Fog Zone (R)

02:31

il y a 4 jours

80's Hip-hop, Gfunk, Rap, gangsta, grunge, Rap song about Ayo, I step into the fog, rollin' logs of the master product Blowin' smog, top dog, gettin' blasted, got us Higher than the ozone, frozen in a smoke zone Chokin' on the potent, leave your cortex exposed, clone Niggas want the fiction, I provide the addiction Doc-Side prescription, heavy friction in the diction Pass the light

male vocals hip hop rap light Grunge with doubled hook lines tape hiss reversed swells into transitions pre-chorus strips to bass and handclaps ad-lib replies 80s hip-hop with G-funk bass bounce and grunge edge laid-back swung drums thick slap bass scratched interjections and a dusty boom-bap pocket; verse rides low and smoky with tight rap phrasing chorus hits with chanty gang vocals and a clipped synth stab. Lead male vocals stay close-mic and gritty and a bright punchy mix with a worn vinyl sheen.

Fog Zone (O)

02:30

il y a 4 jours

de Nathan Weiss

80's Hip-hop, Gfunk, Rap, gangsta, grunge, Rap song about Ayo, I step into the fog, rollin' logs of the master product Blowin' smog, top dog, gettin' blasted, got us Higher than the ozone, frozen in a smoke zone Chokin' on the potent, leave your cortex exposed, clone Niggas want the fiction, I provide the addiction Doc-Side prescription, heavy friction in the diction Pass the light

male vocals hip hop rap light Grunge with doubled hook lines tape hiss reversed swells into transitions pre-chorus strips to bass and handclaps ad-lib replies 80s hip-hop with G-funk bass bounce and grunge edge laid-back swung drums thick slap bass scratched interjections and a dusty boom-bap pocket; verse rides low and smoky with tight rap phrasing chorus hits with chanty gang vocals and a clipped synth stab. Lead male vocals stay close-mic and gritty and a bright punchy mix with a worn vinyl sheen.

Lea Sauka

02:07

il y a 1 mois

de John Karahure

Ves1 Miri ma ta mia Vai e...ua miri foro e loi...sare sosi hai-foro e loi Oro karo pupuri sisa Pai. Chorus Sha... moraita e...Ara hai-keai...nau mi stap long way long Yu Lea sauka aro eavai loi. Ves2 Lo voa...meita Mori e...ia miri foro e voa...Ara ro la kiri Pai.. hai iri eae ve ovo toro sisa Pai. ending Sha...Lea sauka aro eavai loi x2

airy) with doubled hook lines soft ad-lib echoes World-pop with a steady mid-tempo hand-drum groove and buoyant syncopation; verse stays sparse with frame drum plucked strings and light bass pulses; pre-chorus opens with rising harmonies and a filtered chant lift; chorus lands with stacked group vocals and a wider drum pattern. Lead vocal is close-mic and expressive and a few tail-end delay throws. Ear candy includes reversed swells breathy pickup chants and bright percussion fills. Mix is warm and rhythm-forward.

Lea Sauka

03:29

il y a 1 mois

de John Karahure

Ves1 Miri ma ta mia Vai e...ua miri foro e loi...sare sosi hai-foro e loi Oro karo pupuri sisa Pai. Chorus Sha... moraita e...Ara hai-keai...nau mi stap long way long Yu Lea sauka aro eavai loi. Ves2 Lo voa...meita Mori e...ia miri foro e voa...Ara ro la kiri Pai.. hai iri eae ve ovo toro sisa Pai. ending Sha...Lea sauka aro eavai loi x2

airy) with doubled hook lines soft ad-lib echoes World-pop with a steady mid-tempo hand-drum groove and buoyant syncopation; verse stays sparse with frame drum plucked strings and light bass pulses; pre-chorus opens with rising harmonies and a filtered chant lift; chorus lands with stacked group vocals and a wider drum pattern. Lead vocal is close-mic and expressive and a few tail-end delay throws. Ear candy includes reversed swells breathy pickup chants and bright percussion fills. Mix is warm and rhythm-forward.

Monday Shop Rugashali

03:17

il y a 1 mois

de Mercy Douglas

MONDAY SHOP RUGASHALI NITUTUNDA EBITABO ESABUNI AMAHURI SODA EZIRAFUKA TWINEHO NOBUHEREZA BWA MOBILE MONEY SERVICES NATUSHANGWA RUGASHALI TOWN IMWE ABANTU MWENA ABA RUGASHALI RUTOOMA GALIRAYA KIBUGA KINABA KYABITUNDU KASASA KASUBI YORUDANI BWERANYANGE MWIJE MUTUHAJIRE. DOUGLAS PRODUCTION RUGA

male vocals Warm hand claps with doubled hook lines ad-lib panning Afro-pop with male vocals mid-tempo shuffling groove and bright percussion; verse rides sparse kick and a repeating guitar riff pre-chorus lifts with stacked chants and rising snaps chorus opens with fuller drums and call-and-response echoes. Lead vocal stays close-mic and lively and short delay throws. Ear candy includes a coin-drop hit crowd shout swell and a quick snare pickup into the hook. Mix is crisp and front-row punchy.

Monday Shop Rugashali

03:13

il y a 1 mois

de Mercy Douglas

MONDAY SHOP RUGASHALI NITUTUNDA EBITABO ESABUNI AMAHURI SODA EZIRAFUKA TWINEHO NOBUHEREZA BWA MOBILE MONEY SERVICES NATUSHANGWA RUGASHALI TOWN IMWE ABANTU MWENA ABA RUGASHALI RUTOOMA GALIRAYA KIBUGA KINABA KYABITUNDU KASASA KASUBI YORUDANI BWERANYANGE MWIJE MUTUHAJIRE. DOUGLAS PRODUCTION RUGA

male vocals Warm hand claps with doubled hook lines ad-lib panning Afro-pop with male vocals mid-tempo shuffling groove and bright percussion; verse rides sparse kick and a repeating guitar riff pre-chorus lifts with stacked chants and rising snaps chorus opens with fuller drums and call-and-response echoes. Lead vocal stays close-mic and lively and short delay throws. Ear candy includes a coin-drop hit crowd shout swell and a quick snare pickup into the hook. Mix is crisp and front-row punchy.

Ieda no Baile

02:10

il y a 1 mois

de Igor Marcos

quando ela chega para tudo, aqui no baile do DJ Gato Ajato, você é maravilhosa demais, com seu jeitinho piriguete, guete, guete, pode usar vestido curto, tamanco ou bota e chapelão, não importa oque você use porque você sempre chamará atenção, de qualquer eu tou falando? dela mesmo Ieda, Ieda, Ieda.....vem, vem, vem, no baile do DJ Gato Ajato

punchy handclaps playful ad-libs. with doubled hook lines reverse cymbal swells Funk carioca with batidão and chopped tamborzão groove at 130 BPM; verse rides sparse kicks and a gritty synth bass pre-chorus lifts with snare rolls and call-and-response chants chorus explodes with gang vocals on the name and short horn stabs. Lead vocal is close-mic and teasing and delay throws on the chant words. Ear candy includes risers into drops and crowd shouts between phrases. Bright sweaty club mix.

Ieda no Baile

02:26

il y a 1 mois

de Igor Marcos

quando ela chega para tudo, aqui no baile do DJ Gato Ajato, você é maravilhosa demais, com seu jeitinho piriguete, guete, guete, pode usar vestido curto, tamanco ou bota e chapelão, não importa oque você use porque você sempre chamará atenção, de qualquer eu tou falando? dela mesmo Ieda, Ieda, Ieda.....vem, vem, vem, no baile do DJ Gato Ajato

punchy handclaps playful ad-libs. with doubled hook lines reverse cymbal swells Funk carioca with batidão and chopped tamborzão groove at 130 BPM; verse rides sparse kicks and a gritty synth bass pre-chorus lifts with snare rolls and call-and-response chants chorus explodes with gang vocals on the name and short horn stabs. Lead vocal is close-mic and teasing and delay throws on the chant words. Ear candy includes risers into drops and crowd shouts between phrases. Bright sweaty club mix.

Al Infinito

02:58

il y a 1 mois

de Mauricio Ruiz

amor Mauricio te amo con todo mi corazón eres mi todo y siempre estaré ahy cuidándote nunca me faltes y lo que siempre te e dicho al infinito y mas aya te ama tu amor Abigail que te ama mucho

female vocals Warm with doubled hook lines Pop ballad with female vocals airy ad-libs mid-tempo and swaying; verse stays intimate on acoustic guitar and soft piano pre-chorus lifts with light strings and a snare swell chorus opens with layered harmonies and gentle handclaps. Lead vocal is close-mic and tender and a few echo throws on the key phrase. Ear candy includes reversed piano swells into the pre-chorus a soft cymbal lift before each chorus and a final key change feel in the last refrain. Bright and emotional mix with a polished radio sheen.

Al Infinito

03:10

il y a 1 mois

de Mauricio Ruiz

amor Mauricio te amo con todo mi corazón eres mi todo y siempre estaré ahy cuidándote nunca me faltes y lo que siempre te e dicho al infinito y mas aya te ama tu amor Abigail que te ama mucho

female vocals Warm with doubled hook lines Pop ballad with female vocals airy ad-libs mid-tempo and swaying; verse stays intimate on acoustic guitar and soft piano pre-chorus lifts with light strings and a snare swell chorus opens with layered harmonies and gentle handclaps. Lead vocal is close-mic and tender and a few echo throws on the key phrase. Ear candy includes reversed piano swells into the pre-chorus a soft cymbal lift before each chorus and a final key change feel in the last refrain. Bright and emotional mix with a polished radio sheen.

Μπάλς Αθίν

02:19

il y a 1 mois

de Roe Xhemalaj

ballsh Athin drog pa pushim Με το bro, στο σκοτάδι λάμπουμε Μέσα φυλακή, ψάχνουμε φως να βρούμε Ballsh-athin drog pa pushim, δεν χάνουμε το δρόμο Πάμε μαζί, κάθε μέρα πιο ψηλά, χωρίς φόβο, Hip-Hop, Hip-Hop, Hip-Hop, Hip-Hop, Hip-Hop

male vocals hip hop snare short delay throws on key words with doubled hook lines punchy mix Hip-hop with a hard boom-bap foundation and swung drums; verse rides sparse kick and a grimy bass pulse pre-chorus tightens with filtered chops and rising tension chorus lands with stacked gang vocals and a chesty lead. Male vocals close-mic and gritty reverse swells into the drops and crisp

Moto Morena

01:06

il y a 1 mois

de Lucas Almeida

favel venceu moto morena linda

gang vocals delay throws on the last word with doubled hook lines Brazilian funk with dembow-locked percussion and bouncing 808 sub verse rides clipped rap cadences over sparse tamborzão and handclaps; pre-chorus opens with filtered crowd chants and rising synth; chorus hits with a chantable bassline and short turn-up ad-libs. Close-mic lead vocal gritty and playful and street-party ambience.

Moto Morena

00:43

il y a 1 mois

de Lucas Almeida

favel venceu moto morena linda

gang vocals delay throws on the last word with doubled hook lines Brazilian funk with dembow-locked percussion and bouncing 808 sub verse rides clipped rap cadences over sparse tamborzão and handclaps; pre-chorus opens with filtered crowd chants and rising synth; chorus hits with a chantable bassline and short turn-up ad-libs. Close-mic lead vocal gritty and playful and street-party ambience.

Pamela Onapa

01:56

il y a 1 mois

de Junior Fulipi

Ayoooo meri blo mi ol family blo u les lo mi but bata krumu no les lo lo Meri detix Pamela please onapa ba still stap yet Ayoooo lihani gaika familika nanikumu goslena noenha zaninaga Krumute panauba detiwara pakumu lesi mehuehi Pamela ga onapa Gai hiti minaluna bati hili

glossy with doubled hook lines pre-chorus lifts with stacked chants Afropop with bouncing percussive groove syncopated hand drums and warm bass; verse rides lean and playful chorus hits with a chantable call-and-response and short hook repeats. Lead vocal is close-mic and loose ad-lib pops and gang vocals on the anchor phrase. Ear candy includes reverse shakers into the chorus bright claps on the backbeat and little vocal echoes on the last word. Mix is lively and front-facing.

Pamela Onapa

02:14

il y a 1 mois

de Junior Fulipi

Ayoooo meri blo mi ol family blo u les lo mi but bata krumu no les lo lo Meri detix Pamela please onapa ba still stap yet Ayoooo lihani gaika familika nanikumu goslena noenha zaninaga Krumute panauba detiwara pakumu lesi mehuehi Pamela ga onapa Gai hiti minaluna bati hili

glossy with doubled hook lines pre-chorus lifts with stacked chants Afropop with bouncing percussive groove syncopated hand drums and warm bass; verse rides lean and playful chorus hits with a chantable call-and-response and short hook repeats. Lead vocal is close-mic and loose ad-lib pops and gang vocals on the anchor phrase. Ear candy includes reverse shakers into the chorus bright claps on the backbeat and little vocal echoes on the last word. Mix is lively and front-facing.

Ella Rompe Todo

02:41

il y a 2 mois

de Bryan

creame una cancion de fiesta, perreo, playa que ella es la que rompe la discoteca etc en reggaeton con dembow

punchy reggaetón with doubled hook lines Reggaeton dembow with a hard perreo pulse syncopated drums and rolling sub-bass; verse stays lean with cheeky call-and-response lines pre-chorus lifts with filtered percussion and rising chants chorus opens wider with club shouts and sticky repeated anchor. Lead vocal is close-mic and playful ad-lib panning and short delay throws on the last word. Ear candy: conga fills into the drop reversed swell before the chorus and a bright whistle stab. Mix is glossy and bass-heavy.

Ella Rompe Todo

02:42

il y a 2 mois

de Bryan

creame una cancion de fiesta, perreo, playa que ella es la que rompe la discoteca etc en reggaeton con dembow

punchy reggaetón with doubled hook lines Reggaeton dembow with a hard perreo pulse syncopated drums and rolling sub-bass; verse stays lean with cheeky call-and-response lines pre-chorus lifts with filtered percussion and rising chants chorus opens wider with club shouts and sticky repeated anchor. Lead vocal is close-mic and playful ad-lib panning and short delay throws on the last word. Ear candy: conga fills into the drop reversed swell before the chorus and a bright whistle stab. Mix is glossy and bass-heavy.

Bloco do Minecraft

02:45

il y a 2 mois

de Miguel Luis

Uma música de rap sobre um grupo de amigos chamado Miguel, Gabriel e Enzo jogando Minecraft

male vocals rap clean close-mic and warm with doubled hook lines Portuguese rap with male vocals bouncy mid-tempo boom-bap groove head-nod drums and rubbery bass; verse rides sparse with chopped game-like percussion and tight rhythmic flows pre-chorus strips to clap and bass chorus hits with group chants on the names and a catchy repeated hook. Vocal delivery is dry ad-lib punches and short delay throws on key words. Ear candy includes blocky wood knocks reversed swells into the hook and a tiny sparkle fill before each chorus. Mix is punchy

Bloco do Minecraft

02:30

il y a 2 mois

de Miguel Luis

Uma música de rap sobre um grupo de amigos chamado Miguel, Gabriel e Enzo jogando Minecraft

male vocals rap clean close-mic and warm with doubled hook lines Portuguese rap with male vocals bouncy mid-tempo boom-bap groove head-nod drums and rubbery bass; verse rides sparse with chopped game-like percussion and tight rhythmic flows pre-chorus strips to clap and bass chorus hits with group chants on the names and a catchy repeated hook. Vocal delivery is dry ad-lib punches and short delay throws on key words. Ear candy includes blocky wood knocks reversed swells into the hook and a tiny sparkle fill before each chorus. Mix is punchy

With Doubled Hook Lines