted keys and light hand percussion Latin pop ballad with a soft reggaeton pulse mid-tempo and swaying; verse stays intimate with nylon guitar pre-chorus lifts with snare rolls and layered oohs chorus opens into warm bass and a singback chant. Lead male vocals are close-mic and tender with double-tracked hook lines and gentle harmony stacks. Heartbeat kick reversed swell into chorus and shimmering bell accents. Bright and romantic.

Princesa Shary

02:30

il y a 4 mois

de william garcia

eres hermosa princesa y aqui estoy para cuidarte eres. como una estrella mi princesa shary vales mucho sincera y carñosa

male vocals brushed drums glossy delay throws on the last word muted keys and light hand percussion Latin pop ballad with a soft reggaeton pulse mid-tempo and swaying; verse stays intimate with nylon guitar pre-chorus lifts with snare rolls and layered oohs chorus opens into warm bass and a singback chant. Lead male vocals are close-mic and tender with double-tracked hook lines and gentle harmony stacks. Heartbeat kick reversed swell into chorus and shimmering bell accents. Bright and romantic.

Pol Rata y Merluza

03:04

il y a 4 mois

de lparera.rov@gmail.com

que sea de regeton.merluza le pone los cuernos a pol rata en el camino i en irlanda con un italiano. a la lucia le gustan los gordos como pol. i la lucia es infiel. que quede como infiel i q haga risa. i que ahora podria estar con palomino que la trata muy bien pero ya ha perdido esa opurtunidad.

male vocals bass - Brass stabs glossy ad-lib throws Reggaeton dembow-locked with punchy handclaps woody rim clicks and a round sub bass; verse rides sparse with cheeky syncopation pre-chorus strips to kick and a teasing synth riser chorus hits with gang vocals and a playful horn riff. Male vocals with tight doubles and a few teasing harmony replies; ear candy from reversed sweeps into the hook and a tape-stop before the last chorus. Bright and mischievous in the mix.

Pol Rata y Merluza

02:55

il y a 4 mois

de lparera.rov@gmail.com

que sea de regeton.merluza le pone los cuernos a pol rata en el camino i en irlanda con un italiano. a la lucia le gustan los gordos como pol. i la lucia es infiel. que quede como infiel i q haga risa. i que ahora podria estar con palomino que la trata muy bien pero ya ha perdido esa opurtunidad.

male vocals bass - Brass stabs glossy ad-lib throws Reggaeton dembow-locked with punchy handclaps woody rim clicks and a round sub bass; verse rides sparse with cheeky syncopation pre-chorus strips to kick and a teasing synth riser chorus hits with gang vocals and a playful horn riff. Male vocals with tight doubles and a few teasing harmony replies; ear candy from reversed sweeps into the hook and a tape-stop before the last chorus. Bright and mischievous in the mix.

Не Сбивай Ритм

03:03

il y a 4 mois

de Андрей Андрей

танцевальная, энергичная

male vocals punchy rubbery bass Syncopated claps Dance-pop with a driving four-on-the-floor pulse and bright synth stabs; verse stays tight and percussive pre-chorus lifts with filtered risers and stacked chants chorus opens wider with gang vocals and a repeatable hook. Lead male vocals are close-mic in verses double-tracked on the hook with short delay throws and ad-lib lifts. Add reversed swells into each drop metallic fills and crisp sidechain bounce. Bright club-ready mix.

Не Сбивай Ритм

03:04

il y a 4 mois

de Андрей Андрей

танцевальная, энергичная

male vocals punchy rubbery bass Syncopated claps Dance-pop with a driving four-on-the-floor pulse and bright synth stabs; verse stays tight and percussive pre-chorus lifts with filtered risers and stacked chants chorus opens wider with gang vocals and a repeatable hook. Lead male vocals are close-mic in verses double-tracked on the hook with short delay throws and ad-lib lifts. Add reversed swells into each drop metallic fills and crisp sidechain bounce. Bright club-ready mix.

Pokea Sifa

02:57

il y a 4 mois

de bti65168@gmail.com

gospel live performance with crowd wimbo unaitwa pokea sifa. wimbo wa kucheza ulio changamka ukisifu makuu ya Mungu jima la producer ni emmavoice

male vocals Gospel handclaps short delay throws on key lines Gospel live performance upbeat dance groove with shuffling drums bass guitar bounce electric organ stabs and call-and-response crowd energy; verse starts intimate with lead male vocal and light choir pads pre-chorus opens with stacked responses and rising claps chorus bursts wide with gang vocals and repeated crowd chants. Add shouted ad-libs tambourine sparkle and a lifted final chorus. Bright full and celebratory live mix with warm room ambience and punchy low end. Male vocals.

Pokea Sifa

04:00

il y a 4 mois

de bti65168@gmail.com

gospel live performance with crowd wimbo unaitwa pokea sifa. wimbo wa kucheza ulio changamka ukisifu makuu ya Mungu jima la producer ni emmavoice

male vocals Gospel handclaps short delay throws on key lines Gospel live performance upbeat dance groove with shuffling drums bass guitar bounce electric organ stabs and call-and-response crowd energy; verse starts intimate with lead male vocal and light choir pads pre-chorus opens with stacked responses and rising claps chorus bursts wide with gang vocals and repeated crowd chants. Add shouted ad-libs tambourine sparkle and a lifted final chorus. Bright full and celebratory live mix with warm room ambience and punchy low end. Male vocals.

Bode na Rua

02:53

il y a 4 mois

de Fabiano Morais

bode na rua na cidade de Gurjão venha curtir vicê éno nosso convidado pode na rua é no mês de julho venha conferir e dança muito forró ao vivo em praça pública

male vocals crowd claps Forró pé-de-serra with a fast baião swing zabumba-driven pulse and accordion leads; verse steps lightly with sparse triangle and handclaps pre-chorus opens with rising backing chants chorus bursts in with full sanfona and male vocals in bright doubles on the hook. Add short accordion fills between lines a brief percussion break before the last chorus and a warm punchy mix with live praça energy.

Bode na Rua

03:10

il y a 4 mois

de Fabiano Morais

bode na rua na cidade de Gurjão venha curtir vicê éno nosso convidado pode na rua é no mês de julho venha conferir e dança muito forró ao vivo em praça pública

male vocals crowd claps Forró pé-de-serra with a fast baião swing zabumba-driven pulse and accordion leads; verse steps lightly with sparse triangle and handclaps pre-chorus opens with rising backing chants chorus bursts in with full sanfona and male vocals in bright doubles on the hook. Add short accordion fills between lines a brief percussion break before the last chorus and a warm punchy mix with live praça energy.

Nonot Garcia

02:48

il y a 4 mois

de KAYBOBOKA KAYBOBOKA

dj jerry garcia lets go ikaw ang hari ng beat sa intablado ang palayaw mo ay si nonot garcia pero daming.chicks

male vocals punchy Latin pop with reggaeton bounce and club-ready handclaps; mid-tempo dembow groove verse rides sparse drums and bass with playful vocal phrasing pre-chorus lifts with filtered chants and snare rolls chorus hits wider with synth brass stabs and gang hooks. Male vocals with tight doubles cheeky ad-libs delay throws on the name and crowd chant layers. Ear candy includes reversed risers rim-shot fills and a bass drop into the hook. Bright glossy mix.

Nonot Garcia

02:48

il y a 4 mois

de KAYBOBOKA KAYBOBOKA

dj jerry garcia lets go ikaw ang hari ng beat sa intablado ang palayaw mo ay si nonot garcia pero daming.chicks

male vocals punchy Latin pop with reggaeton bounce and club-ready handclaps; mid-tempo dembow groove verse rides sparse drums and bass with playful vocal phrasing pre-chorus lifts with filtered chants and snare rolls chorus hits wider with synth brass stabs and gang hooks. Male vocals with tight doubles cheeky ad-libs delay throws on the name and crowd chant layers. Ear candy includes reversed risers rim-shot fills and a bass drop into the hook. Bright glossy mix.

Rmrse en pierre

03:25

il y a 4 mois

de Brandon Cometti

Créer une musique rap en décrivant une personnalité d’un de reigne en prononçant Rmrse avec la voix d’un homme. Durée 2 minutes et 30 secondes.

male vocals rap snare and punchy. reverse cymbal swells French rap with male vocals 92 BPM swung boom-bap drums and dusty sample chops; verse rides sparse kick and warm bass pre-chorus tightens with filtered chops and rising hand drums chorus hits with stacked gang echoes on the name. Vocal is close-mic assertive with doubled hook lines and short delay throws. Ear candy includes vinyl crackle and a bell fill into the chorus. Mix is gritty present

Rmrse en pierre

03:12

il y a 4 mois

de Brandon Cometti

Créer une musique rap en décrivant une personnalité d’un de reigne en prononçant Rmrse avec la voix d’un homme. Durée 2 minutes et 30 secondes.

male vocals rap snare and punchy. reverse cymbal swells French rap with male vocals 92 BPM swung boom-bap drums and dusty sample chops; verse rides sparse kick and warm bass pre-chorus tightens with filtered chops and rising hand drums chorus hits with stacked gang echoes on the name. Vocal is close-mic assertive with doubled hook lines and short delay throws. Ear candy includes vinyl crackle and a bell fill into the chorus. Mix is gritty present

Nitaamini

03:30

il y a 4 mois

de Emmanuel Mweta

swahili gospel live performance with crowd, wimbo uwe umechangamka na uwe na chorus nzuri na kali rahisi kuimbika na kwenda viral. wimbo uwe wa sifa na uchangamke. jina la wimbo liitwe nitaamini, wimbo umetungwa na emmanuel

male vocals Gospel handclaps stacked harmonies tambourine lifts Swahili gospel praise with live crowd energy upbeat mid-tempo shuffle and clapping groove; verse rides organ stabs guitar chops and call-and-response; pre-chorus strips to bass and rising choir hum; chorus opens wide with lead male vocal and crowd shouts on the hook. Add trumpet hits and a shouted final chorus. Bright punchy live mix with room reverb and singalong energy; male vocals.

Nitaamini

03:33

il y a 4 mois

de Emmanuel Mweta

swahili gospel live performance with crowd, wimbo uwe umechangamka na uwe na chorus nzuri na kali rahisi kuimbika na kwenda viral. wimbo uwe wa sifa na uchangamke. jina la wimbo liitwe nitaamini, wimbo umetungwa na emmanuel

male vocals Gospel handclaps stacked harmonies tambourine lifts Swahili gospel praise with live crowd energy upbeat mid-tempo shuffle and clapping groove; verse rides organ stabs guitar chops and call-and-response; pre-chorus strips to bass and rising choir hum; chorus opens wide with lead male vocal and crowd shouts on the hook. Add trumpet hits and a shouted final chorus. Bright punchy live mix with room reverb and singalong energy; male vocals.

Retina Brasil

02:58

il y a 4 mois

de Mateus Pereira dos santos

Somos o grupo Retina unidos pela visão; Buscando acolhimento informação e inclusão; Doenças raras da retina queremos compreender; Com ciência vivência e respeito pra vencer; Fortalecer os vínculos é a nossa missão; É a Retina Brasil abrindo caminhos em cada coração! Glailton Winckler da Silva abre a jornada então; Presidente da ACERGS em firme atuação; Apresenta a instituição qu

male vocals light piano crowd shouts and a bright Pop anthem with mid-tempo four-on-the-floor pulse and handclap lift; verse rides acoustic guitar and steady kick; pre-chorus strips to voice and pad swells then chorus opens with stacked male vocals and a rising string line. Add soft risers into each chorus delayed tag echoes on the hook polished mix with emotional close-mic lead.

Retina Brasil

03:17

il y a 4 mois

de Mateus Pereira dos santos

Somos o grupo Retina unidos pela visão; Buscando acolhimento informação e inclusão; Doenças raras da retina queremos compreender; Com ciência vivência e respeito pra vencer; Fortalecer os vínculos é a nossa missão; É a Retina Brasil abrindo caminhos em cada coração! Glailton Winckler da Silva abre a jornada então; Presidente da ACERGS em firme atuação; Apresenta a instituição qu

male vocals light piano crowd shouts and a bright Pop anthem with mid-tempo four-on-the-floor pulse and handclap lift; verse rides acoustic guitar and steady kick; pre-chorus strips to voice and pad swells then chorus opens with stacked male vocals and a rising string line. Add soft risers into each chorus delayed tag echoes on the hook polished mix with emotional close-mic lead.

Pihon Island

02:53

il y a 4 mois

de Maingel Reuben

It's me papu black's Haha.. Pihon Island home vas1 North western manus lover lukim you long Loringau market..... em e been orait one time you meri western...... Meri Ninigau marmaid you merkim na me sleep one time eye wara .... Corass Mi lukim you sanap Stap long Loringau waft.. nogat tok save na you go..... tokim me how na why you la go Nogat time long wastem to..... laver you save me l

male vocals sleep Tok Pisin island love ballad with steady mid-tempo groove palm-muted guitar and soft kick pulse; verse stays close and conversational pre-chorus opens with rising harmony and hand drum taps chorus lands wider with stacked male doubles and a chantable hook. Add reversed swell into each chorus a small bell run between lines and a warm intimate mix with glossy top end. male vocals

Pihon Island

02:35

il y a 4 mois

de Maingel Reuben

It's me papu black's Haha.. Pihon Island home vas1 North western manus lover lukim you long Loringau market..... em e been orait one time you meri western...... Meri Ninigau marmaid you merkim na me sleep one time eye wara .... Corass Mi lukim you sanap Stap long Loringau waft.. nogat tok save na you go..... tokim me how na why you la go Nogat time long wastem to..... laver you save me l

male vocals sleep Tok Pisin island love ballad with steady mid-tempo groove palm-muted guitar and soft kick pulse; verse stays close and conversational pre-chorus opens with rising harmony and hand drum taps chorus lands wider with stacked male doubles and a chantable hook. Add reversed swell into each chorus a small bell run between lines and a warm intimate mix with glossy top end. male vocals

Male Vocals

Male Vocals Morceaux

Olsen Naidon

Olsen Naidon

Corner Store Riddim

Corner Store Riddim

Princesa Shary

Princesa Shary

Pol Rata y Merluza

Pol Rata y Merluza

Не Сбивай Ритм

Не Сбивай Ритм

Pokea Sifa

Pokea Sifa

Bode na Rua

Bode na Rua

Nonot Garcia

Nonot Garcia

Rmrse en pierre

Rmrse en pierre

Nitaamini

Nitaamini

Retina Brasil

Retina Brasil

Pihon Island

Pihon Island

Paroles de la Chanson

Générer des paroles

Confirmation de mise à niveau

Succès !

Une erreur est survenue